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I have to be careful being a recovering addict so I watch out when I see danger signs. GAS is the only exception. Can't control it I'm afraid. A while back I fitted flats to a semi acoustic bass just because I wanted to try them out. As time passed I picked it up in an increasingly desultory and infrequent fashion, finding the strings unlovely in the extreme. Uncomfortable, unresponsive, lumpen brutes which had an effect not dissimilar to that an olive has on my mouth; they sucked the joy from living. Then I read here that you need to play them in a bit so I resolved to learn a bunch of songs using only the flat strung semi. I reasoned that as the instrument was so hard to play, the fast twiddly bits would therefore be a doddle when I tried them on a bass slung with proper strings. But a weird thing has happened. After a couple of weeks learning the songs I duly retrieved my Stingray with it's normal roundwounds and recoiled in horror at the fizzy, twangy, brittle sound and strings so weedy and thin it was like playing a six string guitar. Now I don't feel I'm playing a real instrument unless I'm playing my lovely warm, gentle flats. I even have the tone knob turned off on the guitar to minimise any residual nastiness from the upper frequencies. Are these things addictive? Will I ever enjoy the twang and sizzle of skinny round strings again? Is there help?

I'm not sure if this will be helpful or not in resolving the concerns of the OP but I have some butter that tastes like a Jazz bass.

Me too, mine kept asking about my tax arrangements.

The inside of the original hard case for my Ovation Magnum 1 smells like a tramp's trousers, but only sometimes. I think it may be haunted.....

Did someone mention bad miming?

I tend to swap back and forth. As soon as I feel that I’m starting to get hooked - I swap. And it’s really hard not to get back to flats. I just swapped to roundwounds few days ago. Oh, I love flats...

One that always makes me laugh - "Best bass I've ever had but I'm selling it". "Best girlfriend I've ever had but I'm moving on".

Always pays to be honest and the seller will feel better knowing he hasn't misled someone. Everyone's a winner with an honest sale. Now I'm selling my Made in Dumbarton Jazz bass original copy with the lowest action i've ever seen. The strings actually sit on the 12th fret. Bridge is fully adjustable UP the way. Intonation doesn't matter with this incredible bass. Plays itself and the Truss rod is now glued in a fixed position to ensure staright-ish neck. The pick ups are so active i needed to fit them on the back of the bass and she plays like a Scotland mid-fielder on a soggy wet pitch with no boots. £3500 collection only as too valuable to post Anyone interested ??? EDIT to clarify :- the above bass does not actually exist it was merely a joke about ridiculous claims on basses. Dave

I might just have to take my 1980 SB-1000 out one of these nights. I've never gigged it since it was refinished a year or two ago. It was my only bass for about 10 years, so it did a few gigs back in the day

I genuinely put up why I sell stuff. ”I keep on buying stingrays, when I know I don’t get on with them” ”I buy 5’s when I need one for a project, then I quit projects...so I sell them” ”I have no money”

I once picked up a Rickenbacker...only once mind...

Celebrating it's 5th Birthday and incorporating the best Basschat luthiers in their very own Basschat Custom Bass show, The Midlands Bass Bash 2018 is taking place on the 5th May 2018 from 1200 to 1700. The venue is Brockington College, Blaby Road, Enderby, Leicester, LE19 4AQ It's easy to get to from J21 of the M1. Take the A5460 and at the first roundabout turn right onto the B4114 towards Narborough. Carry on the B4114 past Fosse Park on the right until you get to another roundabout. Turn right here onto Blaby road, the B582. Follow this road and once you cross the motorway Brockington College is the next left. In the left hand corner of the car park is direct access to the front of the school. If you want to use that to unload that's fine, but it would be appreciated if you would then park in the car park proper afterwards. The room we are using is the first door on the left, just beyond the disabled parking bays. We'll try and get a sign up with an arrow! There is a firm limit of 7 amp rigs in the room but if you have one handmade by dusky thighed maidens that is acoustically perfect in every way then I'll make an exception to the rule! The room isn't huge and I'd like to be able to hear afterwards and be allowed back next year We're going to ask for a £5 entry fee on the day. On the off chance enough people turn up to cover the costs any extra will be donated to a charity voted for by the attendees. I think that's about it, any other information will appear in this post at the top of the thread and then be bumped. Can any possible/definite/probably attendees put their names on the list so we have a reasonable idea of how many to expect.

Sorry, poor grammar,. 1 tea please sugar

TI flats. They just seem to improve with age and I love the floppy feeling that many others hate. Frank.

GHS Precision flats, .40-.95 gauges. I get the thump of flats in a traditional sound without the super stiffness. My favorite "nontradtional" sounding flats are TI Jazz flats in .043-.100. Its the flat wound string for those who love round wounds. Expensive, but well worth it.

Tonight's practice rig.

I think Dad was having a little joke of his own.

Got a set last week. Lovely strings,very smooth . Remind me of TIs.

Recently transcribed this so thought I'd make a little video! Here's the transcription https://drive.google.com/file/d/1UISN5mtNOxBauOvuSlRgrXdIoLAoklzH/view?usp=sharing

five pages of pontificating, and you know what? I couldn't give a fcuk how many notes make a chord

Go to bed and take two elephants wouldn't sound quite right, though, would it? (unless you're into that sort of thing, of course)

Marillion took it to extremes with Lavender - Fish had lost his voice so had the lyrics on a flip chart and pointed to them : Andy

If you'll excuse the 'analogy', it's a little bit like asking 'Why does a triangle have to have three sides..?' It's defined that way, and, in most music theory (not all, I'll admit; dissent is the spice of academic life, after all...), a chord is defined as being three or more notes heard together. Why does an interval have to be between two notes..? Because that's what an 'interval' is. Why does unison have to have only one note..? It's its definition, that's all. Same with chords, I'd say; may be wrong.

I'm going with " Yes, very addictive " Thought I'd give the Curbow some attention this afternoon. Cupboard revealed several sets of TIs,La Bella,Chromes,Cobalts,GHS,Olympia,Optima and Fender I went with the Sadowsky Blue Label for a change

This should be in the BC Marketplace, 'Basses For Sale' section. I'll leave it unreported for now, as I've got to rush out for an urgent pee errand; please post it in the correct location. Thanks in advance.

Now that is beautiful!

That would be my approach too. Even when everything is provided, I generally I still have at least one of my cabs and my amp in the car. There's been enough times that I showed up and either there was a problem with their gear, or monitoring is poor for whatever reason, and I could run to the car and set up my little 210 cab and amp before the drummer is done.

TBH your set up is so minimalist, you could have it up and running in less time than it takes for your drummer to set up his cymbals, so unless you are concerned about travelling light, take the full rig and use it.

Another happy ABM1000 user here. I do prefer my ABM600 as it`s a bit sharper/harder sounding, but there`s not that much in it. I tend to use the 1000 for rehearsals to make life easy, and the 600 for gigs, especially as I use so many shared/provided cabs at gigs. I`d be a bit concerned that the 1000 would damage a lesser powered cab.

I had this problem too. I've taken to using Herco thumbpicks and they've proved to be the ideal solution. One of the things I really like about them is that I can swap between pick and fingerstyle on the fly mid-song.

You have inspired me to learn this now, although I'll have to be downtuning my 4 string.

Thank you for all the lovely comments guys. So I am now in the process of pricing this up as an A2 print, to include P&P. I will have to source and buy some postage tubes but that's something that I've been looking at already as I have other poster designs that I'm trying to persuade people to buy... 😉😆

Interesting thought SB, and I think I can see why you make the point. Unfortunately the analogy doesn't carry over. As an anecdote to support the argument it has a certain cachet, but it really is no more than that.

What’s your monitoring going to be like? If good then I’d say take your bass and Evo head since you have all your modelling etc in there. If there’s no guarantee of decent monitoring then take you cab too, just in case. Better to have it and not need it than the other way around.

Simply put, and choosing mild words carefully, this is just bloody fantastic. I also like its graphical style. I'd take one on A2 if the price is right. I'm aware printing on A2 is extremely expensive for you, and this is quite the project, but keep it below 300 quid, and I'm in. Also: a textless version would be best IMHO for graphical reasons as well as the buyer then being able to hang it on the wall in different angles. We could even be ultra cool and turn the portrait view upside down to make make-do lefties. Congrats!

Re the tuners, I recently changed the ones on my 2015 MIM Precision for Hipshots - HB7s - and they are much better. The provided ferrules/bushes were a bit too small though, so I contacted Hipshot for a bigger set which they sorted for me, but for anyone wanting to et better tuning stability without having to drill new holes or mod the bass in any way, I`d recommend the HB7s.

this is my.......... dream bass

Surely as we get older and high cholesterol looms, we should be buying basses that play like a non-dairy spread? Or possibly something made from olive oil? Then you could advertise your bass as 'Top Benecol' or similar. Still bullplop - just different bullplop.

Doing taxes for 16 17. I know realise that I relied on PMs to track purchases. They are all gone Rats.

None of my basses play like butter thankfully. I play in a mod band and often sport a tonic suit. The mixture of heat a dairy based spreads would be a disaster.

Why do you need to? I don't like thirds much (especially the major 3rd) which on the guitar always sounds slightly dissonant to me so I'll either leave it out all together or replace it with a 9th which I find far more interesting and musically pleasing. And to answer the OP as soon as you play more than one note at the same time it's a chord IMO.

Chords are lovely on bass.

Got it in one! When we were working on the 12XN Gen 3 models we also looked at replacing the '69er and Super Fifteen with some improved versions (using the same drivers) which we planned to called the Retro610 and Retro215. But then we ended up developing our 10CR driver which meant the new Six10 could also do the job of the 2x15" in terms of huge output in the lows (which the previous '69er wasn't so good at). Since 2008 we've made the following bass cabs (grouped in rough times they were launched): Compact, Big One, Vintage Midget, Super Twelve, Big Baby, Big Twin, Super Fifteen, Dubster '69er Super Midget, Super Compact, Super Twin, Big Baby 2, Big Twin 2 Six10, Two10 (these were briefly called the Retro Six10 and Retro Two10) One10, Eight10, Four10 The ones in bold are all still in production.

This is my home built semi hollow, medium scale fretless. Really chuffed with it. Full details are in rebuild diaries if anyone is interested.

Sadowsky. I used to have chronic GAS for these basses. Then I played one and it just didn’t connect with me. I played two more over a couple of years and they all left me cold. The sound, the feel, nothing about them spoke to me in any way. Also, I couldn’t fault its build, the look, anything. Top notch in every way, as you might expect but disappointing. Difficult to explain why in the same way it’s difficult to explain why I connect so well with my Yamaha BB or my Valenti and think they’re amongst the best instruments I’ve ever played.