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Showing content with the highest reputation on 30/01/18 in all areas

  1. One of the bands I've played with for a number of years only plays about that many gigs , advert seems reasonable for me , ideal for a busy person who gigs for fun and can't commit to a full on musical project
    3 points
  2. I have just spent some time catching up on a very moving thread, not too big to admit I even had a little cry. It makes me think of how this community has developed over the years, how it has grown, thrived and become the great place it is today. Made by the people that visit it. This in turn makes me think of some of the great members we have lost, snatched by time, illness or other causes. This forum will remain a place where you are remembered, some by many, some by few but you will be remembered. A salute to those we have lost, you remain in our hearts always!
    3 points
  3. Maybe you should withdraw 'privileges' until she changes her mind. Oh wait, it doesn't seem to work that way round!
    3 points
  4. Eventually every design in existence will have been slagged off in this thread...
    3 points
  5. For sale is my ACG J-Type 5-string, No. 0078. I bought it on here last year, and it's a beautiful thing - the only reason I'm parting company with it is I just use my other basses more, and this deserves to be played and enjoyed! All the original specs are still on Alan's website here - http://archive.acguitars.co.uk/portfolio/0078-j-type-5-string/ It's in really excellent condition. For the purposes of full disclosure, the only marks I can find are a couple of small scratches on the back near the control cavity cover, and two tiny marks on the fingerboard between the 2nd and 3rd fret, which you can't feel, and can barely see. These all pre-date my ownership. I replaced the original EQ01 filter preamp with an East Uni-Pre. The bass balances beautifully, and has great resonance and sustain, along with a huge tonal range from the pickups and preamp. UK shipping is included in the price, as is a Stagg lined hard case to ship it in if required. You're welcome to come and try before you buy - I'm just off the A3 near Woking in Surrey. Sorry, but I'm not looking for any trades. NOW SOLD.
    2 points
  6. I dont know about that. There's a lot wrong with The Guardian, but at least it's not pushing a rabid swivel-eyed Brexit agenda and a return to Victorian no-welfare serfdom, as favoured by certain right wing tax-evading billionaire newspaper owners...
    2 points
  7. I think you've pointed out and maybe made me realise I have a problem! Overwhelmed by GAS!! - The mini board did exist for a short while. But it's demise I blame on my local music shop offering Helix LT for interest free credit. Mini board has since been consigned to the To Do list and I haven't used it since. But so far, LT hasn't had a fair share of really being used yet either. Two projects never happened and really it's overkill for my function band.. hmmm... or maybe it isn't, I just need to spend more time with it ha ha!! My mind wanders and thinks, "well instead of a big board and a little board why don't I just settle on one medium sized board instead?" - Which could have been the B3n, Boss MS or of course now HXFX. Deciding between each as there's at least one pedal I will always keep at the start of my chain. Maybe this isn't a post for the effects forum, but I suspect that my inability to be happy with my gear is due to the short lived fix of new toys... I have zero problems with basses. My Go To bass is spot on. Pedals? oh dear me!
    2 points
  8. Actually to be fair when I left school in the 70s I was able to get a job that paid enough for me to live independently. I think that would be next to impossible today and I'd probably end up dead in a ditch within a week. It's heartbreaking that young people now have to live with their parents for years on end because they cant afford to move out. It prevents them from becoming true adults, imho. I think that may be part of the problem.
    2 points
  9. Just form a slight listen that last clip shows the mids/high end that I`m after. I`ll have a proper listen later on, but this really seems like it will be the all-in-one pedal that I`ve been waiting for. Drat, more expense
    2 points
  10. Keep your 'intelligent and reliable guitarist'. As rare as the proverbial Hen's teeth.
    2 points
  11. For the DIYers among us, Julian Pohler (Mr. Shalltechnik04 - the guy behind the Guma Drive, Guma Antique and Growling Krizzly kits) is bringing out a combined HPF/LPF + DI kit soon called "Vong" (no idea what Vong means). I've asked him to keep me posted on when it's to be released.
    2 points
  12. All fender body shapes. Boring, unimaginative and definitely unattractive! Add to that most single cuts but I like the Les Paul shape. Oh and the Warwick basses with the dildo top horn!
    2 points
  13. Nope, I wrote that on an Android. Also, I wrote 'that' on an android...
    2 points
  14. But I already got my kidney out...
    2 points
  15. I don't like natural finishes or sunbursts, slab body basses, body-binding, headless, single cuts, non-cloverleaf machine-heads, anything with more than five strings, things that look like coffee tables. Basically this :
    2 points
  16. Thanks for the nice feedback! The monthly composition challenge typically receives a woeful number of votes in comparison to the usual threads about P-bass colours, string choices, cats and what have you... so we're grateful for every crumb of support we can muster. Cheers
    2 points
  17. As a man of a certain age, I'll always have a soft spot for the 1980s SB range and also the Integra models that Billy Gould used on The Real Thing. I've got an old Japanese (1978) Primary P-bass; granted it's really just the body and neck that remain original (everything else was shot), but it's a very robust well made bass.
    2 points
  18. Any excuse to pop a picture of this 1981 SBR-150
    2 points
  19. I seem to remember an Ibanez magazine advert on the back cover of either Guitarist or Guitar World for an Ibanez Soundgear SR950 in transparent teal. It was made to look like it was on a lab table with dorky scientists around it. I have searched online but alas to no avail. Of course fiding a copy with this ad in is pretty much impossible but if anyone could scan it or indeed confirm such an advert DID exist, at least I'll know it wasnt a figment of my imagination. Of course, it set me off on a lifetime lead of GAS for this particular specimen !!
    1 point
  20. Great early Fodera NYC (1996). Plays like butter and sounds clear as maple can with a strikingly smoothness and warm full organic bass. Fully original with Lane Poor pick ups and D-tuner. Low action, no fret buzz, truss rod and electronics are working perfectly. Optically there are two spots: at the side some playing wear and a crack in the finish around the controlling area. Nothing that influences sound or playability. This bass has that Fodera vibe, whatever that is: it is a 100% Fodera. Other than the later NYC’s this very early NYC was built entirely by Fodera in New York. Open for trades (Sadowsky, Alleva Coppolo, WAL, Fender 70’s maple Precision, Pangbourne, Ampeg SVT3 Pro, Sadowsky SA200...)
    1 point
  21. Brilliant story Nacho! As you know, I've always felt strings were a very important part of an instrument. It's a learning curve
    1 point
  22. Is it possible to have too many basses? Asking for a friend...
    1 point
  23. So their advert has done it's job.
    1 point
  24. Astonishingly good amps, great price, great bloke. Shame you hadn't put it up last week Dan, ie before I got the Magellan Surprised it's still available tbh, GLWTS
    1 point
  25. It was Lemmywinks, Sir (holding hand up) 😀😀😀
    1 point
  26. The OP asks about protecting speakers "etc" so I do not think that excludes variable frequency high pass filters, which I agree only cut at 12dB/octave, but are much more versatile than a fixed frequency device cutting at 36dB/octave. In my case, my reflex cabs were designed using WinISD, and the ports are tuned in the low 50s, although I play a 5-string. According to WinISD, the speakers could be damaged by a strong 30Hz signal, but adding a 12dB/octave filter tuned to 40Hz removes that risk, so I use an FDeck clone for speaker protection, and where necessary, I increase the turnover frequency to get rid of boominess. In my experience, using a pair of Jack 10s, or a pair of reflex 10s, you can take out most of the bottom octave before the sound starts to get 'bass-lite'. David
    1 point
  27. I play in a band that this might as well be an ad for. It's a great laugh, practices (about 3 a month) are fun and are basically a get together for a jam. We do about that many gigs, we hire venue, promote etc. We generally make a little profit, which usually goes to charity. It's not a function band, and we don't play classic covers stuff, but otherwise the same applies. We've all got other commitments (other bands, families, jobs etc.) so it suits us. For me, it beats going to the pub and watching a football match. I hate footy and drinking takes second place to playing for me. It gets me out of the house and keeps me off the streets I've done my time playing functions and pubs/clubs circuits. Honestly i haven't got the energy for all that these days. I'm sure I'm not alone...
    1 point
  28. When I was in my old punk covers band we went from gigging at least every other week to one gig every 2 months due to one of the members of the bands other commitments. Drove us mad, especially as he also fitted into all 3 of the categories listed by the above as undesirable. Practising and gigging weekly was the only way of keeping him focused and on the ball. Whilst it might be ok for some, not for me.
    1 point
  29. I dont question it. I'm stunning, and that's the end of it. Move along please
    1 point
  30. If people whose playing I respect ask me to play with them, then I consider that to be a sign of reasonable ability.
    1 point
  31. Bon jaw! Your English is better than my French!
    1 point
  32. or not attending gigs, but that's another debate
    1 point
  33. Probably the Thumpinator then. However as has also been said check that there isn't a device in your signal path already doing this first. I'm not sure about the Broughton pedal, you'd need to try it, but for me looking at the spec 12dB/oct isn't steep enough to be as effective as the Thumpinator.
    1 point
  34. 1 point
  35. Andrew at @Anaconda Basses is another excellent choice. Si
    1 point
  36. I'm not sure that I agree with that - if your sound is boomy due to a hollow stage, and HPF can tame the boom, similarly if you want more punch and less mud, an HPF plus bass boost can fix that for you. In both cases you can hear the difference. David
    1 point
  37. @TheGreek you just like having a dig. Always have done.
    1 point
  38. Rick wouldn't be my bass of choice but life would be boring if everybody liked what I do....
    1 point
  39. 1 point
  40. I think everybody is missing the legal part. For copyright reasons it's simply illegal to photograph, film or record during a show... In the 80's, it was even printed on the tickets and reminded at the venue. The law is still the same, but people have become so egocentric and selfish that they don't care at all. You know, the next step could be drones blasting these cell phones (and maybe spitting on them first) and that would be great fun.
    1 point
  41. Got my pickguards back from Jack’s Instruments. I have a lefty medium scale 32” P bass in vintage white. I couldn’t decide between a tort and a gold anodised one so got both. Superb!
    1 point
  42. Saturday night at The Wings Bar in Exmouth and first time out using my Sandberg Elektra TT instead of the usual G+L L2000 Tribute and it got a universal thumbs up. 'Awesome' from the singer after the soundcheck. Must have been the night for new instruments as one of our guitarists used his old Strat for the first time in place of his Ibanez and that sounded terrific too. Not busy, busy but steady and we enjoyed it and so did the management. Friday and Saturday gigs this coming weekend then up to Shepton Mallet on Sunday for the Classic Bike Show probably spending what I've just earned!
    1 point
  43. I think it's more down to playing technique than anything else, not really something a pedal can do.
    1 point
  44. Can't argue with that. It's one of the best drives on the market.. and it's a mixer.. and it's a compressor... and it's a.. etc etc
    1 point
  45. Joni bought a Lakland 5-er off me - instant payment and great comms throughout - highly recommended!
    1 point
  46. I quite like bits and pieces and strongly recommend that everyone check out "straight outta Compton" belter of a film
    1 point
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