36 replies to this topic

[daflewis]

Hi everyone,

Welcome to this new sub-forum for Innovation double bass strings.

I've been approached by Innovation and asked to host this area, so I'll be around to answer any questions about the company's products, as well as any general questions that people may have - (bass related, that is!). Please allow me a day or so to reply (though, of course, i'll try and be quicker) but I may need to go back to Tony for more in-depth questions. (He's Innovation's chief tech and the guy who actually hand winds many of the strings)

We're hoping to incorporate some special offers along with announcements of new lines, and I'm working on trying to get some kind of trial system going so that people can try out any set of Innovation strings that they might be interested in for a week or so without the usual expense that tends to go with it.

I'm also going to be working with Innovation to both develop the existing range of strings and create some new lines, and to this end, I'm hoping you might help me by giving me your views on any Innovation strings you have tried (especially if you decided they weren't for you!); as well as telling me what you'd like to see in a new string.
I'm currently putting together a questionnaire which I'll post a link to as soon as I've finished testing it - it would be a great help if you could find a few moments to fill it in.

To give you an idea, two things that I personally think could be of interest are; first, a lower tension jazz/classical string (there are a lot of guys new to double bass who are after something a little easier on their hands) and secondly, a string that is guaranteed to work well with a magnetic pick-up. But if you have any other thoughts, please let me know.

As for now, watch this space!

Cheers,
Daf

Edited by daflewis, 22 July 2011 - 09:12 AM.

[PaulKing]

I'll be watching with interest!

[geoffbassist]

Me too Paul!

Its great to see a British company is doing well.
Thanks for hosting Daf. I will be interested in hearing your experience with innovation and which of their strings you are using.
cheers Geoff

[oldslapper]

Innovation have chosen a good man in Daf, look forward to seeing how things develop.

John

[daflewis]

Thanks for the words of encouragement guys! I have to admit to being a little nervous, but hopefully it will be fun, informative and a useful resource for everyone.
I've taken a step forward today with the idea of a pool of strings to try out - I got the Go-ahead in principle from the company so as soon as I can get hold of some sets we can get them out there!

[Clarky]

Hi, all good! IMHO Innovation should offer.a low tension gut-alike with metal core, akin to the Presto Ultralight but with Silver Slap like tension (I found the Prestos just that bit harder to play than SS's). My tuwo pennorth!

[TPJ]

Subscribed.

I really enjoyed my time with Honeys, they sounded great on my bass. Innovation seem to have a string for just about everyone.

Thanks for taking this on daf.

[daflewis]

Great! Thanks Clarky that's exactly the kind of thing we need! PaulKing has told me that he uses the braided core solos tuned to concert as a low tension slap string and wondered about a nylon coat on those; and I'm currently working with a version of the braided core with ferrous metal wraps for mag pickups, so maybe we could try combining the two...

[daflewis]

Hi TPJ, thanks for that, sorry I was writing that reply (and in the middle of my show) when you posted... Yes, innovation do seem to cover most of the basses! (sorry!) though one thing I'd like to see is a more "growly" jazz string....

[daflewis]

Geoff, sorry I missed that bit about which strings I use.
Well:
I have a full size Emmanuel Wilfer strung with braided core solos tuned to concert pitch
An old English bass (1869) strung with honeys
And a german flat back (c.1890) strung with solo obligatos tuned to concert pitch (but don't tell anyone!)

Having said that, they're mostly now strung with a weird and wonderful array of prototypes from Tony!

[geoffbassist]

daflewis, on Jul 22 2011, 11:06 PM, said:

Geoff, sorry I missed that bit about which strings I use.
Well:
I have a full size Emmanuel Wilfer strung with braided core solos tuned to concert pitch
An old English bass (1869) strung with honeys
And a german flat back (c.1890) strung with solo obligatos tuned to concert pitch (but don't tell anyone!)

Having said that, they're mostly now strung with a weird and wonderful array of prototypes from Tony!

Thanks Daf. I think innovation are about the only string manufacturer who's strings I've never played.
My intrest is in string suitable for predominantly jazz. However I usually use a hybrid string and particularly like Evah wiechs and Helicore hybrid lights (which I currently use). I've never tried 'orch tuned' solo strings, but always enjoyed them at solo pitch. I think I would like them as I'm into low tension strings.
Ive also noticed that people who own innovations always seem to rave about them so they must be doing something right!
Let us know how you get on with your new sets/prototypes.
Cheers Geoff

[daflewis]

geoffbassist, on Jul 23 2011, 09:04 AM, said:

Thanks Daf. I think innovation are about the only string manufacturer who's strings I've never played.
My intrest is in string suitable for predominantly jazz. However I usually use a hybrid string and particularly like Evah wiechs and Helicore hybrid lights (which I currently use). I've never tried 'orch tuned' solo strings, but always enjoyed them at solo pitch. I think I would like them as I'm into low tension strings.
Ive also noticed that people who own innovations always seem to rave about them so they must be doing something right!
Let us know how you get on with your new sets/prototypes.
Cheers Geoff

Hi Geoff,
Yes, the innovations are loved by many - I think it's because they've pretty much cracked the "gut" sound and feel without the problems of the real thing; the silver slaps particularly are hugely popular with the slap fraternity and I'm hoping to develop one or two ideas on that side as mentioned earlier.
As for the jazz/orchestral side again people looking for a gut sound and feel love them, but my feeling is that there could be a few more versions with a more "modern" sound and a lighter feel, but without losing the essential nature of Innovation...

Edited by daflewis, 23 July 2011 - 11:36 AM.

[owen]

I love my rockabilly strings. I wish I could bow them. I use honeys as a 'nearly there' bodge, and they are also great.

[TheRev]

How are silver slaps for pizz?
I need to get a bit slap happy for a new project but, much as I love my Velvet Garbos, I think they're a bit too stiff for slap. I still have my jazz/soul trio on the go so I need strings that will suit both light slappage and jazzy pizz.

Also, what's the difference between the silver and golden slaps? Just the colour?

[daflewis]

owen, on Jul 25 2011, 06:59 PM, said:

I love my rockabilly strings. I wish I could bow them. I use honeys as a 'nearly there' bodge, and they are also great.

Hi Owen,
PaulKing uses the braided solos at concert pitch as a slap string and says that apart from a slightly metallic edge to the slap itself he really likes the feel and tone of them - they'd have the advantage over the honeys of being lower tension, a more gutty sound and they bow better too! If you'd like I'll you out a set to try as soon as I get them.
Cheers,
Daf

[daflewis]

TheRev, on Jul 25 2011, 09:48 PM, said:

How are silver slaps for pizz?
I need to get a bit slap happy for a new project but, much as I love my Velvet Garbos, I think they're a bit too stiff for slap. I still have my jazz/soul trio on the go so I need strings that will suit both light slappage and jazzy pizz.

Also, what's the difference between the silver and golden slaps? Just the colour?

Hi Rev,
Well, first the easy question! yes, the colour is the only difference between the golden and silver slaps.

as to pizz on the silver slaps - as a jazz/show player my experience of the silver slaps is a little limited especially compared with some of the other folks round here... - i have played them but not "in anger" so I wonder if someone with more experience could help us out here?

As mentioned before PaulKing slaps the braided solos, but i wonder if there would be enough sustain in them for you; and Owen slaps the honeys (man, that sounds dodgy!) but they would have higher tension than the solos (though, i think, not as high as the garbs?) EDIT - Owen has informed me that he doesn't slap them so please ignore that!

Thank you for mentioning this as it's something else I can look into on the development side - (though i know that doesn't help you right now!) but, again, if there are any current sets that you'd like to try out for a few weeks please let me know and i'll get them out to you as soon as i can.

Cheers,
daf

Edited by daflewis, 26 July 2011 - 09:06 AM.

[jakenewmanbass]

Hi Daf
firstly this is great!!
I have used silver slaps on my 1880 and my Stentor (van bass... lives in a van, goes everywhere with little care) for about 3 years.
the van bass is currently strung with E and A Silver slaps and D G super silvers. At first the extra bit of tension on the supers was a bit difficult to handle but a summer season of 100+ sets and it is proving to be a nice mix.
My only concern with silver slaps is that if you really dig in (which I occasionally do) they can choke a bit. I also think they are ok under a bow, but I'm not a serious arco player and can imagine them being a bit scratchy for some.
Overall I think Innovation are great strings and look forward to seeing how they will refine their range... They are very much on the right lines as far as I'm concerned, I'd go so far as to say that they have made my very ordinary stentor sound like an instrument and my rather lovely 1880 blockless wonder sound fab.
Jake

[thisnameistaken]

Hey Jake. I recently strung my bass with Silver Slaps and while I really like the tension for slapping I'm finding them a little bit loose for pizz. I thought about getting the Super Silvers but nobody here had any opinion of them so I stuck with the Slaps, how much different would you say the tension is?

[owen]

Just for clarity, I do not and never have slapped the honeys.
I also do not slap when I play. I like the rockabillys for the low tension and mellow tone.

daflewis, on Jul 26 2011, 01:06 AM, said:

Hi Rev,
Well, first the easy question! yes, the colour is the only difference between the golden and silver slaps.

as to pizz on the silver slaps - as a jazz/show player my experience of the silver slaps is a little limited especially compared with some of the other folks round here... - i have played them but not "in anger" so I wonder if someone with more experience could help us out here?

As mentioned before PaulKing slaps the braided solos, but i wonder if there would be enough sustain in them for you; and Owen slaps the honeys (man, that sounds dodgy!) but they would have higher tension than the solos (though, i think, not as high as the garbos?)

Thank you for mentioning this as it's something else I can look into on the development side - (though i know that doesn't help you right now!) but, again, if there are any current sets that you'd like to try out for a few weeks please let me know and i'll get them out to you as soon as i can.

Cheers,
daf

[daflewis]

Ah! sorry Owen, my mistake - when you described your strings as "rockabilly strings" i just assumed you meant the style - Thanks for the clarification - I've edited the earlier post.


Hi Jake, thanks for that - and I had no idea you could actually bow the slaps - I thought the nylon coating would preclude that totally. I shall have to give it a try....

Edited by daflewis, 26 July 2011 - 09:08 AM.