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Showing content with the highest reputation on 06/02/18 in all areas
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It is easy... but I can see your point too. Often I just want things to work, without spending time on them, so if I can pay someone to get it just right, why not? However, let that be by choice. I think a lot of people, especially when not very experienced, they find the whole set up business a bit daunting, when it really isn't and it can be very rewarding as you will be able to get your own instrument exactly the way you want it.2 points
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So many different models you need to be aware of and all different values but you are right to point out active v passive (some folks might prefer passive but they originally sold a lot cheaper) and the body woods do affect tone to a degree but it's mainly preference. Oh and be wary of Bubinga basses that are actually stained Ash misadvertised!2 points
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My god they're hideous, but I salute your sense of joie de vivre!2 points
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So another factor of why that one plays and holds tune so well.2 points
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It would be going into 4 ohms. Half the power would drive the speaker, half would drive the resistor, and when you factor in that an amp doesn't develop twice its maximum power into a halved impedance load the result is that it won't be as loud. There is an impedance reducing device that will give you more output: a second speaker.2 points
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Hi, long story, a long lost buddy Bass is coming up for sale, so I’m moving some recently added basses. it owes me £600 but I’m not daft, so please PM me if it’s of interest: candy Apple Red p/j body lovingly aged, EMG pickups, fender flat top knobs, glossy maple jazz profile neck...Gotoh Lollipop tuners, Fender anodised Pickguard...and yes a decal, which can be taken off if you’re super offended. sounds ace, plays ace, comes in at 9lbs won’t stay for sale if the other one goes. shipping in uk £15 (more for insured) or collect in Manchester1 point
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Nah, SSII were never £1,500 in 2008, they were over £3k by that point. £800 is V expensive for a standard Vette; for comparison Ill be shortly selling my 2010 LTD Bart equipped tigerwood topped $$ version for under £1k for a bass rrp around 3 times more... Keep an eye out on eBay and the classifieds here, youlll get one for less or something much more high end for the same or a little more.1 point
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A friend of a friend once guitar-teched for Van Morrison and band for a whole tour... handed Van his instruments on stage every single night. Morrison never spoke one word to him, ever.1 point
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Gator Pro Go, they're about £110 online. I got lucky and won a new one on eBay for £70 but I'd happily pay full price after using it. They're a bit hefty compared to a standard gigbag but are exremely well made with loads of storage and excellent protection. Handy rain cover, laptop pocket and velcro cable loops too. Premium quality of the fancy brands without the price tag IMO.1 point
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I’m selling a brand new Mono vertigo in the sales section . I posted a thread earlier about gig bags, have a look there i got some very useful replies. The Mono are about £220 now, really expensive compared to what they were 4 years or so ago.1 point
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I would say it come down to wood preference look wise. I would say you can find the Bubinga model with the preamp at a better price. Only something to think about before you pull the trigger. Just a matter of scanning the second hand market. A fretless sold on BC for £510 a while back.1 point
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I’m going for a 34” scale and have got everything I need on the way so watch this space1 point
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As a former guitarist - the smaller the better! Thunderbird is 38mm and fits like a glove. My LTD 414 is 39 and a bit and feels just dandy, but the T'bird tops it all the way1 point
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Precision Deluxe Special. It's a PJ rather than a straight P, but they're in production at the moment and older models appear on the used market pretty regularly.1 point
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Whatever you chose, if you are going use it for carrying your bass any distance make sure that it is comfortable to wear when fully loaded. IME a recommendation from another person is not sufficient, you need to try it for yourself with your bass and any other items you need to carry in it. I have a Mono M80 case and while it's a great case from a protection PoV, for me to use walking any distance it is very uncomfortable. I'd never buy another gig bag without trying it on first.1 point
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Blimey, this is looking good! Not sure I've seen a pickguard of that sort of shape before. It'll be a shame to see that walnut finish disappear but red + maple is a killer combo, especially if you're going with a cream pickguard! What kind of hardware are you thinking? Chrome?1 point
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Gator ProGo user here and very happy with it...... Great protection, a raincover, tons of storage and not too heavy And it has a one piece handle (i hate the two piece velcro together type ones :-)) https://www.thomann.de/gb/gator_g_pg_bass_guitar_bag.htm1 point
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Nah, Lemmy was a fine bassist, bit unorthodox maybe but he did what was right for his band, can`t say better than that. And his solo line in Stay Clean is amazing, sure, not that difficult to master but it`s coming up with it in the first place.1 point
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Thomann list that Gator double bag as weighing 4.8kg... That's heavier than a lot of basses!1 point
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Behold the MTD Double gig bag on the right compared with a Protection Racket Deluxe case (which is a little thicker than the equivalent Mono offering but similar in to the Gator ProGo I believe)1 point
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So this is the sort of thing I write, arranging tunes from all over the place for a mandolin ensemble I run. I recorded this one entirely myself, and you will hear my Brook Lowman bass underpinning everything. I know this isn’t everyone’s cup of tea, but what the heck, hopefully it’s something different. The footage is of my time spent in Padstow this Christmas https://youtu.be/BcVRIL2FyTA sorry, don’t know how to embed videos 😥 Robbie1 point
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tbh I'm not sure Lemmy was the best person to teach anyone bass1 point
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Why not send a message to Big Poppa telling him you're popping in to see him to demonstrate some 'worthwhile upgrades' that can be made to his basses with a view to publicising them on the MM forum. I'm sure that work work a treat and give you full access to the facility.1 point
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My focus was initially @Dad3353 as he seems to be adept at building things out of anything , then of course @Leonard Smalls as this would appear to be some sort of random funk fabrication but no , now my focus is drifting to my grandads shed (and he had a less inspirational vocal tone than my very own), but a way of putting things together that normally required my dad to sort out1 point
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The operator of new camera (me) is useless. The back of the neck has an almost metallic sheen to it that I can't get in focus . @ped Serial number is 1148 and according to a fella in Germany it was one of 5 builds on 27/11/961 point
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I personally won't leave home without one, compression has become an essential tool for me, and like you I've been playing and gigging for 30 odd years. Compression is a very decisive issue among bassists, some love it as I do, some people hate it and most people are probably indifferent to it. But as with most things there's no real right or wrong answer, just what works for you. However, I do think compression is widely misunderstood by some people who expect to hear it as an obvious effect - it isn't. Effective compression is subtle and not always obvious, until you turn it off that is! Some people when experimenting with compressors assume that they are not doing anything so tend to set them until they can hear the squash working, the trouble is by that time you have completely squashed the life and dynamics from your bass tone, which seems to be the main complaint from those who do not like them. Less is more with compression. Properly set up they do not kill your dynamics, but allow you a more controlled bass tone that sits better in the mix than an uncompressed one, in my experience at least.1 point
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Here's the update ... The head went back to Orange and I've just had an email from them saying that they've fixed the issue. Here's what they've said (I'm assuming that the issue would have required a little soldering and wasn't just a badly seated valve as I'd tried switching them out/reseating them a few times before I sent it to them): I've paid them for labour and shipping but so far this seems fantastic customer service. I'll post another update once I get the head back.1 point
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Reminds me of the famous Hoffman/Olivier conversation, in which Sir Larry, after apparently listening to Dustin drone on for hours about Method, offered "You should try acting my dear, it's so much easier"1 point
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The new Little Marcus could be very interesting in this respect, as it has different EQ points EQ1 ULTRALOW: Level ±16 dB (Freq. 65Hz) LOW: Level ±16 dB (Freq. 180Hz) MID: Level ±16 dB (Freq. 500 Hz) HIGH MID: Level ±16 dB (Freq. 1.4 KHz) HIGH: Level ±16 dB (Freq. 3.8 KHz) EQ2 OLD SCHOOL: Variable LOW PASS From 20KHz to 200Hz MILLERIZER: 5-12 KHz BAND PASS Filter (Level 0 /+10 dB)1 point
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Hey Buzzy. I’m 68 mate and been in both situations. I’m back playing again though. If you want to you can. Age means nothing go for it if it is what you want! 😀👍🎸😀👍🎸😀👍🎸😀1 point
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Just to get back on track, I'm thinking of ordering another Mike Lull with a bradypus pygmaeus body, a brachylophus top and a honey badger fingerboard.1 point
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Check out Ataxia. Lally, Frusciante and Josh Klinghoffer on drums. Joe plays nothing more than the songs need.1 point
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Mark and I traded gear (Mesa subway head & Markbass LM 3 head). He's a nice and friendly guy and in the end we're both happy with the trade. Thanks Mark.1 point
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