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Showing content with the highest reputation on 15/11/17 in all areas
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Apologies for any blips today. However, SSL is now live and you can browse more securely Thanks for your patience3 points
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...and actually, I couldn't be happier. It was like working with a psycho, Rainman and a guy who couldn't get off the fence. Huge weight off my shoulders. The first thing they did was remove my admin rights from Facebook, to a band I set up and a page I set up. I'm still shaking my head at that one, but hey-ho. What was I going to do? Remove a couple of pictures? Amazingly, I've had two offers from other bands since I quit less than 90 minutes ago. Clearly doing something right, perhaps the old act were just too stupid to see that.2 points
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Awesome stuff from Lalah and Marcus with Poogie Bell on drums. Fantastic groove from Marcus and Poogie. The CD live album is epic.2 points
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For Sale ONLY - Price Drop £650 This is my Darkglass Microtubes 900. Purchased 30th June 2017 so its just over 4 months old. Cost me £850.00 image of receipt attached. The amp has been used in 6 rehearsals and not gigged. It has been kept in an ali flight case all of that time and is now sold back in its original card box. Footswitch never used. I'm selling because I have gone over to a Demeter which I prefer and I like having my distortion on my board. Priced for a quick sale.1 point
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Here is my absolutely beautiful Bass Doc 60's Precision. It is awesome and without doubt the best Precision I have had and I've had them all. I recently bought this from Lawrence (Three) off the site. This bass looks, plays and sounds amazing, it balances perfectly and weighs approx 3.5kg on my bathroom scales. Here are the specifications provided on the original ad: Fender 62 reissue body Allparts Jazz neck with slab board Fender vintage bridge Antiquity pick up Bass Doc Tortie scratch plate Gotoh reverse tuners Fender neck plate OBBM loom D'addario 40 -100 nickel wounds This is a sale only because finally I have had to come to terms with the fact that I need a shorter scale bass. It's sad but true! There is a Fender gig bag with the bass. I live in Earls Barton, Northamptonshire and would ideally like this collected. I am willing to travel a reasonable distance if that helps and I will courier at the buyers expense if needed although I will need to get a box for shipping. Thanks for looking. I would like £575 please and it's worth every penny and more. NO TRADES THANK YOU.1 point
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I'm thinking about doing a few versions of themes to help with things like this1 point
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We’ve set it like that for new members. For current members we’ll do it too but predict some will be angry about us changing it so we’ll do a postie and set a date.1 point
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yeah i tried that too in a sale i have, to lower the price. I ended up just tagging it with the new price1 point
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My Eich Amp T-900 knocking it out of the park. Insanely loud and the dynamic response is great fun.1 point
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Written on an old blues players gravestone...... " Didn't wake up this mornin' "1 point
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Hahaha. Paul will do for now. This weekend, we/they were due to mix six tracks that were recorded about two months ago. I have contacted the the studio and asked them to remove my bass off the recordings, which is what they're doing. That'll be a nice surprise for them when they turn up on Sunday.1 point
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Define "large". You could buy a new, modern, Chinese Hofner for as little as £230: https://www.gak.co.uk/en/hofner-ignition-violin-bass-sunburst/83408?gclid=CjwKCAiA6K_QBRA8EiwASvtjZd1QJw2SdiyxSi4kL9Hf-Tb7sC7MfShpL5yvcCfGfgkX9i-Pv2X9ahoCmasQAvD_BwE That would NOT give you the 5lb lightness or the quality under the hands of a genuine German jobbie - the "sustain block" down the middle adds at least a pound to the weight, the cheap finish is just that, cheap - but at least you're not spending much. Far better IMHO is to buy a genuine vintage one from the late 60s or early 70s. Spend enough time looking and you'll find one for less than a grand, and you won't be spending that money ... you'll be investing it. If you want to try a genuine, all-original 1964 (worth somewhere North of £2000 in today's market) you're very welcome to come round and have a bash at mine.1 point
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At the moment I’m trying to get enough money behind me to do a luthiers course because that’s what I really want to be doing but I thought I’d have a bit of fun with the kit builds Yeah this kits off eBay got it for a steal £40 it was listed under “Base guitar kit” so not many people looked at it the neck is straight I will need to sort the frets on it buts it’s all a learning experience but at the end of the day you get what you pay for and you can always upgrade the hardware over time I’ve got a Jazz bass kit that I got off eBay that I’m going to do next it only cost me £70 and the body is better (it’s really light) and the neck is nice a straight and surprisingly the frets are ok on it when I checked it with my rocker and it looks like only 2 need filing a bit If you want a top quality bass then kits aren’t for you but if you just want a bit of fun making your own bass then kits are great Once I’ve got my workshop back up and running then I will do a scratch build of my own design1 point
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Good on you. Glad you're already feeling the weight off your shoulders Now.... on to pastures new Good luck1 point
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Thanks Rabbie Leroy Vinnegar sounds exactly what I need. I’m aware of Milt Hilton and Ray Brown but haven’t delved into their recordings yet. I will get on it thanks again.1 point
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Anything Leroy Vinnegar has ever recorded. There were/are much flashier players out there but Leroy will pin you to the ground. And then of course my favourite Milt Hinton and the unbelievable master Ray Brown. That alone is about 200 years of practice....takes time and patience. But it’s great fun. All the very very best.1 point
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Yeah, I had some password issues. Blue I find my Gibson 1991 Thunderbird relatively thin and light. Blue1 point
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SSL certificate is high priority but we couldn't organise it until the site was already live with the correct server and domain. It's on the list! @ped - if it's not on the list can you put it on the list? ?1 point
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Yeah, fantastic work guys. People don't realize how phenomenally difficult this stuff is to do and how no matter how well you plan, unforeseen stuff can hit you out of nowhere.1 point
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Sunday night I was at the Alice Cooper show in Glasgow. Missed The Tubes and most of The Mission. The bass player Chuck Garric had a busy night, Halo of Flies was epic performance. About an hour in I spotted a thin dark haired fella in shades behind the curtain and was certain I'd glimpsed a spangly bass. Had no idea Dennis Dunaway,Neal Smith and Michael Bruce were doing the Reunion segment outside the US. What was already a brilliant gig just got better.1 point
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I'd like to just say thanks for all of the efforts in improving site. Having worked on system upgrades for the last 20 years I know how difficult they can be and the problems faced. Hopefully the majority of users won't be impacted by the lost pm's and can appreciate the benefits of the new features.1 point
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Honestly, I don't mind the feedback. I know there are things to clean up and sort and I'll do all I can, if I still had hair I would be pulling it out. Thing is though, I saw this forum software before all the issues and once the performance cracks on it'll fly along and is a lovely smooth experience. Some stuff I didn't anticipate I'll try to add in as long as it doesn't clutter things up or slow it down too much. The nicest thing for everyone involved will be the fact that now we have supported software where we're in the driving seat, if there's a popular feature that people want then we can look into that! Ultimately, we love the forum and it's the members that make it up, it's nothing without our community after all.1 point
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FWIW, I got the 'You'd better save any important PMs just in case' memo, and I hardly pay attention to anything.1 point
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Losing data is the basic principle of computer based systems, once understood, backup(s) begin(s) to become an evidence... Stop being assisted, don't trust anything computer based and ACT ! I think I'll start the MYAL (Move Your Ass League).1 point
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I put together a comparison vid of the overdrives in my pedal drawer at the moment, thought it might be on interest. Absolutely use headphones or decent speakers please Recorded with my custom US Lakland 44-94 passive P/J (both pickups on, tone up full), slightly gigged 45-105 Lakland strings and a Dunlop 1.14mm pick. Riff played into a TC Electronics Ditto, looped and recorded into a Focusrite iTrack Pocket after the pedals. Pedal order is: -COG Mini 66 (custom 'Seaweed' enclosure painted by Claire Cousins) -Schalltechnik Guma Drive (Darkglass Vintage clone DIY kit) -Fuzzrocious Dark Driving (in 'Dark' mode) -Fuzzrocious Broke Dick Peanut Gallery (BDPG) -DHA VT1-Pro-Bass-Drive Preamp/DI (the only Tube pedal here. I just concentrated on the drive section and don't really explore the considerable EQ section) -Fuzzrocious Demon -COG Knightfall 66 (Prototype: Germanium diodes on channel 1, LEDs on channel 2) This isn't meant to be a definitive demo of each pedal, more of an overview and how they compare tonally to each other. Cheers Si1 point
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About 2 years ago I bought the wood to make a telecaster from scratch. Around about the same time I bought my lad a Squier strat. They cost the same. Two years later my telecaster is nearly finished. It has bought me a lot of enjoyment making it, and to be fair it's not your average telecaster either - bookmatched and carved flamed maple top, chambered ash back, birds eye maple neck, etc. It's been a labour of love. However I can fully understand that people don't have the time, patience or skill to make a guitar from scratch (and believe me I had very little skill when I started! ). A kit is an ideal way to make a guitar your own, to put your stamp on it. It's not always about the end result either - it's the journey and sense of achievement. I will post up some pictures of my guitar when I'm done. I know it's not a bass, but I thought I'd gain some skills on a lesser instrument first. I have my bass in my head and it will be made from scratch - but I can't say when I'll finally get to play it - when it's ready1 point
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And this is probably the final gloss coat on the top. It is dust buggy free but there are still very fine brush lines from a slightly 'draggy' varnish in spite of it being warmed a touch and using a very fine fan brush. Having said that, I'm pretty sure they will polish out once the coating is fully hard:1 point
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Just picked up my Series 2 from Jon. Buckeye Burl top with matching headstock faced front and rear , swamp ash body, maple neck and Birdseye board. Electronics are Aguilar DCBs with the East-UK pre-amp. I didn't want a cluttered rear, so no battery compartment but an active/passive switch on the front. The tonal range is huge. I got this after getting a Shuker 2 years back from Cotswold Bass and knew immediately that I wanted to commission something. Oh, and the rear control panel cover is cut from the body wood rather like Elricks or FBass. All round a stunning piece of work from Jon ? David PS - my existing Burl Maple Horn is up for sale here.1 point
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Just catching up with this build. The top has a nice portrait of a spaniel behind the bridge. Nice work!1 point
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[quote name='PaulWarning' timestamp='1509264517' post='3397574'] can't read and have no motivation to learn but I've asked this question before and nobody answered, how accurate is sheet music? [/quote] As Jay has already said, it's largely down to the skills of the person writing it - the quality of the original recording also plays a huge part, especially if you're trying to decipher basslines. Although I spend a fair bit of time writing sheet music, I'm often appalled at the stupid mistakes that I find in my own charts - ears get fatigued like anything else and it's easy for them to start playing tricks on you. [quote name='PaulWarning' timestamp='1509285947' post='3397777'] thanks for that. I guess it depends whether the original composer could write music, otherwise it's down to what someone thinks it is [/quote] The fact is that there are lots of elements other than the rhythms and pitches that contribute to the overall sound of a piece of music, and these are often very difficult to capture on paper; the phrase 'the map is not the terrain' definitely applies to this. Even the most accurate transcriptions will lack some of the nuances of the original performance, because notation can't fully represent every sound that people produce from their instruments.1 point