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Saw it last night. I'm not a Queen 'fan' but enjoy their music so went with an open mind to watch an entertaining film, not a documentary. I really enjoyed it, everything musically was realistic enough, more so than a lot of films with actors playing musicians. I found it quite emotional in places (glad it was dark in there) and uplifting and joyous in others. It said enough about Freddies life without going into unnecessary gory details and of course the film centres on Freddie, he was the star in Queen so was the the star in the film. All in all I think it's a great film. I liked the nod from Mike Myers towards the Wayne's World scene which was slipped in.

We went last night. We like their music but we're not dedicates fans as such. So can't comment on time lines. IMHO they did enough on Freddie's private life. His family struggled with it then and there's no need to drag it out any further. As @blue says, John Deacon was an amazingly good look a like, and acted pretty well too. We'll probably go again, as we have Cineworld Unlimited.

I bought a used Fender P in NYC about 8 years ago. I was fully prepared to declare it at customs, I stood there for 10 minutes with the case in my hand, nobody showed up. All the guards were over in the ‘nothing to declare’ area trying to catch people sneaking through and they completely ignored me so I just left. I thought I scored but the bass turned out to be a fake anyway.. Legit neck, random body. Still my favourite bass though.

Strings. Four of them.

Do you think you'll play sitting down, or standing up with a strap on?

I saw it today. I loved it. It was a really good rock movie. Keep in mind I'm not real picky or critical about this kind of stuff. I went to the theater to be entertained and I was. Was it me or did the bass player Joseph Mazello look a lot like John Deacon? Blue

New bass, Reverend Mercalli 4, barefaced super twin, markbass little mark ii.

I've always thought a zero fret instead of relying on the nut for string height was a good idea

Coincidentally, I recently had a similar sort of jam, where I was the new guitarist, drums and bass already played in a different band. We just jammed some grooves, I played rhythm, and gave the bass room to extemporise, and i played a few melodic lines and tried to avoid widdling, for the most part . The drums just played funky with very little in the way of fills and certainly no solo! We gave each other space and it was really enjoyable. Was kinda nerve wracking for me as I hadn't played guitar in a band for 17 years. One of the bands they like is the New Mastersounds, and the resulting recording wasn't too far off, for a first time jam. So, it can be done!

Can he edit it to add some stuff in to make it last more than 30 seconds?

Sorry I'm not allowing it - it's a great tune!!

One of the things that @eude and I have been discussing is the colour of the fretline markers. We've gone for redwood veneer which should compliment nicely with the top. Here is a sample I did on our cherry cupboard at home, which will be a similar colour tone to the finished katalox: Should look pretty classy. I'm aiming to have all the fretlines installed tomorrow.

So ..... few times over the last few years i was lucky enough to do some music for advert and television .... the guy was really nice and he told me he saw a video contaning my music which i ve done for a media company in London . However , he told me they already have a music composer that they have worked for years but he told me they are very busy and need a hand . when i asked him what kind of movie it was i was shocked ! Never done music for a porn tv before so i went for it . Checked the website and they have won loads of awards in the last 5 years, big company . now , just purchased a 50 inch 4k tv just for this job ahahahahahahahaha and another positive thing is that i can never get caught "sorry love im working "ahahahahahah

@Al Krow, The volume knob is notched and each click provides an increase in loudness. In my opinion it's smooth. My Quilter is very similar in that regard and my Ashdown seems to give you more earlier in the stage especially when the compressor is engaged. The Mosfet is definitely the more modern sounding of the two heads. The Tube has more of a low-mid presence with controls set flat on each in my opinion. I don't have much experience with full blown tube amps. The T does offer more warmth than the M but there wasn't a night & day difference to my ears with the gear that I had during the period when both were under my roof. The cabs that I had then all were a little more vintage sounding. They were a pair of old Genz Benz 112s which I still own and two pairs of Ashdown cabs without tweeters (Mi 10 & ABM Mini 408 Neo). The T isn't wild & woolly and the M isn't sterile. They're each just nice clean sounding amps but again, I do feel that T is warmer. My experience with compressors is also not very extensive. I've owned a couple of quality pedals that didn't get used much. I'm sure that there are better compressors but with the limited amount of usage that I have given the unit on the Veyron, I can't say that I've encountered anything that turned me off. Here's a video of the Veyron M being played by the same guy in the previous video that I posted. He's got the Ultra High & Ultra Low engaged which sort of sccops the sound....

For a period of time, I owned both the Mosfet and the Tube versions. My plan was to make a decision on which I liked more and the other would be returned to the vendor. I liked them both and couldn't decide. I kept each of them for more than a year until I sold the Tube to fund another amp purchase. Right now my amps are the Quilter Bass Block 800, Ashdown Rootmaster RM-800 EVO and the Veyron Mosfet. Who knows how they came up with the 2000 watts rating. 500 watts? I feel pretty confident with saying that I think it is more powerful than that. With respect to volume, it compares very favorably to the amps that I named above which are rated at 800 watts RMS.

Long ago, I once did Einstein on the beach. Terrible soundtrack that got! "One two three four, one two three four five six, one two three four five six seven eight, one two three four, one two three four five six, one two three four five six seven eight." Never again!

And one lined fretboard

That gap in the neck pocket is a handy place to store plectrums and business cards, probably get a couple of cables and a spare pack of strings in there too:

This is a well-known thing - a guitarist who wants other musicians to play so that he (and it is invariably a he!) can go widdly-widdly-wee to his heart's content.

This is what Martin have on their performing artist series. just a little window - maybe a little limpet on the back of the headstock, imagine a miniaturised reversed Stratocaster jack socket with this fella looking at you. would work off vibration like a clip on tuner... for reference these circles are about as big as a 1p coin.

Getting a simple and effective unit on a solid body in a position that’s viewable when playing is hard - acoustics have the big slab side to fit them in easily and they are viewable when playing

Awww! Thank you! The original flip finish was pretty amazing, but when it went back for it's service (after 8 or 9 years active use!) it came back with the new crackled chameleon flip paint finish - and whatever he did it plays and sounds better than ever! My 7 string I think will be next for a service but no need just yet. Still going strong in to it's 10th year. Maybe nearer 11 I forget. Jon is a really nice guy; an understanding engineer who really knows his wood choices. I can't think of a better way to understand more about our basses, so I would recommend the course. Jon is a great teacher. Thing is though, now I know what he is capable of, my next two basses have already been planned... on paper at least!

Absolutely! As a massive Carole King fan, ‘Pleasant Valley Sunday’ is up there as one of my all time favourite songs. Lots more of their stuff is great too, including ‘Last train to Clarksville’ and ‘A little bit me..’

Impressive that you have a cupboard dedicated to storing cherries.

As a kid, we all knew someone who had easy access to 5th generation copied porno on VHS cassettes. A mate of mine was very keen to show me a recording of something he thought I'd find hilarious but for all the wrong reasons; popping the tape in, there were trailers for forthcoming porno films. The trailer in particular featured a blonde woman on a boat with two guys. There was an America-accented dialogue with references to a 'double-banger sequence you'll never forget' and the accompanying music? The theme from the Nicholas Parson's vehicle, Sale Of The Century. It obviously etched itself onto our addled teenage minds. I was out with him last night and 30+ years later it still gets a mention, one us us apeing the narrative while the other hums the theme tune.

Bring on the fluffer, I'm losing wood...

Time to dust off the wah pedal.

First gig I ever went to was the Hyde Park show in 76. Saw them loads of times. Watched the film last night and loved it. The audience loved it. Loads of laughing out loud and for me, tears!! What a big girl, but music can get me like that!

Nice review thanks! And I'm sure you meant the M "isn't" sterile rather than "is" You're definitely warming me (and I suspect a lot of others!) to the T.

My amps, Veyron included, all have more than enough volume for my needs. I stopped worrying about how many watts it had when I saw how it performed.

But you might get lucky...

Better off staying away. If they don’t recognise Good Times you’re on a slippery slope, worse still, you knock out forget me nots and they don’t recognise it.... bullet well and truly dodged my friend. Sounds like the guitarist needs a rock band. Kudos on FMN by the way, top bass line and not easy! 😃👍🏻

I saw him a couple of years back at Leicester Square and was left with the same opinion. Beautifully played, creatively brilliant solos around a selection of dull tunes.

Ditto. In forty-five years on this planet my newspaper buying tally has yet to reach double figures. I've never seen the point, if the news is going to affect me then I'll find out about it soon enough. I did read the linked article about Mr. Deacon when first posted but have forgotten most it's contents now. His life choice seems fair enough to me, I won't bother him and I doubt he'll bother me so we'll get along just grand. Now where's that cup of tea gone.

Hi! Well... it took me years to understand that no fancy bass will satisfy me every way! And have had so many disappointments even from USA made instruments... Tried many different ones - LTD, Vintage, Squier ebonol Fretless. Got an unlined Cort which actually is great but.... its made in Factory to some specification - not my specification(!) No need to say it feels great knowing that You/I are similar to Jaco in a SMALL way of course... 😉 - after defretting the bass... Another factor is money - I could go and buy and spend £1.5-2k and have actually the same "thing" (do not shout at me please) but mine is made by me and costed around 15% of GENUINE F. bass.... This bass shown below feels and plays like £1.5k bass because I put my heart and hard work into this project..... are You next???.... List of the parts and tools: Squier Affinity P-Bass Neck - got it here from nice BC Fellow... Jazz Bass Alder Body (Light one 2.05kg) Made in Japan from Ebay Bare Knuckle '60 PE J-BASS pickups from Ebay 60s style Bass Bridge from Amazon Control plate with pots and knobs - CTS250k solid shaft pots and USA knobs Bone nut for a guitar converted into bass nut Amber Alcohol Based Dye/Stain Mineral Oil to protect fretboard 99% alcohol solution for cleaning purposes Clear Decal Paper from Ebay Gold and Silver Sakura Metallic Pen from Ebay Clear Varnish from local Car Parts store Sanding paper grade 120-2000 from local Car Parts store 9.5inch Wooden Radius Block from Ebay Ink Jet Printer So.... one day I got decent Squier Neck and defretted it according to this video. Then I bought some other parts and made my own baby which plays and feels WONDERFUL and wont swap it for any factory made Bass... Hi res. photos here: https://drive.google.com/open?id=1JZ6keVOtyy2lMvq2vQ6jyc_Hff6U_m4d Even created the logo and named it as it Should not F.... bass as most people would because - Squier does not mean "Cr.p" And my best Jazz bass has Squier Classic Vibe Neck as it`s WAY better made than USA I have had once - Squier deserves logo on my bitsa bass! The purpose of this thread is to encourage You and assure You that no bass feels better in my hands and I wont swap it for anything! Some sloppy sound samples here: https://drive.google.com/file/d/1XpkWEKsULBYOLKaGwgV5k4oU-LEN6TSq/view?usp=sharing - No EQ just tini bit of compression and reverb... I`m happy to help if You have any questions - here or over PM! Cheers, Tomas

I suspect these guitars aren't for playing but are for rich people to display in a glass case in their office

+1, and the pertinence goes back to where the OP stated his reasoning behind wanting to add a 115 to a 210 is to get better lows. That assumption isn't supported by the facts.

What do you think the 15 will give you that another 210 won't? I replaced a Mesa Boogie 210 and 115 with EV's with an Epifani 410 and got a sound with twice the amount of low end. Because that was the way those cabs were designed. I then replaced the 410 with 2 Berg 112's and reduced the low end but got a much better and balanced sound across the whole range. So size really doesn't matter. It really doesn't. The sound of the cab is the only thing that matters and ears are much better than spreadsheets for working that one out.

We haven't even started on Mustang Sally yet.......... 😎

Yes Delb, you have to do that or you are officially a pillock ;-)

My new rig

My perfect bass rig, finally achieved this morning after thirty-seven years of searching... Godin A4 AER Basic Performer Taylor GS Mini-e Bass

Couple of vids from the Red Lion: Back In The Night Wild Side of Life