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We're also one of the only local bands that has their own high quality sound and lighting. We have 3 divisions. 1. Maple Road Blues Band 2. She's Right I'm Left. ( Acoustic offering) 3. Sound & Lighting Daryl

Comb Over To My Place - The Drifters

Hell Toupee - Jeff Healey

Black Is The Color Of My True Love’s Hair - Nina Simone

We have trouble keeping drummers too. Daryl

I've never heard that expression before. I may, if you OK with it, start using it myself. 🙂 There's nothing unique, special or stand out about the band I'm in currently. If you were to put the set list in front of me and say do you wany to go and see this band I'd say, "not really". Most of the set is material that has been done a million times over.

I've got to pull some fence posts and large planks of wood from the canal in Tipton tomorrow - any bids from our budding luthiers?

We struggle with consistency. We can be really good at one gig and lay an egg at the next . Daryl

Oil City do an 'Overkill' jazz bridge pickup that sounds like a Rickenbacker - That was the one I was thinking of (11k), as I'm not really into passive jazz pickups. Could probably make a set if you drop him a PM. He also wounds standard jazz pickups with more output called a 'Hardman'.

Thanks for the replies, much appreciated

Sounds like a nightmare @BigRedX. I meant contact you afterwards. Luckily we’re used to playing in a more acoustic style too so we had a serviceable plan B. That’s a really top tip on the EQ though. I did think the soundman looked a bit young and new to it all.

Not to forget their sister band The Trumps

The best bit about the video is showing that 15 inch cones do not have "a sound" and that they can be very very different. As much as I am a Mark Bass fan, their 15 inch cabs have always been a bit flubby. I did the common 151HF with the CSM 102p combo for quite a while and I never could et the EQ to work well with the 10 inch cones and the 15. Sounded much better with one or the other. Eventually I got a pair of MB 121 Club cabs instead and used them for a while. Two identical cabs = dead easy to EQ without a problem.

They seemed to start out as a second hand/recycling guitar shop. A few years ago they moved into Mansons old shop in Exeter. However, it seems that the shop has been cleared and remains closed of now. There seems to be mixed opinions about the shop and its owners and business practices from comments on social media. Anyway, that's another guitar shop gone.

Out of interest. . . . what's the weight?

I’d say probably not worth having both, if you find your QC is under utilised (you hardly use the 8 footswitches, or you constantly wish it was smaller, or it’s just doing a little bit of processing on an already busy board) then it could be a good option to downsize the footprint. Else you’ve got two wildly different Capture ecosystems and workflows, personally I’d find that quite annoying but YMMV.

Between the 70's and the mid 80's I used Fender, Ampeg and Peavey 15" cabs. Then 20 years of EV15's in Dynacord and Mesa Boogie cabs (IMO the best of the lot). But with the advent of "properly" designed 12" cabs I don't see the need for anything larger.

Strawberry Switchblade Amnesty