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Over the past 10 years or so I've created around 200 charts (revised figure) for my covers band in a simple format which is easy to use for the whole band. The charts just show the chords and song structure and are particularly useful when learning new songs. Minimises disagreements about who's getting it wrong lol! Sample attached below, all songs are in this simple one page format. Too many songs in the archive to list here but suffice to say largely wedding/function band material. If free access to these charts would be of interest to anyone please drop me a pm and, if there's enough interest, I'll explore ways to make them available to download somehow. Also, if there are any particular songs you'd like charts for just let me know. I'm recently retired and have some time on my hands Chords-This Will Be.doc

I'm talking to ikay at the moment about potentially hosting these as a page on BC, indexed and with a 'requests' area. Should be useful!!

I am now a little gaseous for a Blasius

Hey! Why didn't that come out as 'Pinktorpedoos Reaper'??

Red Hot Chili Peppers - Blood Sugar Sex Magic. For me that's Flea (and the band) at their peak.

One of my students was 80 in September. He's actually out of all my students the most dedicated. We're currently doing chord melody jazz stuff. He saw me showing off a few weeks ago, and wanted to learn how to do it. He's also getting a 5 string after Christmas. You're never too old.

My acoustic short scale fretless bass. My goal was to build an acoustic that was as loud as possible without amplification. I failed. It isn't loud (enough). But I do enjoy playing it once in a while.

I think it’s because it’s missing the word ‘in’ OK enough legal chat (unless we have a lawyer onboard) - leave it with me. Thanks.

Whenever I see it mentioned I (perhaps mistakenly) just presume they mean the preshape and that’s what I always have in mind. A slightly clipped mid cut sound. I completely agree many amps can provide this - Eden and SWR have a mid cut control, Ashdown have a very similar preshape etc etc - but for some reason the “Trace sound” is the one which sticks in mind! I’m only speaking for myself of course

Took charge of these two last night Wishbass Lobes, previously owned by @Billy Apple One's ambrosia maple and other is bloodwood. Never owned a single cut before so why not start with 2 Very thick necks on them but surprisingly comfortable. Wish basses come in a fairly raw state so some sanding and filling will get done.

I'll be 72 next May and play in two bands,a quartet that plays mostly jazz standards and a seven piece swing band that also plays a few Dixieland tunes.I average at least two gigs a month and usually two rehearsals a week in a practice room that is an hour from where I live.I also drive at least an hour to most gigs and that can be interesting in the middle of our Canadian winters.I play mostly my Yamaha SLB 200 EUB(standing up,I can't play sitting because I like to move around too much)but also my Yamaha electric bass and I play tenor banjo on some Dixie tunes while the bottom end is taken care of by a tuba player.Great fun and playing with really good players has improved my skills immensely, especially reading since some of our material is legit arrangements and the parts have to work together and the other members are great readers so I have to keep up.Band members ages are from 32 to me at 72. I intend to keep playing and learning as long as I can which I hope will be a good while yet.I played my first gig 56 years ago and I have no plans to quit, even after some angioplasty and stent work on my heart in October .I missed one rehearsal but no gigs. Keep going, it's easier with modern equipment as the OP and many others have pointed out.I still love playing gigs and in the bands I'm in a rehearsal is always a learning experience. We are so lucky to have music in our lives!

woow... sometimes the easiest things are the hardest to find THANK YOU!!!

If you are a member of the MU maybe now would be the time to take advantage of their free legal advice service. Personally I wouldn't risk it without it being approved by some with specialist legal knowledge in music copyright and IP.

The best DAW to use is the one that most closely matches the way you want to work, or failing that the one that majority of people you collaborate with use. Other than that they are all much of a muchness these days when it comes to features, so I'll take ease of use and ease of transferring projects between different machines over everything else. I'm a Logic user because back in the mid 90s when I bought my first computer for music, the person I was mostly collaborating with, was also a Logic user and that meant it was simple to exchange song ideas. Left to my own devices I'd have probably chosen Studio Vision, because of all the DAWs I'd seen this was the one that most closely matched the way I'd like to work. Luckily I didn't because within a couple of years it was dead following Opcode's acquisition by Gibson - a similar fate that has recently befallen Cakewalk. TBH once you've got used to how a particular DAW works its becomes easier to use, and you are going to be reluctant to change hence... And that for me is the next most important thing when it comes to picking a DAW. How long is it likely to be around. Logic is pretty safe because it is one of Apple's core Pro Applications, as for the others it very much depends on the whims of their parent companies. The future for ProTools has been looking particularly dodgy for the last couple of years with Avid's on-going problems. Plus their reliance on the less than brilliant iLok copy protection. And that brings the last key feature - copy protection. Reaper doesn't need it because it's essentially free and if you are going to pay for it, then it is stupidly cheap. Logic is also relatively cheap (certainly these days the full version cost less than the price an upgrade used to) and is tied to your App store account so it doesn't really need anything more than that. Personally I'd be suspicious of anything requiring an iLok to function. Whilst the idea is excellent the implementation is less than brilliant, and if there is a problem with iLok it can render all your iLok protected software useless, as has happen several times in the past few years to large numbers of their user base.

Expanding upon dlloyd's post above, here are some very useful voicings for diatonic seventh chords. I've presented them here in the key of C major but they are movable shapes so you can transpose to any key.

If I put a quid in the swear box can I rant about Logic foibles verses Reaper? If I set channel 5 to record in Reaper, it will record on that channel, no matter which other is in focus. So WhyTF does Logic insist on recording on whatever channel you have in focus, even if it isn't specifically armed? That makes no sense. In Logic you absolutely can not set separate two channels to record off the same hardware input. That makes no sense. Reaper again sets no such limitations. I could go on lol I do really like Logic, I use it a lot, but it is SO annoying at times!

I loved the JJ Burnel sound, and his bass on the Stranglers first album "Rattus Norvegicus" was what first made me listen to the bass guitar So that's my contribution - not necessarily my fave album these days, but it's what got me into bass

I think I speak for more than just me when I say, more pics please.

Its only a tiny amount that they’re lower, but it was just enough for what I needed.

You may well be right. He's a very happy boy despite his chronic arthritis and perpetual waxy ears. We actually went to see a 2 year old Lab called Ben with the intention of giving Posie a lively playmate, but he was so excitable (2 year old Labs tend to be) that we declined him. The staff walked us past our Ben and he just walked over to us wagging his tail and smiling at us. He's given us so much joy and love that we wouldn't hesitate to take an older dog again. He's cost us a small fortune in vet bills (thanks to a pink torpedo-up on the insurance) but we wouldn't change a thing.

lol, top man

Here's my dogs. Ben is our old gentleman Lab who we got as a rescue just before his 8th birthday and is now coming up to his 13th. It was 5 years ago last week that we got him. He has a Dentastix in his gob in that photo - he doesn't just have the biggest doggy grin. My wife is now on the board at the rescue home we got him from. Posie is our Cocker Spaniel who we've had since a puppy. She's almost 8 years old now but still as manic as a puppy - but sharp as a tack. Nothing gets past her, not even my cack handed upholstery techniques.

I first played bass in a college band when I was 18, because the other guitarist was better than me and we didn't have a bassist. Did a few gigs then we split up and I moved back home to raise my family. I've just started again with the intention of learning to play it properly - I'm 58 so I'd say your 15 year hiatus is more of a little break. Think I'm probably too old to have aspirations about joining a band again but I'm having fun

Good afternoon, Oomworthy, and ... Plenty to read and amuse you here, and lots to learn and share.

I have a BS40, too. And I love it! What a great little amp. I put it in a custom tweed case to match my tweed 1x12" cabs.

I really like that. What is it?

I'm sure Doug will be sure to take the OP's advice, after all, It's clearly held back his career.

Welcome to the site

Nah, that would have to be an Uber Art Recurve 5! Congrats to Alan for the Award, hope lots more people find his stuff.

Mate, bands spent decades touring the world with 300 watt SVT's running 810 cabs connected with 1/4" jacks. Speakons might be the better option of the two but when speakons were invented it didn't instantly make 1/4" jacks bad or dangerous to use. For your application and many other bass players 1/4" jacks are just as good.

I found Reaper not too hard to learn, comes in at about £60.

You need to look for effects cases... they are typically around 35 cm deep. Perfect for what you want. So... http://www.flightcasewarehouse.co.uk/manufacturer/product.asp?item=spider-3u-rackmount-flight-case-360mm-deep-5793-6631 Is a contender for starters. https://www.thomann.de/gb/thon_rack_3he_economy_ii.htm is another... The gator is a good call also - although strictly speaking, it's 1 cm too short, so the amp will overhang a gnats ck when the back door is off.

OK good, moving on. Like the finish on the ACG - really unusual. Congrats to Alan

You should always list ALL songs, cover or not. After all, the writer of the song you covered is entitled to their share. I'm sure you'd appreciate someone listing your songs should they cover them

Here's Silverfish at the Falcon, 1989 or 1990 maybe. I'm in this photo too, aged 17. Loved this era.

Because it was an early Czech Euro4 (NOT an LX) with the maple wings and full-on carved body, Tonepump preamp, EMG P/J pups and it sounded absolutely out of this world. Plus, I think I paid £650 for it. Had I known how much they were going to shoot up in price I'd have kept it, of course. Hindsight...

I love Spector basses me, and am currently suffering quite badly from Spector Euro GAS, but if there's a P Bass-shaped hole in your arsenal, would not a P Bass fill it to best effect? Then the question becomes 'which P Bass?', to which I would answer, 'a Road Worn Precision' (favourite) or 'a 50s Classic Precision' (second choice). Don't fret (ha) about them being Mexican, they're as good as anything the USA can produce.

*cough* 😉🙂🤘

Probably a bit of a safe choice, but I'm very happy with my Fender Precision Deluxe Special. It's switchable between active and passive so you can get the classic p bass tone as well as a lot more 'modern' options. The only possible down side is that there's no passive tone control, but you can get a lot of variation by panning between the p and j pickups. Having said all that, I'd also be very interested in trying one of the new Yamaha 734s.

Looks like a full gigging rig for an elf.

The new Styx album 'The Mission'....... just fantastic! A proper, old-school 'concept album' featuring supreme musicianship, songwriting, arrangements and vocals. Here's a vid of their amazing drummer Todd Sucherman playing my favourite song on the album:

Dedindi... May I offer you, as some (OK rather unfair...) sort of comparison, an old title from an early Fairport Convention album; the idea being to give some notion of dynamic and dissonance. Hope this helps; your stuff is fine; could be better still, in my humble opinion. Enjoy (..?).

Four but I'd love to bring this out for an encore