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RichardH

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  1. Like you, I have a Soundcraft (Ui24r), which as you say is browser based, so tablet/phone agnostic (so long as it is not totally ancient). However, the Behringers need an app to interact with it rather than via browser, so age and type of tablet is a little more important.
  2. ...and I still need to get the 8" drawings sorted for you!
  3. Ahhh, yes, they are the ones I have an eye on for a potential Grabber/tbird style build (thundergrab?)
  4. Crimson have some videos demonstrating how to do bursts with stains, and I'd imagine the principle is the same - you can always sand back it it doesn't look right. I would suggest having a play with some scrap wood.
  5. I believe Mike retired the Boudica shape for a while, but as Lemmywinks says, he has started using the shape again. That's an early one I think - the logo on the body suggests so anyway. @Cosmicrain - can you fill in any more info?
  6. Email winging its way to you with amended PDF.
  7. Stevie, just seen you mention another batten on the baffle - I can add that to the drawings. Do you want it to go full height from top right down to meet the horizontal batten? Looks to be around 160mm?
  8. Stevie, I can email you the PDF for the drawings, then you could perhaps edit your first post and add them to it? (Though maybe you can't do that with old posts... not sure....)
  9. This looks really interesting. I have a Dwarf on the way - as a super early bird adopter, I chose to be in the last tier for delivery, so got caught in the collapse.... haven't stumped up the extra to get it sooner as yet... However, with all these multi FX devices like the Dwarf and HX stomp, all I really want it is a way to be able to jump between a few set "sounds" - so an additional controller like this looks like just the job for gigging use. Watching with great interest!
  10. Behringer PM1 might be a better bet - £33 - so a few quid more than the SubZero thing, but will give you a volume control as well https://www.behringer.com/product.html?modelCode=P0BKB Note that this ISN'T a headphone amp (like the P2) - just a passive in line volume control - but it does the XLR to minijack conversion as per the adapter above, but also gives you volume control at your fingertips.
  11. I do have drum mics, and have been thinking of adding a kick mic to get a better kick sound from the recordings, but the EAD10 is sooooooo easy - and on a small stage space, the lack of extra mic stands is a real boon as well! The recordings are only for us to listen back to for reference as to how terribly we played. Here's an example recording - I have to admit I don't spend ages tweaking the mix or anything, just set the levels roughly in Reaper for the whole set, then export one track at a time. As you'll hear, the drum sound isn't brilliant - but I don't think we have explored the EAD10's capabilities that much yet - but it certainly works for being able to hear. Six Bells Dec 2022-216-Alive.mp3
  12. I was going to mention that (but hesitated due to the cost). Our drummer has one, and it works surprisingly well. I multitrack record our gigs via the mixer, and the only drum monitoring we have is the EAD10. We also use the feed from it through the PA to add a bit of oomph to the overall sound.
  13. I guess a certain cohort of people will (incorrectly) consider 15" drivers incapable of covering the whole frequency range, thus discarding them as a one cab solution.
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