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Ive been trying to resist. Failed. im in.

Well, better than Born Again anyway!

I think most do, and most have full time traditional jobs and families as well. I'm the odd ball. Blue

I'm not a fan of mismatching woods on the fretboard and headstock, unless the headstock matches the body. Give me a maple/maple neck or a painted headstock any day.

Looks like I've joined this party too late! Who are the band, I might have seen you? Hold the Line and Jump, I was worried it was my band but then I remembered I'm the bass player

+1

We don't need a Wurzels tribute down here, we have the real thing. My dad knew them very well 😂 I pulled the trigger and quit last night. The more sensible guitarist took it quite badly, but I expected that anyway. Got a singer, guitarist and drums lined up for the new project, which is basically 80s pop/rock for pub gigs. Bands down here seem to spread right across the decades, with the 80s being largely missed out other than a few def leppard or bon jovi numbers in each set, and I'm thinking something more focussed might have a good chance at getting going.

This thread is the sole reason for me withdrawing my Micro Thumpinator from sale...

Your research has missed some very important points. 1. No HPF will "cut off everything" below a certain frequency. What they do is progressively attenuate frequencies from the cut off point downwards according to the filter slope. Those frequencies will still be present but they are reduced in level more as you go further down from the cut off frequency. SFX have a frequency plot which shows the effect of the Thumpinator on their web site. 2. You have ignored everything else in the signal path including the human ear. While normal human hearing goes down to 20Hz, if you look at any frequency plots you will see that sensitivity drops off significantly from 160Hz downwards, so most of what you are hearing with your octaver on the open E string are the harmonics rather than the 20Hz fundamental - the brain is very good at filling in this missing frequency information for you. Also unless your rig includes PA style cabs specifically designed to reproduce signifiant levels of sub bass ( which case you should be using an active crossover and you won't need a HPF) your cabs will struggling to project these low frequencies at the same level as the higher ones. 3. Finally the design of the HPF itself is very important. IME a higher cut off frequency with a steeper slope (24dB/oct rather than 12dB/oct) is going to be far more effective at removing the potentially speaker damaging frequencies. Go too low with too gentle a slope and it won't be removing enough to be doing a worthwhile job of protecting your speakers. Also as has already been said many filter designs will as a by-product of the way they work add a slight peak to the signal at the cut off point - which is something you really want to avoid on one aimed at removing sub-audible frequencies. AFAIK only the Thumpinator is designed specifically to minimise this peak.

We have conquered NAMM! It's good to be back.

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The rest of the black hardware finally turned up I’ve just swapped over the tuners, strap buttons and string tree So now the bass is finished apart from a setup Sorry for some reason the picture has gone a bit grainy I’m happy with the finished look it’s no frills and simple!! (Bit like me!!) 1 down only 3 to go!!.........

The Headhunters, sans Herbie Hancock.

@D’AddarioUK D’Addario offer a string tension guide that allows you to select the correct gauge of string when tuning down to maintain the tension you enjoy. Check it out here: http://stringtensionpro.com/

Anything with a ridiculously oversized headstock with canoe accessories as tuners and totally clashes with the rest of the bass.

As Lee Pomeroy said somewhere, if you're a good bloke, play ok and get on with everyone, you get the call.

I dont question it. I'm stunning, and that's the end of it. Move along please

Maybe you should withdraw 'privileges' until she changes her mind. Oh wait, it doesn't seem to work that way round!

You’ll struggle to find any definitive temperatures/ humidity measurements for safe storage; but the general consensus for instruments and audio gear is... Cold: no problem Hot: not ideal Humid: very bad!

For the DIYers among us, Julian Pohler (Mr. Shalltechnik04 - the guy behind the Guma Drive, Guma Antique and Growling Krizzly kits) is bringing out a combined HPF/LPF + DI kit soon called "Vong" (no idea what Vong means). I've asked him to keep me posted on when it's to be released.

Eventually every design in existence will have been slagged off in this thread...

His bass needs a set up. Did you hear that rattle?

Yes to the lighter relic, but you can't have matching headstock on a P. You'll go straight to hell.

If you leave the eq flat, but turn down the volume on the bass, the disappearance of the problem would indicate a preamp overload - might be worth checking that out if you haven't already. David

Using an 8-ohm cab plus a 4-ohm cab together will take you well below the magic 4-ohm total load. so 2 x 8-ohm cabs is the optimum. Using just a single 8-ohm cab will not make a significant difference compared to a 4-ohm version of the same. All you will notice is that the pointer on the volume control is a few degrees further round.

Update - @dand666 - going what happened with the A12 -> A12t where the A12t replaced the A12 in it's entirety, I am guessing that the new releases that were announced at NAMM will do the same. The new models haven't gone live on the 64 audio site and apparently no details have been shared to the wider community - but I suspect they will appear imminently. With regards to pricing, again, this is speculation but given that the A12 was replaced by the A12t and there was no price change to reflect that change, it would be fair to assume that the same will hold true for the new models. If you want the latest and greatest and want a 64 Audio ear piece, it may be worthwhile holding back til their release.

Yes, me too. It's not just because they slowly and excruciatingly try to nail the songs while you, having already nailed the songs, are obliged to stand there waiting and watching with a face like a pair of old tits, it's the fact that they just couldn't be bothered and instead spent their time drinking / playing video games / watching TV / rummaging in their pants* instead. Nothing is more likely to raise the temperature of my urine to 100 degrees Celsius. *delete accordingly.

Top line is without the PEQ on, bottom is set how you asked. I guess the gain isn't in Dbs...

Classy !

Great job, @Jimothey Looks the business

Not taken umbrage at all, but you did say 'but the prices are a bit out there for a bass I haven't heard of' which is sort of judging it a bit, which seems slighty unfair if you didn't follow the provided link to find out any more about it. However, my apologies if I upset you. Perhaps I was having a bad day.

That's a good point. The strings do spend half their life at standard pitch while I'm learning songs from the original, then tuned down to play with the band. I'm going to try out a set of used 55-110s and see how I get on with them, then if I like them I'll get a new set and leave them tuned down from day one.

what is your point? the guy in Aus could be selling at a loss to get rid of stock/unwanted item.

The Musicman ones have been around for a long while on certain limited editions they've offered. That Fender Precision edition has as well I think. I have a Classic Sabre with a roasted flamed maple neck - it's about three and a half years old. There are no downsides to it in my opinion, so long as you like the look - the idea is you get the equivalent of aged wood through the roasting process - not just in look but in structure - leading to potential improvements in stability. My bass is fine with no downsides to it - it also has stainless steel frets like the new ones and those are fine as well. No doubt they will wear better. I personally think the roasted maple looks absolutely stunning if the neck is laquered and slightly better than the oil and wax finish but that's just my preference. Not that it's of any importance but a curiosity is if you sniff the neck you get a faint but definite whiff of maple syrup (seriously!!!)

I'm 64 soon to be 65. When I feel I can't keep up, learn material or drive safely, I'll milk it out for another 3-4 years then quit. ☺ Blue

The issue that I have with that stuff is that the velcro bond is stronger than the adhesive bond. Whenever I try to remove a pedal it takes the velcro up off the board with it.

Not as good as I wish I was It's a never-ending experience on trying to improve.

The pickup shape has actually gone back to the original shape.

JA's comments were in relation to the largely chambered, ie hollow, body of the Sadowsky. US Lakland's are not heavy basses.

Modded the Gypsy Rose with: Cali neo pickups Kiogon wiring loom Schaller black tuners black scratchplate D'Addario Strings graphite vinyl wrap on headstock with vinyl decal generic black bridge, screws, neck plate, strap buttons, string tree..

I was lucky enough to interview John Hall about these basses on Friday. Despite the normal Basschat stance on this issue, I can only say that he was absolutely charming and really very good company. As to the bass itself, I absolutely loved it. The first Ric in many years that I would seriously splash some cash on. In truth, despite the list of terminal, life-changing problems identified here, you really need to play and hear this bass rather than focusing on the string trees. This discussion reminds me of Barefaced handles. You're missing the point.

Slinky on every level and a fine bit of Bootsy dirt groove on this old classic 🤩

IME every single MIDI guitar and bass that I've tried required so much modification of my playing technique, that I ended up learning to play synths using a keyboard instead.

Just bought Mark's self build cab. Lovely cab and a top transaction all round. Absolute basschat royalty! Cheers, Doug

Also check the L/L porn thread here: