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To be fair though, those 40w rumble amps are a bit miraculous. Not very nice sounding but they do get the notes audible which is incredible for what they are. That was at an open mic setup though and from that point onwards I made a point of bringing my own rig to those sessions, even though I carted it on the underground! This is why portability is really very important for me.

Interesting point of issue. Erik Arko's video mentioned right at the end: "It will get Bluetooth eventually - they're stuff implementing stuff..." Does this mean the hardware is Bluetooth ready - the specs on the Darklass produce page don't mention Bluetooth at all.

I don't think that's come out too bad for a first attempt Now time to start making the neck........👍🏻🤟🏻

I've just noticed they've added the list since yesterday 😁 The link is here. Block List (v1.1) Amps & Cabs Preamps Harmonic Booster Leo Bass Jim Bass Gentle Amps Peggy Bass Super California Kallinen Kruukkeri Neural Amp loader Bass Cabinets All cabinets have 6 microphone options with 6 position options each Microphones: Condenser 103, 414, 67 + Dynamic 112, 421, 52, 7 Black and Yellow 4×10 California Bass 4×10 Darkglass Neo 2×12 Darkglass Neo 4×10 Fruity Bass 1×15 Fruity Bass 4×10 Fruity Bass 8×10 Garden of 1×18 Garden of 4×10 Modern Bass 1×15 Modern Bass 2×10 Modern Bass 4×10 Modern Bass 8×10 Mountainino 6×10 Peggy 1×15 Peggy 4×10 Peggy 8×10 SWIRL 1×15 SWIRL 4×10 SWIRL 8×10 Vintage Peggy 8×1 Guitar cabinets All cabinets have 6 microphone options with 3 position options each Microphones: Condenser 184 + Dynamic 421, 57, 906 + Ribbon 121, 160 California combo 2×12 Fashionista 4×12 Modern 4×12 Panzer 4×12 Topper 2×12 combo Vintage London 4×12 Artist cabinets Dave – Beta52A Dave – D12e Dave – MD421 Dave – MD441 Forrester – Bitey Forrester – Clear Forrester – Monster Forrester – Punch Forrester – Thick Jon – 2×12 Jon – 4×10 Jon – 8×10 Nolly – Blend Nolly – AllTheMids Nolly – ScoopyDoo Nolly – RolledOff Nolly – VintageStack Nolly – Mega-Meld-IR User cabinet IR loader Overdrive & Distortion Microtubes B3K Vintage Microtubes Alpha Omicron Duality Fuzz Chinchilla Microtubes X Neural Pedal Loader EQs, Filters & Dynamics Amp EQ Darkglass 6-Band EQ Generic 6-Band EQ Hi-Pass Filter Lo-Pass Filter Gravitron (Envelope filter) mo**erf***r (Envelope filter) Noise Suppressor FET Compressor BUS Compressor Compressor / Limiter Modulation & Pitch Mint Chocolate Chorus (Mono/Stereo) Flamingo Flanger (Mono/Stereo) Sublime Octaver (Monophonic) Sublemon Octaver (Monophonic) Subcitri Octaver (Polyphonic) Pitch Shifter (Polyphonic) Delay & Reverbs Digital Delay Analog Delay Modulation Delay Room Reverb (Mono/Stereo) Plate Reverb (Mono/Stereo) Hall Reverb (Mono/Stereo) Shimmer Reverb (Mono/Stereo)

While I agree with the oasis comments, I also have the same issues getting upbeat songs in, or at the moment, any songs! It seems to take forever, I am not sure why most songs cant be done in a week, or maybe two if it is a really tricky one.

A good two hours in a hired room. Five new original tunes to be worked into the set for an upcoming gig on the 2nd. Punk/pop originals. Many rehearsal rooms in NYC are pretty run down but this place is plush; top-shelf gear, really good sounding rooms with good PA and a crew that actually knows their stuff. The bass rig was a Bergantino head and 3x10 cabinet. Very uptown stuff. It’s a pleasure to play there. Our bandleader/songwriter’s songs aren’t overly complex so the new songs came together quickly and we’ll clean them up further at one more rehearsal before the show. One of the guitarists had to miss our last rehearsal so it was good to have the whole band at this one. I took out the Rickenbacker again after a long stint of playing Fenders and I always need a little time to get used to the Ric and its quirks so I had to really pay attention to what I was doing. I mostly pulled it off…. Tonight I’ll be rehearsing with a different band in Brooklyn for a show on the 3rd. Their studio is a dump and a nuisance to get to so it will be a very different experience than last night’s. They’re nice folks, though, so it’s all good. I’ll stick with the Rickenbacker until both shows are over so my brain doesn’t break.

Thought I’d lower the tone of all these super nice NBDs with a lowly Toby! Played the perfect Toby Pro in 1996 or so, but couldn’t afford it. Bought a lovely example from @AndyTravis a while ago, but didn’t gel with it like that one back in the 90’s. Sort of forgot about this Deluxe I bought off fleabay about 15 years ago. Leant it to my wife’s cousin years ago, but as he wasn’t using it he returned it to me. A little bit dusty and unloved, but a quick polish and a tweak of the truss rod has it sorted. Will need to investigate the electronics as battery that expired 11 years ago had leaked! Might pull out the preamp and wire it passive, too. I don’t know loads about actives, so any comment on the at plan are welcome.

They have added a Block List on their Website. My Anagram arrived and I don´t know if I got a faulty unit. The IR Loader is not working. I just got really heavy distortion out of it.

I'm familiar with Pinky & The Brain. I saw a post the other day when someone said that they'd be willing to hear Brain's plans, to which someone astutely responded that at this point they'd be willing to hear Pinky's!

You can, and you can always opt to not accept them at the point of collection/delivery whereupon the person bringing the stuff will invariably process your refund on the spot.

Beeyooteefool!

Pretty good rehearsal on Sunday (yes, I'm a bit late), and I think we have our two new tunes almost nailed. We had a bit of a chat about more new tunes but I don't think certain members of the band have much ambition in terms of what we should add to our set list. A number of absolute bangers (e.g. Go Your Own Way, or anything by Oasis) have been dismissed out of hand because the singer is vehemently opposed, so we're reduced to now learning a couple of plodders by Tears For Fears and Somewhere In My Heart by Aztec Camera, none of which I think will exactly get people in a party mood. Ah well, I'll have to put more effort in, because the last song I proposed (Two Tribes) is now a well-established crowd and band favourite. The seeming tradition of arranging rehearsals on holidays continues, as after having one on Easter Sunday the next date we can all do before our next gig in August is on Fathers Day.

Absolute pleasure, Franz. Good luck with the gig, Chris!! Pete

Alan has an excellent supply of ash for necks - this will be my third! I find it gives a deeper and more rounded tone than maple, then combined with the ebony you get a beautiful rich harmonic content across the octaves. Will try to do a demo soon 🤓

Yes, that's the plan. Most of my busking is done on 240v from street furniture or battery power packs provided by the event organisers. For those I would use the Meanwell power supply. Where there is no 240v supply I would need a little under 2 × 7AHr batteries to run for the 5 hour set. For open mic nights, and / or Victorian pubs where the only power socket is on the wrong side of a gangway, I can play for a couple of hours on one battery. For 'acoustic' rehearsals and the like, the smaller amp and battery will reduce the weight by about a third. David

I saw an animation as a kid where an elf painted chessboards with checkered paint. Boy, that was quick!

Some very interesting wood choices there (at least in my limited experience). The holly is unique, but it’s the ash neck which has really caught my eye! A very handsome bass overall. Looking forward to a report once you’ve settled in with it.

It's actually three middle 12s rather than one. My song writing skills are still developing (to put it mildly), so it's all a it long

Ha ha you and me both mate, their poor tech has saved me a fortune, which in a roundabout way of course has also saved you a fortune 😁

Oooof, beautiful.