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Bass cave. Been a few additions since this was taken like a Fender P Deluxe, an Orange rig and a TE small rig.

Summary: Wow, what great pickups - totally perfect - buy them now!. Bought from some bass happy chappy on a FarceBook bass group and fitted them to my VanderEnd the other day. My bass usefully has a route for either a P or a J under the scratchplate - it's messy but useful. I've been inquisitive for a while to try it as PJ rather than the JJ jazz it's been since I got it. I had scratch-it make me both a JJ & PJ plate shortly after I received the bass and it was clearly time to try out the PJ pickguard too, cue the new pick up purchase justifications. So now the EMGGB's PJ's coupled up with my Aguilar OB3 preamp (with passive tone), has made one hell of a versatile beast and I'm loving the passive sounds too. So next strap in and prepare for the worst sound description ever...hmmm, less mid honk than the typical Fender pickups, not as dark as SD Quarterpounders on a dark night and they've made me smile more than Lindy Fralin's have ever done (which I also really like lots). It does have a very smooth sound spectrum with a sweet warm and defined low end and slightly rolled off highs...it's more akin to the 'soul/Motown sound' in my opinion but clearly this Geezer chappy is a bit of a rocker so I hear....so it must be good for that music right? It's probably the most balanced pick up I've ever used across all strings. The P on it's own is defined and warm (warm is the key sound description). The bridge J is surprising, very funky and full, not brittle like some bridge pickups...it's funky, it's a fatter Jaco, Old Gregg has blessed this pickup, (funky is the key sound description). Together they're a good compliment too, smooth like chocolate, no power imbalance - they're friends, ...(Chocolate is the key sound description here!). I like em' a lot. Conclusion: Warm Funky Chocolate!

Looks great. Just thought of another popular bass that would fit well, an Ibanez Musician.

Yes. In 30+ years of swapping out pickups these are the best I've tried. The difference is massive. I'm a big fan of these blades and am considering put a set of P and J blades in my Valenti.

(I’ve just set the comment above as the headline to the thread to alert anyone who may come across this link, hope that’s ok!)

Where do you store your bass stuff? Do you have a separate wing in your mansion? A temperature controlled outbuilding? A spare room converted to a music room with your babies lined up on display on the wall or in stands with a wall of amps and cabs? Me? My wife has graciously allowed me literally a gig bag sized space in a cupboard by the chihuahua’s bed with a space on half a blanket box which is just the right size for a Barefaced Midget with my Promethean head on top of that in its little bag. My music stand and guitar stand hidden under the bed.

It being a Sunday, I'm saying nothing.

Since I discovered flats I've never been tempted to return to rounds, (20+ yrs). I have Labella on my Mustangs and Hofner, both model-specific sets. To my ears they have a special warmth, and give the bass a voice of it's own, not just a guitar in a lower register. Add to that the smooth feel and don't forget the longevity. There are those of course that want the zing of rounds and that's OK. The trick with flats is discovering the right ones for you, gauge, tension, feel and tone, and for each particular instrument.

Any idea if that's him playing on After Midnight Chris? Fantastic, bubbling line; learning it at the moment! And thanks for the Chuck Rainey links everyone, I now have some very pleasant homework to catch up on..

To be fair, the big rig only comes out about 2 or 3 times a year at best these days, (mostly using one of the SVT rigs for anything decent, the PF rig for smaller stuff.) usually open air stuff, festivals and things like that. Last one was in a circus big top which was cool.

Yes, he played many of the local venues/pubs around St Albans, and the last time I saw him play was in The Bull in London Colney which is just outside St Albans, and if I remember correctly, he had his sons Pete and Steve on drums and guitar, great music on what was then my local doorstep.

The 'inspiration' for the Reeves and Mywatt amplifiers - Hiwatt - claimed 400w from 6 valves as did Trace Elliot with the V6. There may be some number juggling but can't imagine there's much in it under real world conditions..

I cut my D'Addario tapes regularly to fit my Precisions, never had issues. Can't comment on Pyramids but they shouldn't be any different. If you happen to have a cat, watch out for the cut off bits that go flying off, it's like crack to them for some reason.

I installed these in my Harkte cabs last year, and have been dazzling anyone who's seen us since!

Story of my life. All the Watts but no idea!

Yes. If we didn't keep him occupied he'd be out vandalising bus shelters.

Well, when you consider that the Corts are built in the same factory as Lakland by the same people who build Lakland's ...and they look like Laklands then it gets you thinking.

... and designed by JK Rowling?...

That's really sad news. Many years ago I was trying out a JayDee Roadie fretless bass through a brand new Trace Elliot rig at the Bass Centre when it was still in Wapping High Street in London. I was enjoying myself, making an unholy row doing all my favourite Pino and Percy Jones licks. After about 5 minutes, I happened to turn around, and Jim Rodford was standing there with his bass on, patiently waiting to try the Trace. He smiled, I apologised for keeping him waiting, but he said there was no rush! A complete gentleman, a great bass player, and a huge supporter of local music in his home town of St Albans. RIP.

...and arrangers.

Good morning guys, The time for answer has come Take 1 is CORT Take 2 is MM

Don't worry, it's fine to be seen as Mr F's kiss donkey. No shame in that. I would not recommend actually snogging a donkey however. If the relationship progresses well you will inevitable suffer a lot of discomfort and not just from the embarrassment. You'd also have to wear a nappy and carry a soft cushion around with you for the rest of your life. Have you seen the size of a donkey's?

Congrats! Lovely Spector, those NS-2As have a very good reputation. (Haven't tried one myself as of yet though.)

I’ve got one, i’ll see what I can do tomorrow!

I have a B Bass, I really like it. Your new one looks good.

In all honesty...I don’t know. im debating filling the j holes and having a MM route done. i say debating...I’m going to fill the J holes and stick a MM in it.

I have a Barefaced Four 10, which I use with a variety of tube (Orange, Fender, Ampeg) and non-tube (Mesa Subway and TC Classic) heads. Yes it is efficient, but I can honestly say I have not encountered this problem at all with any of the heads. The Four 10 is a wonderful cab, well suited especially to tube heads, I would be looking at a different head before considering changing cabs.

What..? A pick-pocket..? Where..? Call the police..!

My thoughts are the Leeds pedal - having used Cosmos one it really nails that tone, especially when someone who knows JEs basslines plays through it - Cosmo, not me, I should add.

Not being picky or anything but did he have a plectrum?

The last new Ricky I bought, a few years back, had the same problem. I'd actually bought a regular set of D'addario nickels (45-105), and it was my E string that was the issue! I filed the nut, and that solved the problem for me. Sold the bass soon after....I had a good run with Rickys (good few 4001/3/4) but sold my last early 2017. Forgot to add, there was a strong rumour that the Rickenbacker branded strings are simply D'addario Nickels .....so maybe go for those?

There’s an F in big knob. and there are holes visible around the back...

Yes - pick, music stand (well iPad on my mic stand) and 16 year old strings. The perfect combination. they don't even give you a Rotosound sticker in the packet anymore, and it's plastic! What the hell has happened? You turn your back for a little time and the world goes mad.

I bought the house, where ever I damn well want.. oh oh sorry babe, I’ll move them right away... 😵

I've got the Q4n - it's grand.

Google 'gain structure'. It must have higher gain than the Ashdown did. Throttle it back by using the amp pad switch or your bass volume control.

sweet baby jesus that is sexy!!! Just when my GAS was getting under control!

Ahh you guys are so kind, thank you! Love the wall (Wal?) paper idea... 😉 And I know it' a Saturdee neet, and I may have had a couple or three G&T's, but nobody mentioned a discount, did they...? 😂😂😂

I saw them 3 or 4 years ago and they were one of the best bands I've seen live

Here's a digital sample for you to have a closer look.

OK - it's all packed up and ready to put Mike out of his very patient misery Here's some finished shots before it went back into its case. First of all - a 'before and after' : Then some standard shots - probably the same ones you've seen before but with a dark background : ...and yes, Mike, it fits! :

Stingray - single pickup 2 band eq so has more booty than the 3 band, chunkier Precision sized neck, weighs a bit, rosewood/black, built like a tank, loads of sizzle, can knock walls down with the bass control maxed, get the mids back into it by rolling tone controls back to midway and upping the volume. The 3 band version is closer in sound to my Sandberg... Sandberg - old PM4 style so reversed P pickup in the neck and a MM in the bridge position, skinnier jazz style (but not quite so skinny) neck, flatter fingerboard - feels lightning fast, about same weight as Stingray, still has sizzle but not quite as much as a Ray, does a very good Precision sound on just the neck pickup but tightens right up if you roll back to bridge pickup, can't do a Stingray sound but has a similar flavour, built like a tank as well, can run in passive mode so you get a slightly rounder old school tone that you can't do on a 'ray. Love them both........ You could grab a USA Sub for £400/500 - has almost exactly the USA Stingray sound/feel on a budget. Fab value.....

To be honest, weak G string sound has no place in this thread as the OP has already decided they want a Stingray. Why try to talk him out of it? I own lots of Stingrays and don't experience the problem - I have never heard any sound sample which replicates this effect in hearing Stingrays recorded since 1976. Therefore I'm inclined to believe it's a user issue - there are so many variables in play that something as simple as slightly compromised hearing could create this effect (to a listener stood a couple of feet in front of speakers pointing sound out past their knees).

It's just booze, 2 weeks without it won't be hard - I reckon if you try it you'll find it a lot easier than you may have thought.