Al Krow

There's a market for vinyl records too. (Personally I'm good with Spotify these days!) Not for me (I'm going down the Zoom MS-60B+ option shortly), but if it scratches folk's multi-fx itch in a way that a bunch of other multis don't and gives you joy making music, then why not?

This is the MS-60B+ thread, the clue's in the title 😁 I'm planning on getting the MS-60B+ (as you were on Sunday evening apparently?) which is basically a cut down B2-4, in stomp box size, which will be easy to incorporate as part of a pedal board but maybe with a little midi pedal for live use.

Ah yes that one's a very different beast indeed to the MS60B+ and harks back nicely to the 90's 😄

Which Boss multifx are you referring to?

Yeah, similarly I guess I'm just going to have to get adept at editing on the pedal itself and, fingers crossed it won't be too painful! I'm hopeful that this is going to be a decent step up in processing power/sound quality from my B1-4. I do love the compact form factor and combining with a little midi pedal may further enhance its live use.

I've just emailed them to ask / encourage them to do exactly that for the B2-4 and MS-60B+ 😊

Road tested the ZARs tonight in a full live band setting. I won't be going back to the ZS 10s!! It was perhaps the first time I've actually enjoyed having IEMs rather than feeling "they do a job". Clarity was so much better - I was able to significantly reduce both the bass in my personal mix and the overall IEM volume setting too, and consequently found myself getting a much better band mix as well as hearing my bass really well. I appreciate that's just my personal experience from one gig with the ZAR's, after many using ZS 10s, so feedback from the other recent purchasers on this thread, once they've had a chance to use them live also, will hopefully either confirm my comments, or give a more balanced picture.

See - this thread has already proved its worth! 😅

There's a slightly cryptic comment in the recent Guitar World review: "the versatile stompbox can be paired with Zoom's Guitar Lab app for iOS (the Apple equivalent is coming soon)". Not sure what is being hinted at by 'the Apple equivalent is coming soon'?

And the nice thing about the Boss LS-2 is that it has individual volume controls so you can then tailor your mix of clean and drive to suit. Could be a neat solution for the OP in fattening his sound with minimal loss of low end? IME low-end suck with bass drives, resulting in "less" bass in the mix is something I've often found I've had to guard against in a live mix.

What's the best way of getting that double track sound in a live setting? Is it easily do-able? I'm thinking a multi fx with parallel paths may be simplest solution in terms of moving parts? Or perhaps a signal splitter back into a mini mixer? But don't know if that's going to do much more than having a drive pedal with a good clean blend?

Saying 14 weeks when I clicked on the Bax website! Which ties in with Zoom saying the pedal will ship in July. Liking the £135 though. But not getting the thinking behind making the patch editor only available on iOS ☹️

Thanks - I don't trust the "delivery within 8 days" though. Going to wait until they have it in stock. I paid £104 for a new MS-60B when they first came out in 2013, which would be around £160 in today's money, so this doesn't feel all that bad given that it's saving me getting a Helix Stomp 😄 All I can find is "Handy Guitar Lab App for iOS" which isn't going to be great for us who have PC / Android. Hmmm...that could be a real downer / potential deal breaker.

Apparently relatively straightforward midi access, which could make it a breeze to use live?

That's an eye opening perspective. I'd assumed that 'cos we're providing the audience with a well-balanced and tight FoH sound, rather than the sometimes mush/wall of sound that you can get from an unbalanced back-line set up, the punters would generally be enjoying the gig more rather than less? Certainly we've had many good gigs in terms of audience response - so that's not been a particular issue for us so far. Do you think the lack of energy you felt in the audience was due to the PA set up? I.e. if you were stage front you might have been in a "sound well" (dunno if that's even a proper term!) and those further back were getting the full benefit of the FoH sound? I'm guessing the bands themselves were giving out the expected level of performance energy themselves?