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Showing content with the highest reputation on 20/01/18 in all areas
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That'd be one of your PG Tips then...?4 points
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I bought the house, where ever I damn well want.. oh oh sorry babe, I’ll move them right away... 😵4 points
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I decided that I'd craze the finish on the body - to give a lightly aged look, but still keep it looking shiny for now. (The bass will get any knocks and wear from gigging and playing over the coming years). Anyhow, when I've cracked the lacquer in the past, it's been on guitar bodies - which I've just stuck in my freezer overnight. The size of a bass body doesn't fit into the compartments of my home freezer, so I had to think of another method of crazing the lacquer. By chance, I'd met a plumber who was talking about freeing stuck pipe connections. He said, "when that happens, you just spray one part with Crack It spray. That instantly freezes the part and breaks the stuck connection". It turns out that this plumbers aerosol reduces the surface to minus 45 degrees. I got a can myself from a local Toolstation. All you have to do is get the lacquer warm, then simply spray the aerosol on the surface. You can sometimes hear the lacquer crack. Anyhow, the end result is a nice crazed lacquer. As the plumbers spray has an oil in it, you need to clean the surface afterwards using a rubbing compound (I used Mer Car Polish). I've heard that some folk use aerosols of compressed air to reduce the temp. I might try that on my next build? Here are some pics of some of the crazing (after crazing the lacquer, I wiped the body surface with water based Dark Oak stain to emulate years old grime in the cracks).3 points
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Say what you like about TOTP being contrived and controlled by the old boy network. Those of us who were there watching the telly at seven O'clock every Thursday evening are still talking about it and remembering artists as if they had attended the performances themselves. Thirty years from now, I don't think we'll remember so many of the equally good, sometimes better, artists of today even with instantaneous global communication and clever marketing. In its day TOTP was the sole source of video* promotion for bands. Apart from posters, album artwork and pop magazines you could only guess what a band might look like as you listened to a low-fi MW transistor radio. God forbid that you should tune that lovely warm sounding valve radio set to a pop station. Your parents would have a fit. Today there are so many promoters and outlets for video that that marketing power has been diluted for them all. In this century, mistakes are easy to edit out and that perfect image of how the promoter wants you to be seen is preserved in binary forever. As a consequence of quality editing it is rare to see the day to day foul-ups that occur. These days the bits that are edited out are kept for collectors of bloopers who are looking to market a collection of out-takes. More revenue for someone I suppose. Personally, I like to see how bands used to cope with stuff like that when they were dropped in it, so to speak. Today everyone has the option of 'phoning a friend' if they're the slightest bit uncomfortable. *In this instance, just for convenience, lets ignore the fact that the term video became popular later.3 points
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I feel I just have to share, the excitement is growíng So, after 20 long months of waiting my Wal MK1 is finished and soon to be on the way. Update photo from Paul.2 points
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Hi I just had to vent my disappointment and frustration at the obvious lack of quality and care that occurred in 2002 when Rotosound produced the batch of RS66 strings that have been on my bass for the last 16 years. The A string broke on new year's eve!!! You can imagine how shocked I was at the obvious lack of longevity of the things these days. Its also meant I've had to clean the fret board eradicating a small but very important ecosystem that showed promising signs of world domination.2 points
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Forgiven, but you should know that the pancakes have gone cold and a passer-by has stubbed a fag out in the hoisin sauce.2 points
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Some people seem to have shops, not storage... Under the stairs seems to be a very popular option, and I have the great good luck to 'own' the cupboard under the stairs, to which I've fitted a 5-lever mortice lock. I have to leave enough space to sit down in there and shut the door, for when I need to cry in private.2 points
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Bass cave. Been a few additions since this was taken like a Fender P Deluxe, an Orange rig and a TE small rig.2 points
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2 points
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Selling my Ashdown 2000watt ABM head, the head is in immaculate condition and in a live in flight case. Postage at buyers expense and if collected my location is Clitheroe, Lancashire. The Spec is: The most powerful Ashdown ever! The new ABM 2000 head pairs the much loved ABM Evo 3 pre amp with two monstrously powerful Class D power sections resulting in a huge increase in power coupled with a dramatic reduction in weight. Whilst the same size as an ABM 900 head the ABM 2000 produces 2000 watts RMS into two 4 ohm/4 x 8 ohm outputs(4000 watts peak). The ABM 2000 EVO III is a 1000+1000 watts RMS bass amp head designed to satisfy both bass-purists and tech-heads alike. Three straightforward rotary tone controls provide 20dB of cut and boost at 60Hz, 660Hz and 5kHz, and are supplemented by two pairs of additional sliders giving 15dB cut and boost at 180Hz, 340Hz, 1.3kHz and 2.6kHz. The EQ can be switched in/out by a footswitch, enabling players to go from a flat fretless sound to a boosted sound via a favourite EQ setting. A single input is switchable for passive and active instruments with a blend of solid state and dual triode tube preamps stages which can be preset and selected by footswitch, providing access to a massive range of clean, warm and overdriven tones. Also footswitchable is the on-board compressor and the mighty Ashdown sub-harmonic generator which precisely tracks the main signal and reproduces it an octave lower. A sub-harmonic level control enables the player to add just the right amount of low-end reinforcement - everything from a subtle, thickening of the sound to unbridled, bone crushing tone. The ABM 2000 EVO III features a front-panel mounted balanced DI out with pre or post EQ switching, a sub-bass output, a tuner output, an FX loop and a line input for the connection of an external sampler or sound source. Output muting cuts the signal from the DI output but leaves the tuner output 'live', allowing the player to tune up in silence. A new upgraded power section has faster transient attack, more headroom and even less noise. ABM 2000 EVO III Specifications Power Output 2000 Watts Power Handling 4000 Watts Peak Speaker Outputs SPEAKON/JACK Frequency Response -3DB AT 17HZ AND 30KHZ High Instrument Input Impedence 3.9M OHMS Low Instrument Input Impedence 10K OHMS Line Input Impedence 22K OHMS Line Output Impedence 10K OHMS DI Output 600 OHMS Balanced Tuner Output Impedence 1K OHMS Impedance Minimum 4 OHMS Effects Send Impedence 22K OHMS Effects Return Impedence 22K OHMS Pre-Amp Tubes 1 X 12AX7 H x W x D (mm) 158 X 610 X 355 Weight (kg) 17.9 http://ashdownmusic.com/products/1/Bass-Amplification/18/Legacy/5/ABM-2000-EVO-III/1 point -
Withdrawn, i just love it too much Imay well regret this... Im putting for sale my new fender bass baught 1 year ago. It' without a shadow of a doubt the best fender jazz I ever heard/played. You just have to see what bill can do with his to se how capable it is. It's in as new condition. Never giged. Only out the case a handful of times really as I realise I prefer my sandberg. Weighs 4.36kg. Strung with la bella deep talkin flats. But can put some dean markley helix nickels on if preferred. Will consider a tasty P 5er trade. Or exotic 5er. Price is shipped as the case is superb, I don' think even royal mail could damage it.1 point -
Selling to fund another bass. Great condition with only marks I can find on the pick guard.based in Leicester but can meet up within reason. SQUIER VINTAGE MODIFIED PRECISION BASS FEATURES: Body: Agathis Neck: Maple, C-Shape,(Polyurethane Finish) Fingerboard: Rosewood, 9.5" Radius (241 mm) No. of Frets: 20 Medium Jumbo Pickups: 1 Duncan Designed™ PB101 Split Single-Coil Pickup with AlNiCo 5 Magnets Controls: -Volume, -Tone Pickup Switching: None Bridge: Standard 4-Saddle Machine Heads: Standard Open-Gear Tuners Hardware: Chrome Pickguard: 3-Ply Black/White/Black Scale Length: 34" (864 mm) Width at Nut: 1.625" (41 mm) Unique Features: Dot Position Inlays, Knurled Chrome Dome Control Knobs1 point -
Before the site changed I had a build diary/repair thread on a Hohner Bbass I picked up for £15 on eBay. I’ve had it in storage for about 2 years, a mate is spraying it - it’s moved House with him...yes, we’ve dragged our heels. anyhow, I’ve always had a soft spot for the Jack and B basses so occasionally bid while inebriated... and this time I won the damn thing. Looks very good actually. not £15 like...but still. heres a few pics of the one waiting to be finished.1 point
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I have a Barefaced Four 10, which I use with a variety of tube (Orange, Fender, Ampeg) and non-tube (Mesa Subway and TC Classic) heads. Yes it is efficient, but I can honestly say I have not encountered this problem at all with any of the heads. The Four 10 is a wonderful cab, well suited especially to tube heads, I would be looking at a different head before considering changing cabs.1 point
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It’s one of these. https://m.thomann.de/gb/millenium_go_kart_solo.htm?o=7&search=15164793481 point
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Pity the manual isn't uploaded yet.1 point
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We have a product page! http://www.tech21nyc.com/products/sansamp/dug_dp3x.html1 point
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Bernie has been to a previous SEBB so he might be up for a return1 point
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As far as I am aware valves can't be fixed except in a very specialised facility. He is basically selling rubbish and some poorr gullible soul will be taken in to the tune of £135.1 point
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Here - have a close-up if you like1 point
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Bump1 point -
Great bass at a good price. These are really nice sounding and comfortably playable.1 point -
You can never have too much cowbell.1 point
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That definitely looks the shizzle. Id be tempted 😉1 point
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Holy camoley - that's a monster!1 point -
Nice...really nice.1 point -
They'll happily take your money but if you need to claim they'll refer you to their exclusion categories and politely tell you to p1ss off.1 point -
Exactly this. My duo did a gig once at a big hotel, and they wanted us to play quiet background stuff during the drinks reception, which we did to polite applause every now and then. For the next set, they asked if we could stay in the reception area but put some of our PA speakers into the dining room for background stuff whilst they were eating! We did this ( fortunately had a monitor for ourselves!) and had lots of positive comments. For our last set we moved the PA back into the reception room where we played some stuff for dancing. At the end of the night we got a healthy tip from the booker, and gave out some business cards which resulted in some more work. Playing to the room (s) is key!1 point
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I mustard mitt that I've been tempted by a five a few times, but it seems a bit daft to get one before I've mastered the four. I think that once I'm ready for a new axe, I'll try a few fives and see how it feels.1 point
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You're all going to get me into trouble with my girlfriend.1 point
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There are a couple of amusing Chuck Rainey studio/musician stories up on YouTube as well.1 point
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If you had checked out "standing in the shadows of Motown" you will know just how good Chuck Rainey is. His take on Jamerson is stupendous. I have loved his playing literally for decades & he has always been at the top of my list of great bassists. Wish I could get his tone and feel. Everyone should watch some of his teaching videos.1 point
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Can we make Def Leppard jokes?1 point
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This gives me food for thought - II will start a new thread 'Gigging without full mobility'1 point
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So Maradona doesn't like flats?1 point
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Listen to the end of this to get an idea:1 point
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It’s been a bit hard to determine really Trev. Last year saw us take a dip in ticket sales, but whether that was due to Jeff & ELO touring or other factors is debatable. From our dealing with theatres, apparently a lot of shows have had reduced audiences due to terrorist activities like in Manchester, and perhaps Brexit has left some people reluctant to spend on leisure etc. On the other hand, raising the awareness of ELO’s music and back catalogue certainly won’t have done us any harm, and people who aren’t near or can’t afford any of their concerts will hopefully continue to give us their support. Fingers crossed......1 point
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I'm gutted. I was planning to bring out a range of plectrums with a built in chorus effect but this has completely stolen my thunder! Seriously though, if you want to go pedal free but still have distortion then we can only hope that one day somebody will be able to advance technology enough that we can live in a crazy musical utopia where you can get an actual amplifier with the effect built in so that you no longer have to have your distortion built into a cable before you can rock out. Dream big kids, dream big!1 point
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Hopefully the final prototype - first gig test tonight and then i'll make a couple more for further evaluation. Now uses microsuction tape to stick to the helix so will fit both versions and is removable / repositionable with no tape residue stuck on the helix. Screen is now 3mm thick (up from 2mm) and laser cut/engraved1 point
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That would sit wonderfully next to my cs 64 White matching headstock... alas...my fretless jazz already sees very little action. its gorgeous though...1 point -
I have a couple of instruments that have been worked on by John, and he is quality! I think January is just a lean month for a lot of people - either paid early in December and waiting for January payday, or the post-Christmas gig dearth and overspending recovery, or all of the above.1 point
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I did! Jamie Wilkins (wilko66 on here) is listening to my awful noise each week and trying not to laugh. Top bloke and I feel very comfortable learning from him. He's based in Aylesbury, which is a little way away, but it's worth the trek.1 point
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I’ve lived in Scotland for 20 years; when should I expect the rainy season to end?1 point
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I used to be able to read bass music quite easily, guitar not so well but enough to get by. It`s how I learned to play, I went to a few lessons, learned what the notes were and where they were on the fret-board, then went away and armed with that knowledge and a couple of song-books taught myself how to play my two - then - fave albums. I`m sure I could have learned by ear but I`m glad I learned the way I did. In song-writing it really helps me to this day. To anyone intending on learning a musical instrument, learn how to read music for it would be one of my top tips.1 point
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There's a story about Jimi Hendrix appearing on Top of the Pops in 1967 to perform/mime Purple Haze, only for the technician to put on Simon Smith and his Amazing Dancing Bear... I would have liked to have seen that, if it's true.1 point
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I have a bucketload of love for my Super 5. Sounds, looks and feels beautiful. Haven’t played a Super 4 or a KZ4 but I have played a Saratoga 4 which has the same neck. It’s possibly the nicest 4 string neck I’ve played. The asymmetry really is lovely in the hand. I compared the Super 5 to the Andrew Gouché Kingston and the stock tone of the Super just felt meatier to me, which I preferred. The coil switching on the Super’s humbuckers means you get much more variety than on the KZ and AG. Of course, more options doesn’t necessarily mean “better” but I love it. The Kingstons are all very solid - whichever one you go for you’ll be getting a really well put together instrument.1 point
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Very good basses for not a lot of money. I briefly had a 55-01. Sounded good and played well, but weighed over 10lbs, so too heavy to be comfortable for me. If I could find one that weighs about 8 1/2lbs I'd buy it in a flash.1 point
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If you're deliberating over whether or not to accept two weeks paid work and a free cruise because you can't have a beer after the show, you either don't really want the job or you have a bigger problem with alcohol than you can admit.1 point
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Take some weed, they seem to be to be a bit picky about booze.1 point
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