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I’m going back to flats tomorrow. This time I lasted 5 days.

Ignore the Voicelive Touch here...

Sorry but that's horsesh!t. Bowie used samples in loads of songs. Remember that tune he made with Goldie in the 90s? It was all samples.

Right. I tried the QSC at rehearsal last night. Observations: - 5 piece band: drums, keys, 2 guitars, bass + vocals (Americana/rock) - Plenty of headroom - more than enough. Lots. Like buckets of it. I was at about half vol on the QSC and controlled volume on the bass or Preamp pedal. - It plays with Preamp pedals very well - gave a good representation of the sound I was after - Lots of bass for a 4 string - never felt like the lows were struggling - No parping out or rattling - nice and smooth. Response was as good as a Barefaced Compact and it was louder. - Projection across the room was also good All in all it worked very well.

The instructions will be in Mandarin

From China but only £3.19 shipped (check dimensions) Here

None of my basses play like butter thankfully. I play in a mod band and often sport a tonic suit. The mixture of heat a dairy based spreads would be a disaster.

Hi all, done a few transcriptions over the last couple of years so thought I'd start sharing them with you all here, before I get my own website up and running. I'll be doing some playalongs of some of these tracks in the not too distant future also. Hope they are of some use to you. Countdown to Ecstasy and Pretzel Logic are also done, just proof-reading and layout to do, so expect them soon! Cheers https://drive.google.com/open?id=17WeLSNw4fCnT6vLav75e0Nr0f0iXx6IB

I have one of these. Was my main gigging bass for many years. Best neck I’ve ever played. These are super rare now, especially in the UK.

I always find criticisms of musicians as “flash” or “busy” a bit strange, as if the only sign of a great musician is restraint, regardless of whether that’s what is required at a particular point in time. I always got the impression Buddy was doing his damnedest to swing his band into outer space, which is a fairly admirable trait for a jazz drummer in my book.

@CameronJ that's an awesome set up buddy.

I had a nice pair of Vanderklay 1x12 MNT's with it, but also tried, 2x10 and 1x15 combo, and a 2x12 Eminence custom cab with the D800. Loved the D800, but the whole rig was a fair bit of money to carry around, then joined a band where I needed a monitor and didn't have one. So I decided to go down this route. Happy so far, early days, but I miss the tone from the Mesa D800. With the two DI's out from the Subway DI, I figure I can feed one into the QSC and one into the desk, and then mix my own mix on the back of the FRFR. So... Bass into pedal board, Mesa DI, FRFR, earplugs, and I'm done. It's certainly plenty loud enough, that's for sure. I haven't tried the Mesa DI yet, I'll probably order one this week...

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In that case, getting yourself one of these monitors is the perfect move. I’ve just discovered this myself and now I can’t imagine having a better rig. My usage scenarios are identical to yours. A quality FRFR speaker is a jack of all trades and master of all.

I still lust after one of these...

Yep, I concur! I put a pair of Fatbeams on my Stingray 5 and haven't changed them since 2009...

About 5 miles from Lozz, 15 for me...

Barefaced Compact - bit of a stalwart round these parts. I chose the 10's as a compromise between output and size/weight It's fine at low volumes - obviously you lose a bit of bottom, but it does a good job.

I've been following this on the other bass forum, neat idea.

Might be worth adding - I used to use a LM Mk III with a BF Compact for rehearsing in the same room - with the Preamp into the fx return. That would have been set to 50% on gain and just over 70% on Master for a similar volume level. The reality is that volume (or at least sound pressure wise) the QSC gives monitoring volume about the same as a decent 500w head into a 15" cab. Depth wise it's not as full and rich as a 15" cab, but it gives a much wider and fuller sound - more detailed, and more expansive. My original intention was to have this for on stage monitoring and direct to PA for gigging - it does this perfectly and fulfils the brief completely. Oh, and it's one thing to carry and a lot smaller and lighter than a big cab and an amp head...

the bass fly rig has a clean boost too, use it. you can select it before or after the sansamp module. Use it before for that extra dirt. works for me. or, buy the Ampeg SCR DI, I love mine. Love my fly rig too, it's always a dilemma which one to use lol

and with my luck, the holes will be anticlockwise

No he wasn’t, it was some unknown piano playing bloke called Reginald Dwight.

My housemate is a 4X sized ex-competition weight lifter. That's his next Christmas pressie sorted if @Grassiefollows through with shirt merch (or shmerch as I like to think of it). PS: It's got to have to have a BC logo on it if it's a shirt.

Great poster. How about putting them in chronological order (sorry, I'm a Virgo). That would also show the development as well.

Try here http://www.mindformusic.com/big-band

Very nice, you guys were locked on that groove. Loved it. Blue

Sorry, poor grammar,. 1 tea please sugar

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2 metres wide..? I'm triple-XL, but that's enormous..!

Ooh T-shirts! 😉

Same here with Fat Beams. However, everytime I try a new set I get a little disappointed... until they wear out *just* a little bit, then I remember why I liked them so much. If I were an extravagant billionaire man, I'd have a guy wearing all my strings to perfection before I play them.

Tell any classical conductor, composer or teacher that a chord is made of two notes and you'll get three options : he will die immediately, he will tell you that it's the best joke of the year or he will smash your face with his desk three times to help you understand the music theory ! And if your minor or major third sounds odd it's because of the tempered tuning (say hello Bach). If you want to hear all your notes precisely and exactly in tune : play fretless !

Think of it this way, say another band on the same night had an extra guitarist and keys - the FOH would have to deal with those extra channels then, why should you be treated any different. Just class the B9 as your keyboard player! The B9 has a dry output, so unless you want to split your signal beforehand so you can send an octave up into the B9 (which I recommend trying), just go into the B9 first and send the dry output to the rest of your bass chain. I really like the B9 going into a bit of overdrive or even a dirty guitar amp (that you could then mic up), so give that a try too!

What’s your monitoring going to be like? If good then I’d say take your bass and Evo head since you have all your modelling etc in there. If there’s no guarantee of decent monitoring then take you cab too, just in case. Better to have it and not need it than the other way around.

I would sum all your signals back to one point before sending it to your amp or FOH. Though the soundy might be really happy with 3 DIs that he can control.

Wrong website again. *Puts on Batman costume and takes pound of lard out to garden shed*

Unless you are a builder with big hands and sausage fingers and play a 7 string guitar.

@FuNkShUi you weren’t joking!

I bought a Bartolini preamp from Steve. He sorted the best deal out for postage to The Netherlands. The preamp was secure packed. Highly recommended seller for me. Thanks, Steve!

Huge thanks to Steve for the excellent Subway 800, for which I am extremely grateful. Dealing with him has been a totally positive experience