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Showing content with the highest reputation on 03/12/18 in Posts

  1. I'm knocked out that my band (Lutz) have had our album listed on a couple of these top ten releases of 2018 things; I'm assuming this came out of the New Music Saturday podcast and a few people have just picked up on it. At the very least, it affords me a little smile after what has been a fairly traumatic year in which I lost my father-in-law, my mother and my job. [Edit: I also emerged from the wreckage of losing my band, the band I formed eight years ago, to a bunch of fairly unpleasant interlopers.] 2019 has got to be better, eh?
    14 points
  2. ...well in a somewhat bizarre turn of events, I interviewed for a position last week and the agency just called and told me I'd got the position and start on the 17th. Amazingly, I'd initially turned the interview down, largely questioning my abilities, but the agency were told the decision was unanimous and I was head and shoulders over the other applicants. Feeling a bit happier.
    6 points
  3. Drove up to fellow BC member FinnDave to purchase/collect a bass he was selling. Had a great chat for an hour; he's a top bloke...and the bass, an Epiphone Thunderbird Classic Pro IV with Babicz bridge and Gotoh tuners...wow, what a bass. It's immediately become my prime gigging bass. Awesome feel, action, sound, looks...the total package. And the neck's almost 2 inches shorter than my Burns Bison, perfect for my short arms. Thanks BassChat for hooking us up.
    5 points
  4. I'm selling my Sandberg hardcore aged Masterpiece bass. The bass is in good condition (except for the dings and dongs ;-)). Comes with original Sandberg bag, strap (never used), 2nd (also aged) pickguard in black and tools. Due to the thermo and vibration treatment the bass feels and sounds like an old, well played bass. The response is great. No deadspots. Great punchy JB sound. Low action is possible. body is alder neck/fingerboard is maple passiv electronics, vol./pu blend/tone pickups are Sandberg the frets are like new Waiting is more than a year for a Masterpiece
    4 points
  5. First Dates - will they be seeing each other again ❤️❤️❤️
    4 points
  6. What constitutes 'a good rig' could be debated until the cows come home, but I would agree... the best 'tone' or 'sound' or whatever you want to call it that I ever had was through an Ampeg SVT Classic with matching 8X10. Still chasing that sound, really. I'd use a fridge every time, were it not for the practicalities involved in moving the bloody thing from A to B. And back.
    4 points
  7. A good sound just makes you feel super confident and gives your playing another gear.
    4 points
  8. Weather at last improved enough to let me get some pics of my newly acquired California II TT4.
    4 points
  9. Fodera Yin Yang Standard - £2750 I had this bass listed previously and withdrew it, but having moved back from university, and bought an MTD AG5, I really need to re-list this. Bought new around 4 years ago. One of the best 4 string bass I've ever played, but I simply have too many basses that are in a similar territory tonally, and prefer a 6 string for my jazz and solo gigs. The neck feels amazing. These basses truly are on a different level! A couple of marks and wear on the edges from a good amount of playtime, which are photographed. The video attached is from my channel, so it's the very same bass. Comes with the original Fodera case and Dunlop strap locks. No trades please, unless it's a Sadowsky, has 5 strings, and isn't black! Collection preferred from Maidenhead, Berkshire, but willing to meet people as I travel a lot for gigs. Shipping can be discussed. Thank you for looking! T
    3 points
  10. Blue note, Brown note, let's face it, we have the POWER
    3 points
  11. Saw them in the mid 90s at the Huddersfield stadium (whatever they called it then). Brilliant summer's day and Stipey was doing his stuff as the sun was going down. Magical. Tanya Donelly was also on the bill and I was a huge Throwing Muses fan at the time. The main support was supposed to be Oasis but they decided they had got too big to be a support. Beautiful South stood in... I don't really like them but full marks for jumping in at the last moment... and they had a full brass section... always a mighty thing... huge roar went up when they played an Oasis song. Back on topic... must start listening to REM again. I even went to Athens Georgia and had meals in Weaver D's and at the Grit. It's a very neat University town and every male student looked like Stipe... some of the women did too.
    3 points
  12. Put down the bass, pick up a triangle. Then listen to Reggae, an ting.
    3 points
  13. Ahh I should have said, Tom Waits is on the list! That album (and Closing Time) are absolute solid classics and I love playing them.
    2 points
  14. Retirement Sale of unused equipment collected over too many years !! Offered here is my Trace AH280 GP 12 SMX with separate 2 x 10 cab. Carpeted not tolexed. Good / Fair condition for age. Both come with flight cases Too heavy to post...... collect or meet within 30 miles of Mansfield Also offered for sale elsewhere
    2 points
  15. I think it might just be the light that is fooling you in to thinking the finish is shiny. I always try to get the bright sunlight light reflecting off the basses when photographing them to highlight the wood grain. Here is the latest one I finished:
    2 points
  16. Basses (or any other instrument for that matter) only sound good on a recording in the context of the arrangement and production of the music. Take a listen to any of the many isolated bass tracks available on YouTube if you want to hear how different (and generally not very good) the bass sounds once you strip away all the other instrumentation.
    2 points
  17. Good on you, pal, and all the best for 2019!
    2 points
  18. Thank you, Chris, it was a real pleasure to meet you and have a good old chat about life and all things bass. Glad to know the bass has gone to a good home, enjoy it!
    2 points
  19. I'm guessing it was a resonant frequency if it was only E - causing the speaker to oscillate at its natural frequency. But over to the experts!
    2 points
  20. Some of my favourite books for working on sight reading and some tips to maximise your practising efficiency:
    2 points
  21. There are so many, but on this subject this always pops into my head first. If I can actually make a decision I will post some other faves later.
    2 points
  22. When I played (finished gigging 20+ years ago now) guitar in bands we only did pubs and clubs, and we didn't get fed. But I must admit, these days if I was faced with a big meal before a gig I would be asleep on my feet! I do recall one memorable occaision at Barrow Hill club (I think - it is 30 years ago now) when half way through the second set we were blasting away through something when the power went off to our stage gear, only for the concert secretary (do they still have them?) to mutter through his mike "T'pies 'ave come!". Virtually the whole audience left the concert room whilst we were powering up the amps hoping they hadn't been shafted to go and buy pies from this block who brought trays of them in from a van. What a classy place that was. They did provide half a dozen "broken" pies and pasties in our changing room though, which we scoffed whilst they were doing the bingo and meat raffles between our second set and last set. The delights of working men's clubs and Miner's Welfare clubs. What pleasures they were.
    2 points
  23. Eddie Jackson with Queensryche on the 'Operation Mindcrim'e album - particularly the tracks 'Eyes Of A Stranger' and 'I Don't Believe In Love' - Gorgeous grinding Spector NS2/GK800RB tone! Tiran Porter with the Doobie Brothers - classic flatwound/pick thud, particularly on the albums Captain & Me, What Were Once Vices & Stampede. Guy Pratt with Toy Matinee. Ocatved Stingray goodness and groove for days!
    2 points
  24. Why do vegans and vegetarians feel the need to make themselves sound special? I dont like fish or gammon for example so I'd just avoid it at a buffet, it's a buffet so you just take things you like, aren't allergic to or have moral issues eating. If there's nothing you like get a McDonald's on the way home! 😋
    2 points
  25. Alleva Coppolo LG5 Candy Orange w/ Mono gig bag Alleva-Coppolo offers instruments that are as close in feel, sound, and quality of building methods, as the revered and cherished classics were originally created, with just a few important upgrades such as trued fingerboards, better shielded cavities, onboard preamps, and a very musical and usable 5 string. Modern, high end quality...classic vintage feel. That's what Alleva-Coppolo is all about! Scale Length: 34” Nut Width: 1 7/8” Fingerboard Radius: 10” Neck Shape: Vintage Taper Bridge: Proprietary A-C 19mm bridge Pickups: Alleva-Coppolo PU Placement: 1960 Preamp: Alleva-Coppolo 2 band Pickguard: 4 ply Faux Tortoise Shell Body Finish: Acrylic Urethane Candy Orange Neck Finish: Acrylic Urethane Clear w/Body Matching Headstock Body Wood: Cedar Neck Wood: Maple Fingerboard: Grandillo (Upgrade) Inlays: 1/4" Fiber Nut Material: Bone Frets: Vintage small Tuners: Custom Alleva-Coppolo Hipshot Weight: 8.25 lbs Gig Bag Included Mint/new Still the cellophane on pickguard Only used in studio. A little signs of used in the truss road only because I’m a Maniac of setup 🙂 Bought last May for 5500 Euro. Shipping: 50 euro Italy 100 euro Europe 300 USA 350 rest of the world Davide
    1 point
  26. TRADED Updated with cash price. 1550€ or approx 1375£. I might regret this.. But sudden urges towards getting the right P or maybe a PJ bass have made me wanna try making it real. So, my beloved Fender Roscoe Beck .. VERY VERY good condition. One mark on the fretboard and 1 or 2 un-photographable tiny marks in the paint ( you can't really see them!) .. Only thing to mention is a ding in the fretboard - that's really all there is to note! (See pic). These are becoming rare! And in my view the 4 string is super rare. This one has that awesome Lake Placid Blue finish with matching headstock.. Whats not to like. It is a very powerful bass that has a really broad range of tones. Fits in about any musical setting I have thrown at it. Very resonant and lively bass with a super playable neck. Setup with DR Pure Blues. It weighs in at 4.160gr and its a super resonant and lively bass. Bass is located in Denmark. Trades: The right Fender P could do the trick.. Or maybe some other high end versions of the P or a PJ bass could also catch my eye. Also, special Stingrays or maybe a short scale like a Fender Mustang. TRADED
    1 point
  27. Ah yes, lovely couple the Shutterbug-Finns.
    1 point
  28. Yes, here's one https://www.guitardaterproject.org/epiphone.aspx Yours is in there, but I'll not spoil the surprise !
    1 point
  29. Also happy to help... can work a soldering iron, meter, etc. etc. Capable of doing setups most of the time. Happy to help. In the Clyde Valley, south west of Glasgow
    1 point
  30. Supporting The Dualers in Glasgow on Saturday... lots of fun.
    1 point
  31. I can testify to this as I had the same and it easily bossed in my punk band. Swapped this ST for Two10s and still the WA has no volume issues for me.
    1 point
  32. Every woman bass player avoided bidding on it, i see. Then again, so did all the men bass players. What a nob
    1 point
  33. That's a great explanation ....thanks. I knew it was ghosts all along!
    1 point
  34. The use of passive radiator speakers is (or was, back then...) quite common in high-end hifi systems, and the isobaric cabs (Orange, I believe, and a few others...) use 'em, too. Normally, a speaker's cone is braked by the connection to the amp, but when unplugged (or, it would appear in this case, disconnected...), that brake is no longer, and the cone becomes free to resonate with any passing frequencies. I'd suggest that this could explain the cone movement, and the sound emanating from the unit. The speaker has become a passive radiator, resonating at a specific frequency (or its harmonic...) that happens to be audible. ... Or ghosts, of course.
    1 point
  35. There's another WT500 in the classifieds.
    1 point
  36. Congratulations. 🍾 It’s nice to hear of good things happening to good people.
    1 point
  37. I couldn't find any technical documentation for this online, and it does appear to have been developed primarily for use with smartphones (and not properly tested with a wide enough selection of devices if online reviews are a reliable indicator). Most of the devices aimed at the phone market are pants, and there are plenty of solutions that work independantly of other technology, or which are better suited for use with a PC in the £50-£120 price bracket. The best place to start IMHO is to look at what you are wanting to do and the equipment you intend to hook up to - do you need independance from mains electricity? - do you want to record onto the computer? - do you need a headphones only solution or are you wanting to use speakers as well?
    1 point
  38. If the amp in question is a simple valve amp with a passive tone control (as most of the examples I can think of are), it can be quite a complex task. Most passive single tone controls have relatively low insertion loss compared to a Fender/Marshall three band or James (B15 style) two band circuit, so the amp may require an additional gain stage or other mods to work correctly.
    1 point
  39. Ha, remember them well. Pie and peas, often served with mint sauce instead of gravy. Also hot pork pies, where the jelly oozed out when you cut or bit into them. Also in Hull there was a bloke nicknamed 'Supercockle' who used to do his rounds of the pubs and clubs on Saturday nights selling all manner of seafood in small polystyrene tubs, which you ate with a cocktail stick and had a bit of vinegar sprinkled on. If he came in while you were playing, you ended up performing to a queue at the side of the concert room. ( Also the same thing happened when an old guy came round selling 'Green Sports Mail', which was a special late edition of the local paper containing the football and racing results from that afternoon.)
    1 point
  40. Wow, that guy has a nice bass, and some good fingers. 👍 I think a great sound is about 90% how you play it, and 10% what strings / amp / engineer / studio you use. ~This girl has everything:
    1 point
  41. Sennheiser HD201's cheap as chips 3m lead sound great with bass Mine are about 5 years old and are still going strong
    1 point
  42. The feel comes from playing in front of or sometimes behind the beat. It makes the bass drum and snare stand out by not cluttering up the sound but also serves to give the music a swing or lilt. Don't be afraid to leave spaces either, especially under the 1st and 2nd beats of a bar and you can offset this with clusters of notes under beats 3 and 4. This is what I've found, although opinions may well vary.
    1 point
  43. Too many to mention for me. Guy Pratt had a tone I liked on this.
    1 point
  44. My vote - gorgeous breaking up P-bass tones. Plus everything else is incredible too - songs, musicians. Stuff of legend.
    1 point
  45. Maybe start playing church organ, it will be easier for the sound, not the transport. 🤣
    1 point
  46. 1 point
  47. Damn that’s nice. If I hadn’t have already committed to another bass recently I’d be all over that!
    1 point
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