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Showing content with the highest reputation on 18/02/18 in all areas
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I wish i'd seen this thread earlier, i've just come back from a music shop where the first thing i did was light up my trusty crack pipe, then I started morris dancing, and in the excitement i shät myself, and with all the energetic morris dancing it sprayed all over the equipment in the shop. When the staff tried to stop me, they took me by surprise and I accidentally assaulted them by throwing excrement at them. It all worked out in the end though because I apologised and purchased 1 used plectrum for 9p.4 points
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After acquiring and really liking the Mesa Subway Preamp pedal, I decided I would like to buy a Poweramp - ideally small - to give me a small but powerful gigging set Ultimately ended up buying this: GSS Sumo 1000 Thus far I am blown away by the size and power. My Mesa MPulse 600 is a very loud amp, the Subway/Sumo combo is easily as loud whilst giving me the Mesa tone I like at a fraction of the weight. Pretty good on “girth” too! Still needs lots of road testing etc, but so far so good!3 points
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...and I've just played Streets of London with Ralph McTell. Just him, me, and a choir. It was gorgeous.3 points
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Cheers! Here's a few more I took later yesterday. A shot from my stage position Some flightcase porn (this is only a tiny part of it!) The backstage village (basically, the producer needs all the cast members to be in this area at all times. It has to run like clockwork) One of the millions of camera shooting it. There's cameras everywhere, and GoPros all over the stage Alan Clark, a fantastic keyboard genius who I'm sharing a riser with. In April he's being inducted into the R'n'R hall of fame with the rest of Dire Straits. An today is showday!3 points
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Definition: Bass Bash is a term used for a day hiding from your so-called loved ones (family) to spend with your true love ones (instruments) and other like minded individuals in a secret location known only to those who play the aforementioned gear and frequent these forums. There are the odd exceptions, Happy Jack/ Bluejay, Grangur and Mrs Grangur, and Silverfoxnik & Hamster whose lovely wives (only one each) support these events with copious cups of tea and cakes. However, normally they are populated by sad old gits who want to talk about a subject (The Bass guitar and equipment) that no other band member or "normal" member of society can even bear to. Along with the attendees, you will find some beautiful examples of the luthiers' art which are available for the aforementioned sad old gits to try and discuss at their leisure. Other features of Bass Bashes are seminars and gear trials, (seemingly) never ending Raffles, and of course a great review by our own Bluejay which is generally better than the event itself. Stay tuned to the "Events" thread for details of your next/nearest one.3 points
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Here’s a murky shot of playing Video Killed The Radio Star with Trevor Bloody Horn :-D2 points
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Squire are one of the worst brands available these days. It's a real shame. Then again, how can one be surprised, them trying to cash in on almost copying the name of a really good competitor (Squier). I hope bankruptcy will be their fate.2 points
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I refuse to play anything unless they provide me with a music stand.2 points
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Funnily enough it’ll have a maple top with transparent coloured finish probably so your suggestion is bang on where I was headed! Builder? Maruszczyk2 points
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Thanks again for all your get well messages, I’m very grateful. i have a hospital appointment tomorrow to assess the damage. Hoping the doctor will have some good news for me.2 points
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Always fancied one of these...2 points
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A few pics from a couple of years ago just to give a little taste of the SE BassBash. Me and the lovely Herbie, the main rig room, John Rhino Edwards from the Quo trying my bass and John Bentley from Squeeze giving a talk and playing some. Sadly I was too ill to attend last years!2 points
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Did anyone mention cake?2 points
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Best bass hang out ever, bassically (see what I did there). A chance to do all the things you mention... ogle and try out gear you’d never find in one place anywhere else, jam if you want to (I’ve never actually got round to that), meet other BCers in the real world, chat, listen to interesting and varied seminars if you want to... I first went three years ago, ostensibly because Silverfoxnik asked me to do a talk on Wal basses. It’s been a fixture in my diary ever since. Great bass day out. The second year I went Herbie Flowers was chatting - I wasn’t to miss that! John from Squeeze was fascinating. Last year was Davey Rimmer from Uriah Heap. I’ve no interest in the band but it was fascinating to hear his thoughts on playing and stepping into big shoes like John Wetton’s and Trevor Bolder’s. Steve Lawson was random, philosophical and amazing too. For a flavour you could do much worse than checking out Bluejay’s excellent photo blogs on the Bashes... https://silviabluejay.blog/2015/10/05/basschat-south-east-bash-2015/ https://silviabluejay.blog/2016/10/05/basschat-se-bash-2016/ https://silviabluejay.blog/2017/12/08/basschat-se-bash-2017/ Basically, get it in your diary and I doubt you'll regret it.2 points
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I'm part-way through a big long epic of a day today - more of the stars have arrived, so we're working though the tunes with them at various allotted time-slots. It's a huge production and logistical operation, with a massive crew - the band are just one cog in the wheel. Every song has to be rehearsed for lighting, camera positions, VT cues, walk-on choreography... if one part isn't right, we do it again! Like I say, I can't give anything away, but I've had a couple of OMG moments today... and I get to do it again - for real - tomorrow. Get in :-) Here's some arty shots I took during stolen moments...2 points
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I'm in the house band for the two Sunday for Sammy shows next weekend. I can't give too much away 'cos the line-up is under wraps, but with 5,000 people at each show, it's going to be fun. I'll take some pics and that, and try not to make any mistakes. Disclaimer: I fully acknowledge this is a 'boast post'. Apologies.1 point
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For sale is my ACG Finn headless. I've listed this before, but it's recently undergone a bit of a re-vamp. It has an interesting past, in as much as the body and neck were made by Alan for a friend, and weren't intended to end up on the open market, hence the non-standard pickup configuration. The body and neck are Alan's, but it appears that the hardware and electronics have been added, and altered, by the original and subsequent owners. When I got it, it had some nasty pickups in it and didn't sound great, but after a bit of tweaking and TLC, it's turned out to be a great bass. It's now fitted with a pair of Hanson pickups (out of my Lakland DJ5) which I sent to Bare Knuckle and had re-wound, plus a John East Uni Pre, and sounds very good indeed! It has a Black Limba body with some lovely striping and a trans purple finish, routed for pickups with lugs, as opposed to the usual ACG pickups, and a maple asymmetric neck with a birdeseye maple fingerboard. It's 35" scale (although you wouldn't know it - it feels really compact) 46mm wide at the zero fret, 55mm at the 12th fret, and 18mm spacing at the bridge (adjustable). It weights 4.1kg on my digital bathroom scales, and sits really well on the knee or on a strap. Along with the Uni-Pre is an East low battery indicator board and LED. The body also has two additional micro switch positions, currently unused. There are a few marks and scratches here and there, but nothing of any great significance. There are no issues with the neck, the frets are all in good order, and it plays beautifully, with a powerful sound, loads of sustain and clarity, and huge tonal variety from the Uni-Pre. The only reason I'm selling it is that I don't get on with the asymmetric neck - all my other basses have standard neck profiles and just suit me more. You're welcome to come and try it out in person - I'm based just off the A3 between Woking and Guildford, close to junction 10 of the M25. Sorry, but I'm not looking for any trades. NOW SOLD1 point -
Dear colleagues, I’m honored to officially announce that the great drummer Marco Minnemann has joined my new album and has started the recordings. It will be a very long prog rock ambient track You can read more at www.albertorigoni.net/evorevolution/ Check out this video teaser below 🙂 Thanks for your attention! PROG ON!!! Ciao! Al1 point
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I have a bit of cash coming my way so I decided I'd treat myself to one of the new Fender Elite P/J Precisions. I've never owned a US Fender, before just MIJ (which of course are very good but aren't American - ie the 'Real Thing'). So I went to my local guitar shop and asked to try one of the Elites. Unfortunately they didn't have any in stock at the Edinburgh branch. So I asked if they had any other P/J Fenders. The sales guy said he'd have a look and after about 5 mins came back with a bass guitar shaped cardboard box. He cut it open and inside was a brand new, sunburst, Mexican Fender Deluxe Precision Special. I gave it a play, not expecting much, but was seriously surprised at how much I loved it! The action on it was really low ( I wasn't expecting it to be so well set up right out of the box), and combined with the slim Jazz neck, made it incredibly easy to play. The sound of the thing was amazing. the pickups, both soloed and combined, sounded really punchy in passive mode and in active mode they sounded even better. The bass looked really well put together and I couldn't find any flaws whatsoever. I was so impressed with this bass that I now have to ask myself, why would I fork out another £1,000 for the American version, when the Mexican, active P/J, sounds and plays so fantastic? Does anybody have one of these basses and do they love them as much as I do?1 point
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Hello, here's for trade my Fender Precison Custom Shop Pino Palladino Signature. The year of build is 2009. The bass is mint (considering it's a relic model) and comes with its hardcase and certificate. Specs: http://www.fendercustomshop.com/…/pino-palladino-signature…/ Trade for: vintage Fender Jazz bass (not reissue models) years '76-'78 plus cash on my side, only maple neck. Preference to Mocha Brown or Black. Might consider other offers or better saying "variations" on fender 70s jazz bass but this is what I'm looking for. Also I might be interested in a Fender Jazz Custom shop ('64 reissue preferred with volume volume tone configuration). Feel free to write me a PM. Thanks for looking1 point
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Almost finished the 'guitardrobe' in my music room... Just needs sanded and painted. Just missing my Dano in its case and Pedaltrain Jnr bag (in my boot) but everything fits like a glove Sorry about the guitar in there. haha1 point
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*SOLD* VALENTI J4 £750 (No offers please, this is really cheap already!) Here offered for sale is a Valenti J4 in Vintage Sunburst. **NOTE: THIS BASS IS ALSO FOR SALE ELSEWHERE AS OF 18/2/18. Swamp Ash Body '59 Burst Finish Graphite reinforced Maple neck 1 1/2" @ Nut Aguilar OBP-1 Preamp w/VTC (18 volts) Nordstrand Big Singles Tortoise shell Pick-guard 12" Fretboard Radius Chrome Hardware Hipshot B Style Bridge (20mm spacing) Hipshot HB-1 Tuners Contoured heel for easier access to upper frets Hiscox hard case Really nice bass, light weight (8lb according to the Wii balance board), I'd say 8.5 to 9lb to be safe. Lovely bass to play, light weight and well balanced with nice big Jazz Bass tones from the Nordstrand Big Singles and a very nice slap tone. It has Nordstrand Big Singles, Aguilar OBP-1 Preamp w/VTC (Sadowsky) (18v). Really nice condition, nothing much to say really, a few surface scuffs from popping but that's really it. I haven't gigged it and to be honest I don't think the guy before me did either according to the shop, it's in really great shape. I'm selling up as I'm packing up playing live due to a long term shoulder injury and I only really need one bass. Nice Eden Metro 2x10 combo for sale here too. https://www.basschat.co.uk/topic/320325-eden-metro-combo-2x10/ I also have three other handmade custom type basses for sale on here at the links below, (links to follow), all four basses are offered up here on BC at £750 each, which I think is very low money for what they really are. It would be easy to find far lesser basses than these at much more money online. https://www.basschat.co.uk/topic/320306-fodera-style-handmade-bass/ https://www.basschat.co.uk/topic/320300-zoot-iceni-custom-top-5/ https://www.basschat.co.uk/topic/320303-paulman-j6-custom/ I'm based near Biggleswade, Beds BTW and would prefer collection as it can be viewed in the flesh then too. £750, cash on collection. (Including Hiscox hard case)1 point -
He has been playing drums since the age of 2 and is studying grade 8 at the moment, so decided to teach himself classical guitar (can play Dee by Randy Rhoads level in 2 months..!!) and now bass....... I jokingly said "here, try this then!" and played him the bassline for MUSE's Hysteria - He had it more or less done in a day....... On a our full size Fender Jazz...!!!! Sorry, I don't know how to embed, so just hit the YouTube link....! https://www.youtube.com/watch?v=7rhuYoWsOdM1 point
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I was a BFM authorised builder for a few years. This is an absolute steal for a cab that will outperform so many top end boxes. Discreet did a brilliant job on his build and it's worth £160 for the build thread alone - not to mention the driver that's in it. If you're looking for a compact one cab solution at a frankly silly price then look no further.1 point
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I tried the JB-75 with Roswell pickups today, can't say I noticed any real difference from the Wilkinson JB-75 I had.1 point
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I swapped out my Roswell pickup for a Henning one, although the Roswell sounded fine: reminds me must put it up for sale in the For Sale section.1 point
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My fave, Richard Bona. His albums are stuffed full of terrific vocals.1 point
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These cabs (IMO) are the best value full range cabs on the market at this price point. I owned them from new and only parted company with them to downsize to PJB C 4's.1 point -
Bankruptcy in the US doesn't necessarily mean the end of the line. If Gibson file for Chapter 11 they'll be protected from their creditors while they restructure the business, which could include selling off some of their subsidiaries and intellectual property rights from companies which they've acquired and ultimately wound up. It also allows them to seek new finance. Even if restructuring fails and no new finance is available then the creditors have the option of acquiring the company and it's assets in lieu of the debt. The chances are in that scenario the debtors would attempt to sell the Gibson brand and production facilities to a third party who could then acquire them without taking on the current debt. Even if Gibson has to file for Chapter 7 bankruptcy, which basically means the complete liquidation of all assets, the brand and production facilities would still likely be sold as part of that process. Gibson may be doomed in it's current form but I'd put money on the brand and the classic designs being in production, one way or another, for a very long time to come.1 point
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Great rig, great power , great price. As much as I want to find fault with my current rig I just can't, hence canny buy this. GLWS1 point
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Yeah, bummer. Never mind, I was so chuffed with the sound of the three strings that I did fit, I've just ordered up a new set They really do sound close to that deep, warm acoustic double bass. A bit tricky to play mind!1 point
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Fewer student guitar players? That doesn’t bode well for bass only manufacturers then, not that I think that’s correct. I was only talking to someone on Friday about my experiences at university. I graduated in 2015, I was one of only 12 bass players in my year. We were easily outnumbered 4:1 by the guitarists. I think with Gibson it’s maybe more to do with their pricing point, quality control and models etc. I’ve never ever played a Gibson bass, I don’t think I can even name a particular model or a bass player who uses Gibson. That’s more me though. Other major builders have lots of models of both guitars and basses, basically a model of guitar or bass to suit the divergence of music that’s played nowadays, and to suit different people's budgets. Take Ibanez for example. They make fabulous basses, a student of mine plays a 6 string bass that he bought new for a ridiculous price, and the quality is amazing. They also make tremendous pro quality instruments that are equal to most custom instruments. It’s not all just blues and rock n roll afterall.1 point
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And here is an alternate opinion on flats! I was not a fan of the tension on the flats, so I would plump for LaBella flats, the white tapes are awesome, even the black Deep talking bass ones. i can’t Argue with @TJ Spicer too much, he is in the south west of England like me and we are always right down here!1 point
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As said above, there are many variables other than the wood and it is hard to predict how much and what contributions the wood would bring to the end result. I'd personally choose alder with a fancy top FYI, Roger Sadowsky has a great article about his experiences with the main tonewoods and their combinations. https://www.sadowsky.com/wood-and-sound-in-amplified-guitars-and-basses/1 point
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Maybe so - but who wouldn't want to look at the Mona Lisa over and over again? I'll happily pay to see Bobby Vega / Steve Lawson and Guy Pratt 365 days a year!1 point
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To me, he was Thin Lizzy.1 point
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I can't think I've ever had a problem with a tuning peg..?1 point
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The number of people I know who regularly forget straps, plectrums, leads and, in one memorable gig, their drum pedal... ...nope, I can’t see a single flaw in the removable tuning key alternative.1 point
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Reminds me of a comment I can't remember where I heard about, from someone in a shop saying "We almost never hear anyone trying out a guitar actually playing a song". It wasn't about me but it could have been - I run through my favourite 12-bar blues walking lines, (1) because that's what I'm going to mostly play on it, and (2) because (as said above) I'm nervous in that environment and feel the need to do something I'm completely solid with.1 point
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....well...actually, ...I know that it's not the same thing, but it kind of is. I have an old MIM Fender deluxe PJ from 1996, and despite being constantly told that it can't be good because it's a MIM, it really is a great bass in every way. If that bass is doing it for you then then why buy an expensive imitation?1 point
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Whilst I'm here, I find this to be an idea solution1 point
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Their "prize" was getting a record contract and getting to spend their lives making music. This is just one more thing to stick in their mansions for the maid to dust.1 point
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I've had this since just before Christmas now. Went out trying to find a lightweight bass with five strings and 19mm spacing. Found this. There was no way I was going to spend over two grand on a bass. Sigh... Neck feels like what a five string Stingray should have been like if they'd done it properly. Ridiculous B string. Seems very simple but works perfectly.1 point
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Grade A plonker, don’t stress over it.1 point
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Sir Richard Head III move. If he was upset he could have had it out with you in person. Calling it out from the stage is utterly pathetic. What a tit.1 point
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I'm another one seeing The Damned on tour, but for me it's Bristol. As much as I love Elvis and the Stones I try and keep up with some of these younger groups!1 point
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Not sure they're addictive - however if you can get on with them they're good. However, there are flat wounds and flat wounds - I was put off them when I bought some of a certain make and once fitted put me off playing the instrument largely because the string tension made it feel like arm wrestling. Probably OK if you're a double bass player wanting to play a bit of bass guitar. Since then I've found several types that I really get on with including TI, Roto Solo bass (actually not fully flat wound but half ground), EB group 3 and EB cobalt slinky flats. These all have one similarity - string tension more or less the same as round wounds. The cobalt flats are absolutely amazing and are permanently resident on my Stingray Fretless whilst TI flats are a current fixture on my Classic Stingray. Im not sure about wearing them in - the first set mentioned resulted in the bass not being used very much. Strings are such an important part of an instrument, I don't think anyone should have to compromise - choose strings that compliment and suit your playing - we are all different and one person's utopia is often another's anathema - including flat wounds - you have to remember flat wounds were really a thing of the 50s, 60s and to an extent, early 70s (when bass was not really heard that much in pre hi fi days - at least in the UK) - ok they are popular currently but it is largely a retro thing in my opinion. I personally love Pino's Precision sound with John Mayer using flat wounds - and am convinced Bernard Edwards used them on his Stingray for some of the famous stuff in the late 70s (based on flatwounds being the only way I can create his popped string sound on We Are Family plus Stingrays shipping with them till mid 78). However Pino is probably one of the world's best bass players - I am not and however much I aspire to play like him I probably won't and I doubt flatwounds would be that much help in me getting there anyway - it's more about technique, knowledge and feel.1 point
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Nice review, I`ve been looking at these for a while. Never bought into the "woolly Ashdown" thing - if Bruce Foxton and JJ Burnell use them - and have seen/heard them do so - they have enough top-end. In fact seeing Bruce Foxton using an Ashdown stack a couple of weeks ago has made me start looking at Ashdown, just waiting for a retailer near enough to me to see if for one I like the RootMaster tone, and secondly if the cabs will fit in my car!1 point
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