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I think my first audition made the band giggle. They're a covers band that will cover anything from gossip to audioslave to GnR. I had never been in a band before, and was terrified turning up to the audition. I'd played the bass for years, at home.... When I get there the bassist before me was just tearing down his 2 4x10 rig with Trace head and I immediately thought "shi what am I doing?" I place my 25 watt peavey practice combo next to it and tell the other bassist I was ready to bring the thunder - we have a laugh. I take my guitar out of its bag. Did I forget to mention I didn't actually own my own bass? It's my sister's that I stole years ago and it still has pink ribbons on the case. Anyway... I play my heart out and barely get heard over the thunderous drums. I place my tiny amp in a corner at head height to allow us to just about hear me and somehow I get the gig! We've just booked our 8th gig in July in front of 200 festival goers.

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Oh bollards, I put Sir first time and quickly changed it, no point changing it back, I’ve already pi55ed in my chips.

Well just picked one of these beauty up of ebay, oh man it just a beauty sound wise in real good condition its obviously live a charmed life, how much you ask I won for princely sum of £44.00 pounds , get in, happy as pig in stinky poo

These are the two fretboards I'll be using on the twins. As I mentioned before they are not wood but Rocklite a wood substitute made from wood fibres impregnated with resin. One is an Ebony and the other Rosewood substitutes, I think they are very impressive, they even have actual grain just like the real thing. I've wet the Rosewood version to show how it will react to an oil finish

I thought maybe a posh one might have a cravat and paisley smoking jacket and a common one is just wearing Burberry check (sorry I’m just being facetious) The macassar ebony veneer does sound really nice (that’s what I’ve got planned for my 5 string single cut build)

This morning I opened the new bearing cutter, a very impressive looking thing it is, it has a split bearing at the shank end, I suppose it can be used in a restricted space? Who knows but it worked well enough, probably the best bearing cutter I've used so a bargain all in all I also re planed the wood for the top down to 21.25mm (I need 20mm eventually) and jointed it and glued it up. It is sat there now until the morning when I'll plane it flat on one side and glue them to the backs ready for the final bits of shaping etc.

Done. Nice to see an online community working like this, cockles, heart etc.

Done. Glad to help. Not a pleasant story and I hope the scammer gets what he deserves.

Glad your little one is doing well!

Ironic.

Well, my other P sold so I’m gonna keep hold of this for now and see if I’m afforded some more time to play now Iris is home and doing well. I am however going to go the route of making it less black rather than a refinish. Just while I’m making sure. All mods will be reversible.

It comes down to what 'better' actually encompasses. Super smooth, refined, hi-fi sound quailty might not be what some players are looking for, while for others it might be top of the wish-list. Over the last couple of years I've abandoned any prejudice against Far Eastern equipment in the face of overwhelming evidence that there's some excellent, affordable gear out there (which currently comprises most of my instruments).

The only bit of potentially useful info I can give is that when bluesparky sadly missed of this parish was very ill and out of work a charity for musicians helped him greatly, some of us donated to this charity and they checked out as a good legit bunch, they are there to help people who have done their bit as pro players, they may even be able to assist with the medical treatment, they will be named in this thread somewhere. Best wishes.

Not all plain sailing though. I remember when he was jilted.

Fleet (Hampshire) A bit of a departure, this one. Week #1 DDD is the singer who wants to put together an Elvis Presley / Buddy Holly band. Now I've been here before, and I know (from bitter experience) that you can't put together the band and then look for Elvis ... a bit cart-before-the-horse that way. So here I am with the Elvis I need, he already has a drummer, I play bass, all we need is a guitarist, how difficult can this be? DDD says "let's catch up after Easter". I ask him for some YouTube of his own performance. Week #2 DDD sends me YouTube links of him fronting a serious holiday-camp-style 60s tribute act, full matching silver suits, the whole thang. There's not much of it, but he can certainly sing. He can't find a guitarist, do I know anyone? The email ping-pong continues, I suggest we meet face-to-face and have a chat over a beer, maybe even jam through some of the proposed material. Week #3 DDD wants to hook up but can't do so for a week or two. He starts copying the drummer on the emails. Have I found a guitarist yet? I'm currently chasing FIVE of the buggers. Week #4 DDD circulates a short list of a dozen songs, six each by Elvis and Buddy. I've found just one guitarist who seems to be up for this. We all agree to meet the following Friday. Week #5 My guitarist is up for it, but needs another week to prepare. Week #6 My guitarist is no longer my guitarist. He's decided to stick to bedroom widdling. At least he has a more realistic view of his abilities than most guitarists I've met. Week #7 DDD says he will try again to find a guitarist. I make supportive noises whilst quietly thinking "Game Over, move to radio silence". Week #10 (yes, 10) Things get surreal. DDD emails out of the blue - would I be interested in playing a charity gig on Sunday during the BH weekend? My reply was, and I quote: Deano can apparently bring in both a guitarist and a keyboard player. It's a MacMillans Cancer support gig at a big pub in Fleet. That's all I know. There's nothing on the Web about it and the pub is closed for refurbishment. Several days of email ping-pong follow between the three of us regarding whether or not there will be a PA, will there even be microphones, is back line provided, etc. What could possibly go wrong? Halfway through, Deano adds a fourth person to the email trail - who he? Is he a guitarist? Is he a keyboards player? Week #11 Silvie and I drive down to Fleet. We're taking no chances ... we've left the van fully loaded from Friday night's gig, with complete PA, bass rig, etc. in case we turn up to find a child's karaoke set being used as the PA. And yes, I've seen it done. At the venue we are greeted by the sound of very loud, very live music. There's a large beer garden alongside the car park, a very serious PA is in use complete with proper sound engineer, and the band before us are a professional functions band. Hmmmmmm. Whatever next. I meet the others for the first time. Deano and Roy (the drummer) are relaxed, the 'guitarist' is laid back to the point of limbo-dancing under toilet doors. I say "You're the guitarist, right?" and he replies "Actually I'm a bass player who dabbles in guitar". Oh dear. I ask him if he's worked through the set list. He says he looked at it briefly last night. "But what about the key changes and so on?", I ask him. "What key changes?", he says. Oh dear, oh dear. "Are you going to be OK?", I ask him. "I'll be fine" he says, "I can play anything, and I play harmonica too, and of course I'll sing a few of these. If I'm in doubt, I'll just copy what the other guitarist does". Oh dearie dearie me. We set up on stage and - inevitably - the layout requires me to stand between the two guitarists. In the event it probably doesn't matter, since the sound guy turns down the guitarist as soon as he hears him play. So, how did my audition go? Judge for yourselves - here's the edited highlights with all the cockups skilfully and surgically removed:

Limelight 00218 has finally arrived and what a beauty she is. I asked Mark to do as light a relic as possible on a '57' precision. She looks great, sounds great, and plays great. What more can I ask?

Ha, yes, those beams were chewed by horses before this place was rebuilt in the 1990’s, it may have originally been built in the early 1700’s so you are not far off. The bass is brand new though and only born in Czech quite recently.

I'm presuming you value the craftsmanship, design skill and fabulous tone of a bass at this level, produced by one of the top makers of basses as worthless then? Not to mention the input to the instrument of one of the most revered of electric bass players ever. I too don't care for the bass personally but to describe it as rather nice wood and strings rather misses the point by a country mile if not an entire world 🤔 😐 unless you were joking of course.

HAHA That's Fantastic! There's always mums involved at this point in a bands timeline. I'm very grateful for the vote: We're getting loads of support and it's great Cheers

Can confirm - I fully agree to all. I play two 5 strings (both Passion) and two 6-strings (passion, arpege) , stunning basses with unique playing feel, sound, response.

They sound really good, I was looking at the Ebano one for my next builds, also they are quite a bit cheaper than real ebony too

I’ve not noticed any latency. I was a little apprehensive about it & had until recently, used a decent usb A-B cable. Many DJs & electronica musicians use a laptop these days. They rarely have any issues if using decent kit. The laptop & interface sit on a stand or small table next to the Seaboard, so the only thing that’s near them is me. I use a decent jack to jack from the interface to my rig. Tbh, things can & sometimes do go wrong with instruments, hardware synths can fail, amps can fail (I’ve had that too). There’s many big name bands using laptops. Devo used nothing but 4 laptops a few years ago. Yes, they probably had plenty of back up, but thenguitar based bands have backup guitars too.

I must admit as a scientist I was originally sceptical about some of the claims made during basschat debates about tone, and it is true that in many areas there is a general lack of data from properly controlled experiments. In particular I found it hard to believe that the amount of energy transmitted from a string would move a relatively massive bass body enough to feed back to the string and modify the original signal. I own four basses, a Fender P American Deluxe, a Highway One J, a Burny T'bird and my starter bass a Cort Action Bass. The only other bass I've owned was a Gibson T'bird. The J,P and Cort all have J style necks, all with maple/rosewood necks and all the basses are 34" scale. The Burny is a pretty faithful copy of the Gibson, certainly in physical shape and pickup placement. They are all currently strung with Dean Markley Blue Steels The Cort has had a series of pup replacements, it plays great but sounds completely dead, both acoustically and through the pups. All of the others sing acoustically, sustain better than the Cort and the acoustic sound is reflected in the sound I get through an amp or through headphones. The two T'birds sound fairly similar acoustically, both have remarkable sustain too but the Gibson had a lovely rough edge to it which the Burny lacks, I have that down to the pickups in all probability. Now you are right that strings, pup's and their placement all make a difference but pups aren't going to make much of a difference to the acoustic sound. The bodies of the two Fenders vibrate enough for me to be able to feel them through my stomach never mind my fingers and lets face it, if basses didn't vibrate clip on tuners wouldn't work. So I'd say it is certainly plausible that the nature of the body would affect the sound and that some energy is transmitted to the strings. I'm not hazarding a guess as to how important each factor is but I certainly no longer believe a bass body or neck is an inert part of the system.

Very nice! In addition to that, and an S/H offer above, I also found some promising components on Ebay as suggested by EliasMooseBlaster. Furthermore, a colleague mentioned that there's a local company who will do setups/assembly and so on, so it seems as if something will be available eventually. Assuming, of course, that there is someone out there who would find my upright of use to them!

A major reason for his marching home..?

My pedantry!? Bwa-ha-ha-haaaah!!! Let's go back to basics. The title of this thread is, 'Finish - Is It Important?' To which my answer is, 'No, it isn't'. I'm done.

Of late and as I work right now it's all been back to back Future Sound of London, their entire From The Archives and Environments series.

rats.....Milton Keynes

See that nun? she's his sister...

I know it's a different thing, and I'm always up for proper medicine where it's available, but my Brother was completely messed up with a weird form of tendonitis in his hands due to his job, and an old Indian guy at work recommended a paste of Tumeric and water daily (utterly disgusting), and it worked brilliantly for him in relieving the swelling and soreness. Also, My Mum (not a bass player), has badly messed up hands with Arthritis. For years she's been taking Glucosamine after a recommendation from a fellow sufferer. While her hands look really messed up, she suffers hardly any pain and her mobility is excellent despite their appearance. I hope you find something that works for you.

Found it https://www.backuptech.uk/

Can I suggest you add Turmeric to your daily diet and see if that helps at all whilst waiting for any NHS treatment? It's known to have anti-inflammatory properties and is an anti-oxidant. If you do a bit of googling you'll see it's a popular natural supplement to help those that suffer from arthritis/joint problems. I know firsthand of some elderly folk that use it with positive effects. You can either get the natural powder stuff and add it to dishes/make turmeric tea, or just buy capsules from health shops/Amazon. Just be aware that it also acts as a natural blood thinner so not recommended if you're taking any medication for that.

I use a Mcmillan 12 step with a minitaur, all mounted on a pedal train. works well, when I can be bothered to take it with me unused for a couple of years now

It would also make sense that the older a bass is, the more its tone and playability will vary with how well it's been treated. I went hunting for a Gibson EB2 a while back and found two, same year (1966), same price (US$2k), in very similar condition to look at. One was dull dead wood, the other warm and resonant and a complete joy. I'd be surprised if two much newer basses, originally so similar, were so different to play. (Unless one had been seriously trashed.)

Yes I have owned this very same head The Basic 350 ( No Limiter) & it has a Smooth' Rich' Tone to it.. but I found it to be under-powered So' using the Stereo 800 would make perfect sense ( Even tho when I look at this picture my lower back says Forget It' for that is seriously heavy' right there) even the settings you have are very similar to what I favoured... But I moved it on for a SM900' which in turn I moved on also...because of the weight & when you start fiddling around with six bands of parametric' well need I say more? Overkill. I settled with an SM400 which I use bridged... for myself it is the SWR AMP' with all its faults it delivers that sound which we all love...

Added this nice one to my arsenal Arpege six SeNr 026

Done. Basschat is such a great bunch of people. All the best Stephen and FunkShui.

Done, good luck with the rest of the funds.

I don't want to be critical of Alex's perfectly fine products but I find the website tone to be annoying marketspeak and the self aggrandising offends my sensibilities a little. My problem though and I don't expect Barefaced will change their business model if it's successful.

Playing bass for Trevor Horn ... no pressure, then.

Done

PMT is the worst, especially the one in Oxford. They're so accommodating and let you try stuff, bend over backwards not to look happy when you hand over your card...I once went in for a plectrum and walked out with two new amps! I think I forgot the pick, too.