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Yamaha 02R Digital Mixing Desk..


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#61 VTypeV4

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Posted 05 March 2016 - 01:17 AM

I've just bagged a second cascade card for the vast sum of £19.99! Plus a fiver postage of course but I'm really happy with such a bargain..

I'm having a major re-organize this weekend as my setup has become a bit messy. I've built a new table / surface to put it all on plus I'm gonna gut the amp rack and clean the amps, re-sort and tidy all the wires around the back of the soundcard and attempt to make it all much neater wih easier access.. I'll take some pix of the process..
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'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

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#62 VTypeV4

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Posted 07 March 2016 - 05:26 PM

The last 12 or so hours work..

Posted Image

It's nearly all finished but there's a few detail changes I need to sort but I'll wrap them up tomorrow / weds. B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#63 mike257

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Posted 08 March 2016 - 10:53 AM

That takes me back. Looking great!

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#64 VTypeV4

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Posted 08 March 2016 - 01:17 PM

View Postmike257, on 08 March 2016 - 10:53 AM, said:

That takes me back. Looking great!

Thanks Mike. :lol:

My second cascade card arrived this morning so I'll try setting that up this week.. Winner! B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#65 mike257

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Posted 24 March 2016 - 11:32 AM

How's the cascading going?

I had serious desk overkill at the weekend. Little acoustic show in the small front bar of a multi room venue I tech at. The middle sized room had a gig on, tying up our M32, so I had to hoof the Avid Profile and it's mix rack through from our 1000ish cap main room to mix an acoustic gig for 40 people. Used six whole inputs. Sounded bloody good though!

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#66 EBS_freak

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Posted 24 March 2016 - 12:00 PM

View Postmike257, on 24 March 2016 - 11:32 AM, said:

How's the cascading going?

I had serious desk overkill at the weekend. Little acoustic show in the small front bar of a multi room venue I tech at. The middle sized room had a gig on, tying up our M32, so I had to hoof the Avid Profile and it's mix rack through from our 1000ish cap main room to mix an acoustic gig for 40 people. Used six whole inputs. Sounded bloody good though!

Desk overkill is grand. I've used a GLD80 for an an acoustic singer/songwriter. 2 whole inputs.

Im wanting to know if there are people slaving cheapo 4 channel mixers to create a 32 channel desk... Probably not... but would probably go viral if you instagrammed/tweeted/facebook etc it.

#67 VTypeV4

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Posted 26 March 2016 - 03:07 PM

I'll be honest, I still haven't done the cascade thing yet as I've been on pretty much every night plus I've had a few recordings to mix.. I'll get it covered in the next fwe weeks. :D

I love desk overkill - people say 'why?' and the best possible response has to be 'why not!?' Ha! I did a corporate job on an LS9 - 32 a few years back and all I had through that were two lecturn mic and one hand-held radio mic. I'm sure much like me you'd rather be over rather than under specified. B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#68 VTypeV4

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Posted 01 April 2016 - 04:19 PM

Well still no cascading as I've been terribly lazy but i've bagged another Unity card. The seller was unsure of the license status which un-nerved me a little but they have said if it doesn't work as it should, they'll offer me a full refund which seems more than fair enough. It also comes with the 2.16 operating chips so hopefully we should be all systems go, :lol:

Forgot to add, it's an Adat / Tdif version with extended I/O..

Edited by VTypeV4, 01 April 2016 - 04:20 PM.

Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#69 VTypeV4

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Posted 07 April 2016 - 01:45 AM

Unity card and 2.16 chips installed into the second (well, first really) 02R and we're on! The card has both engines active and both are set to M2000 which as this console is my live console, it's the perfect setup!

As it's Wednesday, tonight has been open mic / acoustic night and a perfect opportunity to try a couple of those luscious TC reverb patches and on a couple of appropriate occasions a subtle bit of TC chorus on picked guitar parts. I left the internal Yamaha FX muted all evening to concentrate better on the TC effects and they certainly didn't disappoint to the point where one of the regular attendees commented and asked what was different and how big it sounded.

Lastly, despite previous plans, I don't think I'll bother cascading the consoles as they now both have a UnitY card and if I install my cascade cards into each, I'll lose the extended routing capabilities. This will cost me channels that I'm not prepared to give up and almost defeat the point of two consoles so I think they may go back on eBay. I'll also have to give up my AES / EBU cards if I cascade as I'll run out of card slots too.

All in all, it's all good! :lol:
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#70 Dad3353

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Posted 07 April 2016 - 05:41 AM

This has been/still is a fascinating topic to follow; I sometimes even flatter myself into thinking that I understand parts of it..! I've never used a digital console 'in anger', and admire the mental translation from trad desks to 'virtual'. I spent a good few years as a 'lighter', using a laptop for programming events, as well as the traditional lighting desks, and can well appreciate just how exhilarating it can be to have an evening go off well after having made some discovery or stumbled upon a corker of an idea.
Thanks for posting, and keep it up; it all makes for a very good read. B)
Cheers.
Have a nice day
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#71 VTypeV4

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Posted 07 April 2016 - 12:34 PM

Thank you kindly, sir.. B)

I'm a total convert on the digital mixing front, it wouldn't upset me to never touch an analogue console again. I occasionally look on eBay for higher end analogue / VCA style desks such as Allen & Heath ML and Soundcraft MH models and consider a rack full of outboard but then thankfully reality sets in! They're very cheap these days considering they were 10 to twenty-grands worth of premium console not so long ago. Incidentally, the biggest console I ever used was an Allen & Heath ML5000 which was a 56 channel monster.

I suppose the same could be said of the 02R (and my former 328XD) on the money front, both worth a fraction of their new cost but I guess thats progress. The biggest 'faller' I've seen in the last 18 months or so is the (not so) beloved Yamaha LS-9 in both 16 and 32 channel guises. I've seen 16s go for as little as £1250 and even 32s in the £1850 zone which considering what they'll do (not how they do it!) is a monsterous amount of bang for buck..

As for my consoles, I don't see me changing them soon and I know I said that about the Soundcraft but the capabilities of the two Yamaha desks is perfect for my setup. I'm very comfortable with how they work plus the bonus capablity of the Unity card especially with it's extended I/O rivals more modern setups. :lol:

I'll snap some more pix when I get chance. B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#72 VTypeV4

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Posted 08 May 2016 - 01:41 AM

Just spent the weekend working at the Box in Crewe for Kirk Brandon's Spear of destiny as part of their annual Westworld Weekender. A cracking few days for all involved! It's a gig I've done for the group many times but just thought i'd share that this was where my digital journey began back a good few years back..

Posted Image

Adrian's battered XD that I've had the pleasure of mixing on the past few days and the very first digital console i ever used. Half the paint is missing and it's a little grubby but everything still works just fine and it's rock solid in operation. These are old but they're still a lovely desk to use and I'd happily take one anywhere to mix anyone.

I've made next to no changes on the 02R front, I just made sure my outs via ADAT on slot 3 in the first console are recived without issue into the extended I/O section of the Unity card in slot 4 on the second 02R. I've simply decided to run LR (although groups worked too) of the first into the second console as I can send it straight to the LR of that second console so any FX or processing I do is still done at source without any compromises on inputs or complications that would arise using the cascade cards. Doing it this way will enable me to run 24 channels from the stage and via my ADA8000 and I'll be able to record 26 simultaneous channels if needed and 28 mix channels on play back.

Posted Image

Token 02R pic from a few days after I collected the second one..

Edited by VTypeV4, 08 May 2016 - 01:44 AM.

Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#73 mike257

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Posted 12 May 2016 - 07:25 PM

I had my trusty old 01V out last night to mix an Oasis tribute on a corporate gig in Manchester. The company I was working for had another gig on upstairs featuring Fleur East (off the X Factor, I believe), who had specced an SD7 for a tracks/vocals gig! They didn't get it, of course.

Got some more work in Manchester Academy coming up soon so I'll be back on my preferred Soundcraft Vi-series. Love those things. Definitely come a long way from the Spirit 328!

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#74 VTypeV4

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Posted 12 May 2016 - 09:56 PM

Never had any experience with the 01V / 96 / i but the 96 and i models look very comprehensive in a compact frame size. They seem to hold their price too as I've not seen one go for less than about £450 on ebay. Kinda fancy one as a go anywhere do anything for the odd job. Which one do you have Mike, the old silver one or a newer model?

Love Digico, I really liked the look of the S21 as it seems to be the best of all worlds - like an SD-8 in a compact frame size. What did the company send rather than the SD-7? A Yam LS-9? Ha!

Sadly, I've never had the pleasure of a VI although they look grand.

For the daily grind (ok, it's not that bad really) though I'll be retaining my trusty 02Rs especially with their Unity cards as I'm really happy witth the extra capabilities and top quality FX (I like the Yam SPX style FX but the TC ones are just stunning) they give the consoles especially with the extra I/O.

As a last note, I spoke to the people at TC Electronic about my cards and they were very quick to respond and very helpful so a big thumbs up to the customer support dept at TC.
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#75 mike257

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Posted 19 May 2016 - 02:21 PM

My 01V is the old silver one - a little long in the tooth now but you can pick them up for ~£200 all day long, and in terms of what else you can get for that money, they're head and shoulders above! Frequently use it for conferences, small function band jobs, anything that doesn't justify a 'big' desk going out. Very handy and has pulled me out of trouble on many occasions when I'd otherwise have been saddled with a little analogue board with no decent EQ to run a stack of lavs on.

As for Fleur East, she got a QU-24, which was perfectly acceptable for vocals and track at a little private corporate gig in Manchester!

The Vi are brilliant desks - I really like the interface, it's designed so you can see a LOT of information at once without any of it getting in the way or being too distracting. One of my favourites to work on.

Good to hear TC are keeping the service up after being absorbed into the Music Group machine!

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#76 VTypeV4

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Posted 21 May 2016 - 08:11 PM

To be fair, I'm all good wiith 'long in the tooth' Yamaha dgital consoles! Ha! An 03D looks comprehensive too as well as being cheap although I've never had a go on one of those either..

As for the people at TC, they were excellent being quick, friendly and very helpful. I asked about the license codes for my Unity cards because both came active but without the numbers written down but with the serial numbers from each, the chappy at TC happily gave me the info..

I saw a couple of the CD8 - MLan cards on ebay recently and was kinda tempted..

I have a gig coming up in July on a Qu-32 which I'm looking forward to as the 24 I did a couple of shows on was superb being both friiendly and quick.
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#77 mike257

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Posted 22 May 2016 - 06:44 PM

I've seen a few cheap 03Ds about but they've only got 8 mic preamps so of limited use to me. Might get another old 01V as a spare and to cascade for extra inputs though.

Yeah, I've only used the QU on one gig but was happy enough with it. I prefer it to the Soundcraft stuff in the same price range but think it lacks a lot of the features of the X32, that's still my choice in that price range.

Sandberg California JM4 | Musicman Stingray 3EQ
Squier Modded-P of Doom | 'Extreme' Modded Jazz Copy
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#78 VTypeV4

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Posted 31 May 2016 - 10:40 PM

Posted Image

Posted Image

Both desks working as one late last week just as I'd hoped.. Winner! B)

Clearly there's not 24 channels on the go here, more like 12 but the concept is proven the and the capacity extended to a max of 24 live inputs / 26 recorded inputs. Total playback potential is scary! :D
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#79 mike257

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Posted 01 June 2016 - 01:16 PM

Awesome! Glad it's working out well, cracking setup there :)

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#80 mike257

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Posted 08 June 2016 - 02:04 PM

Believe there's some free training on the new A&H D-Live coming up over at Wigwam in Manchester - I'm not free on the dates I saw listed but thought it was worth a heads up to interested parties in this thread. Seems to be where all the audio geeks on BC are convening ;)

EDIT: And Adlib are doing a Digico S21 day at Tour Supply, just behind Manc Apollo, too. Always on a day I'm bloody working!

Edited by mike257, 08 June 2016 - 02:05 PM.

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#81 VTypeV4

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Posted 09 June 2016 - 08:12 PM

Thanks for the heads up Mike. B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#82 VTypeV4

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Posted 13 June 2016 - 10:23 AM

Posted Image

Posted Image

A show I did for Les Hunt in Leek yesterday - If you zoom on the band-stand you can just about see him. A slightly questionable setup PA wise but the Qu-32 was a pleasure to use as setup and soundcheck tiime was near zero! Isn't it always!
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#83 EBS_freak

    Those bubbles aren't coming from the snorkel...

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Posted 14 June 2016 - 11:00 PM

What do you make of the QU? I did a show on one last weekend - great deal for the money - although I did miss my DCAs.

#84 VTypeV4

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Posted 15 June 2016 - 11:34 AM

I've now had a go of all three versions of the Qu range..

It seems that the 32 is the most advanced of the lot offering 8 audio subgroups as stereo pairs (the Qu-24 has four as two pairs and the 16 has none) and also 4 DCA groups (32 only) as well as comprehensive matrix outs. I had them configured as drums, instruments 1, instruments 2 and vocals but once I'd got the show running being honest, I didn't touch them much. Something that I didn't realise on the 32 is the larger touch screen display too which is beneficial.

Overall, I like the Qu range, they're both comprehensive and simple at the same time. Everything you need to get at is easilly accessed like EQ and gain but I particularly like the dedicated HPF with in/out controls. Even better is a threshold control for gate and compressor, an in/out switch as well as an LED to indicate the threshold status of each which is a great call. I've become very used to comprehensive metering at a glance wiith the easily viewed meter bridge on the Yamahas but the little 'signal, 0 and peak' on each channel is adequate for at a glance but to be fair it's no real hardship to PFL for a proper view of whats happening.

My only criticism of the range is the limited I/O via the USB facility. It doesn't matter for live use where all 32 channels were available via the partner digital stage box (I never even walked on stage so never saw that) or via traditional analogue XLR. I appreciate that the Qu range are aimed at live use rather than recording but only half (on the 32) of the inputs are available via USB which means you'd still need an interface to do more than 16 in/out.

Overall I think they're very capable and offer blisteringly good bang for buck. If I wasn't recording as well as live, I'd have one in a heartbeat. B)
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#85 VTypeV4

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Posted 22 June 2016 - 12:32 AM

Some may think I have a problem but I'm going to look at a third 02R this week.. :D

Not for daily use but something I can use at home or take with me for those odd live shows and recording. It's apparently in good condition complete with a meter briddge, an AES card and an ADAT card so we'll see..

If I do buy it, I'll have to look for another Unity card! :lol: Ha!
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#86 VTypeV4

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Posted 24 June 2016 - 12:13 AM

Posted Image

So the third one landed today.. :ph34r:
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#87 Dad3353

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Posted 24 June 2016 - 01:07 AM

:facepalm: :dash1:

...

:lol:

...

B)
Have a nice day
Dad3353 (Douglas...)

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#88 VTypeV4

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Posted 24 June 2016 - 04:31 PM

Ha, I know!

To be fair, I only put the three together for poser value but I feel it worked! I haven't any space for a third one at work (let alone the need!) so the purpose of this one is for those odd jobs, off site recording and just as a general purpose backup. I'm going to keep an eye out for a second ADAT card or possibly put a TDIF card in one at work and put that ADAT in this one.

The console seems to have been well cared for during it's life as its ex ITV so there's a number of sheets regarding service data as well as a spare fader and the card slot blankiing plates. Judging by the paperwork, it was purchased new in June 2001 and spent the first few years of it's life in an outside broadcast vehicle.

I've spent the day making a basic template to work with as well configuring some FX patches and dynamics configs so when it gets used for show, I don't have to spend forever setting it up. As I've said before, thats the key to making these consoles 'fast'..
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#89 VTypeV4

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Posted 09 July 2016 - 11:51 PM

Posted Image

A slightly 'arty' shot of my third console in use at a mini festival I've done for the last few years. It's normally done outside but we got rained off as the patch of land we use was like a bog so we found refuge inside!

Posted Image

Posted Image

The PA performed faultlessly and using the 02R was a definite improvement over the Mackie DL1608 we've been using until recently. Some may see it as a backwards step especially having to reinstate the manual graphic EQs but I see it as a retrogressive move. I feel the sonics (and definately the FX) of the Yamaha to be better than the Mackie not to mention the speed I can get round the operating system makes me far more comfortable.
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30

#90 VTypeV4

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Posted 21 August 2016 - 05:14 PM

I've purchased (cheap of course!) a pair of the CD8-AD cards for my 'odd job' 02R. They've come from eBay and thankfully arriived quickly whilst I was away lasy week so today I spent half an hour removing the AES and ADAT cards and installing them. Both worked perfectly first time so I'm happy.

Posted Image

Posted Image

Strangely, both have a fan on the board for cooling that I've not seen on any of the other cards. I'm out with the desk on Sat and Sun so we'll see how it goes although chances are, I won't need the cards for this show.. Really need to get a case for it..

Oh, and I won a TDIF card (I'll explain about this when it lands) too for just 75p!
Trace Elliot V4 MKII Head..

SWR Goliath Jr III x 2..

Yamaha NE-1.

'01 Warwick Streamer LX5.

'06 Squier Vintage Modified Jazz Bass.

Yamaha 02R x3 plus an Allen & Heath ML5000

Aka 'Matt Sound' from the Rigger.

Recording and Mastering engineer. https://www.facebook...ynkronizemedia/

My Bikes..
'87 Yamaha FJ1200 1TX
'97 Honda ST1100 A
'80 Honda CX500 A
'89 Honda VFR400 NC30





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