gelfin Posted February 4, 2016 Share Posted February 4, 2016 [quote name='Hobbayne' timestamp='1454617487' post='2971443'] Some people even go and buy new strings just because the new zingyness has faded. [/quote] I do this, and always before a gig. Quote Link to comment Share on other sites More sharing options...
icastle Posted February 4, 2016 Share Posted February 4, 2016 That whole zingyness is part and parcel of using roundwounds. You can either go with the zing and make it part of the sound or you can get your fretting hand under tighter control than you may normally do. Unless there's a bassist in the audience then its unlikely that anyone will even notice it. Quote Link to comment Share on other sites More sharing options...
cheddatom Posted February 5, 2016 Share Posted February 5, 2016 there's a difference between having a nice zing to each note, and having a load of scratchy noises in between notes ...but personally I don't mind the scratchy noises Quote Link to comment Share on other sites More sharing options...
tom1946 Posted February 5, 2016 Share Posted February 5, 2016 I find rolling off some treble makes them much quieter..... Quote Link to comment Share on other sites More sharing options...
RockfordStone Posted February 5, 2016 Share Posted February 5, 2016 zingyness goes after a while, i prefer the feel of roundwounds but im not a massive fan of the zing at the start so i put up with it until they have deadened a bit...... and then leave them until they are actually dead before changing Quote Link to comment Share on other sites More sharing options...
CamdenRob Posted February 5, 2016 Share Posted February 5, 2016 ah don't worry about it... my isolated bass tracks have more finger noise and strings slapping the fretboard etc than notes in some cases... As others have said it's unnoticeable in a band setting . I'm a big fan of bright new rounds... even on fretless. Quote Link to comment Share on other sites More sharing options...
Urban Bassman Posted February 5, 2016 Share Posted February 5, 2016 [quote name='tom1946' timestamp='1454664202' post='2971723'] I find rolling off some treble makes them much quieter..... [/quote] Nickles are a bit quieter on the finger noise front and usually kinder to the fingers and the frets too. GHS boomers a worth looking at. Quote Link to comment Share on other sites More sharing options...
Agwin Posted February 5, 2016 Share Posted February 5, 2016 [quote name='CamdenRob' timestamp='1454664794' post='2971731'] ah don't worry about it... my isolated bass tracks have more finger noise and strings slapping the fretboard etc than notes in some cases... As others have said it's unnoticeable in a band setting . [/quote] +1 Quote Link to comment Share on other sites More sharing options...
Coilte Posted February 5, 2016 Share Posted February 5, 2016 [quote name='Urban Bassman' timestamp='1454668170' post='2971791'] Nickles are a bit quieter on the finger noise front and usually kinder to the fingers and the frets too. GHS boomers a worth looking at. [/quote] ...as are DR Sunbeams. Quote Link to comment Share on other sites More sharing options...
Cameronj279 Posted February 5, 2016 Share Posted February 5, 2016 I can see why people don't like the zing of fresh strings but I hate when strings don't have that zing to them. As people have already said the little string noises will dissipate in a band setting but it doesn't hurt to get used to minimising it. Then you can decide if you want it or not. I like having it at times for making weird sounds with the envelope filter... Quote Link to comment Share on other sites More sharing options...
RhysP Posted February 5, 2016 Share Posted February 5, 2016 [quote name='Grangur' timestamp='1454618353' post='2971458'] Elixirs are less zingy than Rotosounds. [/quote] Elixirs are less zingy than just about any string I've ever used. They're great strings if you like the sound of knackered old roundwounds as they sound like that straight out of the packet. Quote Link to comment Share on other sites More sharing options...
Cameronj279 Posted February 5, 2016 Share Posted February 5, 2016 [quote name='RhysP' timestamp='1454672592' post='2971860'] Elixirs are less zingy than just about any string I've ever used. They're great strings if you like the sound of knackered old roundwounds as they sound like that straight out of the packet. [/quote] I find them not as zingy as brand new uncoated strings but they do sound fresh for a lot longer than any other ones I've used. I feel with all other strings I've used I want to replace them within 2 weeks (or instantly in the case of Rotosounds) but Elixirs last me a good 8/9 months or so Quote Link to comment Share on other sites More sharing options...
RhysP Posted February 5, 2016 Share Posted February 5, 2016 Ignore what I said about Elixirs, I was thinking of Elites. I don't like Elixirs either, but they're brighter than Elites. Quote Link to comment Share on other sites More sharing options...
EliasMooseblaster Posted February 5, 2016 Share Posted February 5, 2016 Rotosounds are particularly zingy, as rounds go - one of the main reasons I've used them so faithfully, though I do prefer the slightly warmer sound of the nickel-plated ones. A lot of people have suggested so far that it's part of the roundwound sound (underground, where the hounds abound), and I might even go so far as to suggest embracing it. Add a bit of grit to your sound and all the finger and fret noises can actually go some way to enhancing a nice, dirty bassline! Quote Link to comment Share on other sites More sharing options...
Lord Sausage Posted February 5, 2016 Share Posted February 5, 2016 [quote name='Hobbayne' timestamp='1454617487' post='2971443'] Some people even go and buy new strings just because the new zingyness has faded. [/quote] That's me Quote Link to comment Share on other sites More sharing options...
Lord Sausage Posted February 5, 2016 Share Posted February 5, 2016 [quote name='icastle' timestamp='1454625771' post='2971544'] Unless there's a bassist in the audience then its unlikely that anyone will even notice it. [/quote] I wouldn't care if there was. There is no standard model of playing. Do ya own thing! Quote Link to comment Share on other sites More sharing options...
colgraff Posted February 5, 2016 Share Posted February 5, 2016 (edited) As I have only ever used roundwounds, I'm probably not best equipped to provide advice (but when did that ever stop me?). Even though my main bass is very bright sounding, I like the roundwounds because, when listening to the whole band, my bass gets a full, fatter sound. When I practise with headphones, it sounds squeaky and clacks a lot. Perhaps we need a thread called "How I learned to stop worrying and love my sound." Edited February 5, 2016 by colgraff Quote Link to comment Share on other sites More sharing options...
Phil Adams Posted February 5, 2016 Share Posted February 5, 2016 (edited) I've got a "pointy, is it good for metal?) Dean bass which I bought cheap for a laugh. I'ts got very bright strings and a huge sound on it and when I play it I feel like John Entwistle. Trouble is, I don't sound like J.E. :-) EDIT: Or to be more precise, while the tone is vaguely reminiscent of J.E., the playing certainly isn't. Edited February 5, 2016 by Phil Adams Quote Link to comment Share on other sites More sharing options...
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