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Vibrator - Motorhead
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Good Vibrations - The Beach Boys
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FS UK 62 Jazz Bass Fender Custom Shop Relic Sunburst
Brucegill replied to Brucegill's topic in Basses For Sale
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This is the board at my feet at the mo... Covers all the classic rock/metal we play..and there isn't a pedal on there I don't use during our set, which is nuts... I made the Schmidt Array style 2 tier board a few years ago and it has been fantastic. Ignore all the spaghetti on the left...nothing to do with the board!!
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Tube power stage vs Class-D (effective power)
Paddy Morris replied to Paddy Morris's topic in Amps and Cabs
Well, it may be going over old ground, and if it feels a bit tedious then I apologise. But I have found it really useful and am very grateful to everyone who has contributed. Really interesting to hear the technical and quasi-technical reasons behind it all. I'm an upright player. When I put my Fender P through any of my class D amps I'm really happy with the result. The trouble comes when I'm playing slap upright against a drummer who has had a bad day and is taking it out on his drums. The transients from the slapping play absolute havoc with the amp headroom. I have to put a fast attack limiter across the input to stop the amps cracking on the transients in the most horribly digital way you could imagine. With smaller powered amps the Class D module goes into protection mode for 2 seconds at a time, and the 800w ones just break up. The limiter fixes the problem but completely castrates the sound of the instrument. At lower volume, without the limiter, the sound is pretty much what I want (when I'm playing the right notes!) I don't want a valve crunch sound or even any more warmth, as I already spend a lot of time dialing out the excessive warmth of the intrument. All I need is something that will deal with those transients at a reasonable volume without making a horrific noise. The guitarist is a valve junkie, and he's gradually wearing me down. -
This is my current pedal bag.
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There is a 3d file for a PRS custom on printables...can't get the measurements at the moment, but definitely the same shape..1 hole...I might print it out tonight...see what it looks like ..
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Reduced to £145.00. Neunaber Immerse mark 2, in pristine condition and perfect working order, boxed and with rubber feet and plectrum. Collection welcome or can post insured (UK) for £7.00 With richer reverbs and a Mix knob that goes 100% wet, the Immerse Mk II is our best-sounding reverberator to date. Delivering the same no-nonsense flexibility as its predecessor, it s more user-friendly than ever before. Experience studio-quality tone in a pedal that can be used with instruments of all stripes. The Immerse Mk II is packed with eight versatile reverb effects, including the new W3T and Sustain effect. Less Feature1 Stereo Reverb Processor Effect Type Reverb Technology Digital Mono / Stereo Stereo In, Stereo Out Controls Mix, Depth, Time/Tone, Pre-Dly/Mod/Blend Modes 8 Reverb Types Switches Kill Dry, Trails, Program Bypass Mode True bypass or buffered bypass Power supply 9 VDC, Center negative Power Consumption 80 mA The Neunaber Immerse MkII is certainly not a one-trick pony when it comes to options. Boasting 8 different reverb types, including a blissful Shimmer verb and a Sustain mode, the Immerse MkII also sports more standard Spring and Plate reverb sounds to satisfy the traditionalists. However, Neunaber's flagship W3T reverb mode has been refined too, delivering a smoother and more three-dimensional sound. Now with adjustable pre-delay, it enhances what you play without covering it. A new feature on the Immerse MkII, the pedal's Mix control now allows you to go to 100% wet. This means that you can enjoy a huge, engulfing ambient reverb sound that'll fill a venue or a track with unbridled echo! Modern Features Like their entire range, Neunaber's Immerse MkII is aimed particularly at contemporary and experimental guitar players. This means that apart from its class-leading sounds, the unit can also be seamlessly integrated into your rig. Boasting an analogue dry-through signal path for low noise and zero latency, the Immerse MkII also sports a high-quality buffer to ensure that your signal remains strong and clear. Stereo outputs also let you take full advantage of the incredible reverbs offered by the unit, so that you can achieve an ultra-wide wall of sound when using two amplifiers. Modes: W3T (Wet version 3) — exclusive to the Mk II, our new flagship reverb is smoother and more three-dimensional sounding than ever before. Now with adjustable pre-delay, it enhances what you play without covering it. Plate – Bright and diffuse like a studio plate reverb. Hall – The lush, open sound of a concert hall, now with adjustable modulation depth for achieving deep modulated tones. Spring – The distinctive twerp of a tube-driven spring reverb. Now with adjustable modulation speed, it can achieve a vibrato-spring sound. Sustain – A new algorithm built on the W3T reverb. This magical, versatile effect can be configured as a sustainer or infinite reverb. Echo – Combining the W3T reverb with stereo echo. Detune – Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb. Shimmer – Reminiscent of a synth pad that follows what your instrument plays, this effect combines the best qualities of our previous shimmers
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Now £225 Boss ME90B up for sale, in pristine as new condition boxed and comes with a very nice boss carry bag and boss power supply. Also works very well using AA battery power. Collection/try out welcome, or UK insured postage for £15. Boss ME-90B Bass Multi Effects Processor with Power Supply is a cutting-edge tool for bassists seeking to push their sound further. If you want a comprehensive FX platform but don't want to deal with fiddly touch screens and layers of impenetrable menus, then the ME-90B is just the solution! It boasts a whopping collection of 61 meticulously curated effects - all from the BOSS bass effects library - and each with physical, tactile knobs to adjust parameters and dial in your ultimate sound. Alongside that are ten onboard AIRD preamp models, delivering studio-grade tones in a compact performance package. This hands-on approach is complemented by an expression pedal and direct-access footswitches to offer you an array of adjustments on the fly. Moreover, the ME-90B shines in terms of connectivity and adaptability. Whether you're connecting to stage amps, house PA systems, or computers, this processor is equipped for it all. Its superior sound quality is assured through 24-bit AD and 32-bit DA conversion, alongside 32-bit floating-point processing and a 48 kHz sampling rate. From the rehearsal room to the stage and the studio, the ME-90B is a powerhouse of creativity, offering bassists the tools they need to explore new sonic landscapes and refine their signature sound.
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£80.00 WMD Parametric EQ in it's original box with user information sheet. This unit is in excellent unmarked condition and perfect working order. Great quality EQ in a compact pedal, tryout/collection welcome or insured UK postage for £8.00 There are 3 bands of EQ with frequency ranges from about 40Hz to 15kHz. Each band is an independent bandpass filter with adjustable center frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like. Stomp Switch - This footswitch activates the EQ. The center LED will be lit when the pedal is engaged. Freq - This selects the center frequency of the filter. The three frequency ranges are: 31Hz to 1.6kHz, 100Hz to 4.8kHz, 300Hz to 16kHz. Q - The Quality Factor (Q) gives you control over the sharpness of the filter. Turn it up and the filter section becomes resonant and more abrasive. Low Q settings sound like a traditional EQ, higher Q adds resonant nodes. The Q ranges from about .1 to around 30. Level - This controls how much cut or boost you have from the band. Center it (0) and the band is out of the circuit. Turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less. If all 3 controls are at 0, you should be able to click the pedal on and off and not hear any difference. Overall Level - This gives a overall cut or boost at the output of the Parametric EQ. Like a volume control, but with some gain available.
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Bassassin started following FS: Maya Fretless Bass & ohsc, 1970s/80s, £450 o.n.o.
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FS: Maya Fretless Bass & ohsc, 1970s/80s, £450 o.n.o.
Bassassin replied to silverfoxnik's topic in Basses For Sale
That's a thing of beauty! Looks like a top-class defret job, and it's in fantastic condition. This is mid - late 70s - Maya (a brand owned by Japanese retailer/distributor Rokkomann) was made by Chushin Gakki during the 70s but moved manufacture to Korea in the 80s. To everyone @-ing me about the tuners - I have never seen the little spanner before! That's actually odd, because these tuners (which are fairly common on a lot of late 70s/early 80s basses) are the same as the ones fitted to the vast majority of 80s MIJ Yamaha BBs - the only difference being having a cast key rather than a cloverleaf type. Must be thousands of these odd little spanners lost in the dust at the backs of drawers! Also really good to see the little manual too - might have a go at translating the katakana one day. Anyway - very best of luck with the sale - there aren't many of these around, and certainly not in that sort of condition.- 16 replies
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- maya
- maya precision bass
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FS UK 62 Jazz Bass Fender Custom Shop Relic Sunburst
Chiliwailer replied to Brucegill's topic in Basses For Sale
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olibassist304 joined the community
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This has been up for over a month now so I think I will let it go to anyone who wants it but can't afford it. Please don't take the p***. I don't want it sat there doing sweet FA so am happy to let it go for free but only to someone that needs a break - if anyone knows anyone who is looking for something like this, let them/me know. If you can afford it, buy it. If you can't, it's yours for free (you'll have to collect, though - or do one of those relay things). Recent purchase renders this superfluous to requirements. Some minor/cosmetic nicks and knocks but nothing dramatic. The cabinet is in Felixstowe, Suffolk, so probably as far away from everywhere as you can get and still be in England. Phil Jones Bass 4B extension cabinet. Designed as an extension to the Suitcase, the addition of a 4B will make a super compact rig, able to do just about any task the working bassist. Loud enough to play with a powerful drummer and yet offer fidelity of bass that is unsurpassed. This diminutive duo will surprise anyone with disbelief that small cabinets can produce such levels of rich deep and powerful bass, right down to the open B string and below. It does it with authority and yet is transparent right up to the highest of frequencies. Dynamic range is beyond what you would expect; slapped bass will have snap that just can not come from horn tweeter bass cabs. The mid range is so pure that this cabinet will even produce the acoustic bass with stellar clarity. So much so that you will think you are playing an even more expensive instrument! Specifications: Frequency Response: 25Hz-15kHz Power Handling: 300 watts RMS Sensitivity: 95 dB/watt Impedance: 8 ohms Connectors: Neutrik Speakon Dimensions: 16.5h x 13.75w x 17.5d Weight: 39 Lbs.
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Why does Scott Devine hate Sadowsky basses?
ebozzz replied to TheGhostofJaco's topic in Bass Guitars
That's basically Canada......🤣 -
Tharsis joined the community
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FS UK 62 Jazz Bass Fender Custom Shop Relic Sunburst
Reggaebass replied to Brucegill's topic in Basses For Sale
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That was what I was getting at in my previous comment. Sounds like a combination of the Windows single-USB-MIDI limitation along with a complex set of interface controls as opposed to an FI problem - the same issue would occur with any other app that needed access the USB MIDI connection in this scenario.
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I always get Anxiety when i courier. Which is why i pack extremely well and pay for Am delivery next day. Id need to sell my stingray though, ive a 4HH with a rosewood board (i want a maple) ive a potential local buyer, but not worth doing if you wont post. An extra £130 isnt doable, nor a 10+ hour round trip.
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AndyTravis started following Has anyone used Gear Up Music?
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Sell Us Your Guitar are reputable - an ex colleague of mine runs it. Its in Manchester, but they offer a fair enough price… Don't know if that helps
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Tube power stage vs Class-D (effective power)
Lozz196 replied to Paddy Morris's topic in Amps and Cabs
Bill, it just shows how dumb the rest are 🤣 -
mybass started following Behringer B205D active monitor
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Mickeyboro started following Blues legend John Mayall CD bundle
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Bassassin started following Has any Song Totally Defeated You?
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Hadn't encountered this band before you posted that track, and having had a listen to Pony Express Record, the album this song's taken from - what an incredibly interesting band! I very much doubt I'll be trying to learn any of the songs - like you say it's not really about technique, but I'm having a great time trying to get my head around what's going on compositionally & arrangement - wise. Such a lot to take in, I think I'll be coming back to this for a while. Thanks for posting that track!