Leaderboard

I'm lucky enough to own a 1978 Pro ii, built out of Matsomoku factory. Its a dream to play. loads of mojo. Pups upgraded years ago to Dimazio pickups. Loads of punch and tone. Not sure of its value? but a keeper none the less.

Picked up one of these babies today and it's absolutely sweet !

I bought one about a week ago. A 2009 Musicman Stingray. 3 band EQ, single pickup. Candy red, rosewood fretboard I've only really had Fenders before, so I can only describe it relative to those... Build quality is great. Components seem excellent quality, and the fit and finish is great. If you've played fenders before, you'll find the neck is very much like a Precision. It's quite heavy, but not too heavy. Nice and solid. Sounds nice acoustically. The G string was a bit quieter than the others. I'm convinced it's because the pickup polepiece doesn't line up properly with the G string. This is apparently a common issue with Stingrays. I fixed it by raising the pickup at the treble side, and managed to get the string volumes balanced enough to where it isn't an issue. You'd think in an otherwise very well designed bass they would have fixed this years ago. But no. Apparently the new ones DO have the polepieces in the right place... but 2 grand's a lot to pay imo for that My takeaway from the G string polepiece issue is that it's pretty sensitive to how you have your pickup height set - so be aware of that Re the sound and having a single pickup. The most noticable thing is that the kinds of warm, vocal mids you might get from a precision are totally absent. And the second thing is that the low end is deep and tight. I heard the preamp has a high pass filter, and it sounds like it. There's loads of thick, punchy bass, but it somehow has a tightness to it. As if it rolls off quickly below 40hz. My main bass is/was a precision, and I use an SVT. So my go-to sound is that classic grindy rock tone (with a plectrum) with the SVT deep switch in, and a bit of mid scoop. Loads of low end, but it's more of a fat and woolly low end, and those precisiony, expressive mids. You can't get anything close to that with the Stingray. With a plectrum, you get LOADS of zingy top end, and that tight bass, with no real Fendery mids no matter what you do. It's very scooped, even when you goose the mids on the EQ For a punk or rock gig I would leave the Stingray at home and take the Precision, unless it was something modern like RATM or RHCP etc For a pop/funk/disco type gigs, the Stingray would be perfect. It seems to have been primarily intended for fingerstyle players. The frequencies that the pickup and preamp accentuate are ideal for a nice tight, modern fingerstyle sound. Lovely for fingerstyle The 3 band EQ is interesting. I tend to leave everything centered. Sounds best to me that way. The treble and bass tend to either let you take far too much off, or add far too much on. The middle isn't really a traditional mid frequency knob like on a fender amp, it's more like a knob that lets you make the sound go from fairly scooped to very scooped... whatever you do, there isn't much mids I heard someone say (and I agree) that a fender jazz (both pickups on) is more scooped than a precision, with deeper lows and higher mids. And that the Stingray is even more scooped - deeper lows and has even higher frequency mids. I think that's a good way of putting it. If there's a path from P to J, then the Stingray is the next step along I think no matter what you do it'll sound like a Stingray. But I think it has enough to make it a fantastic bass in the right context. It's certainly not a swiss army knife, and almost certainly the wrong bass for certain things I really do like mine. Got it off eBay for £900, and I'm glad I got it. Not sure I'd buy a new one for the prices they're asking now

My SB1000. Iconic, in my opinion. Nothing comes close

Any excuse to pop a picture of this 1981 SBR-150

I've had a small windfall - about the size of a new tip-top-notch bass as it happens - and I'm having serious GAS for a Stingray Classic 4 string. I buy a new bass about once a decade so it's a BIG decision for me and I need to know how many of you guys (possibly the greatest bass playing experts on the interweb so I trust you) rate this bass? How's the quality of build and is having a single humbucker a limitation? Has anyone bought one recently and are you pleased with it? Obviously I'm looking for encouragement but if there are any serious worries I'd probably rather know!

Hi my name is Alex and I have Dirt Pedal Adddiction Syndrome. I also have a great affection for envelope filters. I can't afford to buy new ones so mainly build DIY. So many pedals! I've been questing for the ultimate fuzz plus envelope filter tone. Bass - US G&L L-2000 made in 2000AD! In the UK, London, playing in a 90's rave band.

Funnily enough I’ve had basses built by both Martin at Sei and Jon at Shuker and both were fantastic experiences. If I had to choose though, Jon was the more approachable and much more open to working with me on my design and build. Both very high quality builders though & all fantastic basses. Proof of the pudding is I now own 2 Shuker Jazz basses (both shown on the Shuker web page you’ve linked to) and no Sei Jazz basses.

Hi guys, just wanted everyone who has replied to my original post to know; the transaction with Alex went absolutely seamlessly, despite my reservations. It was just such a different way of doing things. And a way in which I am totally unfamiliar, being from the UK lol!! It seems that this way of doing things is so normal in some EU countries other than UK, and I had no bed to worry. Thanks Alex, so glad you are so pleased with your purchase, wish you all the best. Timmynumbers 👍

OR... for £1169 you could buy very nearly thirteen used Trace Elliot combos and keep one at each venue. Saves carrying 'em.

Pure class, this. Lovely bass

I had a TH350 and it never wanted for more beans. Where will it all end? 'Markbass announce 2kW RMS @ 4ohms amp the size of a credit card - earplugs included'.

i ve asked my wife and she said defo fingering !

Started to knock the sharp corners off to match the vibe of the original carve. The light is starting to go but made a decent start with spokeshave and cabinet scrapers:

Which Mac?? Gary Mac!!

With regards to active/passive controls, a while ago I came to the realisation that what I'd really want is a passive tone control coupled to an active mids control with adjustable frequency centre, something like the John East module which covers 100Hz - 1000Hz (or 200Hz - 2000Hz, as it's got a switch for both ranges). I don't need a bass control, really. Treble? A passive control is sweeter, for my taste. What I want is to control what happens in the middle, and with a wide range like that, I can get punchy low mids, or hollow tones, or beautiful deep bass tones... For me the on-board EQ on active basses is merely to fine tune my sound and make some small adjustments for specific songs, but the basic sound comes from the amplifier's EQ. The small adjustments I want are all in the mid range or something that a passive treble cut is better suited for.

I can't help but to get a little giddy with excitement over Jon's headless basses! I think you are quite right to say you have your own template! I think your two have the most identifiable outline in the range surely!? (Don't change it for the next one, ok?)

and mine...

I have a Vigier passion III for punk/metal so a Stingray for funk/pop sounds about right. Thanks for taking the time to give a great overview - much appreciated

One of the things Jon did for me & continued through to the JJB series was chamber the body to lighten the weight of my bass 😁

Same as that, Reggaebass......... I've got an 1977 jazz and it is a stunning bass

I suspect he'll be unhappy with that ... oh, I think he's saying something to the referee ... and now there's some sort of disturbance amongst the fans ... they're all in the centre circle and there's a bit of pushing ... well this is something that nobody likes to see ... and as the Stukas dive in to bomb the last pockets of resistance ...

Man that looks hawt @Andyjr1515!

There's a really good documentary on the BBC iPlayer about the recording of the News Of The World album and subsequent US tour. Freddie Mercury has shorter hair than he did at the time of Bohemian Rhapsody but still not as short as his later "clone" look.

The Indonesian 10 series basses are not as similar as you might assume. The hardware and pickups are essentially an Indonesian-made copy of the Japanese-made parts on the 20 series basses. They are not, as most people presume, the same as on Japanese-made basses. The wood used on the Indonesian basses is also completely different from that used on the Japanese models. The seasoning process for the wood used on the Japanese basses is carefully controlled. The wood for the Indonesian basses is not as well prepared. More importantly, the fit and finish of the Japanese basses is far superior. Don't get me wrong, the 10 series basses are fantastic in their own right and worth far more than they cost, in my view. But I honestly think that the 20 series basses are something really special and worth the extra cost if you are a fan.

A Yamaha logo on the headstock!?? 😂😂🤣

IMO the title of this thread is like asking a carpenter which tool he is most impressed by...his saw or his chisel. For the bassist, the most impressive "tool"...i.e. pick or fingers... is the one that he feels most adequately fits the song or piece of music.

What are these funny lbs things? If only Barefaced could make it 15Kgs... ( I will get my coat).

Bill. my point was that if all other things are equal then a bigger cone will output more low end than a smaller one. If we look at tyhree drivers form the same series, i.e. Eminence Delta, We can clearly see that the 15" (Red line) goes lower than the 12" (blue) and the 12' goes lower than the 10". Of course that does not take into account the enclosure size and in this case thye 15" enclosure is 600 litres the 12" is 100 litres and the 10" is 15 litres. The fact is though that the Eminence Delta 10 can never go as low as the Delta 15 in an idealised enclosure. Clearly the Delta series are not state of the art when it comes to low frequency drivers. Cone area is one of the parameters that decide the performance of a low frequency driver but it is not the only one.

That's the problem really. I made myself a 7lb Jazz bass, now it's really difficult to consider anything heavier.

Here's a few of my 4HH in different dress to help you in your way!

It was made behind the iron curtain, might still be good for metal.

I've always done the same to be fair. On a few occasions the FOH said the bass sounded good as it was and no need for PA support and that was with a Markbass rig. Dave

PLECTERING!

Looks like a reverse body to me.

The One10s sound anything but thin, in my experience

Slot load bridge BUT with a simple press-latch mechanism over the saddle so that the ballend can't pop out when you start installing a new string (not sure if such a beast exists though) Well-shielded electronics Satin neck (no gloopy gloss) Fretboard on both sides of the neck and pups on both sides of the body. One side has rounds, one has flats, and each side can have different pups/preamps. Of course this requires an inflatable belly guard (bit like the Gretsch White Falcon), and fingerless gardening gloves in the case candy, so the strings on the side you are not playing can't hurt you...

I was going to say that I had you down as a bit of a Viz fan, but then I realised you were using the word and not talking about the magazine!

For upright basses, the string height is usually measured at the end of the fingerboard - it varies a lot, but typical values are around 10mm for the E string down to maybe 6-7mm for the G string.

Agreed. Seems there are a few TE cult followers here. Lets emerge from the underground and become mainstream Wave that flag, people !

Hey Nancy, I apologize for my fellow yank calling you "fancy pants". In your case should it have been "Nancy pants"?

In full agreement with Jez on this. I've really enjoyed every Bash I've attended and was so inspired by the SE Bash that we organised The Herts Bash off the back of it. Organising a Bash is a lot of work, hiring a venue, arranging speakers, Raffle prizes, arranging Teas/ Coffees/etc and food/cake (normally courtesy of our partners). To arrange the Herts Bash generally cost me personally over £100 and every penny raised went to our charity of choice. Raffle prizes are usually worth more than the cost of the tickets and everybody wins at least once. As Jez says, the level of ability varies from beginners to exceptional, novice to experienced. This means that you can share knowledge - either helping less experienced players or picking up tips. The seminar subject matter vary from knowledge bas(s)ed to just a bit of fun. We have had some great speakers - just look back at previous threads. The cost of these events - generally £10 - is incredible value. Where else can you spend a day checking out gear and talking bass without fear of ridicule? With these events happening only a couple of times a year, you really should take advantage of them when they're on...

Ooh is this a "post a photo of your SB-1000" thread?

Tone foam is tricky stuff. If you can't get pre-CBS foam then modern foam that has employed wax-based products gives the best results. Be sure never to wash it though!