Jump to content
Why become a member? ×

Leaderboard

Popular Content

Showing content with the highest reputation on 13/11/18 in all areas

  1. One of my favourites is ..."You're The One That I Want"...from Grease.
    6 points
  2. Well, here is the latest family photo. Don't hate me for buying them all... but I think I have a problem... 😉 Top Left to Right TT4 Creme - Masterpiece TM2 Orange - HCA Panther - Bocote Top & H/Stock Bottom Left to Right UMBO Red - HCA 48 Red - HCA Grand Dark San Remo Blue 😀
    5 points
  3. I have never gigged this lovely cab, and sadly never gig anymore so it needs to go. Not a mark on it so in mint condition, comes with the silver cloth front and a Barefaced cover. New this would be £739 so I feel £500 is a good price Collection from North London (N8) Thanks for looking
    4 points
  4. Guess most of you have seen this, but it's interesting if you haven't
    4 points
  5. That’s funny - someone took the graphite thing a bit too literally! Leave it as it is - it’s a great conversation piece!
    4 points
  6. Forgive me Basschat, for I have sinned. On my way home with a matte black BB735a from Wunjo 😬 😈
    3 points
  7. Artists would often record different versions of the same song, sometimes with different arrangements, sometimes with different musicians. I'm not overly familiar with Jameson's or Kaye's history, but it's quite probable that each would have been called in for different takes/versions of the same song. As time goes by, for some songs, even for the featured artist and producer, knowing exactly whose bass part ended up on the released version would be nigh on impossible to ascertain.
    3 points
  8. My latest offering to the pedal gods...
    3 points
  9. I think the binding is going to work well. Once the fingerboard has been scraped and finished and the binding corner rounded off, it should look pretty integral and - more to the point - it should work well from a playing perspective. I think this may well become my preferred method: Next task will be to cut the pickup chambers but that will probably be at the weekend earliest
    3 points
  10. Color sample time. Gold over pick guard material scrap, both black and white. I use Didspade pigments. Very economical and available in small quantities. Satin gold pearl powder in clear acrylic lacquer. Pearl gray primer/ surfacer is the way to go.Touch up gun for samples. Matching headstock on this one.
    3 points
  11. Blah blah blah weight blah tone blah blah. Get a grip everyone. Matching black headstock trumps everything.
    3 points
  12. For sale Warwick Corvette FNA Jazzman made in Germany in mint condition Very versatile bass This bass is really light 4,1kg No trade 
    2 points
  13. So the most important head is the only one you can't change? Though filling it with oil seems strangely attractive 🙂
    2 points
  14. How would it defeat the point? You have an accelerator on your car... you decide how far to push it down. I also don't need to know how much 'power' I'm putting into a cab, it is irrelevant. I turn up the volume, it complains, I turn it down... I've ran a 200 watt cab with a 2000 watt power amp and never once had a problem; because I used the gain/volume controls. Not trying to be awkward but folks are seriously wrapped up in the numbers and seem to forget that the obvious deciding factor in all of this is 'human' and you are in control. Just to throw this in the mix; my present set-up is a 750 watt amp which I use with a 2x10 cab (or two) and have done for some years, I recently trialled a 100 watt amp with the same cab(s) and I managed to continue gigging without killing any piece of equipment or ANY detriment in tone that the audience heard (no trickery with PA back-up).
    2 points
  15. Whoah! That’s a WHOPPER!! Look at how big it is compared to that house.. Is it 34 foot scale?!
    2 points
  16. Why is no one discussing that blue LED? Very subtle - less is more.
    2 points
  17. Father, forgive me for I have sinned. I didst count the strings to four and all was good. And then I didst count yet another string. Five was the number of strings and the number of the strings was five. And yea, did I allow myself to yet pluck the string and the sound was good. I turned aside from the path of righteousness and found within myself that I did yet make music that was pleasing to the Lord God of Bass with sinful lack of effort, and the music didst exceed that which I could yet play when the number of strings was but four. And Lo! The band of disciples - for always shalt the other players of strings follow the Lord God of Bass - did say that it was good and did promise to wreak a plague of locusts upon my soul should I worship at the Temple with but four strings. They spake in tongues and didst proclaim 'thou now hast a decent instrument and we do dig thy grooves, man'.
    2 points
  18. That looks great! Can you do one in roasted flamed maple?!? Mmm, roasted maple...
    2 points
  19. I stick to the Holy Scripture, as outlined below: A Reading from the Book of Bass, Chapter 4, Verses 16 to 20: 'First enter thou the purveyors of the Holy Bass. Then thou must count the strings to four. Four shall be the number of the counting and the number of the counting shall be four. Five shalt thou not count, neither shalt thou count three, excepting that thou then proceedeth to four. Six is right out.' 🙂
    2 points
  20. The Christmas gig offer was lovely “Trav, I need a bass player for a high profile gig in Manchester - I don’t want anyone else, but I appreciate you’re on a break. Would you consider it?” Suppose it’s nice to be wanted 🤔😂
    2 points
  21. We'll you should see my new Kramer Forum IV !!! .... Purple/Pink animal print body wrap, Spector pickups, Kent Armstrong 2 band active, not sure if that’s original but sounds beefy ... Mr Leopard will be very happy \m/
    2 points
  22. I bought on of these v for a project Aria Pro II Magna: https://www.amazon.co.uk/MADE-JAPAN-High-Quality-Brass/dp/B00IC9QW1C/ref=sr_1_15?s=musical-instruments&ie=UTF8&qid=1542014383&sr=1-15&keywords=bass+nut+brass Seems to be good quality & works a treat. Was posted from Japan & arrived fairly quickly. I'd replace the nut, add new strings & then set-up. If you've still got dead spots, maybe look at tweaking the truss-rod (if you think it needs it), adjust the bridge. If all else fails, get a quote for a luthier set-up. Good luck!
    2 points
  23. If you wear a glove to pluck, why not sew a pup into the palm - then you can learn to move up and down the neck to always be on the 'sweet spot', and subtle shifts in intensity will be possible too. Shouldn't be too difficult to master.
    2 points
  24. For sale,or possible trade, depending on what you have..... my lovely MIJ Fender Precision, model number PB57, manufactured in 1995/6. In good shape for a 22 year old Bass, 4 dings on the lower body, prossibly caused by a rubbish stand. numerous small scratches, at various points on the finish. The varnish has chipped off the edge of the fingerboard in several places, suggesting that the fingerboard edges have been rolled at some point in the basses life.... I'd say the Bass is a medium weight. The loom has been upgraded to CTS pots and cloth wiring, the pickup is from a 1980's Squier Silver series P bass. Plenty of life left in the skinnyish frets, and the truss rod works fine. The Wilkinson bridge has been replaced with a suitable vintage looking model, and the Dunlop locking strap buttons have been changed for standard buttons. No case with this one I'm afraid, but the Bass will be safely shipped, in a box, within a box and plenty of bubblewrap. Or of course, the buyer may collect from the Wirral. I'd imagine UK postage will be in the region of £20-25.... Any questions, please ask.
    1 point
  25. Selling a few basses and an amp/cab, this one I bought new and have never gigged with it so it in really superb condition. Just one very small chip, circled on one of the photos Collection from North London (N8) or I can meet in Central London if thats easier Many thanks for looking Fender info on the US made bass below - when it says 'deluxe gig bag', I would say it's more of an 'adequate gig bag' Here's a new take on a classic bass. Fender's American Special Precision Bass kicks off a new decade of Fender basses with the latest in U.S.-made quality and value. An ultra-fast and comfortable Slim C-shape maple neck and lightweight alder body make the American Special Precision Bass one of the most playable basses out there. A traditional split single-coil P Bass pickup puts out plenty of tone, and Fender's amazing Greasebucket tone circuit lets you ease off the highs and still get punchy and powerful lows. Top it all off with Fender's high-gloss finish, and the American Special Precision Bass looks just as good as it sounds. Color: 3-Tone Sunburst with High Gloss Finish Body Material: Alder Neck: Maple with Slim "C" shape Neck Finish: Satin urethane finish Fretboard: Rosewood Fretboard radius: 9.5" Frets: 20, medium jumbo Scale length: 34" Nut width: 1.625" String nut: Synthetic bone Truss rod nut: 3/16" adjustable hex nut Pickup: Split single-coil P Bass pickup Controls: Volume, Greasebucket tone circuit (rolls off highs without adding bass) Hardware: Chrome Tuning keys: Standard Bridge: Standard Vintage 4 Saddle Bass Strap buttons: Vintage style strap buttons Control knobs: Knurled chrome P Bass knobs Pickguard: 3-Ply Parchment Case: Deluxe gig bag included
    1 point
  26. The resistance was pretty easy re: BBP35. The active/passive versatility of the 735a just filled me with more delight. And I much prefer the matte black of the 735a to both the sunburst and the midnight blue offerings of the P35. Tom @ Wunjos did do me a nice deal which convinced me to abandon all thoughts of buying via the Yamaha Music Store. I’m a happy bunny - It’s an incredibly classy looking instrument IMO!
    1 point
  27. Vulfpeck - Dean Town is a good workout.
    1 point
  28. That would look good 👍🏻
    1 point
  29. Andy's just bought a lush Yammy BB. That says to me the opposite of "I'm chucking it in"... more like "I'm a man of great taste who knows a quality bass he wants to be playing when he sees one!"
    1 point
  30. Just opted for the Fishman Platinum Pro from GAK, cheers all.
    1 point
  31. I was going for the understated look!! 😁
    1 point
  32. Yes....in the 60's she was behind many a great groove and is also a talented guitar player. One of my favourites is I'm A Believer (Monkees)....great line IMO. I guess it's no surprise that Macca rates her as one his great inspirations.
    1 point
  33. Great news. Hopefully things are picking up for you now and with Xmas coming it can only get better. All the very best sir. Dave
    1 point
  34. That's 9 ounces in old money - not a lot so long as the base line weight wasn't 10 lbs in the first place!! I have started wondering whether as bass players we're all becoming wimps - back in 1980 people were raving about Ibanez Musician basses - and they were often 12 lbs +. I count myself in this as I have a Stingray Special - and it's around 8 lbs - having used this a lot it's noticeable when I pick one of my other basses up. Perhaps it's an age thing..... Congratulations I'm sure it'll sound great 👍
    1 point
  35. Yes indeed. I shall be taking the beauty along.
    1 point
  36. Fun gig for our jazz standards quartet on Saturday night, a somewhat rustic old fishing lodge on the shore of Lake Nipissing here in Ontario.We hadn't played there before and didn't know what to expect but it was a lovely big room that is a bar/restaurant and we had lots of room to set up beside a huge fireplace. Unfortunately on Friday night and most of Saturday we had our first real Northern Ontario snowstorm and although the roads were generally in good shape we knew some of our friends and band fans would not want to make a long snowy drive and so we were pleased with the 30-40 folks who showed up. Most would have had about an hour drive on a mix of highways and rural roads so we knew they would be an appreciative crowd. We usually play three sets over three hours and got through our first set and then passed out copies of our playlist (almost 150 songs) as we have done in the past in situations like this and after a couple of songs to start the set we played mostly requests for rest of the sets so the audience is involved and get to hear what they want and we play songs we might not have chosen for a particular gig.Everyone is happy and it keeps us on our toes. Meals supplied, good staff, plans to rebook us soon and an extra $100.00 on top of our usual fee.Everybody wins ! We were in good form and played exceptionally well and had a lot of fun going into our seventh year together.
    1 point
  37. It was written: "Let thee craft thyself thy bass guitar, and let it be given 4 of thy finest strings no more, no less, for anything other than 4 is an abomination, and leads to deviance from the true path of righteousness" 🙏
    1 point
  38. It's entirely dependent on your taste. I've found that an important part of the sound I love and use is having a specific type of pickup roughly half an inch away from the end of a 20 fret fingerboard. The same thing an inch away doesn't work the same for me. Put 24 frets on it and I'm knackered. However if you asked Jaco, he'd tell you something entirely different. Dad3353's suggestion is a very good one.
    1 point
  39. Unless one is playing only 'open' strings, the 'sweet spot' and 'string node' positions will change as the string length gets shortened. There is no one spot for every note, so it's a matter of best compromise. One option is to provide for a movable pick-up (s'been done before, on sliding rails...). If you're building from scratch, I'd suggest doing a 'plank' mock-up, and moving a pick-up around until you find the spot that pleases most for the styles of music to be played. Shouldn't be too difficult; worth a shot..? Hope this helps.
    1 point
  40. I think it looks much better with the new headstock shape......... 😀 Next job is the control cavity, fingers crossed I don't balls it up again!?! 😳
    1 point
  41. I decided to reshape the headstock as it didn't look right with the fender style so I did the Ibby style I've done on a couple of my other builds then veneered it with oak to match the centre section of the body....... 😀
    1 point
  42. Like MacDaddy says, don't overthink it. Write a whole bunch of stuff, and you'll realise that there are lyrical hooks there if you look for them. Musical theory? What's that got to do with the lyrics? Caesar's Palace, Morning Glory, silly human race.
    1 point
  43. Ha ha, yes the pain and suffering is definitely a feature of guitar building. In fact, the more my skills grow the more I realise that guitar building is, like tennis, mostly about avoiding unforced errors. The lapse in concentration, the inexplicable routing using a template that's upside down, drilling too deep, or too shallow, or not at all, not checking fret slot depth etc etx..... I've done them all. Several times. New swear words have been invented. The occasional infantile tantrum. But as @SpondonBassed says, it's inevitable and you just have to rely on your skills or improvisation!
    1 point
  44. Yay - glad you could fill in while Christine is gallivanting around the EU... Srsly though - I love your build threads. So this was cunning marketing then - an enquiry straight from: 'Having read your No Treble piece with interest, can I have?'
    1 point
  45. Love the Seafoam green ones.... However the thing that brought me here was the thread title - it's been driving me (and my OCD/Pedantry) crazy for days..."Sandberg appreciation scociety" Please, please, please amend the spelling...
    1 point
  46. Hello, Chris from Smooth Hound Innovations here. Happy to answer questions you might have about the Classic wireless system. [quote name='dood' timestamp='1435090254' post='2805426'] I'd be keen to test both verses a standard 20ft cable. I wonder if Line 6 are being a bit keen and SmoothHound conservative? [/quote] Well, the exact latency is 7.68ms so 8ms is a [i]little[/i] bit conservative! A quick point about latency, sound travels in air at around 1 foot per millisecond so adding 8ms latency is the same as standing 8 feet farther away from your amplifier. Whether you're playing bass or lead doesn't really make any difference, it's all about the attack. I appreciate the latency figure is not the lowest around and as EBS freak says, if you need to add a lot of [i]additional[/i] latency (eg chain a bunch of digital effects and monitor through a digital desk) you could get to the point that it is noticeable. All the comments we've had so far on latency though have been positive. People keep saying things like "No latency" which isn't strictly true!
    1 point
×
×
  • Create New...