Leaderboard

No, better for sole.

Yeah. I've found that keeping your teeth in the glove compartment of the van on those long overnight drives never endears you to the younger members of the band.

Anyone got JH's number?

What, Paedo Pellets?

Second gig with the ska band last night. Longer set this time. Went really well and i got lots of compliments on my sound, the band in particular loved it (all i did was roll off the passive tone on my Sire V7 fiver about 60% of the way to take the bright snap out of the tone, and boost the active bass a bit). I had a total mare in a couple of songs, Ghost Town in particular was a real car crash. Which is annoying because it was fine at the last gig -- more personal practice needed and less complacence. I'm having a ball playing this stuff. The venue fed us too, absolutely belting pizza.

Ordered

good for metal?

Hi You can buy the EQ01 directly from me or John East. The preamp amp I use in my own basses is the DFM the EQ02 was discontinued a while back. This along with the MC Series pickups are not available outside of the basses. The DFM is the fourth version of the pre-amp and will probably be the last having got it where I want it. The EQ01 was the first version made but has had the spec updated as we have moved through the different versions.

Thanks for all the positive responses, the drummer from Band B , messaged me about putting together a band to back a singer he's worked with in the past. So I guess it's a case of one door closes another one opens. Maybe I'm not quite ready for the scrap heap.

Hi Guys Thought i should close the loop on this one, and announce I have taken the plunge and bought a CS 62 P bass relic. Having missed out on the Nash that came up on here from Croatia, I then saw a 60's P come up on the Bravewood site and bombarded him with e-mails only to find it was a ghost page that popped up during editing of a bass that had been sold some time ago. So a CS bass seemed the sensible route, but it would be at least June before i had the funds, then this came up at a greatly reduce r.r.p. wrong timing but the right bass so had to go for it, which is why i didn't get the time to take you up on your kind offers of trying your axes first. But Thanks The neck wood and Rosewood board are beautiful, my wife commented "its a bit knocked about isn't it"

But there's definitely an argument to be made that the sooner some you old fogeys graduate to pipe and slippers, the more opportunities there'll be for youngsters like me.

I’ve had this guitar in parts for about 3 years but it’s finally finished!!!! I’m really happy with the way it’s turned out!! It’s much better plain than chequered!!! 2 down 2 to go!!.......

I have not read the whole thread but there is both a lot of good and bad info on this thread so I will put in my 2p. For the record I am an Electronics Engineer and advised on the design of the HPF on passinwind's HPF design. However that was all his work and I take no credit for it. So what is an HPF? High Pass Filter or less commonly called a Low Cut Filter. So why do we need one? Bass guitars and DBs and the whole system between them, and the Loudspeaker, produce very low frequencies that do not add to our sound. These VLFs work the speaker hard and rob us of headroom. How do I know if this is happening to my system? If you can see the speaker moving, that is caused by VLFs. Take you grille off and watch the cones while playing. Your eyes will not see a cone vibrating at 25Hz* so if you can see it move, it is below 25 Hz and well below Low B at 31Hz. Watch the video of the Micro Thumpinator in action on the SFX site to see the effect.Microthumpinator web page My amp has an HPF do I need an external one? It depends, some built in ones are too shallow. 12 dB per octave is too shallow, 24dB is the minimum in my opinion. That rules out the Broughton. It would be better than nothing but imho not much. What if I just turn down the bass? Most bass controls will affect frequencies in the low mids and higher and have a big impact on your tone. Do I need a variable or adjustable HPF? If it works it does not matter. The Thumpinator works well and also the various FDeck versions from the USA, are good. Variable Filters have a bump at the f3 point. No a good design will be flat to all intents and purposes. If a fixed HPF works well, what benefit would a variable HPF bring. Mainly to help tame room resonances/boominess in conjunction with the normal EQ. It can also allow you to experiment for yourself, a variable HPF can start the cut-off higher for a 4 string than a 5 string. Alternatively it allows you to tune the response so as to just remove the unwanted VLF stuff leaving more of you tone intact.

Bass heaven: Listening to a great bass player Bass hell: Listening to me try and play the bass

Heaven- tommy cogbill, duck Dunn, chuck Rainey. Hell- slappity slappity slappity slappity, especially on gear demos.

Sorry, but if you don't hear the difference between ebony, rosewood and maple, it's about time to make an ear test as there are huge differences in tone. I know that most the musicians are almost deaf and only hear harmonics, but stop this please : it's not only a cosmetical difference, it's a tone difference. At a time, for some personal reasons, I had two identical Leduc MP 6 strings fretless basses (neckthrough abd bubinga wings), but one had a pau ferro fingerboard and the other a Brazilian rosewood one : there was a BIG difference in tone between the two. Strangely I ended up keeping the pau ferro one that had more bite and high mids, which was what I was looking for at the time. In November, I bought another Leduc MP 6 strings fretless I was hunting for 10 years : quite similar in contruction but the wings (flamed maple top over ash with a mahogany veneer in between) and the fretboard which is Brazilian rosewood. Soundwise you get a more present fundamental, more low mids and less high mids, so a hugely growling and mwahing fretless. I know I'm a bit harsh on this subject, but I'm really fed up with these comments. It's like saying that a carrot tastes the same as a cabbage.

My First Assembly - '76' Jazz Bass Sound Clip As a committed P-bass man of more than 40 years, I have a long-standing love/hate relationship with Jazz basses. I like how they look (mostly), I like how they sound (sort of) and I like how they play (up to a point). And yet… when I don’t have one I want one, and when I have one, I’m always looking to move it on… WHY?? My most recent GAS was for an aged Oly White late 70s-type Jazz with a black guard and maple neck - you know the vibe - but without blocks and binding... I don’t like blocks and binding. So I put one together, or at least as close as I could get. This is the first time I’ve ever assembled a bass from bits and the first time I’ve finished a body and neck from the raw wood. I’m fairly pleased with the results, given I’m a complete noob and it was all done with rattle cans. It’s not perfect, but the next one will be better. I learned a lot about the nature of nitro lacquer and the processes of sanding and wet-sanding …and how a bass goes together. Constantly learn new stuff folks, it keeps dementia at bay! Now… what did I come in here for again..? Specifications Paulownia lightweight Jazz body, vintage white Canadian rock maple Jazz neck with maple cap, amber tint Black 3-ply pickguard Alan Entwistle JBX Jazz pickups Schaller BMFL-C 70s tuners Kluson 70s Jazz bridge with slotted-screw saddles Fender CIJ 62 RI control plate, knobs and electrics Fender ‘F’ stamp neck plate with black cushion Fender string tree Fender strap buttons Fender 1969-1976 Type ‘C’ decal D'Addario NYXL 45100 roundwound strings Weight: 7lbs 7oz (very light!) I couldn't decide which pickups to fit. Fralins? Lollars? DiMarzios? To be honest, I was running out of cash so I bought a pair of Alan Entwistle’s JBX pickups, having read some good reviews here and elsewhere. I planned to substitute them with something more prestigious as funds allowed. But! When I soldered them in and fired them up, I was pleasantly surprised. I thought they’d be OK, but they're better than good, they're great. So I'm keeping 'em. What I didn't expect was for the bass to be so light. In fact, the Schallers make it a little neck-heavy, so I may just get some of those licensed Hipshot Ultralites for maximum calorie-loss, in which case the bass will weigh in at around 7lbs. Very rare for a Jazz bass, especially when you consider some of the old 70s examples were real boat anchors. The first to point out what's missing wins half a biro. Good luck!

Can't see this advertised anywhere, so I've posted it up. Not strictly just guitars - there are a handful of some basses there... but may be of interest to some. The Guitar Show - New Bingley Hall, Birmingham. 24-25 February 2018. http://www.theguitarshow.co.uk/

Just seen a message from Dave's missus Lucy that he's a bad fall and fractured his arm and also a deep wound which has required surgery! Bloody bad luck for the fella, he's not long recovered from complications from hernia surgery! Arm in a cast and sling, could be a while before he's back in the saddle! Gutted for such a nice guy!

This is an ad showing on Join my Band at the moment (Hampshire) I feel sorry for the guy if this really is the case. But I'm glad to see he still shows the usual bass players natural sense of stoicism and humour.

As above. Ply basses sound a bit...dead. Ply can also splinter and be a pain in the backside to sand. The EMGs are meant to be ace, but expensive if you’re doing the body and neck on a budget. good luck though, fair play to you.

The 'series 3' of the FDeck HF Pre design has a 12dB/Octave fixed frequency (35Hz) HPF, followed by a variable frequency 12dB/Octave (35-140Hz) HPF so you will have 24dB/octave anywhere below 35Hz. https://sites.google.com/site/hpftechllc/home/hpf-pre Although a circuit diagram is not available for the series 3, adding a fixed frequency HPF to a variable frequency HPF would not be difficult for an average electronic DIY enthusiast. David

Don't fret...heel (low) B along with another soon...

If only they did a five string...

"Rock/metal, jazz and country" pretty much translates as "I want to play anything I like on this bass", which is as it should be. In my experience, going to a show is completely futile if you want to try instruments properly, and trying lots of basses in a shop achieves nothing except confusion unless you know exactly what you're looking for. Big changes won't help you either. Switching between, say, Hofner and Warwick will teach you very little. What bass have you been playing as a beginner?

You`re gonna have fun with those, I had the same set-up a few years back and it was very nice indeed.

I have full-range studio monitors, and it IS surprising. The best natural-sounding bass I've had was a Road Worn P. I don't know what the stock pick up is on those, but it sounded very sweet indeed - the epitome of P Bass.

I've not built a bass yet, but I will bring along the completed Nozcaster if you don't mind such blasphemy.

I get that 'the public' are unlikely to have systems that reproduce true low end, thus the bass sound also needs a component in it that will represent it adequately through crappy computer speakers et al. Back in the day a gang of us would congregate at the house of whoever had the best HiFi and do nothing but take drugs and listen to music for hours on end. I miss that.

This link is just a regular bass case for full size P and J etc. I've emailed them to ask if the Gator 'extra long' guitar case fits, just waiting to hear back: https://www.andertons.co.uk/guitar-dept/electric-guitar-accessories/cases-bags-for-electric-guitars/hard-cases-for-electric-guitars/gator-deluxe-molded-case-for-electric-guitars-extra-long

I see. The 308 models do have a bit more 'mojo' about them, so good luck !

That looks thoroughly dodgy to me. Why is Friedland going public like that? No doubt we can look forward to an announcement of his new sponsorship from Aguilar shortly...

I like that lots, @Jimothey

OT but speaking of extinct species... you should all go to see the newNick Park/Aardman cartoon... Early Man. Took the nipper to see it yesterday. Hilarious. You’ll love it given the prevailing sense of humour round here... ”C’mon luv, show us yer tackle!” Slogan on poster lurking in back of shot... Bumsoft Toilet Paper. The world’s No 2 choice.”

It was New Year’s Eve 1999/2000 for me probably. Local town put on a free outdoor event for the millennium and we played the night on a stage in the square. The police thought there were 4500+ people there and it looked like it from the raised stage. It was a pretty incredible sight and sadly I have not played to a crowd that big since. We played covers so it was easy to get people singing along, and as much as I loathe the song now, having 4500 people sing Angels with you is pretty mind blowing and I won’t forget that volume, power and sound of that many people singing.

Hey Buzzy. I’m 68 mate and been in both situations. I’m back playing again though. If you want to you can. Age means nothing go for it if it is what you want! 😀👍🎸😀👍🎸😀👍🎸😀

One of the gigs which Talking Heads turned into Stop Making Sense. The movie is staggering. What it must have been like live... !!

And that is the very definition of GAS.

Bass Heaven - Finally bringing home from the shop the bass you've been dreaming of for months and plugging it in for the first time Bass Hell- The following day when you're bored of it and already looking for something else.

Love this sound :-)

Welcome Tom Personally I'd wait a bit, take in the London Bass Guitar Show where you'll have access to lots of equipment, some in your budget, some you may never get to try in any shop. I've just started a thread about cheap basses which are great value for money. There are several on here covering the same subject which will make your decision harder unfortunately but you could be wiser for reading them. One thing is almost certain, joining this forum will mean you spend more money on more gear than you ever thought you needed.

For an enormous chunk of the population of the planet, a bass is a guitar; end of story.

I recently had one made by jack's instrument services in Manchester. Really easy to deal with, cost me £29 and took about a week to turn around.