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Showing content with the highest reputation on 15/02/18 in all areas

  1. I'm not wasting my time with a shrink when I could be running through the streets with ten mini capes flowing in the breeze behind me.
    4 points
  2. I think you’ll find that quavers in the real world are a processed food snack flavoured with cheese.
    3 points
  3. Less than 24hrs after spotting this in the for sale section of the forum, I had this little baby hanging on the wall in my studio and a massive smile on my face. I have to say a big thanks to @Kev for being the easiest guy in he world to deal with, a quick drive about a third of the way across the country and a late night meet up at a very dark motorway services I was on my way home with my new toy. I have been playing Warwicks pretty much exclusively for the last 20 years and had a $$ for a few months last year but I thought it lacked a bit of individuality and a little something tone wise, but a very nice, very versatile bass, but it got moved on in the end. This thing however is a totally different beast. Firstly the tiger wood top and swamp ash body look beautiful. This bass is No30 of a limited run of 85 made in 2010 and within that 85 only a small No. were made with this specific hardware. Instead on the standard two MEC humbuckers it has two Bartolini humbuckers and a 3 band MEC preamp as opposed to the normal 2 band found on a $$. This combination makes this thing sing, being able to push the mids really brings it alive compared to my experience with the standard $$. Suffice to say I am very very happy with it and will stop gushing and show you some pics. @Kev I dont know what you were thinking parting with this, but thanks again for making it so easy... and you cant have it back
    3 points
  4. Bass heaven: backing up to a wide roller door which opens to reveal the back of the stage and willing helpers waiting to lift your 8 X 10 from the back of your car Bass hell: Narrow door miles from the carpark. Stairs.
    3 points
  5. Heaven- 2 minutes to midnight. Hell- trying to learn 2 minutes to midnight.
    3 points
  6. Superb 1951 precision bass made in Chicago by Lakland. Offers everything you could expect from US Lakland - lightweight swamp ash body, quartersawn maple neck with graphite inforcement, birdseye maple fretboard, ebony position dots. Highest quality and craftmanship. Very rare bass, only few of these were made. OHSC included. Bass is located in Czech Republic, shipping to EU is included in the price. 2200€ Obo.
    2 points
  7. Its' amazing how good a rig you can get for so little money. And importantly how great it sounds. Most know about the Sire V7. This one weighs 9.4 pounds. The Genz I could have got cheaper, but this one is literally brand new with a Genz bag. I prefer this little monster to my old Aguilar. cab is incoming.
    2 points
  8. Hi! I'm thinking about sawing this in half as It's too big for my needs these days, and this prompted me to look to see if I still had any in progress photos, and found a few. Basically, I am totally rubbish at doing things with drills, saws, or anything else that requires any sort of co-ordination (not including Bass-depending on who you ask). I found this to be such as easy project, that I'm amazed I don't see more around. I'm sure there are several on here that are way better than mine but I was hoping that this might inspire someone to have a go that is like me..the sort of person that says..'that will do' a lot! This will be very basic to most people here, but it's just to show that anyone can have a go at stuff really. Did this ages ago and the pictures aren't exactly step by step, but hopefully you can see what I did. Here's a very rough plan : 1) Got the wood and cut to size. On mine, I used four strips of wood cut to the length I thought I wanted, then measured and cut two smaller pieces as the side supports. 2) Sanded and primed the wood. 3) Screwed it all together. I believe I used wood glue first. (see the 2nd pic for how it fits together, pretty self explanatory). 4) 'Paint it Black'. Choose an appropriate song to listen to while completing this step. 5) Screwed on finishing touches such as cast iron carrying handles, and two little rubber feet at the rear (as you're looking at it). 6) Got some Velcro tape and stuck strips across. 7) Found a guard dog to protect the finished product. Sorry there are not more detailed steps. I think I originally saw something similar on Pinterest and took my inspiration from that, so I'm sure if you need more detailed instructions, or plans for something more ambitious, they can be easily found on there. I believe the whole thing cost around £15. Basically save the pedaltrain money for a pedal or two. Hope this helps someone decide to have a go.
    2 points
  9. A Semi-quaver is a half eaten one
    2 points
  10. Remember that Jez has set a new standard for matching wood for facings... Personally I think it's just showing off...
    2 points
  11. Ah, they don't build 'em like they used to...thank God!! New yardstick for "ugly" me thinks..
    2 points
  12. I have plenty of words for that. All of the contain 4 letters and are not printable on this forum....
    2 points
  13. Bass Heaven - writing a really satisfying bass line for a new song, complicated enough to keep it interesting, hitting all the right melody and drive, locked in with the drums and supporting the song Bass Hell - the guitarist saying "just play A"
    2 points
  14. That's what I had more or less resigned myself to do, but I think a fellow BC'er has come to my rescue with two matching tuners.
    2 points
  15. You don't come on Basschat much then?
    2 points
  16. It’s probably the best value for money Synth pedal ever made.
    2 points
  17. Probably best to avoid those people in future.
    2 points
  18. Bass Heaven - Finally bringing home from the shop the bass you've been dreaming of for months and plugging it in for the first time Bass Hell- The following day when you're bored of it and already looking for something else.
    2 points
  19. Hi guys, my new band have recorded an EP recently, and we’ve just put our first single on Soundcloud. With it being a cover/mashup, does anyone have any idea what the score is with licensing/permission? You can check out the track here if you are interested: Thanks!
    1 point
  20. It's a great octaver, even if the synth bits don't do anything for you.
    1 point
  21. Yes you may moan that EU imports may become unaffordable soon, but looking on the bright side, the lucrative trade deal with India is almost in the bag. Who needs Nordstrands when you can take your pick of the best indian sweatshop-produced pickups made by 9 year old slaves instead? Tone for days.
    1 point
  22. It will be all right when we do a trade deal with the USA. Don't worry.
    1 point
  23. I imagine the dodgy headstock logo put you off, too... I have one of these and discovered it was the first 5 string I could get on with - it has very narrow string spacing at the bridge and at the nut. Perfect back-up bass, takes up no room in the car or 'on stage' (leans against cab steadily on 2 legs). GLWYS!
    1 point
  24. Yes - that will look lovely when it's all finished
    1 point
  25. Tom Robinson, Bruce Foxton and JJ Burnel
    1 point
  26. I suspect that you're mischaracterising what's happening here. I've played with loads of guitarists who would find THE guitar only to trade it in a few months later for the new THE guitar. And they were ALL, every single one of the, THE guitar. On the other hand I've played with people who have found one or two or three guitars over their playing lifetime and that's it. In both of the above cases the cost of the guitar was irrelevant. For the guitar flippers, it was the belief that each new guitar would bring guitar nirvana, the post purchase realisation that they all had flaws (real or merely perceived) and a belief that the grass would really be greener the other side of the music shop. The internet and forums like this only makes this worse through ease and availability - and group think. The OP seems to single out the boutique basses for this phenomenon. I've not done a statistical study of this but I'd bet that there are as many Sires and Squiers being flipped as Foderas and F Basses - although maybe not. However, more on the grounds that having a couple of £200 resale value basses kicking around unloved "in case" isn't as economically painful. And to fund the new Ken Smith the Alembic has to go, which replaced the Dingwall that was funded by selling the Fodera which... It would also be interesting to compare a list of those who flip the most expensive basses with those who flip the most mid/lower range basses. I wonder how many names would be common to both and how the number of basses flipped per year would compare... Maybe it's more about being addicted to the new bass buzz? Rather than finding the bass that really suits you and sticking with it - how many "Oh why did I ever sell that XXXXXXXXX. I now realise that my new YYYYYYY isn't have the bass it was..." threads do we see? And how often are they followed by "I've seen these ZZZZZZZZZ basses online, what do you all think?" threads... Anyway, there are a minority of us who provide the Ying to that Yang - me included. I've got a number of relatively expensive, hand built guitars and basses, at least three, possibly four or five, of which count as "boutique" - only a few of which were bought full price, mind you, or back when you could get a good night out, a fish supper and change from a three bob note. My Aria SB700 was my first ever bass back in 1982 - still play it. My Mk 1 Wal was bought in 1992 and it's still my No 1 bass. My Tony Revell custom acoustic bass was bought in 1992. My Brook acoustic was bought in 1999 and still gets played regularly. My Pro Series Wal was bought in 2002 and is more than my No 2 bass, more like my No 1.5. I won my Fylde Gordon Giltrap Signature acoustic (I know, what a lucky so and so) in 2005 and I still love it. I've only ever sold three instruments in 35 years playing (a Squier Jazzerstein project bass, a Yamaha starter electric, and a mid range Washburn acoustic to fund my Brook). I can confidently say that the boutique instruments I've got now aren't going anywhere!!!
    1 point
  27. To repeat Ceebass' comment, I cannot add anything to the licencing debate, but I really enjoyed the track (or should that be tracks?). Two of my favourite songs mixed together. Good stuff!
    1 point
  28. Shouldn`t be a problem. If it doesn`t fit that`s unlikely to be the cause.
    1 point
  29. Yep, can def depend on the player - the luthier I take my basses to can get the action ridiculously low, and for someone who plays unlike a cave-man it must be great, but for my style both action has to be raised, neck relief put in and pickups lowered in order for me to play the way I do.
    1 point
  30. Here it is with the veneers in place and just about ready to glue it up
    1 point
  31. Wow, that is a beauty!!.....enjoy!!
    1 point
  32. call me puerile, but that name and website has made me laugh out loud!!
    1 point
  33. "No returns". Not bloody surprised...
    1 point
  34. If you do decide to whip the head out and use it with a different cab, just watch out for the head width before ordering a 2u case. Those 4x10 combos had wider amps than the normal 19inch jobbies. Something like 23 inch iirc to match the width of a typical 4x10 setup.
    1 point
  35. Anal Seepage is a band name in waiting. Any takers?
    1 point
  36. Well done for taking that decision - it was clearly not an easy one. Life definitely doesn't end at 43!! I picked up a bass for the first time five years older than you are now! I decided the easiest way to be in bands whose music I loved was to be a founding member and I'm now in two both of which I love (although there are times when it doesn't feel that way!). It was definitely a bit of a slog to begin with and, like with any family, there have been plenty of off moments, but we've thus far somehow managed to come out smiling. One door closes and another one will surely open.
    1 point
  37. Oh b*gger. Wish I hadn't spotted this. I'm very tempted to repurchase this baby of mine.
    1 point
  38. We've done Blue Hotel and had a couple of try's at Wicked Game. Guitarist in fairness nailed them both, soundwise and sparse playing. Hard to do vocally of you don't have his range naturally though. We bagged them both in the end. Thankfully our lad appreciates that silence is a note and also we never hear a peep out him between numbers.
    1 point
  39. That isolated bass track sounds good. I can hear the bass a lot clearer and he's not playing as many notes as i first thought. Think that double bass drum covers it a fair bit. Thanks everyone. Always helps when you ask other BC'ers. Dave
    1 point
  40. Mine work fine, I have never thought 'I must get some new tuners'.
    1 point
  41. LaBella Gold Flats fitted to my Lakland 44-94......sounds great on some recordings so far! Can't wait to gig it. Here's to not changing strings ever again?! lol
    1 point
  42. It was tounge in cheek Al after your other post about the band not noticing your 5 string 🙂
    1 point
  43. You do know that all this could be avoided if you played properly... with your fingers...?
    1 point
  44. ...and the winner of the Greek vote this evening is..... vintage Trace Elliot!!! Yes, the combos are heavy but the heads are a single hand lift and carry - shouldn't be a problem for anybody. They're nuclear bomb proof, suit all styles of music, EXTREMELY loud, everybody can get a great sound out of one and you can pick a half decent one for ridiculous money - less than £200. Pair it with a modern, lightweight cab of your choice and you make the Cheshire Cat look like a miserable b4st4rd.
    1 point
  45. Could be fun delving deeper in to the history of the brand if you think this
    1 point
  46. Bass heaven: Tight grooves with the rest of the band (whether other bands or my own) Bass hell: YouTube soloists
    1 point
  47. I swapped my lovely 32" Squire MIJ P-bass with Marc's Flea JB. To be honest It took some time and loads of messages to take Marc's "virginity" in posting the bass abroad (and I don't blame him) but was well worth it. Not only because he sent me an absolutely lovely bass (that I can't take from my son's hands) in a bulletproof package but because I had the chance (through emails - so far) to get to know a wonderful person. A good friend material I would not be hesitant for a second to do business or have a drink (or two) with Marc. Actually I would love to. Thank you Marc. It has been an absolute pleasure.
    1 point
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