MartinB

Really enjoying Turnstile's set, aside from the pointless synth interludes. Olivia Rodrigo was a lot of fun when the whole band were involved - proper 90s sounding. It's a shame that the production on her recordings is so bland in comparison.

I've read the the same thing here and there, and always along the lines of "it degrades the sound" but with no specifics. I've just tested my Stomp with phantom power from my audio interface, and it sounded the same to me either way 🤷‍♂️. It also didn't explode, which was nice! Depending on stage layout and who's providing the bass amp, I sometimes use a short TRS - XLR cable, and other times an Orchid Electronics DI box

Plugging anything into the headphone socket on the rear panel should disable the speaker - even just a dummy plug

Yep, that's why it's an unhelpful design. You could do something daft like a DI box in the effects loop followed by a clean boost that would act as your master volume, but (a) it could introduce noise, and (b) you shouldn't have to go to these lengths

Well that's made the decision for me

The fun thing about these amps is that the FX loop also comes after the master volume 🙃 Really the only option is to stick a DI box between the bass and the amp

Obviously he'd be mad to say "everythng is definitely being added to the old Helixes forever, 100% guaranteed". But given their track record, I'd personally be surprised if they immediately started acting like the current models no longer exist. Whereas I'll be _very_ surprised if the Darkglass Anagram is still getting updates 10 years down the line...

Yep, same problem

They've said that any new effects that they add to the Stadium will also be added to the rest of the Helix line where possible:

Crap speakers are going to cause problems for sure. But other than that, things that sound bad on Youtube are more likely to be down to a bad recording than anything to do with data compression: https://jimlillmusic.com/does-youtube-mangle-audio/

The answer will be "money". The margins are tight at this end of the price spectrum; maybe they can't get a good-enough Jazz built for the same price as the simpler Precision. Or maybe they think that a Sonic Jazz would eat into sales of the Affinity Jazz? There wouldn't be an obvious "upgrade" from one to the other, which would lead people towards the cheaper one. With the Affinity Precision you might feel you're getting more for your money because it has an extra pickup compared to the Sonic.

That crisp Stingray top-end 😙👌

And then for a change of pace:

You'll probably want to lower your action to get some rattle/grind from the frets

A decent comparison here, starting around 10:24: