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  2. Is the bass still available please? I’m very interested!
  3. Today
  4. Active bass? You probably want https://www.guitarmania.co.uk/product/neutrik-barrel-jack-socket-nys2203/ but do a search on the part number NYS2203 to see if you can get it cheaper. Also worth posting the the "Repairs and Technical" sub-forum.
  5. I love my 750, great underrated head from the era of amazing TC bass gear
  6. The BC has led strips under the grill which you can still use if you get yourself a new power supply for it (prob a tenner or less).
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  7. Pedal/Gear clearout - All Pedals include shipping M-Audio 8 Track - £95 (+box) EHX Multiplexer - £65 (+box) Vivlex tuner - £15 (+box) EHX Superego - £140 (+box) TC Helicon Voicetone r1 - £90 (-box) Caline Power 5 - £15 (+box) NI Maschine Mk3 - £375 (+box, brand new never used)
  8. Yesterday
  9. Agree with the thoughts above, mod it, play and enjoy it, and def keep the original parts.
  10. Just got home from my Spacewasters gig at The Hope & Anchor, Islington. 4 band bill, in an 80 capacity venue, luckily a dedicated storage area for gear. We headlined and played well, though it was soooooo hot down there, even setting up had us all sweating out half a stone. Didn’t bother with a soundcheck but the sound man was very good and kept the volume to reasonable levels. I played my black Fender JMJ Mustang into my Behringer BDI21, DI taken from that to FOH, and then into a small 100 watt Ashdown combo of some sorts for stage volume which was plenty. Due to my plantar fasciitis rather than DMs I wore my Skechers trainers.
  11. Not very much at all they were on a Thunderbird that I put back to stock condotion and sold last year. They've been sat in the box ever since.
  12. starshit Wank (tank) https://en.wikipedia.org/wiki/Tank_(band) dido.. mmmmmm... can i add a letter ? please... please... PLEEEEEEEEESE 🙂
  13. A couple of tribute bands over the last couple of nights First on Thursday night were The Musical Box at the De Montfort Hall Leicester recreating the 1973 Genesis Live album that was recorded there. As usual absolutely impeccable! A few extra tracks thrown in from Nursery Cryme and Foxtrot. The strange bit was the "warm up" act which was the MB bass player, and I think the keys and drummer playing some original "progish" "music" - good in places, but a bit "out there" for a fairly large audience, getting polite applause. The Musical Box though, wow! Supper's Ready was immense! Tonight was The Devout, a Depeche Mode tribute. All credit to them for the nearly 3 hour set, but tbh I could have happily lost the first hour and a half of album tracks and skipped straight to the stuff everyone knew. Very good band and a great tribute. It did take the sound man about 6 songs to get the vocals up to audible level though, and I strongly suspect the guitar parts were mimed and very low in the mix. I barely recognised My Own Personal Cheeses. I've had a good couple of nights out though. Very enjoyable
  14. He said so himself in an interview - the Jag was the only active fretted 4-string he had at the time, so that's what he used on the gig to start with. Remember, he only had a few days to prepare! He got the custom P's with the Thunderbird pickups later. I agree he didn't sound like Entwistle, but he'd have sounded even less like him had he played his Fiesta Red P with flats!
  15. Yeah. If these found their way to me in Manchester…I’d be made up. They could be my rehearsal rig…
  16. I’m pretty sure Bootsy also uses band pass on some of the parts on the Parliament stuff, certainly sounds like it in places.
  17. Once upon a time I would have agreed with you, but the MXR Bass Envelope Filter is band pass (with dry volume and FX volume knobs) and it is glorious.
  18. While we've veered off onto the subject of John Entwistle... My current band briefly used a rehearsal space earlier this year that had one of John Entwistle's old bass rigs - the guy who owned the space bought it when a lot of stuff was auctioned off after Entwistle's death. It was separate Ashown pre and power amps in a rack case going into a big Ashdown cabinet (6x10" I think). It sounded absolutely sh*t. I was not entirely surprised as I've always found Ashdown gear to be woolly and underpowered crap, but was suprised someone like John Entwistle would have played it. Turns out the missing ingredient was the big stack of effects units that sat between the pre-amp and power amp (or in the effects loop when he was using a combined pre and power model of amp).
  19. I'm sure some purists will be throwing rocks at their computer screens, shouting "Heretic!", but for me, an instrument is for playing. If your reversible mods make you like the playability/sound more, then go ahead and mod it and play the heck out of it!
  20. I’ll consider a reasonable offer on this. I could really do with selling this (and a few other things) as I’ve been signed off with stress due to my son’s mental health issues and will go onto half pay at the end of next month due to having already had so much time off for cancer treatments! It’s forcing me to take a hard look at my gear.
  21. I’ve been wanting to try the DCX. Not sure if you’ll get the same tones from the Black Panel though. I love my BP.
  22. As long as you keep the original parts it’s all reversible! The reason there are so many after market parts is down to people “upgrading”
  23. I wish they'd bring the shape/intensity controls and 4 band eq from the HA3000 back in a micro head format.
  24. After discussion with a couple of potentially interested parties, just reaffirming that I am happy to either courier or meet in a public space in SW13 (Barnes) London. Also, I am again wondering if this is a dumb idea and I should sell another bass instead (watch this space...)
  25. You own it. Do whatever it takes to make it the instrument you actually want.
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