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Ive been trying to resist. Failed. im in.

Well, better than Born Again anyway!

I think most do, and most have full time traditional jobs and families as well. I'm the odd ball. Blue

I'm not a fan of mismatching woods on the fretboard and headstock, unless the headstock matches the body. Give me a maple/maple neck or a painted headstock any day.

Looks like I've joined this party too late! Who are the band, I might have seen you? Hold the Line and Jump, I was worried it was my band but then I remembered I'm the bass player

+1

We don't need a Wurzels tribute down here, we have the real thing. My dad knew them very well 😂 I pulled the trigger and quit last night. The more sensible guitarist took it quite badly, but I expected that anyway. Got a singer, guitarist and drums lined up for the new project, which is basically 80s pop/rock for pub gigs. Bands down here seem to spread right across the decades, with the 80s being largely missed out other than a few def leppard or bon jovi numbers in each set, and I'm thinking something more focussed might have a good chance at getting going.

This thread is the sole reason for me withdrawing my Micro Thumpinator from sale...

Your research has missed some very important points. 1. No HPF will "cut off everything" below a certain frequency. What they do is progressively attenuate frequencies from the cut off point downwards according to the filter slope. Those frequencies will still be present but they are reduced in level more as you go further down from the cut off frequency. SFX have a frequency plot which shows the effect of the Thumpinator on their web site. 2. You have ignored everything else in the signal path including the human ear. While normal human hearing goes down to 20Hz, if you look at any frequency plots you will see that sensitivity drops off significantly from 160Hz downwards, so most of what you are hearing with your octaver on the open E string are the harmonics rather than the 20Hz fundamental - the brain is very good at filling in this missing frequency information for you. Also unless your rig includes PA style cabs specifically designed to reproduce signifiant levels of sub bass ( which case you should be using an active crossover and you won't need a HPF) your cabs will struggling to project these low frequencies at the same level as the higher ones. 3. Finally the design of the HPF itself is very important. IME a higher cut off frequency with a steeper slope (24dB/oct rather than 12dB/oct) is going to be far more effective at removing the potentially speaker damaging frequencies. Go too low with too gentle a slope and it won't be removing enough to be doing a worthwhile job of protecting your speakers. Also as has already been said many filter designs will as a by-product of the way they work add a slight peak to the signal at the cut off point - which is something you really want to avoid on one aimed at removing sub-audible frequencies. AFAIK only the Thumpinator is designed specifically to minimise this peak.

We have conquered NAMM! It's good to be back.

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The rest of the black hardware finally turned up I’ve just swapped over the tuners, strap buttons and string tree So now the bass is finished apart from a setup Sorry for some reason the picture has gone a bit grainy I’m happy with the finished look it’s no frills and simple!! (Bit like me!!) 1 down only 3 to go!!.........

The Headhunters, sans Herbie Hancock.

@D’AddarioUK D’Addario offer a string tension guide that allows you to select the correct gauge of string when tuning down to maintain the tension you enjoy. Check it out here: http://stringtensionpro.com/

Anything with a ridiculously oversized headstock with canoe accessories as tuners and totally clashes with the rest of the bass.

As Lee Pomeroy said somewhere, if you're a good bloke, play ok and get on with everyone, you get the call.

I dont question it. I'm stunning, and that's the end of it. Move along please

Maybe you should withdraw 'privileges' until she changes her mind. Oh wait, it doesn't seem to work that way round!

You’ll struggle to find any definitive temperatures/ humidity measurements for safe storage; but the general consensus for instruments and audio gear is... Cold: no problem Hot: not ideal Humid: very bad!

For the DIYers among us, Julian Pohler (Mr. Shalltechnik04 - the guy behind the Guma Drive, Guma Antique and Growling Krizzly kits) is bringing out a combined HPF/LPF + DI kit soon called "Vong" (no idea what Vong means). I've asked him to keep me posted on when it's to be released.

Eventually every design in existence will have been slagged off in this thread...

Playing The Rebellion Festival in The Winter Gardens in Blackpool for the first time in August 2015. When we started out our aim was to try and get on that festival, being the biggest punk festival in the world. Our set was at something like 1:15pm on the first day for 25mins in The Arena, and the room whilst not completely full must have had about 800 in there (capacity is 1000). The set flew by, was well received, and we were all on a high for the rest of the festival, we`d achieved one of of our aims and unlike many things in life, it was actually better than we had thought it would be. We`ve now played there 3 years in a row, and are booked for this year as well but I look back fondly to my first Rebellion.

Dehumanizer is also absolute quality, criminally overlooked

I agree with all those who comment along the lines of "I can do the job/I'm all right". It's dangerous to pin one's self esteem on it. If you enjoy playing, do a few gigs and get along with the people you play with, that's all good. Remembering how many people there are who can hardly play a note helps put it into perspective.

Both pickups are Limelight's own. I'd heard their pickups before, and was well pleased with what I'd heard I believe they are hand-wound. The certainly sound the biz anyway Yes, depending on what you want, they are around £850 - just under £1K I believe. Mark will give you a quote on what you're after And yes, though they aren't '63 RI's - they are less than one, and I think you'd be hard pressed to beat them IMHO As Mr discreet says, you could wait for one to come up second-hand on the marketplace here, if you wanted to save a bit of cash.... You could always sell it on again, if it doesn't quite meet all your needs (you'd likely get your money back, as they seem to sell for a consistent sort of price) I really should have bought the one FuNkShUi was selling some time back, as I liked it so much I waited for another Fiesta Red P to come up, and a couple did (one very recently) but I always seemed to miss them, as they went quickly... That said, I'm glad I got mine P/J'ed as I'm really sold on that pickup arrangement (and it's something I wouldn't dare do to a '63 AVRI)

I mean it sounds good. The only way you can have the speaker sim off going to your rig is to run dual Sansamps, or maybe go for a Two Notes Le Bass which only applies its speaker sim to the XLR only. But then that's a totally different sound. I understand not wanting to run a speaker sim into an actual cab, as I felt the same way, but in reality it just sounds good so it's no big deal!

Yep, well you knew that anyhow...

No worries, mate, you've been a star already. I'll use my ears - they were pretty accurate in assessing the relative effectiveness of the B3n GEQ vs the PEQ earlier today

Not bad but not brilliant. Our singer showed a video of a pub gig we did to a couple of pro musicians she knows and they complemented my playing without being asked which was a massive boost to my self esteem. Interesting thing is, since that point I've started working harder on my chops, driven by the fear of complacency!

Thats the most un-upright bass sound i've yet heard No thanks Ibanez

My 79,82,02 rays all had different neck shapes to each other.

With regard to the "plenty of promises to rebook" line, I can tell you that never happens unless you strike while the iron is still hot, ie phone, not email if you can help it, with diary in hand the very next morning or even at the gig if you have the diary to hand, and get them to book you in there and then. The amount of times we used to have "you guys were awesome, we'll deffo having you back...I'll call you!".....

Heat the glue up with a lighter/heat tool until it starts to bubble a little & then stick it down. You'll never get it off. Don't attempt to do the entire strip in one go. You'll end up with it round your arm. Start at one end & work your way along.

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Wish I had kept it really as I had added a gold anodised guard and it looked fab, but sadly I needed the cash to fund another bass.

I think most of tend to play down our skills, especially to ourselves. Generally, whenever I start learning new stuff there are sections when I think to myself 'I'm not sure I can do that'. I'm always quite surprised at how quickly I actually manage to learn those bits. Of course, there's stuff I really can't do, but there's definitely less of it than there used to be, which i take as a sign of progress.

They genuinely might like the practice more than the gig and look forward to an informal no pressure meet up once a week, a chat, drink and a good blast out playing wise. More of a social night out than a project to drive for gigs.

I play in a band that this might as well be an ad for. It's a great laugh, practices (about 3 a month) are fun and are basically a get together for a jam. We do about that many gigs, we hire venue, promote etc. We generally make a little profit, which usually goes to charity. It's not a function band, and we don't play classic covers stuff, but otherwise the same applies. We've all got other commitments (other bands, families, jobs etc.) so it suits us. For me, it beats going to the pub and watching a football match. I hate footy and drinking takes second place to playing for me. It gets me out of the house and keeps me off the streets I've done my time playing functions and pubs/clubs circuits. Honestly i haven't got the energy for all that these days. I'm sure I'm not alone...

Remember, cash is tax free!

I work on the principle that I am the best at playing in the style I do. If that's what you want then no-one else will be as good. If you want something else, choose the person who does that best. There are too many variables in other ways to compare.

Projected RRP of £450 too. Could be very popular.

Ditch the wife....re-instate the cabs/amp. Simples

I saw a video on youtube where Annie (St Vincent) mentioned it I am sure. Something about being in the studio with Pino and he either played her guitar and he liked it and thought a bass would be good, or he tried a prototype and thought it was good......I cant remember and I am probably paraphrasing, but she mentioned bass and Pino and that's all that matters.

But I already got my kidney out...

These should ship around April. UK price set to be around £270. Anyone who’s looking for one with a little basschat discount, let me know.

I think he's suffering from GAS. After being on bass chat

Rage against the machine are right on the edge of the genre imo.