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I've only ever depped a few times and only for people I know. Last time was a young girl who occasionally songs with my band gave me about 48hrs notice that her bassist couldn't do a festival gig. She got her band moved to be on just before mine so I'd be there and sent me the set list of covers... i got introduced as a last minute cover and got through the first few songs including an improv section I wasn't prior warned about and all went well. Then Seven Nation Army was up next. I just stood there. Singer says "it's you". I had ear plugs in. "It's you. Now, it's you" I'm just standing there. "It's you" "what?" "Play the riff" "what riff?" This went on for ages until she basically spoke like to an elderly relative who thinks he's escaping from the nursing home "seven nation army. It starts with the bass riff. You need to start playing it"

I have vivid and fond memories of watching my (South African) mate giving an excellent and very well received impromptu version of "We Will Rock You" on the highland pipes while dressed in full Scottish regalia, accompanied by a German oompah band, also wearing their traditional costumes, late at night at an open-air riverside café in Turku, Finland in the summer of 2017 during the Europeade (European folk dance) festival. Pick the cultural bones out of that one!

Three bottles of vodka and hopefully a blackout until all the b@ll@cks is over with for another year.

I'm looking forward to going down my next blues jam night to check passports, and I'll be requiring written proof that the singer's dog has actually died, his woman did indeed done him wrong, etc. 😁 I used to go to the Bier Keller in Manchester when standing on tables and hurling steinfuls of lager around the place was a big night out, and the house band there (definitely Oompah) covered Like A Virgin...it was a life-changing experience... 😁

"Music eh...shit business int'it?"

Two things: first, Bob Marley's dad was a white guy from Liverpool. Second: you live in a flipping colony!!!

I started in live music by playing at one of the better jams in West London (the Drayton Arms, Ealing, formerly the King's Head, Acton jam). Quite literally everybody in the room was a better musician than me, and the great majority (including the guitarists) were better bass players than me. So? You have to start somewhere. If I could get in a time machine and go back those years - taking my bass with me, natch - there would still be plenty of better musicians there. There will always be better musicians than yourself somewhere, if you look hard enough. So stop looking and enjoy what you do.

I can't even do that after 6 months rehearsing with the same band. 😂

@The59Sound do you need to take a break?! How about it, or do you think you can behave like a grown up for a bit? Calm down.

Went along to a start-up originals audition once. The band were pretty good and (along with myself) had largely done their homework - except for the potential singer/guitarist/front man, who clearly was unable to fulfil any of those roles. It became obvious that he had made no effort to listen to any of the material, but this turned out to be irrelevant as he just plain couldn't sing, sounded as if he'd never ever picked up a guitar before and had all the charisma and personality of a canoe. BUT he thought he was great! The band played the songs while he made a terrible howling noise like an aphasic drunk falling down an escalator with a cutlery drawer, gurning horribly and throwing weird stunted shapes like an arthritic gnome with terminal hemarroids. The band immediately avoided each other's gaze. Rarely have I been so embarrassed yet so wanted to laugh as never before. No-one stepped in to stop it, we just kept going on and on through the set. It was absolutely interminable. We never met again, but later I heard he had persistently phoned the band leader pleading for the job, claiming he was obviously the best choice! And in the end actually got weird and threatening. Steps had to be taken. I've met some deluded flakes in my time - comes with the territory - but I won't forget this one in a hurry.

Been in the news a bit this week following Michelle Obama’s speech. How many of you guys have been in this situation? I did a dep gig on Saturday night. Was sent the set list, had a brief look through it, met the guitarist and ran through a few numbers. Didn’t seem anything too complex. Turned up to the gig unloaded and set up and then realised I didn’t have a clue what I was doing. Not practiced any of the tunes at home, didn’t know the structure to half the tunes, no ideas of intros or endings. I was screwed. Anyway, felt my way through the gig by using my eyes and ears and smiling a lot. The band thought I was great, the audience thought we were great. We got paid and the band leader was asked for cards. I suppose really that’s what musicians do when they play properly and all this endless rehearsals and preparation with semi-pro bands is mainly just to stoke the singer/guitarists ego. Quite honestly I’d prefer to dep all gigs. Keeps it fresh and reminds me of what a real musician is.

This. When I started, I was the worst musician in the room, but - I was a musician! Our om community was truly appreciative of the people who came every week just to listen, but as soon as I crossed that line it became completely different. I'm usually still the worst musician in the room, but that's because I keep pushing myself, and trying to play with better musicians, because it's the only way I'll get better myself. Many years ago a sprinter who came last in the Olympic 100m final was asked how he felt about coming last. His answer: "Being the 8th fastest man in the world ain't bad."

Flight cased in ears porn.

Remember , unlike my generation, I'm 65, no longer is every kid in the neighborhood buying a guitar and starting a band. There aren't that many guys in their 20s & 30s interested in bands or gigging. But there's a ton of us older guys not willing to give up our rock & roll spot light quite yet I'm not Blue

I had some trouble with Twist and Shout once I realised I was a different colour than the people who first sang it. Or is it a different nationality? Or religion? The Isley Brothers (who were the first to chart with it) were Seventh Day Adventists...

He's currently on a hiatus. God knows what he's going to be like when he finally decides he loves playing bass again.

It's a good thing to be helpful, right? Apparently the cry has gone out that the 2nd market is slowing (see that other thread). How could what we are signing up to do here (led by our pied piper moderator @Sibob) be described in any shape or form as being "helpful" on that score? 😄

My current fretless squeeze... OLP Ray body, Jaydee neck with mostly-unlined ebony board, EMG-HZ pickup, as yet passive electrics. Future plans are to squeeze some sort of 3-band eq in there. For the moment, I'm loving it just as it is. It plays beautifully and sounds better.

I fully understand. I just wish that big events like this weren't always so London-centric.

How did the Hipster burn his hand? He changed the light bulb before it was cool.

Next time I gig my Super Twin, I'll have to take an umph meter and see what is lacking

all brands of IPA available in the UK for a Yule long tasting session 🍻

A bit of peace and quiet hopefully.

Have you planted the Helix Stomp seed yet? I love how you have named your P2s too. I'm going to call mine Stan.

You can download them yes. Click on the 3 dots at the side of the video, that should give you the option to download. I've attached a photo of one of mine.

Unless you have a Mark King complex, you'll probably find that 4kHz isn't much of a limitation at all.

@Paul S Good luck. They won’t be expecting too much. Have fun.

I play in a ska band. I thought I was a bass player. I never realised I was a thief, coloniser and oppressor too. Thanks for the heads up.

S'easy..! You capo, too..!

You really are an over opinionated racist fool aren't you i grew up in Tottenham listening to reggae [both uk and Jamaican] and have played it for most of my fifty years i play with a band that consists of Jamaican, Indian ,Polish, Bermudan, mixed heritage and uk born some of the white members of the band have played with some of the biggest names in reggae without any problem i play the music from the streets i grew up in but reggae music is loved the world over ,and its message of unity and love is open to all.

Good luck with your endeavours. If anyone, of whatever colour, tries to tell you that you shouldn't be playing a particular type of music because of your ethnic background, then they are being racist, and should be ignored, however much they may try to conceal their racism behind such fatuous pc terms as "cultural appropriation". It's no different from someone telling a black person that they shouldn't be performing opera or playing in a string quartet. Music is music, and has always benefitted from cross-cultural fertilization, without which much of the music we enjoy, and which has enriched our lives, simply would not exist. Enjoy!

Why are you being rude? What an odd reply. Literally an opinion, a point of view - my 2p. The concept of a cheaper (‘kiddy’) Flea bass in itself was acknowledged by Flea when he brought out the “fleabass” range of instruments and further addressed by the introduction of a lower price point Fleabass (street bass). I was just pointing out that Fender may have missed a trick by only having the one price point which would be out of reach for younger/less affluent fans when they’ve done broader attempts to previously... Mike Dirnt has/had a Fender and a Squier model simultaneously BB King had a Gibson and Epiphone version of Lucille (there are plenty more examples) It just broadens their buying audience somewhat and more buyers means more money. Makes more business sense. And having left the guitar/bass retail industry after 12 years in 2015 - I might have an idea of what people buy into. As a point, the cheap fleabass instruments weren’t that great - but we sold 100’s of them because people bought into the Flea name/image. But what would I know, I’m only a child.

Maybe, maybe not. Unsupportive and/or controlling husband lets wifey audition for the role because obviously she's useless and (i) will never get the gig, (ii) can't possibly manage without hubby there to tell her what to do. Anyway, it'll shut her up for a while. Then gets all hurt and precious when it turns out that little wifey actually does just fine when he's not there to screw things up for her. Perhaps.

A singer friend of mine and myself were starting a new project, writing songs together. We would meet at mine to write and record a bit of guitar and bass. I was playing guitar but I wanted to stick to bass, so we auditioned guitarists. This guy comes in, and within seconds we realise he can't even play. He was having trouble shaping chords with is fingers... and you could see he was feeling very nervous and embarrased. Singer is giving me this look like "we're done here"... but I felt sorry for him, so I took one of my guitars and showed him something simple to play, and I played another guitar and singer sang a bit... then moved to bass... and over all I taught him 3-4 little things and we played for another 30 minutes or so. Then he left, apologising for his lack of preparation and he laughed at how silly he was for thinking he could do it. Then he says he had only been learning guitar for 2 weeks... I emailed him a couple of days later to see how he was. We laughed. He was a cool guy, he just jumps into things with lots of enthusiasm and not enough preparation sometimes We became friends, I encouraged him and eventually he went on to form his own band. I played a couple of gigs with him as a dep, recorded a bit, I went to his wedding... so yeah, cool audition ha! stinky poo guitarist at the time, but I ended up with one of the coolest friends I've got.

Some years back we were in need of a new drummer, so set up auditions. The first one to turn up, spent an age setting up his kit, tuning it, fiddling with drum heights etc. We finally launched in to the first song of his choice and he didn't do a thing, nothing. Claimed that he wasn't quite ready, so we started again, same thing, although on the very final note he wacked the snare drum and asked us what we thought

Just pulled the trigger on one for £250. Anybody using one at the moment? What's your opinion? I simply bought it as a backup to my SVT3 which, in it's massive flight case weights a ton.

I think the issue was mainly the compressor, not so much compression. Still if you are happy, so am I

I also don't see the point in this. A good split pickup CIJ Mustang reissue can still be had for south of £700 (even with the comp stripe) and will knock spots off one of these.

I've seen the Matt Schofield trio a couple of times, a British Blues band. Keyboard player definitely thinks like a bass player. I was astonished at how he could play some complex and syncopated bass lines whilst soloing on the keys.

I thought you might want to slap me down, Chris 😄

If I was starting again, that's what I'd do as well.

I'm not at all surprised by the smell of smug superiority and self-entitled retaliation. After all, has not the entire world from America to India to Africa suffered under barbaric Colonialism at the point of a gun? "Collecting" artifacts from other nations under the guise of Archeology to make money and stealing music and culture from other nations to make money is an old family tradition, innit...? Being insular can often make one myopic and preclude understanding, as they stumble blindly along the same sin trodden path of their ancestors. Anyone in the world can play European music. That is not Cultural Appropriation in spite of fools who try to turn the argument. Because they never invaded, enslaved or appropriated Euro culture. But to witness a young well-fed Euro musician cavorting around a stage in dreadlocks with jerk chicken in one hand and a guitar in the other shouting Jamaican patois and trying hard to copy Caribbean music like Calypso, Ska, Reggae and Rock Steady is the very definition of Cultural Appropriation. It's truly an embarrassment, innit...? It's "in the blood" of some and the DNA of others to regard the culture, aspirations, freedom and even lives of people of the Caribbean to be somehow "owned" by them; the Smell of Smug... If Reggae was fair game for Britz, they would not have to seek instruction in how it should be done. Do you need to ask how to play a Beatles tune or one by the Bay City Rollers? No. Because in those two cases you are not stealing someone else's culture. We had a case in Canada recently, of an European artist who made a career out of copying Innuit Art. Once the Innuit brought it to light, patrons ceased to buy it. Thousands of people realised the extent of Cultural Appropriation. It was high theft. Mass production of Innuit Art by Europeans with the profits going elsewhere. I guess millions still cannot understand. It's like trying to tell a European lad in 1776 that slavery is a high crime... Bands I've been in, when considering repertoire, have taken a pass on I Shot The Sheriff knowing how foolish it would look on stage. "Whee! Look at me! I'm a Reggay Man!"... European tourists in the Caribbean DO NOT want to see Europeans playing steel pan or Calypso or Reggae. That is fact, not opinion. However, they can buy a steel pan and take it home for personal enjoyment. But don't try and perform in public and turn a buck out of Caribbean music. Or any other people's music. Speaking out on Cultural Appropriation is not racism. Hiring Euro lads to play Reggae is. Why can't you hire people who are of the culture you are trying so hard to assimilate? Multiculturalism never ever meant that you could turn a profit by selling other people's culture. Go and play a Jig or copy The Beatles in a look-alike band. Reggay is the culture and religious belief of millions of people living in the Caribbean. It's not just a Pub song for someone's drunken enjoyment.

Oooh, what's the goss on the spec and release timing for this? It's the touted replacement for the BB1200S right?

The best bit of advice I was given when I started was that as long as you start together, stop together and smile together, no one notices the bit in the middle. I thought they were joking but it’s surprisingl true. There have been a couple of car crash moments when we have murdered a song but never has anyone commented on it. Quite the opposite on one occasion where we did a short set and for some reason just weren’t on it (borrowed kit, no set up time didn’t help) but we had people raving about us, in a good way, on Facebook.

My current two. Chalk and cheese sound wise.

Looked everywhere to find out who the Bassist on this is, but no luck. But he grooves great on this.

In which case can I put in an order for a Schecter Stiletto 8 then please?