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Showing content with the highest reputation on 27/06/18 in all areas

  1. 4 points
  2. We saw one a few years back called Oasish, they had the whole Schtick down perfect, muddy wall of sound, no charisma between them, gormless looking front man..they were spot on! 😁
    3 points
  3. Full on - and take care of any EQ from amp or DAW. With a passive bass you really want all the output the pickup has to offer.
    3 points
  4. Never thought I would do it, but my aluminium addiction is getting worse and I have decided to part with my Sandberg VM5. I have ordered and got it from Sandberg in 2013, but I have switched to 4 strings soon after. It sounds great and has won most of the blind tests among my other basses. Mint condition (always wanted to make this joke). But seriously, it has some slight sights of use and has absolutely no functional problems. Now for specs: Alder Body Maple with rosewood fingerboard neck and matched headstock NO INLAYS (has block decales now) 35" scale Sandberg pickups with 2 active/passive preamp with bridge coils split Comes with original gigbag ~4.5kg on bathroom scales Actually has no neck inlays - blocks on the photos are only stickers, happy to take them off if you want to. 1100 1000 GBP. Based in London, but can organise a courier at buyers expense.
    2 points
  5. For sale: My 1978/1979 Pre Ernie Ball Music Man Stingray, great pro instrument in good condition, transition model; body and neck dates 1979, pre 79 bridge and serialnumber. Epoxy preamp. pots dats 77 and 78. Frets are in very good condition, truss rod works fine. The playability and sound are really fantastic. Weight is 4,3 kg, so relatively light. Generic hardcase included. £2000 Pricedrop £1875 WITHDRAWN
    2 points
  6. Just got and fitted a lovely new Electro Harmonix valve from our friends at Watford Valves, as recommended by Derek as an early breakup valve. In short it sounds fantastic in my Trace. With the valve pre set to full, the gain at 9 and the low compression at half, it gives me that tiny bump of breakup at the edge of every plucked note. Been pursuing that tone for so many years and have finally got it.
    2 points
  7. Paid gigs Unpaid gigs Rehearsing for paid gigs Rehearsing for unpaid gigs Rehearsing without gigs in the diary Playing at jam sessions & open mic nights Washing my hair Just saying ...
    2 points
  8. John West? Ah come on, someone had to 😆 🤐
    2 points
  9. For some its Spend a fortune on boutique basses i need, because i cant play on anything other than hand built basses, but never leave the bedroom with them, so spend more money on basses that im happy to take to gigs (and amazingly, i can play them)
    2 points
  10. Hi guys We've dealt with this character before. He always uses 'Gear' at the beginning of his username and joins from a Nigerian based IP (we've now banned access from all Nigerian IPs) but now he's found out how to use a VPN it seems. I'm going to add a warning about scammers in the wanted forum as it seems this is always how he contacts people. At the weekend Rik and I are doing some work on the forum and one job will be to flush this idiot away once and for all. Sorry about that chaps ped
    2 points
  11. If you'd read my post right at the beginning of this thread you'd know that the three bolt micro-tilt system was dropped because Fender's engineering practices and quality control did not allow the mechanism to be installed in such a way that let it to operate as intended without any unwanted side effects. If the neck pocket and heel of the neck have been machined properly a single bolt would be all that is required. It the mating surfaces are flat so that there is 100% contact and the neck is a snug fit in the pocket, the bolt is only there to hold the two parts together when under the tension of the strings and even then much of the force exerted on the joint will be tending to pull the neck tighter into the pocket. The bolt is only there counteract the lifting action of the string pull.
    2 points
  12. I played guitar for 30 years and have been playing bass for about 15 years and have never got it. I've had lessons. Read books. Gone online. Bought 'better' basses. I'm still a root, 5th octave player who throws in a pentatonic every now and then. I think the understanding music part of the brain is related to language and maths, and I (even though I'm 1/2 'foreign') can hardly speak a word of another language and had extra maths every Saturday morning throughout my school days (I'm not bad now, but I'm not a natural). But, I play in two bands. We get paid gigs and I'm complemented on my playing by the rest of the band (though of course, they could be sh*t too and just don't recognise if I'm good or bad). Learn as much as you can, if you can, but don't let it get in the way of enjoying playing.
    2 points
  13. I'm trying to get our lot to cover Only You - acoustic, fretless, mandolin
    2 points
  14. Speakon to 1/4” jack x2 GONE jack to jack x3 (3m/1.2m/3m) speakon to speakon (brand new 1.2m I believe) GONE
    1 point
  15. Here we find our intrepid hero selling his Limelight Jazz. Bought on this very site about 18 months ago. It is bloody lovely to play. I'm selling it because I've ordered another one! No trades.
    1 point
  16. It’s because they are all playing fantastic home made bases instead of practicing footy. The Koreans on the other hand, well their guitars are not as good hence they play footy instead
    1 point
  17. Well for north Wales the weather has been hot these last few weeks but the last two have been baking, I had the day off yesterday but decided to try working outside today and enjoy the sun. It started out lovely but eventually it got too hot and I ended up with a towel draped over my head trying to keep the sun off, I had a magnifying visor on so I couldn't wear a hat. I got some done and now I'm inside cooling off. I set up a makeshift bench outside, literally a saw horse and a metalworking vice clamped to it to hold my saw table. then I took my designs for the headstock inlays and, well confession first, I nearly flamingo'd up (like a pink torpedo up only bigger!) with the name as my written Welsh isn't that good but basically "the dragon" is "Y Ddraig" and plain "Dragon" is "Draig" so disaster averted. So I took my design and with a sharp scalpel cut out some of the sections and glued them with Titebond to a Mother of Pearl blank then cut them out, each time I cut a piece I turned it upside down and glued it to a mirror image of the design so it can then be transferred to the headstock. I'm sure you all get the drift and after 4 hours sawing and filing I ended up with one dragon ready for inlaying into a headstock. Not sure if I want to do the other tomorrow or do one of the Draig inlays for which I have some lovely dark green Abalone
    1 point
  18. I have a Polytune clip as well which is also excellent.
    1 point
  19. So it will - but I find I get more control over mids from the amp, particularly one with low and high mid controls - or better yet, a parametric or semi-parametric mid control. But it's whatever floats your boat, obviously.
    1 point
  20. Aha - interesting. I received the identical PM. Thanks very much for the tip-off @ambient - appreciated. I'll be steering clear.
    1 point
  21. These look so much nicer with the white guard and not those nasty tort ones. GLWTS, lovely bass, have a bump.
    1 point
  22. That was pretty much the solution! 😛 She didn't like the removal process much. Clearly not one for waxing.
    1 point
  23. For your budget, secondhand... Head: Peavey Firebass 700 + Tech 21 Sansamp Bass Driver or Line 6 Lowdown HD750 Cab: x2 Peavey 410 tvx or Peavey 810 tvx It's heavy gear, but super reliable, super loud and you should be able to get either option for under 400 notes.
    1 point
  24. @Art this is truth. i take one thing from this, get a teacher and maybe not stick with the first one you try.
    1 point
  25. Hey bud, I've got one of these and the hot output is causing me problems too, can you elucidate as to what the fix was please? Oh and £230 is a cracking price for one of these people..get in!
    1 point
  26. Tribute band from Liverpool, Crowded Scouse.
    1 point
  27. Break Wind and Fire.......seen many years ago north of England ...did they start it all?
    1 point
  28. My last fling. Absolutely excellent and beautiful condition, balanced warm tone. Weight 4.3kg. I’ve left the mirror scratchplate on, simple to put the original back. Link to full info, so no bull. https://www.andertons.co.uk/music-man-stingray-4-classic-vintage-sunburst-maple-neck-black-pickguard-120713001?LGWCODE=120713001;56375;6335&gclid=EAIaIQobChMIwIGWyMD62gIVRbDtCh3wdQGQEAQYBSABEgIoKvD_BwE My feedback: https://www.basschat.co.uk/topic/73703-feedback-for-geoff90guitar/ Cheers, Geoff
    1 point
  29. 1 point
  30. Another 'interested party' who'd have been around your house post-haste had you lived in a civilised location Nik!
    1 point
  31. There's an ABCD trib act. And a Bon Jovial Dread Zeppelin are real as stated earlier and i have their first album, and it's a killer. If you haven't seen or heard them, the singer , Tortelvis , dresses and sings like... well , you know. They cover mostly LZ tracks but done reggae style. Weird and brillliant This cracks me up..
    1 point
  32. Vary it to suit - it depends on the bass I'm playing, but also on the room I'm playing it in, who I'm playing with, and even what mood I'm in!
    1 point
  33. Not necessarily, a mate of mine has a Behringer amp head, not sure which one, and through the matching 410 cab it was plenty loud enough, and sounded great with it. Which Hartke 410 is it that you use - that may be a factor on this.
    1 point
  34. Punter came up and handed me a slip of paper once, with a request on it. At the end of the song, I announced "We've had a request from one of you lovely people, it's for a song called...", I unfolded the paper and read, "...'youre crap, pack up and fk off'..." Nah, not really. But it's only a matter of time till it does happen.
    1 point
  35. Bought this DE about a year ago, great player...........goes with my other Peaveys...............
    1 point
  36. Without doubt Mick Karn was once of the most original players out there, that Japan catalogue still sounds like nothing else on the market. Lovely fellow, sadly missed.
    1 point
  37. Up for sale my Sandberg Basic TM4. According to the serial number the bass was made in Germany in 2008. It is an excellent bass but I need funds to cure a serious GAS attack, so off it goes. Some specs: ash body with a beautiful redburst open pore finish. Maple neck (quartersawn, see pics) with a rosewood fretboard, 24 frets no front markers Delano Pickups J+MM Active 2-way Sandberg electronics Vol (push/pull A/P), Bal, Tre, Bass, switch to split the MM pickup. The bass is in excellent conditions, it only has a small ding at the edge of the fretboard at the 16th fret (G side – see pic) which cannot be felt while playing. Some dings at the tip of the headstock. Everything else is in perfect working order. 660 630 600 £535 ONO – insured and trackable shipping within EU included in the price. My BassChat feedback: https://www.basschat.co.uk/topic/252963-feedback-to-jag-atk/?tab=comments#comment-2653072 some pics:
    1 point
  38. Bought a pedal from Gary. Top bloke, but you already knew that didn't you?
    1 point
  39. Just purchased a Peavey dpc 1400x power amp off Gary, pleasure to deal with good comms and item as described. Thanks chap.
    1 point
  40. Just sold my SKB shallow rack unit to Gary. Seamless transaction and a pleasure to deal with. Good to meet you Gary, hope it does the job. Cheers!
    1 point
  41. Sold some hardware to Gary - lightning fast payment, no fuss. Awesome sauce. xx
    1 point
  42. Just sold Gary a Spector bridge. Great flawless transaction, great comms and speedy payment. Highly recommended. Thank you Dave
    1 point
  43. Purchased one of Gary's many Spector's (a 2001 NS-2 CRFM to be exact). Thoroughly decent chap to deal with, great comms, bass as described no fuss or hoohar. Would definatley recommend any future dealings with Gary.... Cheers, Mark
    1 point
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