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April Composition challenge No-fool , Honest , its here
Baloney Balderdash replied to lurksalot's topic in Recording
Is to be found in an uncut version, along with the track "Hail Satan", here, where it can be listened to and downloaded for free: ▶︎ Piece #911 | Fjernsind -
wish you were here - Floyd
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Fixed.
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scrumpymike started following Yamaha BBP35 *ON HOLD*
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Dood started following Feedback for lemmywinks
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Recently I was looking for a now-discontinued Gotoh (OEM?) bridge for one of my basses and I posted on BassChat to see if anyone could identify it. @lemmywinks very kindly found a spare that he had stashed away and offered to send it to me for a crazy good price. Well wrapped and signed for it just arrived and its just what I was looking for! Thank you Steve! Happy Dood!
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martthebass started following Dead DarkRay :(
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So my fairly new (bought new last October) and pretty much unused (so far a bedroom noodling toy) EBMM Darkray crapped out on Sunday . It was fine on Friday but when I got it out on Sunday for a pootle the alpha and omega bits no longer worked. The clean bit still works but when the alpha or omega are engaged - no output. Blending the alpha/omega with clean just results in volume loss. Did the normal checks, batteries, output jack connection, leads etc but nothing of note. Just wondering if any fellow DarkRay owners have had any issues? The guys at Bass Direct are on the case and have referred it to Musicman so I'm hoping for a swift resolution.
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Hi, I’m selling my Aguilar Octamizer version 2. Well looked after and very little use. £185 price includes UK Postage. Here’s a bit of info from Aguilar: AN ALL-ANALOG OCTAVE PEDAL THAT CREATES A WIDE RANGE OF MUSICAL SOUNDS AN OCTAVE BELOW YOUR BASS SIGNAL. Modeled with old school and new school needs in mind, the Octamizer features independent volume controls for both the Clean and Octave sounds. This makes dialing in the exact amount of each a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities. The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone. *Pedal powered by universal 9-volt power supply only. Not included. Proprietary detector circuit for superior tracking Continuously variable multipole low-pass filter for Octave sound Dual filter architecture Full spectrum tilt EQ for clean sound Pedal powered by universal 9-volt power supply only. Not included. Cheers! Michael
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Hi, I’m selling my Darkglass B3K. Well looked after and sounds great. I’m just not using it anymore. £160 price includes UK Postage. Here’s some info from Darkglass: An intuitive format that contains brutality and clarity at the same time is what the B3K delivers. A defined and powerful overdrive, with a simple layout, it sets no boundaries or rules to unleashing the desired tone. Blend Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio. Tone Controls the high frequency content of the sound. A variable low pass filter from 3kHz (ccw) to 8kHz (cw). Level Sets the volume of the overdriven signal. Drive Sets the amount of saturation in the overdriven signal. Grunt When engaged provides a massive low end boost to really thicken your sound. Mid Boost Gives a subtle 6dB boost from 300 Hz to 1kHz to help you cut through a bit more. Output Connect from the ¼” Output jack to the input of your amplifier or another effects pedal. Input Connect your instrument or output from your pedal board to the ¼” mono jack. 9V DC Only use a regulated 9V DC adapter with a center-negative plug. Dimensions Width: 75 mm / 3″ Length: 111 mm/ 4¼″ Height: 43 mm / 1¾″ Weight: 250 g / 0.55 lb Warning The Microtubes B3K has a current draw of 20mA. Only use a regulated 9V DC adapter with a center-negative plug. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty. Thanks, Michael
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Hi, I’m selling this set of Aguilar 5 string Jazz Bass pickups (AG 5J-HC) The pickups are brand new and have never been installed or used. £235 price includes UK Postage. Here’s some info straight from Aguilar: ‘THE WARM, PUNCHY TONE OF OUR 60'S ERA JAZZ BASS PICKUP, BUT WITHOUT THE 60-CYCLE HUM, IN A 5-STRING VERSION. Noise-free, classic Jazz Bass tone in a pickup that works great for all playing styles. Featuring our split-coil design, these pickups deliver a deep low-end, rich midrange character, and clear articulation – all with no hum! The AG 5J-HC pickup set is a direct replacement in the Fender Jazz V and many other 5 string J-style basses. Wire: 44 gauge, polyester-nylon wire Magnets: Alnico V Leads: Single conductor, heat resistant Teflon® coated’ Thanks! Michael
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Hi, I’m selling my TC Electronic BH800 head with Footswitch. £270 Price includes UK Postage. Here’s some info straight from TC: BH800 Tech Specs Input connector - 1/4" jack Input impedance -500 kOhm / 100pF Gain range - -96 to 41dB Tone control: Bass 50 Hz @ Gain -24 to 0 dB; 80 Hz @ Gain 0 to +24 dB Tone control: Low Mids 200 Hz @ Gain -24 to 0 dB; 160 Hz @ Gain 0 to +24 dB Tone control: High Mids 630 Hz @ Gain -24 to 0 dB; 800 Hz @ Gain 0 to +24 dB Tone control: Treble 1800 Hz @ Gain -24 to 0 dB; 4000 Hz @ Gain 0 to +24 dB Tuner - Bass Tuner, always on Tuning range - B0 (30.87 Hz) to C4 (523.25 Hz) Mute - Mutes speaker output, phones output and balanced output Master level / Headphones output Studio quality headphone amp Recommended HP impedance 32 to 600 Ohm Mains supply 100 to 240 V~ 50/60 Hz (200 W @ 1/8 of maximum output) Power module rating - 800 W Speaker output Industry-standard 4-pole twist-lock speaker connectors Balanced output - Balanced XLR, pre/post preamp Balanced output maximum +2 dBu Bal. output optimal load impedance 600 Ohm Rehearsal input 1/8” jack input, fits to iPod® Humidity Maximum 90 % non-condensing Dimensions 275 x 69 x 279 mm / 10.8” x 2.7” x 11.0” Weight 3.0 kg / 6.6 pounds Finish Brushed and anodized aluminum front plate, metal chassis Cheers! Michael
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Wonder why they had to make the reason so public? Most of these things end with plain old musical differences or concentration on other projects, etc. Seems a bit disloyal to throw Zak under the bus, whatever the circumstances.
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I believe the correct equation is n+1
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Tube power stage vs Class-D (effective power)
agedhorse replied to Paddy Morris's topic in Amps and Cabs
Mike’s still here, doing mostly legacy repairs and touring support of legacy products. There are lots of things being done with solid state that can address most of the feel issues, your example of the MOSValve amps is one approach that was originally designed by BK Butler, we acquired the brand after it fell on very hard times (we built cabinets for TubeWorks for a while, before they shut down) and developed some new products, but the brand reputation was just too damaged to overcome the legacy issues. The work on solid state power amps for guitar continues on under the radar, Pat Quilter’s efforts are probably some of the most successful but then there’s also the Tonemaster series that’s gaining ground and popularity. It’s a very complicated balancing exercise to develop new technology that convincingly emulates both the tone/voicing and the feel of the older technology. Of course you already know this with your products, specially the SansAmp. -
Epiphone Jack Casady Bass now £475 posted , £450 Collected
Grahambythesea replied to peety's topic in Basses For Sale
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Compact budget PA set-up to put bass through (without back-line).
Jack replied to Al Krow's topic in PA set up and use
Ground loop? Wouldn't explain the lack of output though. -
Charvel Fusion IV Bass *now £SENSIBLE Offer.... or possible trade!*
cetera replied to cetera's topic in Basses For Sale
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RogerDodger started following Ruin a Band or musician's name by replacing a single letter
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Thank you Matt. I did wonder if the original volume could be used. That helps a lot. Peter
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I watched it last night. Excellent insight to the legend. Thanks for sharing. If you want to watch it without the ads put a - between the "t" and "u" in the youtube like this yout-ube and you will see the video without the ads. Works on all youtube videos i've tried. Sometimes it gives an error message , but just refresh the browser window and is ok. You can thank me later 🤓😎
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Oh man, yeah, that's the dream for me 🤤 Had an opportunity to buy a 65 with the same colour configuration for significantly less money about seven years ago, but couldn't quite stretch to it as our son was on the way...Barring a windfall, I don't think there's any chance I'll ever be able to get hold of one now with the prices the custom colour ones go for 😭
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Steff started following Pre-Gibson Tobias Classic 6
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Hi guys, in my search for the right vintage Tobias I ended up buying 2 so one needs to go. This one has got a history so I’ll try to represent to the best of my knowledge. Serial number 1784, which places it post Gibson buy-out but pre handout which means still built by Michael Tobias and crew. Walnut with a Wenge tone block and stringers. Original Bartolini Tobias split coil pickups. More on the preamp below…. Weight is 4.3kg as far as I could see on my kitchen scales which is great for a 6 string. This bass was acquired by previous owner as a restoration project. Didn’t have the original TCT preamp and apparently was very scratched and worn. He did a refinish (and he’s done a great job as far as I can see) and converted it to a 5 string - new nut and replacement bridge. Apparently someone along the line decided to install a 13 pin midi connector on it which I was intending to use and install a GK3B pickup - might as well turn the flaw into an advantage - just a thought if someone interested in it is also into his synth sounds. I have restored the bass to 6 string - it came with the spare parts that were removed for the conversion so bridge and nut are original. Bits needing TLC: When refinish was done, they didn't cover the slot where the nut rests so the original nut was sitting too low when I put it back on. I’ve shimmed it with a couple of veneer strips - but it’s something that can be redone professionally at some point. Bass has a couple of holes drilled for mini switches. More on that below. As mentioned, bass didn’t come with the original preamp. I have installed a reissue TCT (which in my knowledge and opinion is VERY close to the original, I have examples of both and have done a lot of A/B testing). The control cavity has been copper shielded - again not the neatest work I’ve seen so this can be professionally redone at some point too. On the photos below the wiring isn’t at as neat as it should be but that is because I did a temporary installation of the new TCT. I’ll clean that up once a potential buyer decides what do they want inside. Case it came in is old and battered - I guess it’s been toured. So I have an option to sell it with: Original vintage TCT and mid module wired to spec (managed to source that from abroad) - £3700 Reissue TCT and mid module wired to spec - £3600 John East Uni-pre (the one it came to me with) - £3700 The two TCT preamps are currently wired with a passive / active volume pots which leaves the two mini switches unused - I could rewire it with a normal volume pots and wire one of the switches to active / passive. The John East comes with 2 mini switches - I guess that’s why they drilled the holes in a first place - one is active / passive, the other one is a kill switch. I am not going to post this bass as a potential buyer needs to try it and make sure they’re happy with it, plus don’t have packaging materials and don’t want to live in anxiety for a week with all the shipping horror stories. Happy to drive anywhere in the UK for petrol costs or have it checked out at my place in Ealing, west London.
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I should point out that my BQC was before all this solderless stuff. Honestly I don't know how you do it these days - surely you don't have to hack one end off the cables if you're not hooking it up to EMG stuff?