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Showing content with the highest reputation on 07/04/18 in all areas

  1. Looking very nice!!! Liking the colour matched headstock nice detail!......
    2 points
  2. I'll have a bash at putting some pictures up.
    2 points
  3. We have rules,and as the band is an equal vote thing problems are few. We all agree on a song and learn our parts at home once the key and version are agreed. If anyone is not up to speed on a new song its put to bed till next rehearsal to allow anyone struggling to catch up. A song is not on the gig list till it is right. No noodling, ever, not even at rehearsal. That includes vocals and drums. Tune up only silently, almost every tuner has a volume mute. We practice quietly so errors are obvious and easy to rectify. If any member really dislikes a new song it is dropped.
    2 points
  4. ...and a couple of other random bits & pieces: BRING CASH if you think you're going to need any, as the nearest ATM is a mile away at the Co-Op. You should also consider stands/straps for any guitars you're bringing, ear plugs (just mentioning with my organiser's H&S hat on - should not be needed as I'll intervene to prevent any dangerous noise levels), headphones/speakerless systems for your use in the Quiet Room (or to turn the 'noisy room' quiet).
    2 points
  5. Thanks for all the input guys. Got an update as bought a kit off a guy that refurbs decent beginner kits (how he puts it ). I tried a few, and a small 'frankenstein' kit spoke to me. Its a Sonor 503 bass and 2 toms, a Mapex venus snare (sounds amazing for a budget one and was what really sold me the kit tbh), a high quality hi hat stand, cant remember the brand, and the entry level Zildjan cymbal set and decent pearl stands. 20" bass drum which will be better for the brass band, and space taking upping. Pedal seems like good one, it plays really well anyway. All set up and tuned, new bass drum skin plus a set of vic firth dampeners thrown in. I paid £250 and was pretty happy with that.
    2 points
  6. There’s a bit of a ‘it’ll be ok’ attitude at times. I don’t want it to be ok. I want it to be the best it can be.
    2 points
  7. Never had a smoked bass, have tried smoked haddock 😀
    2 points
  8. That’s because you’re sick in the head tired of Tort, tired of life
    2 points
  9. Unboxing videos are a pet hate of mine. I don't care about the packaging, plug the funking thing in already!
    2 points
  10. Right you lot, just stop it with these Wals, OK; I'm running out of clean undies!
    2 points
  11. Hi all, I've always had a soft spot for Capri Orange and couldn't resist when this came up on Reverb a few weeks back. It's a 1993 MIJ '62 reissue, one of the "non-export" versions. A few battlescars, and the neck pickup doesn't work so I need to take it apart and see what's going on, but other than that it's a great bass and plays very nicely. Came with a non-original pickguard but I much prefer JB's without them anyway. Can't say I've seen many of these about - I think Capri Orange was only in production in 1993 and 1997, but it would be interesting to hear more. Enjoy the pics!
    1 point
  12. But we're all bang alongside the use of appropriate profanities, right?
    1 point
  13. I've got one of these and use it for nearly every router based job now. Tough, reliable and capable piece of kit. My big 1/2" router is overkill for nearly everything except fitting locks. I think it would work a treat for cutting pickup cavities etc.
    1 point
  14. Was he not saying that a car place quoted him £200 to spray a bass body?
    1 point
  15. With a bit of luck it'll be a send or return socket, even the headphone socket. Where they sit never used, the contacts stay shut and get corroded. Get any cable plug, spray it with contact cleaner or even a very little wipe with WD40 on a cloth and insert into every socket there is on the front and back (preferably either switched off or with the volume down) a few times. Could be the vibrations are affecting one or more.
    1 point
  16. That relic was not done well, I would definitely not pay more for that. Why are we talking about respects etc. The most obvious thing is to get it attached to your towbar and drag it around a bit. You never order just one chip from the chippy, get some more, and gravy to go with
    1 point
  17. bloody hell, that's why I can't see them
    1 point
  18. Yeah, my two grumbles are very minor compared to the fun and enjoyment I get out of the band. I have absolutely no issues in my other band, such a joy.
    1 point
  19. I'm also in the minority. I've played in the past with people who fell into most of those categories but I wouldn't tolerate that these days. I'm at a stage where I am really enjoying my playing and gigging and if there was someone spoiling my enjoyment then they would either need to change or I would walk Luckily we're all really accommodating and if something needs to change then we'll work out the best way to do it, no one moans, everyone turns up to rehearsals having learnt their parts, everyone turns up to the gig on time and we all get on really well
    1 point
  20. It's amazing how I've managed to stay out of your photos, considering I was there both days the whole time
    1 point
  21. Oooh - I do like the look of these! Are these a 1x10, 2x10 and 3x10? What is the power output and weight of each of these if you have the info to hand?
    1 point
  22. #4... I dunno why but that one has popped up loads of times for me. I dunno if it's just a safety blanket type reaction, but it's bloody annoying! Only seems to h guitarists that do it too! Keyboardists in my experience don't do it!
    1 point
  23. Even that sounds a bit dated dated nowadays I had an annoyance at last weeks gig, I did the sound check and all was goodish , a horrible stage space , almost a box with us playing through a big gap , so the on stage sound was getting bounced back at us and the monitors had to as low as useless to prevent feedback. We had comments at the end about how clear the vocals were and lead guitar and what a lovely blend it all was , but after talking around to a few there , it was like lead guitar and vocal was all that mattered , the rhythm section were just there to fill the rest of the stage , the annoying bit is that to a lot of the punters , that is just about what they expect, a good singer and lead guitar
    1 point
  24. Just played this while buying Dave’s Carvin SB5000 - it was a tough decision between the two! This is a beautiful instrument and does a fantastic take on a Stingray sound, plus much much more. Very good B string, even and consistent. Will be jealous of whoever get this. Dave’s also great to deal with!
    1 point
  25. Gorgeous Fender P (Japan) from around 2000 in Capri Orange - my favourite of the International Colour series and an incredibly cool '70s vibe. I had a Slazenger tennis racquet cover in this colour back in the day - loved it then and love it now. This is a Fender Japan PB70US thus has the US pickup. Build quality is superb and the weight and balance make this an easy player over an extended period (best I can get for the weight is around 8.7lbs). The bass is in very good condition indeed and only on close inspection it becomes evident that there are a few minor bruises. These are just indentations and nothing has broken the (gorgeous) paint job. All the hardware is in excellent condition. The neck is lovely (1.625" nut so B width) and reassuringly robust but with quite a flat and slender profile - fairly effortless playing and no fighting with neck dimensions - it feels very 'natural'. The neck has a slab rosewood board (dark, rich chocolate colour with nice figuring if not really a '70s feature) but I've seen a few such boards on Japanese 70s Ps - worth a look on Pinterest or similar. Actually fairly desirable to me - I prefer these over veneer boards. The bass was in fantastic order when it arrived with me but I've effected the following changes: BBOT bridge replaced with Hipshop Kickass in nickel (massive improvement for me in terms of adjustability) Silver pickguard screws replaced with black - in keeping with the original international series aesthetic Pro set-up (with the new bridge) with D'addario 40-95 nickels - still zingy, clean and almost new The bass plays extremely well - low action, fantastic intonation (you'd hope so) and a fast, slick neck. The tone is very much '70s P from thick thump to open loud growl (the tone control is very effective). The look - if you like this kind of thing - is very cool. The '70s TV logo is a thing of beauty to me. The bass will be supplied with a very decent Warwick Rockbag padded bag. All original parts are also included in the sale (screws, bridge and I think there's a thumb rest but no ashtrays). Collection is from Manchester or Birmingham or I should be able to ship at cost in the UK (though I'll need to source an appropriate box). No trades thanks and the price is fixed - actually a bit of a bargain considering what I paid for the bass and what I've spent on it subsequently. In sum, an extremely cool bass in great overall condition - looks fantastic, plays beautifully well and sounds superb.
    1 point
  26. To be fair we're at Vauxhall Conference level compared to you guys! We play local pubs mainly for fun as gig fees for a band are usually £250 up here. As there's six of us we get £40 each with a tenner in the band kitty so it's a paid hobby for most of us. However we're all decent musicians and our singer is a great frontman so we enjoy ourselves which communicates to the audience meaning we always get people up singing and dancing!
    1 point
  27. Only the same way some guitarists need to play loud to get 'their' tone. They do not 'need' to, they want to. Same with drummers.
    1 point
  28. Dawn's a bit early, could we manage lunchtime?
    1 point
  29. I may rename it triggers broom! New East electronics on order, then maybe some hipshot tuners with a D drop. All that will remain of the original jazz bass will be the neck plate saying "made in Japan" which NONE of it is .. except the neck plate😂
    1 point
  30. I've had all of those and a lot more over the years. The flawed personality type who is drawn to play in a band seems to have existed forever. Mozart probably had guys like this in his orchestra. If you can't change them or fire them learn how to deal with them. I'll endure almost anything if the gig is good. I've played with the mildly eccentric to the outright criminally insane, but I've met more good guys and they make up for it all.
    1 point
  31. OK, so here's a final run-through of the important stuff: The BIG FAT South-West Bass Bash is happening TOMORROW, Sunday 8th, from 10am-4pm in the Memorial Hall, Cheddon Fitzpaine, nr Taunton TA2 8JY The hall is about a mile out of Cheddon Village a few hundred metres from the school on the edge of a small hamlet called Rowford. The safest way is to follow your satnav. If you don't have one, the easiest way out of Taunton is: head up Station Road towards the railway station, which will be on your right just after you pass under the 2 bridges. At the T-junction with traffic lights at the top of the hill, turn right but immediately keep left and turn left at the next traffic lights. You're now on Cheddon Road, which will take you all the way to the village hall entrance on your right (just past the school on the left) after a couple of miles. The entrance is at the junction pictured below. NOTE: Taking this route out of Taunton doesn't take you through Cheddon village itself. In case of need, my mobile number is 07770 946135 http://
    1 point
  32. In a former band the biggest annoyance was the guitarist insisting on also being the singer. He was an unbelievable guitarist, but he knew it, and didn't know that he was a terrible singer. The music overrode the poor quality vocal but that band would have been immense with a proper singer.
    1 point
  33. 1 point
  34. At the moment, the singer and the drummer. Weirdly, our guitarist is no problem 😐
    1 point
  35. I've suffered 2,3,4,5 & 6 in the last two bands I've been in. Number 4 is the most annoying, there was one number that had a bass intro and he still did it every time until I lost it and screamed " I know how the f***ing intro goes, so stop f***ing doing it" in the middle of a gig. A bit unprofessional of me, but he never did it again. Singers using ipads drives me mad....."learn the words this isnt karaoke"
    1 point
  36. For me there seems to be an inverse correlation, it appears seems the shorter the scale the more I play it!
    1 point
  37. I just googled it - looks like there is a fair bit of pink streaks about. Maybe you beat the pink out of the wood?
    1 point
  38. Vintage white, mint and maple is just about as good as it gets. Class.
    1 point
  39. 9 basses including 5 fretlesses is enough ... for the moment.
    1 point
  40. That scenario is a LOT easier to avoid that you seem to imply... but fair enough, some prefer to avoid another possible failure point. I don't wait for batteries to die, I replace them regularly (once a year for me and my Stingray), and that does the trick. Except that, of course, one time I did forget. And the battery died on the first set at a beer festival. A few seconds later I realised what the cause of the no-bass situation was, so I pulled my volume knob (I have a bypass switch installed) and carried on playing. Then I replaced the battery during the first break. If a gig is ' specially important' or I'm recording, the battery gets replaced regardless... it's not that expensive
    1 point
  41. I meant to update this. No changes except that I now have a choice of genuine Fender hardcases to transport this in and I have been playing it. I did a bit of research too - the serial number on the neckplate combined with it being A09.. makes it a Japanese market model, so may have travelled a bit
    1 point
  42. One of the things I find interesting about the VT Bass and other Character series is how little adjustment you have tend to have to make to the EQ controls; most of the drastic change in sound comes out of just altering the Character control and I rarely tweak the three band more than a few notches each way to account for room sound. Got some big gigs coming up this summer and we're probably going to have to move to in-ears, so I'm looking forward to seeing how well it works!
    1 point
  43. And here she is. Time to be daddy again. Wonderful kid. first op tomorrow at 8pm - at the wise old age of 2 days...
    1 point
  44. Scoop, this is a vintage quality bass. Do it a favour, take it to a proper geezer bloke luthier to sort the problems, and suck up the cost. You'll be glad you did in the end
    1 point
  45. my drummer leaves his Kit at the back of my Shop , you can have that for £5
    1 point
  46. Hey, nobody dates my sister without asking me first!!!
    1 point
  47. Showing off my CTM 100 with new Barefaced two10
    1 point
  48. Saw The Stranglers the other night, JJB's still up there.
    1 point
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