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I’m going back to flats tomorrow. This time I lasted 5 days.

Ignore the Voicelive Touch here...

Sorry but that's horsesh!t. Bowie used samples in loads of songs. Remember that tune he made with Goldie in the 90s? It was all samples.

Right. I tried the QSC at rehearsal last night. Observations: - 5 piece band: drums, keys, 2 guitars, bass + vocals (Americana/rock) - Plenty of headroom - more than enough. Lots. Like buckets of it. I was at about half vol on the QSC and controlled volume on the bass or Preamp pedal. - It plays with Preamp pedals very well - gave a good representation of the sound I was after - Lots of bass for a 4 string - never felt like the lows were struggling - No parping out or rattling - nice and smooth. Response was as good as a Barefaced Compact and it was louder. - Projection across the room was also good All in all it worked very well.

The instructions will be in Mandarin

From China but only £3.19 shipped (check dimensions) Here

None of my basses play like butter thankfully. I play in a mod band and often sport a tonic suit. The mixture of heat a dairy based spreads would be a disaster.

Hi all, done a few transcriptions over the last couple of years so thought I'd start sharing them with you all here, before I get my own website up and running. I'll be doing some playalongs of some of these tracks in the not too distant future also. Hope they are of some use to you. Countdown to Ecstasy and Pretzel Logic are also done, just proof-reading and layout to do, so expect them soon! Cheers https://drive.google.com/open?id=17WeLSNw4fCnT6vLav75e0Nr0f0iXx6IB

Literally blew a coating of dust off this case before opening this. Might be on the for sale Forum soon.

A wee google search and GAK had them for 729

I`ve got a Wenger rucksack for my leads & pedals. I did use a Boschma Utitlty Case for a while, but the Wenger is pretty well padded, and easier to cart about being a rucksack. It has a good few compartments so I can keep amp-leads/guitar leads, pedals & gig-towel/set-lists, spare t-shirt, spare leads & strings etc all seperate so only opening whichever compartment I need at the time. Makes it easier that way as some gigs it`s own amp & leads/pedals, others it`s just leads & pedals as amp is provided. It wasn`t cheap, but it`s been a very good buy.

I have a couple of these... Electrician Aluminium Lockable Flight Case Tool Box Storage Plastic Handle New https://www.amazon.co.uk/dp/B008JAOKB8/ref=cm_sw_r_sms_tai_VrsxAbJ9RP96H

I always find criticisms of musicians as “flash” or “busy” a bit strange, as if the only sign of a great musician is restraint, regardless of whether that’s what is required at a particular point in time. I always got the impression Buddy was doing his damnedest to swing his band into outer space, which is a fairly admirable trait for a jazz drummer in my book.

Know what you mean GST, if I can hold the course it’ll be the Omega, if I can see financial pressures (eg. ‘We could do with a new bed’ Mrs MTB) then it’ll be the Breitling....but still an auto.

Indeed, a showbiz legend. Watching Buddy being interviewed on TV was always good for a laugh, with all his musician stories and antics. And of course, the Bus tapes are legendary. His driving, hard swinging Big Band playing was pretty spectacular in a showbiz way. Certainly put bums on seats. Not my favourite drummer, but certainly deserves his place as a respected, top musician. I only watched him play once (Lewisham Theatre in South East London), the evening was great, totally amazed by the level of musicianship from his young band. There are still a lot of his ex players who talk fondly of him, and there were some terrific, well known musos who passed through his bands. Steve Marcus (RIP) was playing Tenor with him for years and gives a great radio interview about him below (worth a listen - some good music in there as well).

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I’m eying up a Mesa Subway Di for my K12.2... The bass amp modeller is good, but I miss the tone from my D800.

It wouldn't be Buddy if he didn't mouth off. Buddywas more than a great drummer, he was also a celebrity a personality. People expected and we're entertained by his antics. Blue

Has anybody else tried Olympia flats. Really cheap at £13:99. Low tension, great sound and feel to them. I actually took a set of TI Flats off my Yamaha BB4424x to fit these and I really do prefer them. Well worth a punt at this price.

O00h, I so wish Alan Partridge was doing the voice over on this.

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Sorted the bridge and ferrule drill holes (it's thru-body stringing) and, after trying both in a mock-up, settled on black pickup rings with gold screws rather than the other way round. I'm doing all of the jobs that might dint the soft finish before a final flattening and the last couple of gloss coats on the body. This is how it's starting to look. Pretty sure, by the way, that the slightly skew look of the pickups is the wide angle lens and not the actual fitting - although, with me, anything is possible :

I've been following this on the other bass forum, neat idea.

No, small rehearsal room so no need for PA backup. Vocals and acoustic through the PA in the rehearsal room Keys also through a QSC K10 Guitar - AC30 Drums - Acoustic - full kit. The acoustic swapped out for a second electric for some songs and that went through a Marshall head with a 2x10 cab.

Have Andertons actually taken on board some of the stuff that was thrown at Lee? I don't think I need a spoiler here but: I know that Andertons videos are hitting thousands of views, but I'd like to see less finger-pluckn and more pick work. Also, if you're showing off a brand new copy reissue clone of a vintage bass, then have an actual vintage one there for comparison sake. Having a 60s vibe is meaningless unless you have something to put it up against.

I have a old USA Ampeg 6x10 and absolutely love the punch from it ...prefer it over the 8x10 and ashdown 6x10cl I had. Quiet heavy though, but can be found cheap. I use a valve head with It ( if makes a difference). I will say that the horn on it sounds crap though ( I never use one for my sound anyway)

Good luck with it all Keep us posted!

Rules of thumbs: Venue equipment is generally tired, knackered and will not deliver the sound/tone you desire. In a ton of places I've played, it's only there to allow for quick changeover and sound-guy convenience. Always take your own gear.

Very nice, you guys were locked on that groove. Loved it. Blue

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They probably didn't appear on the first page of his google search when he was 'researching' this vid.

five pages of pontificating, and you know what? I couldn't give a fcuk how many notes make a chord

Go to bed and take two elephants wouldn't sound quite right, though, would it? (unless you're into that sort of thing, of course)

What took you so long?!? Enjoy!

Not sure they're addictive - however if you can get on with them they're good. However, there are flat wounds and flat wounds - I was put off them when I bought some of a certain make and once fitted put me off playing the instrument largely because the string tension made it feel like arm wrestling. Probably OK if you're a double bass player wanting to play a bit of bass guitar. Since then I've found several types that I really get on with including TI, Roto Solo bass (actually not fully flat wound but half ground), EB group 3 and EB cobalt slinky flats. These all have one similarity - string tension more or less the same as round wounds. The cobalt flats are absolutely amazing and are permanently resident on my Stingray Fretless whilst TI flats are a current fixture on my Classic Stingray. Im not sure about wearing them in - the first set mentioned resulted in the bass not being used very much. Strings are such an important part of an instrument, I don't think anyone should have to compromise - choose strings that compliment and suit your playing - we are all different and one person's utopia is often another's anathema - including flat wounds - you have to remember flat wounds were really a thing of the 50s, 60s and to an extent, early 70s (when bass was not really heard that much in pre hi fi days - at least in the UK) - ok they are popular currently but it is largely a retro thing in my opinion. I personally love Pino's Precision sound with John Mayer using flat wounds - and am convinced Bernard Edwards used them on his Stingray for some of the famous stuff in the late 70s (based on flatwounds being the only way I can create his popped string sound on We Are Family plus Stingrays shipping with them till mid 78). However Pino is probably one of the world's best bass players - I am not and however much I aspire to play like him I probably won't and I doubt flatwounds would be that much help in me getting there anyway - it's more about technique, knowledge and feel.

And stop referring to Monkeypedia : read real books made with paper !

Before cutting holes in your Nate, would it be worth selling it as is and looking for a PJ? If you mod' it, it may well reduce the re-sale value (modification usually does). The Mexican Fender PJs can be picked up quite reasonably second hand.

Ahh you guys are so kind, thank you! Love the wall (Wal?) paper idea... 😉 And I know it' a Saturdee neet, and I may have had a couple or three G&T's, but nobody mentioned a discount, did they...? 😂😂😂

If anyone is opening the current issue of Guitar Interactive Magazine (out today) you’ll hear lots of my Shuker bass featuring fresh D’Addario strings! Pro Steels this time. I love the NYXL strings, but I can’t say enough about the whole range. Literally something for everyone.

Fair enough, but the tone (from some) went from 0 to “He’s a troll/con artist” in under three seconds. I reckon there’s a really interesting bit of Basschattery to be had here if we’re all a bit more open and welcoming to a noob and dial down the “a$$hattery” a smidge.

Now now now chaps. Before jumping to conspiracy theories you might try finding some facts. Been chatting to Stu by PM and to be honest if you want to label him as anything you can accuse him of being a “lucky bu£&er”. I know that every time I walk by a junk shop or go to a car boot sale I imagine I’m going to come home with a 59 Les Paul that I paid the princely sum of £100 for. And if I did I’d probably wonder if I’d just unwittingly done a shonky deal, because I’m pretty sure I’m not that lucky! Once in a while someone is... and the worst you can accuse them of being is a “lucky bu£&er” and you can hardly blame them for being a bit bewildered!