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I get everything I need out of this rig, RM800 Evo + Super Twelve. No pedals, just the joint versatility of the BB735A/RM800/SuperTwelve. Perfect match!

Look what was waiting for me when I got home from the office!!!

Someone remind me when an 'f'hole becomes a Norissole?

Getting quite close to being able to close the top on this. I've cut the cable routes to the control chamber and lined the main void with veneer: The reason for the latter is that the chamber is actually quite shallow, because the back is so heavily carved, and the dark veneer gives the illusion of a much more substantial void through the 'f'hole :

Here's my reason for unreservedly recommending Jon's work.

I’ll just leave this here.

Hello, i'm Luca. I play guitar, but lately i bought my own bass equipment for my practice room... So i discovered i enjoy play bass too 😆

Two One10’s will sound awesome. I just started using both all the time (two Marshall 4x12’s to contend with) hence my want of a Two10. Heck, if I’m flush I might just get a Four10 and be damned with the roof!

Heres my Fender collection- 66 Jazz, 71 P, Custom Shop 5, 76 P 64 P, 70 P, 69 P

Windows still sucks. Yes a Windows laptop is far cheaper than an Apple Macbook but plug anything MIDI related and it may or may not work, the soundcard is likely to need tweaking to be a able to get the controller to work, the list goes on. Mac’s just work.

Could have been worse. If I'd invented it rather than nicked it, I suppose it would be an AR'sole… or is that me for nicking it

My first family pic, love em all in different ways 😍

Looks like a reverse body to me.

The 48’s as standard have a p neck and power bucker bridge pick up config under the shiny covers.

Look, I've just got podgy bones, ok?

Hi Al, it's genuinely complex isn't it? One of the complexities is that a lot of the 'information' is also advertising. For example your 'well known manufacturer' who is quoting a 15" cab running from 25-2k is probably stretching things a little. If the 15 is flat down to 25 Hz and can handle any power it will have to have a very heavy cone and a long throw, both of which would make it very inefficient. More likely it is 10-20dB down at 25 Hz so it is making some sort of sound but just not loud enough for you to hear significantly. The 1x12 may sound good with their 2x10 but if one part of their claim is improbable can you believe anything they say? A speaker that only goes to 2k wouldn't be suitable for bass on it's own. All this means is that you couldn't tell anything about how the cab would sound just from a bald 45-16k frequency response. Is that at -3dB, -10dB or some other figure. Is the response flat between those two extremes or biased towards some frequencies more than others. Add in one more factor, how we perceive sound. It is just like everything else to do with our senses, an entirely subjective experience. What we think of as bass is often about what is going on elsewhere. If I'm trying to pick out a bass line from a recording I usually cut the mids and tops rather than boost the bass. That'll make the bass line stand out much better than boosting bass 95% of the time. If your cab 2 had a bit of a mid/top end boost it would sound brighter even if the bass end was exactly the same. It might not be the 5Hz quoted difference in 'cut off' that creates the difference but what both cabs are doing in the 100-200Hz range that you are hearing. The best way of judging any cab, particularly an instrument cab is by ear. Test gear will help anyone designing a cab but you can't really drag it along to a music shop. Published figures without any indication of how they are measured aren't always a lot of use. I'm not completely cynical about manufacturers but it's a tough world for them too. If they use 'honest' rms watts and +/- 3dB frequency figures and so on then they are likely to lose sales to people who use peak figures. I'll get back to you on what in principle might be the difference you'd hear if the figures were independently measured and so could be compared, that's another long story.

Good gracious, no..! Whatever gave you that idea..? Almost libellous, to boot..! Retract, I say; retract or face the consequences.

i have my own Shuker template

For a brief time when things were really bad, I actually put my 7 string (Doodle as it is known) up for sale. I still thank so many who sent messages telling me not to do it. Who needs kidneys anyway, I have my flip-paint beauty still! (I don't look like that now lol)

Sounds like you got involved with guys that perhaps like funk but can't play it. Funk can mean different things to different people. In my neck of the woods sadly no one is playing funk. It's not an easy genre and a lot of guys don't understand don't have the feel for it. IMO play a guitar solo on " Good Times" is an example of not understanding and removed from the genre. Blue

Strings. Four of them.

I’ve done better?? I didn’t realise my comedy was being rated! I shall try harder in future to ensure the quality of my humour remains top drawer and only of the finest mirthment.

Don't be so sure about that. Most rehearsal spaces are small enough that you'll get a lot of boundary sourced phase cancellations, which can make your amp sound not as loud as it will in a large room. Guitars and drums don't have this issue, as the wavelengths they produce are much shorter and are relatively immune to phase cancellations.

So ..... few times over the last few years i was lucky enough to do some music for advert and television .... the guy was really nice and he told me he saw a video contaning my music which i ve done for a media company in London . However , he told me they already have a music composer that they have worked for years but he told me they are very busy and need a hand . when i asked him what kind of movie it was i was shocked ! Never done music for a porn tv before so i went for it . Checked the website and they have won loads of awards in the last 5 years, big company . now , just purchased a 50 inch 4k tv just for this job ahahahahahahahaha and another positive thing is that i can never get caught "sorry love im working "ahahahahahah

Have owned or played a SBR-150 and several SBR-60s, I reckon the SB-ELT / RSZ (not sure which I have) is the nicest of them...

Unless it's a particularly oily wood (such as cocobolo), I use titebond. For very oily woods I use Z-poxy

My wife got me this for my birthday. A soldering and rework station. I have to say, I’m impressed. The ability to desolder smd ICs in a couple of seconds is fantastic!

I recently purchased a Gibson Thunderbird that had been converted to fretless from Josip. The bass came with upgraded pickups, tuners and bridge as well as all the original parts plus paper work and Gibson hard case. The bass was extremely well packaged and Josip provided excellent communication throughout especially considering the tracking number seemed not to work for me! The transaction was smooth and Josip was nothing but a perfect seller! I will happily do business again with Josip. A new Basschatter, but a trustworthy one! Excellent service all round.

FINGERING

+1, and where low frequency response goes it doesn't matter very much. This charts three speakers, one loaded with a ten, one a twelve, one a fifteen: If you were to believe the size matters crowd you'd have to think that the red line is a fifteen, the blue line a twelve, and the green line a ten. You'd be 33% correct. The blue line is a twelve, but the red line is a ten, the green line a fifteen.

Nice family, love the blue jazz 👍

@Bearfist FYI, this is a reverse headstock....

How does it sound with the individual cabs? Generally, mixing brands doesn't go down to well - not to say it can't be big and powerful, but the Eden, B.F. and Ampeg cabs were not design to work together - add unto that you have mixed driver sizes; again, it may sound good doing this it may not. I use a Trace 2x10 and a 15". Works well because these cabs were designed to work together. I think the key to your next move would be to decide what cab and amp combo you like, then add another one of those. If you go the Ampeg route, make the models are matched if you go the route of the 12s or 10s. Safest bet would be a matching 15; but if you're not a big fan of the SVT + 15 as is then you may not like this either!

Hehe, sure! I hear you.... Although Hyori's pronunciation seems to be just for rhythmic effect and the glottal stop does not actually exist in standard Korean but a buddy of mine from Melbourne (parents originally from Stratford, London) used to add a stops like that in his speech when enunciating certain Korean words, but it was not to be encouraged!

Always been a fan of this babe

and mine...

yup. It's not really that custom, it's a series 2 body but fatter at the bottom.

This is a well-known thing - a guitarist who wants other musicians to play so that he (and it is invariably a he!) can go widdly-widdly-wee to his heart's content.

Do you think you'll play sitting down, or standing up with a strap on?

I saw it today. I loved it. It was a really good rock movie. Keep in mind I'm not real picky or critical about this kind of stuff. I went to the theater to be entertained and I was. Was it me or did the bass player Joseph Mazello look a lot like John Deacon? Blue

Resurrecting old thread alert.... This came up out of the blue on my You Tube feed. It’s from a Spotify special marking the 30th anniversary of Songs From The Big Chair back in 2014. Small studio setting, small crowd but the quality of the performance is absolutely sublime. Superb, tasteful, restrained musicianship throughout and quite true to the original recordings. Roland Orzabal’s voice is in great shape, no sign of his pipes wearing out with age, and Curt Smith’s tasteful playing on a couple of nice vintage hollow bodies. There’s a 40 minute set plus chit chat in the complete video but here’s Head Over Heels. The Working Hour in the same video is worth checking out too - a tour de force. Makes me so grateful that we have music in our lives...Enjoy.

I remember the days when I was an important customer ... that was quite fun. Didn't last long, mind.

Updated photo just took delivery of a great little bass the Quincy Monaco (2nd from the left) I've got another couple of builds in the pipeline so expect another update soon

Shape and remove (router) 10mm and add a new piece of timber...oval, heart shape, Batman logo 😏😏.

Ah the joys of autocorrect. I too have trouble sustainng my pizza , had to switch to lasagne. 🙂

I`ve got the ABM600 with ABM210/410 cabs, and the RM500 with RM210/115 cabs. Impressions are that the ABM is a bigger sound, and has more presence in the lows when all set flat, but other than that I find them very similar, though have to admit I get my eq from my Sansamp. The only adjustment I make on the amps is on the ABM I back off on the lows to about 10 o`clock, whereas on the RM I leave all at noon. So to answer Peetys question - sortof - not that much difference between the two, though I`m guessing at higher volumes the ABM will fare better.