I think it depends on the intended market. For example for a P bass I doubt anyone wants to hear double thumb/tapping. But for a bass e.g. Dingwall, people conversely are less likely to want to hear it play Come Together and more likely to want some shred.
Zoom B2 Four in excellent condition.
12 months old, only for sale as have gone to Zoom B6 to get a bigger screen (same sounds available in both).
Fits easily into a gig bag front pocket, light weight and with great connectivity (has DI, headphones in, as well as USB-C for recording). Full specs here: Zoom B2 Four
Comes with official Zoom PSU (no box/manual available online).
Collection from Tamworth (B78) or posted for £10
I have the EVO II and am not quite sure I can justify the upgrade cost for the EVO III. It definitely looks great, but beyond the cab sims and cosmetic changes - the EVO II is already pulling it's weight.
Thanks, saved me digging pics out.
It's a super thin veneer, maybe attached via a clever process that allows it to be moulded to contours without cracking?
Is it a flame maple veneer or very good photo flame is the question. It has no depth to it under light whereas normal flame would do, even when very thin.
EDIT: I'm going with photo flame as the dark/light patches never alter under changing light angles.
I think if you disregard that they are headless and have a unique shape, they are not particularly outstanding in terms of spec (Bartolini Mk1s have never sounded great in anything i've played), but in terms of value for spec - yes nothing to beat it. I expect used to be around £500.
My experience of Dingwalls is that the neck is the key part of the instrument. I've had a few budget/midrange multiscales (Gear4Music, Ibanez) and they try, but really can't quite get it right.