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three

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three last won the day on August 19 2024

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  1. Resolved (I hope) with the help of kind BC members - thank you. There was just sufficient of the original wire available to remove the plastic shielding then solder an extension. All seems to be working fine, though if the fix fails, the Supertone has a fortuitous gap for insertion of a copper strip! Thanks again to all!
  2. Apologies, yes, I did mean the plastic coating
  3. Apologies - images later tomorrow
  4. Oh dear! The Wilcock I owned was just incredibly good fun to play - extremely quick if that’s your kind of thing. I only sold it as I didn’t get on with the tone - I only really use actives. I absolutely love the pink finish on the 5 and I’m pretty sure it’s a Bow job. Assurance of incredible paintwork. Active too. I could have a problem… well I do. I don’t have £3200
  5. Thanks and this was my first thought. Unfortunately, the wire is old (the bass is a '75) and the snap appears pretty clean. There's a little bit of protrusion from the exit hole into the cavity but not really enough for me to be able to remove the shielding. I'll take a couple of images and post this evening. Maybe somebody with high level soldering skills and a lot of patience and the right knowledge/tools would be able to effect a solder-based repair. My soldering skills aren't bad but getting to the original wire may be beyond me. The lack of natural light in Manchester isn't really helping either. I'll attempt to get some good shots later today and post in the hope that somebody can suggest a technique/approach that might aid in circumnavigating any more extreme options. Thanks again to all, the advice is much appreciated!
  6. Eek! Thanks very much - I didn't realise this - that changes the game further. I'd no idea that the grounding wire was connected via the mounting bush. The search for alternatives just became more urgent!
  7. Thanks both and what a lovely Ripper! This might offer a solution - it is a very small gap - though as noted, I'd still need to lift the bridge slightly to ensure good contact. I'll drop Bow Finishing a note too to get a view on the hardness of the finish and likelihood of removing a chunk of it.
  8. I have a bit of a problem and hope that some of the technically gifted on here may be able to help. I'm currently( re-) refurbishing my old Gibson Ripper - a long story. It was recently re-finished very beautifully by Bow Finishing. During the process, a Supertone bridge was fitted. The new scratchplate with a new Ripper bespoke circuit arrived from Armstrong last week (pickups tested and updated etc.) and I'm now re-assembling. However, as I tried to re-connect the grounding wire from the bridge (original and pretty fragile) to the pot, the wire snapped at the edge of the hole as it enters the cavity. As one might imagine, the language was dreadful. As the finish is new (poly), I'm pretty concerned about trying to remove the bridge to insert a new earthing wire. The language yesterday when the wire snapped would be as nothing to what might ensue if a piece of finish came away with the bridge. So, a question: is there an alternative means of ensuring good string grounding without a wire from the bridge to the pot? I'm hoping that there's an ingenious way of achieving the same bridge-wire-pot outcome without risk. If not, I suspect that the re-wiring job is one best left to the professionals (my cack-handed amateurism is potentially dangerous). Thanks in advance
  9. Fabulous cabs - super-light and a really effective all-rounder
  10. I hadn't noticed. Thanks for that...
  11. A bit like standing in a station watching the departures board - supply times in the UK seem to be slipping back. I think GG has shifted from 02/02 to 13/02 and now end of the month. Probably not too surprising given global demand but I look foward to seeing real-world reports and reviews from UK users
  12. For sale, a TE Elf C110 combo in excellent condition. Reduced to £340. This really is immaculate, as is its cover. All you'd excect from the Elf range and surprisingly powerful and loud (if needed). Functioning perfectly and supplied with original TE documentation. I've ended-up with two (silly stereo experiment) so this - almost unused one - is no longer needed. I don't have the original box but can locate a carton for shipping if any prospective buyer wishes to organise a courier. No trades thanks. Collection would be preferable (just to the East of Manchester), though as above, courier arrangements are possible. Any questions, please just ask. Basic specs are: POWER: 130 watts @ 8 ohms, 200 watts @4 ohms (with an additional 8 ohm cabinet) FEATURES: Gain, level indicator, bass (center @ 80Hz), middle (center @ 400Hz), treble (center @ 4.2kHz), power indicator, volume, speaker/headphone selector switch, ground lift switch) SPEAKERS: 1x10” Neo 8-ohm driver DIMENSIONS: 324mm (H) x 305mm (W) x 355mm (D) CONNECTIONS: Input, headphone/line out, speaker output, balanced DI XLR (direct out) WEIGHT: 18.5 lbs
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  13. The Agi DB680 doesn't break up - it's surprisingly clean, and surprisingly tame (IMO) in comparison with the pre in a DB750. Great for fine sculpting but not for grit or break-up in my experience. The Millennia TD-1 (half rack I think) doesn't break-up either.
  14. I had one with a 36" scale - an absolute monster that came with its own flightcase (virtually unliftable). It might be worth trying a Hiscox Large Bass Case (you could check the dimensions at least)
  15. Superb basses and unbelievably good value - good luck but I can't see this hanging around
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