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Showing content with the highest reputation on 29/06/18 in Posts
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So.....a post on Jeff Berlin turns into a slag on Americans? Shame on you! After my grand-dad said such nice things about your grand-mum in 1944.10 points
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Nice to see so many people sharing my intense dislike for the daily heil. 😊5 points
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GAS doesn't go away when you get IEMs.. Listen, and understand. That terminal GAS is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead.... broke.4 points
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Doing the neck is best done outside for me if possible - more room than in my very small cellar space. And much more light! I took this shot to show my grandchildren when/if that time comes. They will already be eye-rollingly bored at grandpa's endless tales of 'when I used to build bass guitars', but will, I'm sure, point at this picture with wonder. "Oooooh. What's that bright bit, grandpa?" "It's called sunshine, Billy" "What's sunshine, grandpa?" "Well - if you wait until you are a BIG boy...and then wait some more until you are a MAN...and then wait some more until you are an OLD MAN... and all the time hope and hope and hope - you too might see something like that!" "What - in DERBY, grandpa???????" Anyway - the main neck carve. Once it's been roughed out, I do almost all of the rest of the carve with a humble cabinet scraper: Using the template I took from Neil's favourite Fender, checking the fit frequently. Here the haunches are still sitting too proud: And here it's sitting just right: As well as the template gauges, I play a lot of air-bass guitar. The neighbours think I'm bonkers, but sitting it over your knee and playing it is, on my view, one of the best ways of checking when it's 'right'. I will probably tweak it a few more times before I'm finished, but here it is pretty close: What I do like about going for the thin-body-neck-through approach is that you can get some quite elegant transitions neck to body:4 points
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Just saw this on Facebook. One of my absolute favourite players. https://m.facebook.com/story.php?story_fbid=1776123262467327&id=1302636470533054 points
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I'm frankly amazed to find myself to be the only person to make a helpful suggestion such as: Sell your old S2000, buy a Streamline. /Coat.4 points
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I learned long ago that a room will change the sound of my amp and how I perceive it dramatically, so there is no amp, in my opinion, that will give me a consistent sound. As such I realised that expensive amps and cabs were a waste of time (I always DI to front of house) and as long as my amp works, I can hear it on stage and it sounds good out front, it doesn’t matter. I don’t know how I got over caring what my onstage sound was like, but it’s liberating when you start to realise it’s only you that really cares and as long as your band sounds good as a whole it’s all that matters.3 points
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Not done much more but I have fitted threaded inserts into the neck and roughly assembled one of them. I've put some string on it and left it overnight to make sure there' no slippage of the strings and it will stay in tune and so far, it looks like it will. I'll probably finish this one off before I move onto the other just so I can learn any lessons first!! Need to start shaping the neck next.3 points
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I was once at Nomis Studios with Killing Joke (just ligging at a rehearsal, not playing or anything) when I popped off to the loo, mid pish I realised the urinal to my left was occupied by John Taylor and at the urinal to the right was Andy Taylor, a thoroughly 80s toilet experience, there.3 points
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So today I redid the wiring as it worked passive but not active. Some idiot had swapped the in and out wires round! I put the back on, I put the new machineheads on, I put the knobs on (of which one is nice and the other 4 will be replaced). I made another scratch on the front 🙄 I adjusted the bridge, I put strings on, I played it. For the first time active (played it passive on one pickup before!). The pickups have a high output, and that is on normal mode, in serial the really have a huge output. In single coil a lot less but still sound quite full. The bridge pickup is very bassy, more than I thought it would be, the bridge a little less so but very clear. So happy with these pickups (they are cheap). And even happier with the switching, it gives a clear difference in each mode. So thats it, pretty well done. I will gig it next week. There are a few rough edges, both literally and figuratively, and a few things that if I had known then I would have done differently. I need to do the frets, there is a high fret at about 23 choking off some strings, and I need to do intonation and stuff, but no big deal. Where I am very sweaty in this weather, the red seeps a bit - maybe some wax or something? But honestly, I couldn't be happier! So here are some more gratuitous photos, just because it seems a good way to finish a thread.3 points
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Buying the Daily Fail.3 points
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Thinning down the herd, so selling the basses I don't use for different reasons. FOR SALE OR TRADE. NOW £2000 GBP !!! Quite rare fully original Jerzy DROZD Obsession Basic 7 with some extra options (CITES free woods). The specifications : 35 inches scale. 24 frets (no front dots), in pristine condition. 1.5 mm action under the F string up to 2 mm under the B string. 17.5 mm strings spacing at the gold (option) 2 parts Jerzy DROZD brass bridge. 8.5 mm at the ebony nut. 1 truss rod (fully working). 7 gold (option) USA Hipshot Ultralite (option) tuners. Bolt-on (7 Torx bolts) 3 pieces maple with wenge stripes neck. Ebony (option) fretboard and matching etimoe (close to mahogany) headstock and upper heel (option) => some red colour on the headstock angle volute (see pictures), maybe it's been transported in a red carpet interior case that has discoloured. 2 JeD 7XS split single coil hum cancelled pickups with wooden covers. Active only 18 Volts (option) Aguilar OBP-3 preamp with 2 new batteries and a new gold barrel output jack (volume, blend, low, fixed 400 Hz mid & treble EQ with original wooden knobs). 2 pieces etimoe (close to mahogany) body with gold Schaller security locks strap pins. Weight : 4.8 kilos (very light for a 7 strings bass). Delivered in original well used (but not abused) Jerzy DROZD lightweight foam case. Fitted with new Dean Markley SR2000 2698C round wound strings (22 - 27 - 47 - 67 - 87 -107 -127) => the F string is also wound. Satin polyurethane finish. Made on the 27th of December 2007 (#42206). Complete set up made by Christophe LEDUC. Official price today would be around £6000 GBP if you can get one made as the Basic model doesn't exist anymore and hasn't really been replaced. Also don't forget that it will take close to a year of waiting to have it made. Asking price is £2000 GBP is a very fair price due to the rarity and overall very good condition of this bass. This bass is really terrific sounding, very well defined, absolutely hum and noise free, as versatile as you wish thanks to the construction without becoming aggressive, has an incredibly easy to play neck (you won't believe you are playing a 7 strings bass with a 17.5 mm strings spacing), but due to my right frozen shoulder (which is now non recoverable), the 35 inches scale is a real pain to play and is the only reason why I'm selling it. Every detail is totally thought and everything is close to perfection, which is so rare that it has to be mentioned ! Here is what Jerzy DROZD was saying about this model : "OBSESSION™ Basic™ Five piece bolt-on maple neck with wenge stringers, etimoe body, 24-fret fingerboard, two Jerzy DROZD JeD XS type pickups, active 3 way Aguilar OBP-3 electronics, two piece ( bridge & tailpiece ) bridge, satin polyurethane finish, lightweight foam case included." And about the pickups and electronics : "Our proprietary JeD XS single coil split are used on the entire line of our basses. The latest generation of our Neodymium magnets yields great gain, wide frequency response, and wide dynamic range in a hum-free, compact design. To power our instruments we use Aguilar OBP-3 onboard preamps as standard equipment. Our new JeD XS pickups were specially designed and tuned to get the maximum performance from these fine electronics." Some links : http://www.jerzydrozdbasses.com/pdf/Catalogo2006final.pdf https://www.deanmarkley.com/products/10474-sr2000tm-bass The pictures to see the real condition (not that flashing as there was a lot of sun when photographed), which shows only some very normal wear after 11 years of use, with deep thumb anchoring marks above the pickups and some other scratches, dings and dongs, but nothing really serious :2 points -
One of those situations where I'd been lusting after one of these for so long clearly I wasn't going to be happy until i'd bagged one - and here it is! Its beautiful to play - even though it's 30" it doesn't feel at all cramped compared to my regulr 34" precision - it has the same sort of proportions, and same very Fendery sound. It's a 2013 Made in Japan model, with a slab body, 7.25 radius and smallish frets - kind of slightly bigger than vintage. Really lightweight at 3.5kg and pretty well balanced too. The condition is immaculate - the guy i bought it from was retiring from playing and selling off his stuff - he'd barely played this, and never taken it out of the house. Genuinely could pass for new. Its just had a set-up by our local luthier here and now has a lovely low action and strung with La Bella Mustang flatwounds I'm gigging at a little festival next Saturday and itching to take this along - I really, really hope it's a keeper, as I've had to sell my Epi Jack Casady to help pay for it2 points
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Just a heads up, BBC 4 are doing an evening of Duran Duran tomorrow, 29th June.2 points
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I hope that's not in reply to the urinal post above yours ...2 points
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Ok so just bought a mastotron. 1 down many to go hah2 points
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Another piccy - you can see the clamps better on this one,2 points
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Thanks for your review :) I'm still very much enjoying mine. It took me a little while to really 'get' the EQ in mine, so that I could get the right adjustments (I'm more used to a 3-band with semiparametric mids preamp or passive tone controls...) but once you get it and it becomes intuitive, there's nothing this bass couldn't do and do it well. Putting DR Sunbeams on mine was like day/night compared to the EB that were on from factory. Ugh. Still in love with this bass.2 points
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They are usually roundwound strings with a flatwound nylon tape over the top, IIRC. La Bella white nylons are my go to string on fretless, but they sound equally as good on fretted basses.2 points
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The for sale sections here are ace - could’ve saved myself a packet doing my homework then shopping here!2 points
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Both the AG5 and NAMM 2018 Purple went within 2 days of each other, which is good news for Mark and Co. and Bass Direct of course! Thank you! I may have a little little bit of a reputation for it round these parts... 😂 It is a lot of straight up noodle, which I thought arguably doesn’t make a great vid, but was literally a straight out of the box experience which was fun to capture!2 points
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Unfortunately so. As he'll be at Ronnie Scott's in the evening, 3-5 was the only time we could make work. Pull a sickie? Hire a double? If there's a will, there's a way2 points
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Oh...and this is absolutely splendid, by the way Great job!2 points
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I find it easier to play with them facing away from the guitarist so he can’t see when I turn up after he does.2 points
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This is now being shown on BBC2 at 9pm on Saturday 30th June.2 points
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HOLY CHRIST! HAS NO-ONE LOOKED AT THE DIRECTIONS THE TWO CABS ARE FACING????? PHASE CANCELLATION PEOPLE!!! I'm cool with the plectrum though, old school bass with a pick has a really nice sound. Think anything done by Air.2 points
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The Fender Precision had a Jazz bass neck that had been shaved by Michael Tobias. It had two Bartolini pickups which were custom wound to Jeff's specification by Bill Bartolini. It ended up with just the bridge pickup connected (I may be wrong, but I think the neck pickup may have 'went static'). Interestinigly, that was the end of the road for those pickups until recently, when Bill Bartolini found the original diagrams for those pickups. The pickup was resurrected, appearing in the Cort Rithimic. It's actually a splitcoil inside a soapbar case. I know that bass was eventually stolen, probably some time around 1990. Jeff had used it in 1988 in the Kazumi Watanabe recordings and live with John McLaughlin on their tour of England. By 1992 (I think) he was playing a first generation Peavey Palaedium. I plan on getting a replica of this bass commissioned. I'm not sure how I'll go about it, but it'll probably involve a Warmoth alder Precision body, a Fender Jazz neck, some Bartolini 'classic' range pickups, a Badass II and a few other finishing touches, put together by a good luthier in the UK. As for Jeff himself, I consider him a friend and a good guy who always wants to lift people up. On the internet, he has perhaps come across as a bit stand-offish in the past but he will speak to anyone to put his point across because he genuinely wants to raise the level of bass education and the skills of bass players in general. The situation is not helped by some frightfully rude sorts on the 'net who insult and troll him for sport. I know not everyone is interested in jazz, fusion or classical teaching methodology, though I'm never surprised to see folk lining up to have a go at him. In conversation with Jeff, I've always found him to be a warm, funny and caring bloke. It astounds me that the (IMO) greatest bassist of our generation, and the most fluent improviser on our instrument, would have any interest in how my playing is and would want to offer me advice on how to get better. For that reason alone, I'll always have a tremendous amount of respect for Jeff.2 points
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Another hot morning in the sun cutting Abalone today, I cut a couple of the Draig inlays. After I drilled the headstocks for the tuners and marked and routed the holes for the inlays and stuck them in, not quite as easy as the square fretboard inlays and yes a little black epoxy was needed. Just rough sanded and wetted to give an idea2 points
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I think your batteries are connected in series to provide 18v to both the active circuit and pickups, in which case they will run down at the same rate.2 points
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Know this won't be everyone's cup of tea, but the new Eric Clapton biopic 'Life in 12 bars' has a 'live' UK release this coming Wednesday, 10th January, with various cinemas all over the UK showing the movie and a live Q&A session afterwards. More details here - https://www.planetrock.com/news/rock-news/eric-clapton-life-in-12-bars-live-uk-cinema-event-announced/1 point
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Jazz Bass - Fender Custom Shop pickups, all hardware is original Fender parts, Warmoth body, Fender Licenced Warmoth jazz neck with reinforcing carbon rods. Plays like butter. Serial number on the neck plate is 5318008. Any 80's kids with calculators will get it.... 😜1 point -
I ordered it from Chandlers in the US at http://pickguards.us I also got a 3 ply black pickguard cut for my CIJ 72 tele thinline reissue. The pair came to £60 in total but I expect the cost would a bit more these days as it was ten years ago, so it would probably be more cost effective now to look at UK suppliers.1 point
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nice! I have the same bass, but I changed the tort pg for an aged white pearloid one & upgraded the pots & socket with CTS & switchcraft bits. Its a great little bass and the tone with flatwounds is fantastic.1 point
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Got one of these. Love it. Also very handy to have a DI out on your board in case your amp plays up. Lovely tones to be had out of these. Only minor downer is 12v required but most decent PSUs cater for that. GLWTS.1 point -
Voting ends tomorrow night.1 point
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Back to where I started, the permitted range of outside diameters for a M3.5 fine thread is between 3.396 to 3.481mm. As you can see on the chart below, the range for a M3 thread is 2.896mm to 2.981mm which would be too small. Your reading is 3.33mm which is pretty darned close to the bottom range of an M3.5. A M3.5mm grubscrew on ebay is going to be a few pence. I think it's worth a punt.1 point
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In some way or other yes I expect it will be me.1 point
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It does if you are wearing tights..1 point
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So it is (I missed that)... Ok, so it's a good mid afternoon to late afternoon (or early evening), afternoon out. But it still won't put me off, Officer...1 point
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Hmm, bass whittling.... now there's an idea !1 point
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No need to be sorry sir!1 point
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Another big fan here, Mark Gooday recently sent me a bag for my new RM500 head purely because I asked him if they were still supplied with the amps - he said “Sadly we no longer supply them with the amp, but send me your address and I’ll sort it”. I did, and he did! Wonderful1 point
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Few things about Greco. Japanese domestic brand, which means they're rare in the UK. I think some may have been unofficially exported to the US & Australia but I don't think they were ever sold in the UK or EU. Absolutely not a "Lawsuit Brand". 70s Grecos were made initially simultaneously by Matsumoku & Fujigen - the Fujigens are the same instruments as the equivalent Ibanez, which, again, were the same as equivalent Antoria, which was a UK brand. So if it's a toss-up between an expensive Greco & a less expensive Antoria, then yes, they're 99% likely to be exactly the same. There's nothing special about the "Gneco" logo examples, except they're older, rarer so more collectable for MIJ anoraks. It's worth remembering that later copy-era guitars were better built & more accurate than most early ones. While most Japanese export brands all pretty much phased out their copy ranges in favour of originals by the late 70s, it wasn't the case with domestic market instruments - although you won't find any Greco-badged Fender copies made after 1982. This is because Fender Japan was set up by Fender and Kanda Shokai, who own Greco, and the deal stipulated that Kanda drop the Fender fakes. Anecdotally the first run of JV Squiers & Fenders started production as Grecos - so it goes without saying if you have a choice between an eye-wateringly expensive JV and an early 80s Greco, buy the Greco.1 point
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Everyone, I know that Klaus Doldinger clip is bad. The 'tache and when he 'summons' the cow-bell at 0:58s is just unspeakable but... in his defence... his chordal parts on Maestro Holdworth's tune here are beautiful...1 point
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Still the best one:1 point
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Looks like a Spector rip-off!1 point
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1 point
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Voted. Great composition as always.1 point
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For some its Spend a fortune on boutique basses i need, because i cant play on anything other than hand built basses, but never leave the bedroom with them, so spend more money on basses that im happy to take to gigs (and amazingly, i can play them)1 point
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Not a tribute band as such but I've always thought my mates band name was superb, but you have to say it with a Yorkshire accent;1 point
