40hz

I've only ever bought a cab from them - and they were fab to deal with - another high profile Bass shop could learn a lot from them. However, I never really consider them when looking for basses as, personally, I find them really expensive compared to other Bass-centric stores, especially so on their used gear (although I appreciate this might be commission sales dictating this).

Yes. I've had one for a year now. A truly excellent amplifier. It has that Markbass sound in spades (clean with that mid-range warmth) to mark (ha!) it out from the norm. I use it to drive two 400watt Trace Elliot ELF 2x8 cabinets and I've played some big shows with it, with no issues with volume or clarity at volume.

Rare - 9 times out of 10 (there are exceptions) it's not even remotely 'rare'.

Just bought Steve's Ibanez EHB1000s. Item as described and a great price too! As I was in a rush to get a backup bass for a weekender with multiple gigs scheduled, he offered to meet me some of the distance to help me out with time saving - doesn't get nicer than that really! Deal with confidence. Cheers Steve!

For me, there are players I don't like, but it doesn't invalidate them at all. Lots of different bass players speak to different people in different ways. Saying that, for what it's worth, and to contradict myself immediately, I just don't get 'Julia Plays Groove' amongst others. Playing someone else's songs (well), but that's it. I've seen hundreds of bass players on YouTube do the *exact* same thing, often better, but don't receive this weird fawning (I suspect I know the reason).

Such sad news. I sold Nick my Fender Marcus Miller and had a great chat with him about dogs - he loved his dogs. R.I.P Nick.

They aren't taking orders at the moment (haven't for about a year now, in an effort to bring down the wait time, which will just go straight back up as soon as they open up again). Price-wise, the base MK2 was over £7000 at the time they closed orders.

Not to sound like I'm criticizing anyone's personal choices of venues, or where their bands play, but this is precisely why I stopped doing pub gigs. Functions/weddings still have twits, but IME, you don't really get that menacing 'anything could happen' vibe with them.

Ahhh man, hope you get better soon! The worst thing about it is, the SAME thing happened last year at the Guitar show, and to amplify that even further it was my birthday today! So, I've spent two years in a row, lying in bed with the lurgy, on my Birthday! The things we do for Bass, huh?!

I was there working one of the stands opposite Yamaha/Ampeg, a really good event on the whole, although I've picked up Guitar Show lurgy. Bass Highlights of the weekend were without question @Manton CustomsParadigm bass with the twin Nordstrands. Don't think I've ever heard such a burpy, funky machine! An excellent thing at a really fair price. Then, the Reverend Triad Bass that was tucked away on their stand, which I fell in love with. So many tonal options, all of which were useful, surprisingly! On a plus note, despite being opposite Ampeg, I didn't hear any of the usual s*ite, obnoxious, attention seeking noodle slap until right at the death on the Sunday!

For me, load in issues can make or break a gig, the whole band take it really seriously when taking prospective gigs on. If it's going to be an issue, we turn down the booking. The worst offenders I've experienced are without doubt Bristol (the absolute s******) and Oxford. You can't get a car anywhere near where you need to be.

I was eyeing this one up on FB (the ad put me off a bit)- congrats! Looks AWESOME!

They're nice basses in isolation (I have an early Rockbass Streamer 5) but they share very little in common with the real deal. Build and tonally. So, don't go in thinking you're getting the Warwick sound, but what it is instead, is very nice in of itself.

Canva absolutely gets my vote for this. I've always used it for logos and album design. It's super simple to use as well.

Warwick, keeping you in the ecosystem! 🤣 I've only ever used Red Labels, and Yellow (when they existed), and found the Reds very rough, but the Yellows were nicely pliable. Where do Black labels fall in this spectrum for feel?