Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 22/04/18 in all areas

  1. Alas, I knew him well!
    3 points
  2. A Squier. No question. Frankly any type of Squier. Just so long as it's a Squier. Of 231 BC poll respondents, 93.51% said that you could do pretty much anything with a Squier. Unfortunately, I wasn't aware of these important facts on my 50th and had to make do and mend with a Sandberg. I guess if I hadn't come across this ground breaking piece of research about Squiers, I might still be tempted by a Yamaha BBNE2 (black or white but probably not the limited edition grey). But no longer, only a Squier will now do...and frankly I don't even care even if it's been relic'd. At heart it will still be a Squier.
    3 points
  3. I know the subject of hearing protection has been done to death, but it still bears repeating regularly I think. I’ve had a bit of tinnitus since gig going days when I was younger, which was made worse by my first practice after deciding to join a band a couple of years ago at the tender age of 48 having forgotten how chuffing loud an acoustic drum kit is, and I’ve used generic plugs ever since. Move on a couple of years and I’ve just got some ACS Pro 17 earplugs. Not had a chance to try them out properly yet, but doing the same "test" as I’ve done with the different generic ones I’ve used (ACS and Alpine), i.e. listening to some music through full over the ear headphones, all I can say is “wow!". I was quite nervous about parting with £140 quid for these, but they really are a world apart from the generic stuff. It may not be absolutely 100% perfect, but it is 99% - it essentially is just like turning the volume down. To be fair I don’t think I’ve ever heard anyone say they’re not worth the money, but for anyone thinking about going the custom molded route and, like me, wondering whether it’s worth it for the improvement over generic plugs, I’d say absolutely yes - do it.
    2 points
  4. Lightweight ‘74 Fender Precision I traded for my Five String P Bass after I had a stroke seven years ago. I had hoped that I might eventually regain some playing ability, and still vaguely do, but owning a nice Skjold and this Fender is daft, and I have better uses for my cash. I’ll keep the Skjold, but both these basses deserve better than more or less permanently hanging on a wall. The guys at Bass Direct loved this Bass when I took it there last year to get fitted with strap-locks. Unfortunately Mark wasn’t there but Marcus and the other guy working there said it was a nice Bass, so nice that one of them offered to buy it from me, but at that stage I wasn’t selling. Believe me, I still wish I wasn’t. I am in Milton Keynes, and really don’t want to post this Bass. It came with a hard case, but no metalwork. I’d prefer to wait until someone could pick it up in person, though I am willing to drive an hour in any direction except South into London to meet up. I don’t know if they still hang out here, but I used to deal with Platypus, Terry Day, HappyJack and many more and I think this bass used to belong to Warwickhunt. I’ve probably forgotten loads, my number is 07976 827138. Thanks. It’s a lovely bass that deserves to be played.
    2 points
  5. I think the most important thing is to use something to protect your hearing, and I'm sure the generic ones do the job fine. If you can afford the extra for custom ones then the difference in fidelity is pretty marked. It did make me wonder, though, why the difference is so marked - if you can get a reasonable seal with a generic plug then could they be made with better quality filters? Mind you, the filters are £50 a pair if you buy additional ones. I've heard that it can be a problem, in particular for singers. Fortunately (for everyone concerned...) I don't sing. On top of that, I have absolutely no stage presence, so breaking into a smile is about as animated as I get when I gig. I tried smiling with my new plugs and all seems well. Now I can go back to my customary scowl!
    2 points
  6. One can go quite a long way down the 'alternative materials' route. I have a set of these; they're environmentally friendly, and very good indeed... Aerodrums ...
    2 points
  7. I stacked up the templates so far and it actually gives an idea of what it will look like!! One more template to go then I can start cutting stuff.
    2 points
  8. 50 is long gone... but on my birthday last year I had a little day trip up from Manchester to the excellent and dangerous Promenade Music in Morecambe, and came back with a Michael Kelly Dragonfly fretless acoustic 5, for half list price with a new set of chrome flats thrown in. I know there's not much love for acoustic basses here, and the look of this one is a bit Marmite (someone on BC at the time described it as "looking like a tart's handbag") but the build quality and tone are excellent, and I love the feel of playing it. https://michaelkellyguitars.com/en/products/view/dragonfly-fretless-5
    2 points
  9. Have received the Labellas and very happy so far, nice low tension, feels comparable to Ti jazz flats, tone is nice but strings are only 24hrs old so will need more time to break these in
    2 points
  10. Fair enough, since she'd just launched into the PA speaker.
    2 points
  11. New wife for your 50th. What is this 2 bass nonsense?
    2 points
  12. Thinning down the herd, so selling the basses I don't use. LEDUC MP 631 SF (the rarest one with 31 positions, Brazilian rosewood fretboard and Bartolini Quad Coils pickups) !!! The specifications : 34 " scale. 31 positions. 2 mm action under the C string up to 2.5 mm under the B string 15 mm strings spacing at the Leduc locking bridge (not disturbing as it is a fretless and it allows for ultra-fast playing). 9 mm at the ebony nut. 2 truss rods. Gotoh tuners. One-piece hard rock Canadian maple super fast neckthrough with Brazilian rosewood (Dalbergia Nigra) fretboard and headstock veneer. Bubinga wings. 2 parallel wired Bartolini Quad Coils with passive volume, balance and tone. Weight 4.2 kilos. Delivered in Fame semi rigid case. Equipped with new Fodera nickel strings (028 - 044 - 062 - 085 - 106 -125). Waxed finish. Delivered to Yves ARGANT on the 22/05/1990. Set up by Christophe LEDUC himself. It is the rarest Masterpiece (31 positions, Brazilian rosewood fretboard and Bartolini pickups) completely original and never modified. Official price today will be more than 4500 euros. It's a 6 strings fretless bass with 31 positions so you can even play some Michael Manring with it. The pictures to see the real condition, which shows only some little wear with the usual light marks of time : And here an album with some more pictures : https://photos.app.goo.gl/M6SGZU1QnEymRKqU8
    1 point
  13. Hey folks! Ok, so ages ago I promised (and let the side down) that I would re-do my TC Electronic Sub n' Up patches and share the settings with you. Well, ok so it didn't happen and I ended up finishing recording the biggest album of the year instead* So, in an attempt to pull my finger out (and take six months to complete this task) I want to see if we can emulate the sounds of some of our favourite Octave pedals using the stonking Sub'n'Up pedal and it's deeply delving TonePrint Editor app. Here's what I need: The sound of a dry bass recorded through the octave pedal of choice direct in to an interface (no amp please). Preferably with a P bass or J bass with all controls all the way open. I want to hear dry only and wet only sounds and a 50/50 mix. Wav files would be ideal but 320k MP3 of course would be a smaller file size. I'll then see what I can rustle up this end - and hopefully if I do finally get a new camera, a nice video to go with it too, like my bass chat review vids. What do you all think? @Al Krow I know you've been very patient! Dooooooood. *give it another 8 months, maybe!
    1 point
  14. new bass day!! On Sunday i shal be taking delivery of this beauty im entirely in love with my Sandy TM5 and im hoping this will cure my precision gas once and for all.
    1 point
  15. Why am I thinking about Worthers Originals?
    1 point
  16. Brilliant. Thanks for the info.
    1 point
  17. My custom molded plugs with Elacin ER15's are amazing. The clarity is superb. I have tried the Isolates but they cut too much of the guitar for me so I now use them on my motorbike.
    1 point
  18. Excellent for me now. Thanks!
    1 point
  19. A Zoom B3n with DI would be a terrific FX box indeed! I don't remember what they used to charge. I had a VT-Bass that I was looking at having it done, but before I made up my mind, this one appeared for sale in here and I bought it. So I had two of these for a while. They were my source of overdrive for the RATM band, one set with low gain and fat, and another higher gain and treblier. Because they have a built-in speaker simulation they actually sound pretty good when you go DI. With other pedals you sound great when you hear your amp, but unless you mic the cab, when you engage the distortion it sounds often too fizzy out in front. I have an OmniCabSim for speaker simulation, so I can use any overdrive pedal I want now I recently got the SA Aftershock and the idea is to use that instead of the VT-Bass, as I sometimes want slightly different flavours of dirt, and the Aftershock gives me that and more (if I get around to reading the manual! ) plus presets... but I do miss being able to see where the knobs are set up at a glance, as on the VT-Bass... so I might end up keeping it if nobody wants it. You can never have enough dirt boxes, right?
    1 point
  20. I'm with you bro....bass to Zoom B3 to TH500 to BF 2x10...B3 is 99% on same setting and used as a tuner, never had a complaint, never felt dissatisfied, don't really care what anyone else thinks!
    1 point
  21. IMO there's no such thing as overkill when it comes to protecting your hearing. I have tinnitus and while it's not quite at to the intrusive stage it's close. I had the usual cavalier attitude to loud noises when I was younger and didn't do a very good job of keeping my hearing safe. Playing "chicken" with your hearing is the most stupid thing a musician can do. When I finally started doing something about it I used foam plugs, then went straight to ER15's. Moulded plugs every time for me. I just wish they were around 30 years ago and I'd started using them sooner.
    1 point
  22. They do take a little bit of getting used to but worth persevering. I'd rather feel slightly isolated for short periods than very isolated 24/7 from not using them. YMMV :-)
    1 point
  23. Here is my absolutely beautiful Bass Doc 60's Precision. It is awesome and without doubt the best Precision I have had. I bought this from Pestie off the site last year and it has been gigged a handful of times, it sounds great.. This bass looks, plays and sounds amazing, it balances perfectly and weighs approx 3.5kg on my bathroom scales. Here are the specifications provided on the original ad: Fender 62 reissue body Allparts Jazz neck with slab board Fender vintage bridge Antiquity pick up Bass Doc Tortie scratch plate Gotoh reverse tuners Fender neck plate OBBM loom D'addario 40 -100 nickel wounds This is a sale only because I have my P bass needs covered with a Yamaha BB and just need to move one out to create some space. There is a Fender gig bag with the bass. I live in Milton Keynes and would ideally like this collected. I am willing to travel a reasonable distance if that helps and I will courier at the buyers expense if needed although I will need to get a box for shipping. Thanks for looking. I would like £550 please and it's worth every penny and more. NO TRADES THANK YOU.
    1 point
  24. New transcription just uploaded - note-for-note chart for Sade's 'Smooth Operator': Sade - 'Smooth Operator' Bass Transcription pdf I've also included a transcription of the main groove from Me'shell Ndegeocello's recent cover of Smooth Operator, which is dirty. And it's in 5/4:
    1 point
  25. 1 point
  26. Good question. 12" would seem logical but I'd really want to try the 15" version. The three way model slips outside of an agreeable weight limit. The 15" 2 way version comes in at around 25Kg which is do-able for an all-in-one meaning that all of the backline can just stay at home. Also benefiting from feeding in keys (HPF'd) and vocals for a bit of spread at the back of the stage. I would dearly love a pair of Barefaced FR800's, they'd be amazing and would replace my BBII's. The Yamaha does have a pair of inputs and the onboard DSP, accessible from the back panel could possibly be a big thumbs up. Oh and the angled cabinet for monitor use is a plus.. yes I do have a stand here for angling cabinets upwards, but I have so many silly fiddly things to deal with on stage already it's wasting time and patience. Yup, for some gigs, I wanna turn up with my Helix, Monitor(s) and a box of leads.. or less ha ha!
    1 point
  27. I was looking at images found with the search string "eminence speaker U shaped magnet" to see what the U shaped magnet looks like. I found very little to clarify the image in my mind's eye. I am assuming that this is the sort of thing. It was very common to see in valve sets back in the day.
    1 point
  28. Neither have I, but I have been sh*t on stage many times to make up for it.
    1 point
  29. 1 point
  30. I spotted the announcements at Frankfurt Messe via YouTube but the products have been up on the Yamaha website for a while, so unsure of the exact release date.
    1 point
  31. Holy Necrothread, Batman! Finally found a P I want to keep - battered, obscure 70s Japanese replica, black, black, maple, DiMarzios. Ruck as fock, it is:
    1 point
  32. Being, originally, a Spanish company I'd say so. I quite like the Spanish pronunciation.
    1 point
  33. Gorgeous, but way too rich for my meagre pocket... GLWTS
    1 point
  34. It's a Mercedes SLK....the 350 (3.5 litre V6). Boot space is bigger than most hard top convertibles! Yes, I am a flash git!
    1 point
  35. Moi aussi i already have two basses and I’m building a third and suspect that SWMBO will also say that’s enough - for the playing that I actually do, I agree
    1 point
  36. I'm sorry mate, it's just sold! Thanks for asking about it though!
    1 point
  37. A pre-CBS precision is my holy grail. My friend's refinished '64 is the finest bass I've ever laid hands on. Maybe a Celinder P given the 2nd best bass I ever played was a Celinder Jazz (the Skarbee Celinder that was owned by a few guys on here over the years but has gone into hiding more recently). Having owned a Wal (and played a few more) I'd suggest you speak to Alan at ACG... Much more flexible in terms of available options and, to me at least, a much more pleasing end result.
    1 point
  38. You can see why he needs to sell it...needs the money to buy a duster and some polish..
    1 point
  39. But we weren't looking for anything as binary as "have you played solidly for the last year in bar bands?" We were looking for someone who would fit in with us and contribute musically to the stuff we were writing, and the band was built on bringing in different, competing influences to see what happened. There isn't any way to tell until they are in the studio. In the end we got a drummer who's only experience was playing in jazz bands - he worked out brilliantly.
    1 point
  40. I have went from combo to head and cab and have now went back to a combo, a Fender Rumble 500. It`s light and is loud enough for any pub gigs that come along and I could always chuck an extension cab under it for good measure.
    1 point
  41. Cue a very old muso joke: How do you know when it's a drummer knocking on your door? ...........the knocking speeds up.
    1 point
  42. Every song has its perfect tempo at which everything just works properly. Don't use a metronome in my current band, though the drummer is great and has a creditable stab at tempi off the top of his head. No great need to change that under the circumstances. When I was in a pro touring band the drummer had a digital metronome connected to an earpiece and had the set's tempi programmed into it. A few seconds listening before each number, a quick count-in and we were away. Works really well. At a gig it's difficult to spontaneously play everything at the pace it should be.
    1 point
  43. Our drummer should. At the last rehearsal he actually slowed down on the 4 stick beat count in. It would be funny if it wasn't true!
    1 point
  44. But we're all bang alongside the use of appropriate profanities, right?
    1 point
  45. F**k music can be swearing (I remember seeing a band called North meets South at Derby Uni in the early 90s) but if F**k music could be offensive then surely J**z should be pulled by the filter.
    1 point
  46. She’s naked, but she’s beautiful. Thanks for the steer @John_P!
    1 point
×
×
  • Create New...