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Showing content with the highest reputation on 26/07/18 in all areas

  1. Clearly given the shape of the case, the guitar is a Mustang.
    4 points
  2. Received this from Tom at COG this morning, and it was too good not to share.
    3 points
  3. Yeah come on, own it!
    3 points
  4. HB PB-50 - v3.0 Becomes v4.0... *AUDIO CLIP* You'll be pleased to know that this will be the final reincarnation of this HB PB-50 Precision Bass. Yes... I know I said that last time - but Shoreline Gold, though a very nice finish, isn't really my thing. My thing is basses that are white. Or cream. Or aged Oly White. Or yellow, basically... you know what I mean. I was particularly taken with the new Player Series 'Buttercream' P bass - hence this refinish and reworking - saving myself £649. This one has a custom handmade Herrick dual-coil pickup in it - and very nice it is too... warm, taut and punchy, with the mid-range push typical of a 57-type split-pickup, but in a 51-type four-pole format. It's a beast... check out the audio clip. https://www.herrickpickups.com/ The previous version 3.0 bass is here. Now read on. Body refin in TV Yellow nitro Pickguard in Acrylic White Fender American Deluxe Bridge, Top-Loading or Through-Body Herrick Dual-Coil Telebass '51' pickup overwound to 11k ohms CTS solid-shaft pots, Chiclet cap .047uF, Switchcraft Jack in cats-eye side plate Fender Chrome '51' Pickup Cover Fender Tug Bar Fender dome-top knurled control knobs with grub screws Wilkinson WJBL 200 tuners La Bella 760FS Steel Flatwounds 45-65-85-105, Through-Body Stringing Is this really the final version..? I hope so, because I just don't have the time (or disposable bass tokens) for any more finishing shenanigans... I thank you!
    2 points
  5. @BrunoBass With the 1st templates I did,You didn't even need to line them up 😄 Plan was the run round it with a router and flush trimmer cutter. Once it dawned on me nobody was using a router the next batch I sent out were just cut vinyl 😂
    2 points
  6. I used an electric jigsaw and sanded by hand. I was quite pleased with the result. I got a Mike Dirnt template off the internet. Little tip, I found it easier to place the template on the back of the headstock as it’s flatter and the template sits better. Also i could line up the printed machine head holes through the drilled holes of the headstock.
    2 points
  7. The Warman MM style pups are monsters, I`ve had several including 2 in my Westone Quantum and I`ve just put a 5 string version in a deco HB 5 string ray copy and it`s transformed it.
    2 points
  8. Soak it up Christine - if you were nearer to me instead of cowboy country, i'd be asking you if i could watch you work ! These babies will be some of the nicest builds in this forum
    2 points
  9. I am sure that there is no aspect of this video that any of us will recognise.
    2 points
  10. https://reverb.com/shop/fxpedalrental
    2 points
  11. He said that they average about 8 pounds! 🙂
    2 points
  12. I love my Ric. I'm actually in the process of using it on a new recording project I am doing at the moment & it's the first time I have recorded on just one bass for a whole album. I bought secondhand as I didn't fancy the full on expense but I've really bonded with this one. The expensive bit is the furry security guard I have to employ because of all the haters!
    2 points
  13. 2 points
  14. Now SOLD - Thanks for your interest. Hi Folks For sale is my Mesa Boogie Big Block 750 amp (rackmount version), which comes with the mute/channel switching footswitch and a 4U rack case with rack draw, power cable and Speakon to Speakon cable. I bought this from Dvisions just before the New Year and have used it for just a handful of gigs in that time. Price is SOLD or near offer and considering these were almost £1700 new when they came out about 10 years ago,and this includes the footswitch and rack case, I think it's a pretty fair price. It's working perfectly and is a very powerful, high quality US built amp with a wide array of tonal options. IMO, the Big Block is capable of delivering volume in spades, with a powerful and easy to use e.q. section (especially the mids) and when needed, a more gritty and overdriven sound if you need it. The Big Block didn't have a footswitch when I bought it so I sourced a Mesa Boogie Lonestar footswitch that does the job of remotely changing channels between clean and overdriven, and also the mute function. It's really handy to have that functionality in a gigging situation... If I've attached the right photos, then you should be able to see the footswitch operating the mute function and the channel switching.. I've also used the photo that Dvisions used in his for sale ad, so i hope he won't mind me doing that.. There's loads of really helpful reviews and stuff on Google, YouTube, Talkbass etc about this amp but suffice to say, if you want to get more info on it, it's definitely out there! Here's a few interesting YouTube links: This is my favourite - this guy is awesome! And though Mesa get associated with Rock music, here's a more funky exponent bigging up Boogie gear : And yet another funky Big Block user: Only selling because I'm using my Ampeg amp & cabs more and our recent house purchase has strained the finances somewhat and will do for the foreseaable... So, because I need to raise funds at the moment I'm not looking for trades at this time, sorry. Viewings welcome if you're near Littlehampton, West Sussex (tea/coffee/biscuits provided). Happy to work something out about travelling if it's within a 50 mile radius.. I've posted large amps before (for an additional cost) and could be persuaded to do so again, but there's always a high risk with that which I'd prefer not to have to do if possible. Thanks for looking and if you need more info, please PM me. I do have a feedback thread too, so please check that out if you don't know me and want to check out my credentials on Basschat.. Cheers Nik
    1 point
  15. Now SOLD - thanks for looking! ☺ Hi Folks For sale only, this completely unique Custom Build Non-Reverse Thunderbird bass that I bought here on Basschat 7 months ago from Sean, aka Billy Apple. The bass comes with an excellent quality hard case that I bought from chimike especially for this bass, as it's a bit longer than most standard 34" scale basses. For the bass & case, I'm looking for £575 (or near offer). The history of this bass from when it was first commissioned in 2013 is quite a story in itself; read more about it here: To describe the bass properly and give it it's full due, I hope Sean won't mind me quoting him from his For Sale advert last December: "Completely unique custom built NR Thunderbird. The last of the Bachbird body blanks made from mahogany and a lovely rosewood board. Bach also supplied the two piece bridge. Routed to vintage specs by the Bass Doc, with a hand-made bone nut, vintage white scratch-plate, TRC and control cover. Pups are '66's from Steve at the Thunderbucker Ranch, along with one bevel surround and shim. Tuners are Gotoh Resolite GB528's. Vintage white top-hats with a matte white finish and set-up from John Williams at Noiseworks." I'm only selling this because a chance to buy a very special Roscoe Beck V came up recently (which I couldn't ignore), so I'm selling a few things to recoup that outlay - otherwise, I'd be keeping this because it's totally unique - a one-off - and it sounds amazing and gets so much attention at gigs because it looks so cool! Collection from Littlehampton, West Sussex preferred, but am happy to drive to meet up if it's within a reasonable distance. I could courier it (at your expense) in the right circumstances, but only if it's a fully-insured service.. Otherwise, it's just too risky! Anyway, thanks for looking and if you've any questions about this amazing Thunderbird, please ask away here or PM me. Nik
    1 point
  16. Today I picked up my new custom zoot bass from Mike Walsh and... oh my! firstly, the workmanship is stunning. Every aspect is top drawer. It was great to be able to specify the exact neck profile and radius of the ebony board and mike absolutely nailed it. Although I decided to do unlined on the board facia I’m pleased I got lines added to the top of the fretboard to give me a helping hand. The ebony board is so thick too! Really makes it sing. its fitted with a Noll 3 band active preamp and amazing pups from Harry Haussell. The neck is a 70s jazz and the bridge is a music man with a jazz coil sitting between the two mm coils. The amount of switching options is ridiculous... it’ll probably take as long to get to grips with the electronics as it will to learn to play it in tune! 😂 if you’re thinking of getting a custom build do yourself a favour and have a chat to mike!
    1 point
  17. 1 point
  18. Yes, Denis advertises his basses widely across Europe & USA. I've had some correspondence with him, and he seems a top bloke based out of Barcelona. You can find out a bit more about him if you look at his Warwick Infinity post, where I believe he was a Warwick basses endorsee......
    1 point
  19. Boards of Canada. loving the moods of it
    1 point
  20. Had you actually done so, you could have claimed for evermore that you had a cab with real balls. Wasted a good opportunity, there, I reckon
    1 point
  21. I have indeed had a sneaky preview listen. Very cleverly, the overdub is of @Bridgehouse 's 64 Precision and, separately, this lightweight beauty, both in the mix of the same 'live' track. Different tone to the 64P, but absolutely the same level of gravitas and clarity and yes...I can feel a bit of essence of Ric there too . Trust me - it sounds great.
    1 point
  22. I notice the Alain Caron combo sports different speaker sizes, what gives?
    1 point
  23. Raybans Raybans !! My Kingdom for some Raybans !!
    1 point
  24. For sure and I get that. But I just don't believe that a small cone can be designed to effectively match the low end frequency response of a large speaker cone, other things being equal. I think there is a gradation involved here i.e. small (but definite) changes as you move from a 5" cone via a 6.5", 8", 10", 12," and 15" to an 18" cone. Each step may not be particularly noticeable, but if you put a 5" cone next to an 18" cone they will be different beasts in terms of freq response. Be good to get someone more expert than me e.g. @Bill Fitzmaurice commenting with a bit more authority on the subject!
    1 point
  25. Megadeth & Kiss 2 weekends ago. We got approached by some Kiss' tech and my 5 y/o boy (in Catman makeup) got a lightly used drumstick from Eric Singer (with some hand gunk still on it). Fabulous.
    1 point
  26. Entirely depends on the cabs, the speakers in them, the amp driving them and the type of sound you want. Some cab combos play very nicely together - some don't. Actually, IME most don't unless same driver in each one. Or a mix of drivers in a cab.
    1 point
  27. Don't get me wrong - I like it
    1 point
  28. Crikey you weren't joking about the orange, were you? 😅
    1 point
  29. Just done a second coat in the top so I'll wait for it to dry till tomorrow then get it all back together 😀
    1 point
  30. What a pleasure to observe a craftsperson at work. Thank you for letting us see your work.
    1 point
  31. Howdy! I just completed the tab for a student who is working on Gimme Three Steps. Pretty cool "Southern Rock" lines on the track and I have everything nailed down. https://jeffrey-thomas.com/tabs/bass/lynyrd-skynyrd/gimme-three-steps/ Thanks and enjoy! Jeff
    1 point
  32. The principle is still the same, just like you’d learn licks that fit over certain harmonies, learn rhythmic cells that fit over the metre. Tempo Advance is a great app for using to practice.
    1 point
  33. I want this bass so badly but lacking the funds. Can someone please buy this so I don't have to look at it anymore as it's giving me terrible gas.
    1 point
  34. The should have had all tuners on one side, and had a massive droopy Jackson headstock.
    1 point
  35. His UK bass player is none to shabby either @mybass 😎
    1 point
  36. I suggest 'Le Monde' as the paper, together a red carnation buttonhole. The code phrase is, "the wind seems to blow colder with each passing autumn".
    1 point
  37. 1 point
  38. IMO you can do better than both these combos but at this point in your playing career it's not worth selling one for the other. As you already own an amp that can make you sound good and being a "new" player, I would advise you keep what you got (forget what you sound like. . . it's good, believe me) and spend your time improving your playing and technique. Your idea of a great sound will change in time and there are plenty of options at the next level, Save your money for when you get there.
    1 point
  39. Also worth considering how old your Markbass combo is. If it has the combo head 2 and is made in Italy then you could probably sell in a few months time for (or very close to) what you paid for it. A new combo will lose several hundred dollars as soon as you take it out of the store.
    1 point
  40. The Rumbles get a lot of love, as do Markbass. I think it depends on the sound you`re after, if you want any kind of gain/drive then Markbass doesn`t do that, so that`s one area to consider.
    1 point
  41. Saw Steve Earle and the Dukes at Brighton Dome last week - they are dong a date in London which would have been nearer but I am away and couldn't have made it. Mrs S had seen them last time they were over - I was away again then! - and said if we ever got the chance to see them again it would be worth it. She was right - they were totally fabulous.
    1 point
  42. You could argue that this is blues rock, and I you've probably already heard it as he was everywhere a few years ago
    1 point
  43. MB1. We don't use the "F" word in this house....but this is definitely one of there finer P basses whichever coat it's got on! Speaking of Which?.....
    1 point
  44. That does look very cool tho! Better than the original Roger Waters version.
    1 point
  45. I always wanted to release an album that not only was it not recorded at A=440 but each individual track was off by a different amount. And then to mess with people's minds even more the tunings of the individual tracks would also be different depending on the format - CD, Vinyl, iTunes download, Amazon download, Spotify stream etc.
    1 point
  46. This was exactly the reason that I sold my one. You have to have it so loud to get the GK growl that it's too loud - the 700RB was easy to get the growl from
    1 point
  47. My cheap lot, all Harley Benton's. A couple of B stock ones, some new ones and one sold as deko (which has been turned into a player).
    1 point
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