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Huw Foster

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About Huw Foster

  • Birthday 12/12/1987

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    London

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  1. The Songs That Taught Me Bass Ep4: Take The Power Back Slap bass! Drop D! Awesome pentatonic riffs! This song opened up multiple possibilities for 13-year-old Huw. What was the first bit of slap bass (or thumpin’ & pluckin’) that you learned? PDF, track, full playthrough and isolated bass available on Patreon. 0:00 Introduction 1:11 What did I learn from this? 3:27 Intro riff 7:14 Verse 10:07 Chorus 12:04 Breakdown 12:56 Guitar solo (bass fills) 17:54 Bridge 19:25 Outro pt 1 21:46 Outro pt 2 24:36 Final thoughts & signal chain
  2. Quick Lick 12 - II-V-Fun Because jazz harmony doesn’t need to be boring? I don’t know. Coming up with titles is hard. Anyway, enjoy this G minor neo-soul groove with a 16th note II-V-I lick. PDFs & track available on Patreon. 0:00 Demo & Intro 1:04 Context & Theory 6:00 Breakdown 12:24 Technique 13:51 Applying elsewhere 14:57 Outro
  3. Jamiroquai - 'Time Won't Wait' Original bass: Derrick McIntyre (RIP)
  4. Soundgarden - 'My Wave' Original bass: Ben Shepherd
  5. Patrice Rushen - 'Let The Music Take Me' Original bass: "Ready" Freddie Washington (who else?)
  6. Earth, Wind & Fire - 'September' Original bass: Verdine White Never thought about doing a playalong of this until I found the stems. Verdine's tone and playing is awesome, of course.
  7. Now with a playalong! https://www.huwfoster.co.uk/sophie-ellis-bextor-murder-on-the-dancefloor-bass-playalong/
  8. Updated this one to include tab! Red Hot Chili Peppers - Subway To Venus (tab & notation)
  9. The Songs That Taught Me Bass Ep3: One Armed Scissor Transcription of the whole song (tab & notation) available here. Track, full playthrough and isolated bass available on Patreon. 0:00 Demo 1:18 Intro 2:13 Key takeaways 5:08 Other references (and how to bamboozle Robbie Williams) 6:55 Verse 1 8:15 Chorus 10:10 Interlude & Verse 2 13:18 Bridge 16:06 Outro
  10. Band In A Box? Big difference in price though.
  11. Chaka Khan - 'I Feel For You' (tab & notation)
  12. Having said all of that, you want to get to a point when you're not counting, so your memory approach is the best way to go about it. It does help to contextualise them in the first place though!
  13. There are loads of tricks for sure. For example, the difference between 3/4 (waltz) and 6/8. 3/4 will have a strong first beat, with the second and third beats usually having a similar accent to one another. It also doesn't occur much in modern pop/rock etc, so it's more likely to be 6/8... If it has a triplet feel but you can count a strong 1, 2, then it's most likely 6/8. You could count this as one-two-three two-two-three to make sure. Notable examples include: Manic Depression - Jimi Hendrix, Untitled - D'Angelo, At Last - Etta James. Some time signatures you can extrapolate from 6/8. If it sounds like it has a beat missing (one-two-three one-two) it's probably 5/8. (Take Five - Dave Brubeck) If it sounds like a bar of 4 with a bit missing, it's probably 7/8. Typically a 4 and a 3, but not always. If it sounds like two bars of 4 with a beat missing in one of them, it's 7/4. (Money - Pink Floyd) Of course these are generalisations, but they tend to get you near enough to the answer!
  14. Agree with all that's been said so far - definitely try to find the size and weight that suits you. Also, another general pointer: although there are many ways to hold the pick, try to have only the very tip pointing out. That way, it'll feel more like an extension of your hand and less of an ungainly tool.
  15. The Songs That Taught Me Bass Ep2: Hey Joe Transcription, backing track and isolated bass available on Patreon. 0:00 Demo 1:37 Story 3:14 Context 4:38 Main bassline 9:05 Unison riff 11:48 Intro riff 13:30 Outro
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