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Beedster

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Beedster last won the day on November 26

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About Beedster

  • Birthday 22/06/1964

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    Canterbury

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Community Answers

  1. Beedster
    Not a very god pic but in short a nice big lump of 80's brass Fender fit 👍
  2. Beedster
    I've a very well engineered and very solid brass bridge from the 80's that would totally look the part on that bass, I'll see if I can dig it out and post photos later today
  3. Beedster
    This ^
  4. Beedster
    Agreed, also listen to Trash on Manifesto, bass as rhythmic engine
  5. Beedster
    Nicely put 👍
  6. Beedster
    About 80% of what I play 👍
  7. Beedster
    Beautiful 👍
  8. Beedster
    I always think rhythm first, note second 👍
  9. Beedster
    ....or a weapon 👍
  10. Beedster
    Be over later this morning Jay 👍
  11. Beedster
    https://www.talkbass.com/threads/what-is-this-gigantic-fender-p-bass-bridge.1441155/
  12. Beedster
    Found some further spec on the head Power Output: 200W RMS Power Requirement: 230/115/100 V Frequency response: -3dB at 35Hz and 14 kHz Speaker Outputs: Speakon/Jack High Instrument Output: Impedance 1m Ohms, input range 25mV - 1.5V p-p Low Instrument Input: Impedance 100k Ohms, input range 25mV - 6V p-p Line Input: Impedance 100k Ohms, input level 0dBu nominal DI Output: 600 Ohms balanced, level 0dBu nominal Speaker Outputs: 1/4" jack connectors for 4 and 8 ohm speaker cab configurations. Effects Send: 1k Ohms, level 0dBu nominal Effects Return: 1M Ohms, input level 0dBu Nominal Pre-Amp Tubes: 1 x ECC83 1 x ECC82 Output Tubes: 1 x ECC83 4 x 6550 EQ: Fully Passive Middle, Bass, Treble, Mid Shift, Bass Shift, Bright Mute: Mute the output of the amplifier (useful when tuning) VU Meter: Visual indication of the output level of the LB-30
  13. Beedster
    Now, I agree with 99% of your posts BUT not this one; music for me is about feeling and irrespective of all the total audio logic you’ve talked, a big rig makes me feel good when I play and for me that beats the logic. My Mesa rig makes no sense acoustically but a lot of sense emotionally, and that what works for me, it’s not an objective space after all 👍
  14. Beedster
    I had a similar issue playing a 4/4 and 3/4 during the same period, the 4/4 with guts for bluegrass and the 3/4 with steels for Jazzier stuff (I doubt anyone who knows Jazz would recognise my playing as Jazz BTW). I hate to say this but I can't help thinking that - as I found - it come down more to listening to yourself than to instrument mechanics. I'm sure - at least I hope - that others will have more helpful advice 👍
  15. Beedster
    How the f*** has that not sold 🤔
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