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Item recovered guys......Xmas is back on!!!

It involved Cash in a Dash (local cash converters type place).- half a mile from my house....FFS....total Moriarty!!! Learning.... - insure your stuff (don’t forget you need to ‘activate’ your free MU insurance if you have it) - don’t leave it in the car....erk - phone the police straight away if owt gets nicked - the crime number is super important in getting your stuff back - try the “they can’t be that stupid” really obvious places early xxxxx

So in an effort to sit firmly on the fence of Killing Rock N Roll (see several other threads), alongside my DI/In-ears setup, I sometimes have need of backline for the Rawk band I play in. I'd been using my Walkabout into my Barefaced Super Twin to very satisfactory results, but a while back I picked up a Compact, just to get all modular for smaller gigs and a slightly (15lbs or so) lighter load. I'm sure you can guess what happened next, on an idle afternoon while everyone else was out... Soooo, it's got the best thing about a proper stack, in that it's much, much nearer my ears, but sweet guinea pig of Winnipeg, what a noiiiiiiiise...ok, I've not gigged it yet, but I nearly dismantled the back half of the house with it. I used to have an SVT/810, and I'd put this up against one for sheer thunder. The WA will be putting out a fair bit more than 300w into the 2.67 ohm load (and it was loud enough anyway), but those cabs get every db out of every watt... And the whole thing weighs 80lb or so. 😀

My Mrs. has always been a big Pink Floyd fan. She'll happily tell anyone who will listen how she used to sit on the stage or wander around half empty pubs listening to them back in the 60s. She'll also happily tell you that the sound was always crap, they would shuffle on and play meandering pshycedelic nonsense for ages and then wander off again with no audience interaction whatsoever and that they would spend the whole time staring at their feet. It would often be 20 minutes in that it would dawn on you that this was actually the gig and they weren't still tuning up.

Bandmates so often just don't get us bass players and certainly not our gear! Thank goodness for BC eh?! 😂 I turned up to a rehearsal earlier in the year with a completely new bass and 2 hours into the rehearsal I asked my bandmates what was different about my bass? After a little hesitation one of them noticed it was a 5er (me having only ever played 4 strings with them up to that point)!!

Thou shalt not diss the One True Kylie... I have a whole thesis on 'Kylie is more punk than the sex pistols' - short version. They were basically a manufactured boy band, the Bay City Rollers in Vivienne Westwood. Kylie does what she wants (which is pure joyful pop) and is definitely very much the boss of Kylie.inc. And is awesome. I love her.

Yeah, I've had my 64 Ears V8s for about 4 years now. Still absolutely fantastic, always bring a smile to my face when using them, especially when I finished paying off the crippling debt that @EBS_freak put me in when he convinced me to take the plunge!

What's the story in terms of getting it back? Always nice to hear about a good ending!

Did her and Peter Gabriel ever hook up (as in romantically)? Artistically they've always struck me as counterparts of eachother. Kate is a very rare example of a mainstream female artist I take seriously and respect...for Hounds of Love if nothing else. Give me her worst effort any day over today's autotuned airbrushed hoes gyrating their way through ghost-written "club bangers". Urgh.

Mine turned up today. Safe to say it’s an excellent bit of kit! Will be using it live for the first time at my next gig just after Christmas, so i’ll report back on how it fairs in a gig situation. Initial testing at home using just some iPhone headphones and no amp has been VERY cool! Getting my new IEMs on Monday too so I think that will be a drastic improvement on what is already pretty awesome!

Now I'm worried, I'm finding this slightly attractive in a "give me that and a guitarist who only knows 3 chords and we'll form a punk band" kind of way

Paging @Happy Jack

I've moved this topic to GD so I can link to it on Twitter to spread the word and be sure everybody can see it. Good luck, hope you recover it.

Musical genius. Wonderful...!

Oh my god, it has a look that reminds me of 70s furniture, and I mean that in that’s the highest aesthetic praise I could possibly give to an object. That is my idea of a thing of absolute beauty...

Best: I bought a Fender neck (from a MIM Blacktop Precision) from @rubis on this very forum, and put it on my Squier VM P bass. I love this bass now, I really love it. I shouldn't because it's the wrong colour and stuff, but it just looks so good and sounds lurrrrrrrrrrvly. Despite having played the Squier at the my band's previous gig when it had the maple neck, my band thought I'd bought a brand new US Fender Worst: 2 pack of naff 9v batteries from a £ shop...it's been a quiet year for gear tbh.

The worst thing is when the organiser hogs the best musicians for himself (it’s invariably a him) and you end up playing with the ‘C’ team...😞

Jam nights are, in my experience, just self indulgent boredom. Endless guitar solos, sax solos, piano solos etc etc. Most of it seems to be 12 bar, some 8 bar if someone's feeling adventurous. Other than that if anyone tries anything outside that it all starts to fall apart because no one knows what the hell is going on. EDIT: even supposedly well known songs get completely smashed to bits. Someone, I think, suggested Stormy Monday. I don't know it, but the number of people who think it's a 12 bar. It does make for some funny moments when the one person who knows and probably suggested it is playing it right and everyone else is 12 barring it.

Looks like an 'Oops' moment on the part of Amazon, but fair do's to them if they are honouring their mistake. Reading the apparent reduction above, I went to Amazon.fr last night, to see it at just under 70€. Swapping over to Amazon.co.uk, I saw the £18.19, and ordered one from there. Once postage (to France...) added on, it comes to 30€, less than half the French Amazon price. It's now back to the 'real' price everywhere, so probably a 'glitch', but I'm still invoiced for yesterday's lower price. Available whenever, I'm not bothered; I'm not even a Geddy fan, either..! It'll do nicely to prop up a wonky table, though.

Did it involve cash convertors or a piece of wood with rusty nails? I'm hoping both!

Here you go : https://www.facebook.com/LugsCustomIEM/ speak to Rob, he’s a very helpful chap. I’ve got some LUGS quads and some UE6 Pros - sound-wise there isn’t anything in it but that’s totally subjective of course. Either way, they’ll be light-years ahead of the universal ZS10s (I’ve got a set of those as well and I like them 😄) from a sound, fit and isolation point of view.

Hm. While I'm not a big fan of either Minogue, I believe Kylie has worked hard throughout her career, and thoroughly deserves being called a pop legend. (Pop, that is, memorable, lightweight, singalong stuff.) I wonder whether some of you would have the same dismissive attitude if Justin Timberlake - or some other comparable male artist - had been offered the slot. Including the mention of his derrière 'trousersnake' I think it was, in his case.

Went to an open mic last night that turned into a Jam session, various blues turnarounds, Rocking in the Free world and Lay Lady Lay, twice. A couple of things struck me, the songs last a long time because nobody knows how to finish them and apart from the people actually playing it's boring drivel, I've come to the conclusion that Jam sessions should not be done in the public domain

Yeah, I was thinking Mastodon as well; the modern stuff is okay, but when listening to it I can't help but remember this band wrote Leviathan and Remission and then feel disappointed

I know everyone wants a Helix but they're very expensive, so here's my thoughts on a pedal released in 2008 that you can find second hand. My last multi FX was bought in 2000 so I know tech has moved on. I took a punt on a Boss GT10B sold for a great price on this forum. For a multi FX idiot like me it's a bit overwhelming the sheer amount of stuff this can do in terms of programming and assigning pedals to do different tasks. However, it's well set out and there's Windows based software that can help. Also the 159 page manual (that doesn't include the four page list of presets) is very easy to follow. So, on reading reviews I head "the presets are unusable". That's not true. There are unusable presets, yes, but there are many EQ and amp SIM effects that are very useable. I played a five string jazz for some funky stuff at the opening of an ice rink using the "level 24 slap" preset, great. I played fretless on a gig the other night and used some "British pop fretless" preset and it was great. With each preset you can bring in two extra effects, e.g. add drive and or chorus by pressing the CTRL1 and CTRL2 pedals and also use the expression pedal as either a volume or wah. Very handy. You can have two parallel effects chains that you can switch between or blend. You can put the effects in any order in the chain. There's a lot going on and the display makes seeing what is happening where very easy. I've still not dedicated the full amount of time I need to yet but I feel comfortable with the unit. I've already programmed the tuner how I want it, so I have the tuner come on by tapping the pedal that denotes which patch I'm on for a second time and I get bypassed tuner, then I mute with the expression pedal. But you can programme the tuner in different ways if you don't think that's logical for you. Impressive that they have put in that kind of thought. What I need to learn next is creating my own effects. There's a few ways to do this: edit a preset, use "ez tone", create from scratch without ez tone, or download from an online resource. People say the synth effects are unusable. I agree. I've never had a pedal with a decent bass synth sound, to my liking anyway. The pedal is BIG. Very BIG. But it's a lot of tech in one place. It can do so much more than I will ever need but it's good to know that the options are there. It can do crazy stuff like make your single coil bass sound like a Stingray etc. Allegedly but I've never got in to it that deeply. Overall if you can't afford a Helix and you're not sold on the Zoom then these are an excellent option. I'm glad I got this over the ME250B. Like most of these things though the more time you put in to learning what it can do the more you will get from it. The tech may be ten years old but 10yrs old and Windows based is pretty much where I stopped learning about tech myself so it has a very familiar feel to it.

you would be surprised, the difference between 25 and 37 is more than it sounds. 25 is ok for short basslines, but the problem is you have basically 2 octaves if you are in c. with 37 you have 2 octaves in any key, so you don't get that bit where you run out of notes often. I would agree the launchkeys look good. I have a Axiom 61, and a mid-air 25, but I don't really use either of them, I tend to use what is already up, so the piano or the DS61 keyboard. Or my new Roli 49. I recommend that heartily as the best keyboard I have ever used. It almost fits the criteria of what you want, apart from the pads, the keys and the 'not breaking the bank' part

That is because we are all far too sensible at Basschat.

Two things... So I succumbed in the end. And delighted I did so!

Totally agree.

I certainly know a few guitarists who have gone through over 100 guitars without realising that the problem is simply that they can't play.

Go French, simply because there are more of us using that type to offer advice! I think they are easier too. This will do fine. There are cheaper "composite" bows, but I wouldn't go there. https://www.bassbags.co.uk/product/double-bass-bow-french-pattern/ Well worth finding a classical bass player to give you a few starting tips. Where are you based?

Great basses! I have 80s era SB1000 & SB700 basses, both extremely playable!! 😀

We're still experimenting with colours and contrasts. I always find that it is only when you pin down one element that you can see the valid options of the next and, with the fretboard and neck now the colour the owner wants, it is time to look at the other elements. And hmmmm….the back.... While the ash was quite dark alongside white maple, this neck is now SUCH a strong colour, the ash looks a bit wishy washy? Also the yellow tint from the strong amber clashes with the brown tint of the ash - certainly when you see it in real life. With a bolt-on you can often get away with this, but a through-neck, in my view, needs to coordinate (whether with contrasts or complimentary shades) between back, sides, top, neck and fretboard and this doesn't yet do that. So time for some more experimenting. One thought was to maybe go for complimentary colour between the back and neck and a greater contrast between sides and top. So I did loads of colour checks with some ash offcut until I came up with this one. The dye on the ash is a totally different mix of dyes in a different strength to that applied to the neck but the result is quite close to each other in the colour spectrum. This is a test only so don't worry that it's a bit patchy! It's sufficiently different to still have a distinct through neck-look but now both back wings and neck have an amber hue on the orange/yellow side And, to my eye, the depth of colour makes the sides contrast better with the top: I've sent the shots across to 'our man in Hawaii' to see if this is getting close to the overall look he had in mind.

I've done loads of jam session, including being in a the house band at blues festivals, and they can be really great. Whether they are fun for the audience largely depends on the quality of players taking part, but it is a great way for less experienced musos to learn how to busk, play with other musicians and improve. It's also a great showcase for a player looking for new bands and guys to play with. Yes, they often tend to be blues based, as that type of music has a tradition of jamming and has set forms that can easily be varied if necessary and lend themselves to busking. The same can be said of jazz, although you won't get people like me there! The biggest problem with regular local jam nights is that they tend to run out of steam after a bit, as you inevitably tend the same guys coming back playing the same stuff every week.

Got Kick Inside and Lionheart, both treasures, but after that ...just particular tracks. The duet with Gabriel was appallingly sickly sweet

Couldn't help but laugh at that one. Brilliant.

Excuse the crappy phone pic and the toy graveyard in the background. I have almost as many brats as I have bass guitars. I bought this in 2012 off ProjectC from this good forum. Almost flipped it a few months later as I bought a Stingray 4HH around the same time and was only going to keep one. Glad I didn't, it took a while to grow on me, but is now my undisputed First Bass!

Y'know, I completely misread this first time.

£5,500??? Please show me what I'd be getting for my money....

Monopolies commission would be called in these days lol !

I think the Sadowsky bit might be responsible for a lot of your happiness.

I'd sneak in original line up Roxy Music with Brian Eno - yes they hit the big time with that line up, but were even bigger later on playing (what was for me) pretty dull AOR without Eno's originality and quirkiness

Agreed re Metallica - the three Cliff Burton albums are great. Bon Scott-era AC/DC pre-1980 were way better than anything since, and Guns N Roses original line-up topped anything they've done since. From personal experience I'd say Stereophonics too. Having seen them live in their early years as a trio and thinking they were great. But have had progressively less interest in them since Stuart Cable went and they got bigger and glossier and added more members.

That Peak Power thing is a bit like Daewoo saying their Matiz will do 122mph, because that's the terminal velocity in air of an object falling off a 1500ft cliff...