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Item recovered guys......Xmas is back on!!!

It involved Cash in a Dash (local cash converters type place).- half a mile from my house....FFS....total Moriarty!!! Learning.... - insure your stuff (don’t forget you need to ‘activate’ your free MU insurance if you have it) - don’t leave it in the car....erk - phone the police straight away if owt gets nicked - the crime number is super important in getting your stuff back - try the “they can’t be that stupid” really obvious places early xxxxx

So in an effort to sit firmly on the fence of Killing Rock N Roll (see several other threads), alongside my DI/In-ears setup, I sometimes have need of backline for the Rawk band I play in. I'd been using my Walkabout into my Barefaced Super Twin to very satisfactory results, but a while back I picked up a Compact, just to get all modular for smaller gigs and a slightly (15lbs or so) lighter load. I'm sure you can guess what happened next, on an idle afternoon while everyone else was out... Soooo, it's got the best thing about a proper stack, in that it's much, much nearer my ears, but sweet guinea pig of Winnipeg, what a noiiiiiiiise...ok, I've not gigged it yet, but I nearly dismantled the back half of the house with it. I used to have an SVT/810, and I'd put this up against one for sheer thunder. The WA will be putting out a fair bit more than 300w into the 2.67 ohm load (and it was loud enough anyway), but those cabs get every db out of every watt... And the whole thing weighs 80lb or so. 😀

My Mrs. has always been a big Pink Floyd fan. She'll happily tell anyone who will listen how she used to sit on the stage or wander around half empty pubs listening to them back in the 60s. She'll also happily tell you that the sound was always crap, they would shuffle on and play meandering pshycedelic nonsense for ages and then wander off again with no audience interaction whatsoever and that they would spend the whole time staring at their feet. It would often be 20 minutes in that it would dawn on you that this was actually the gig and they weren't still tuning up.

Musical genius. Wonderful...!

Bandmates so often just don't get us bass players and certainly not our gear! Thank goodness for BC eh?! 😂 I turned up to a rehearsal earlier in the year with a completely new bass and 2 hours into the rehearsal I asked my bandmates what was different about my bass? After a little hesitation one of them noticed it was a 5er (me having only ever played 4 strings with them up to that point)!!

Thou shalt not diss the One True Kylie... I have a whole thesis on 'Kylie is more punk than the sex pistols' - short version. They were basically a manufactured boy band, the Bay City Rollers in Vivienne Westwood. Kylie does what she wants (which is pure joyful pop) and is definitely very much the boss of Kylie.inc. And is awesome. I love her.

Yeah, I've had my 64 Ears V8s for about 4 years now. Still absolutely fantastic, always bring a smile to my face when using them, especially when I finished paying off the crippling debt that @EBS_freak put me in when he convinced me to take the plunge!

What's the story in terms of getting it back? Always nice to hear about a good ending!

Did her and Peter Gabriel ever hook up (as in romantically)? Artistically they've always struck me as counterparts of eachother. Kate is a very rare example of a mainstream female artist I take seriously and respect...for Hounds of Love if nothing else. Give me her worst effort any day over today's autotuned airbrushed hoes gyrating their way through ghost-written "club bangers". Urgh.

Mine turned up today. Safe to say it’s an excellent bit of kit! Will be using it live for the first time at my next gig just after Christmas, so i’ll report back on how it fairs in a gig situation. Initial testing at home using just some iPhone headphones and no amp has been VERY cool! Getting my new IEMs on Monday too so I think that will be a drastic improvement on what is already pretty awesome!

Now I'm worried, I'm finding this slightly attractive in a "give me that and a guitarist who only knows 3 chords and we'll form a punk band" kind of way

Paging @Happy Jack

I've moved this topic to GD so I can link to it on Twitter to spread the word and be sure everybody can see it. Good luck, hope you recover it.

Oh my god, it has a look that reminds me of 70s furniture, and I mean that in that’s the highest aesthetic praise I could possibly give to an object. That is my idea of a thing of absolute beauty...

Yep, just you. One of my favourite artists. +1.

Best: I bought a Fender neck (from a MIM Blacktop Precision) from @rubis on this very forum, and put it on my Squier VM P bass. I love this bass now, I really love it. I shouldn't because it's the wrong colour and stuff, but it just looks so good and sounds lurrrrrrrrrrvly. Despite having played the Squier at the my band's previous gig when it had the maple neck, my band thought I'd bought a brand new US Fender Worst: 2 pack of naff 9v batteries from a £ shop...it's been a quiet year for gear tbh.

The worst thing is when the organiser hogs the best musicians for himself (it’s invariably a him) and you end up playing with the ‘C’ team...😞

Jam nights are, in my experience, just self indulgent boredom. Endless guitar solos, sax solos, piano solos etc etc. Most of it seems to be 12 bar, some 8 bar if someone's feeling adventurous. Other than that if anyone tries anything outside that it all starts to fall apart because no one knows what the hell is going on. EDIT: even supposedly well known songs get completely smashed to bits. Someone, I think, suggested Stormy Monday. I don't know it, but the number of people who think it's a 12 bar. It does make for some funny moments when the one person who knows and probably suggested it is playing it right and everyone else is 12 barring it.

Looks like an 'Oops' moment on the part of Amazon, but fair do's to them if they are honouring their mistake. Reading the apparent reduction above, I went to Amazon.fr last night, to see it at just under 70€. Swapping over to Amazon.co.uk, I saw the £18.19, and ordered one from there. Once postage (to France...) added on, it comes to 30€, less than half the French Amazon price. It's now back to the 'real' price everywhere, so probably a 'glitch', but I'm still invoiced for yesterday's lower price. Available whenever, I'm not bothered; I'm not even a Geddy fan, either..! It'll do nicely to prop up a wonky table, though.

Did it involve cash convertors or a piece of wood with rusty nails? I'm hoping both!

Here you go : https://www.facebook.com/LugsCustomIEM/ speak to Rob, he’s a very helpful chap. I’ve got some LUGS quads and some UE6 Pros - sound-wise there isn’t anything in it but that’s totally subjective of course. Either way, they’ll be light-years ahead of the universal ZS10s (I’ve got a set of those as well and I like them 😄) from a sound, fit and isolation point of view.

Hm. While I'm not a big fan of either Minogue, I believe Kylie has worked hard throughout her career, and thoroughly deserves being called a pop legend. (Pop, that is, memorable, lightweight, singalong stuff.) I wonder whether some of you would have the same dismissive attitude if Justin Timberlake - or some other comparable male artist - had been offered the slot. Including the mention of his derrière 'trousersnake' I think it was, in his case.

Went to an open mic last night that turned into a Jam session, various blues turnarounds, Rocking in the Free world and Lay Lady Lay, twice. A couple of things struck me, the songs last a long time because nobody knows how to finish them and apart from the people actually playing it's boring drivel, I've come to the conclusion that Jam sessions should not be done in the public domain

Yeah, I was thinking Mastodon as well; the modern stuff is okay, but when listening to it I can't help but remember this band wrote Leviathan and Remission and then feel disappointed

I know everyone wants a Helix but they're very expensive, so here's my thoughts on a pedal released in 2008 that you can find second hand. My last multi FX was bought in 2000 so I know tech has moved on. I took a punt on a Boss GT10B sold for a great price on this forum. For a multi FX idiot like me it's a bit overwhelming the sheer amount of stuff this can do in terms of programming and assigning pedals to do different tasks. However, it's well set out and there's Windows based software that can help. Also the 159 page manual (that doesn't include the four page list of presets) is very easy to follow. So, on reading reviews I head "the presets are unusable". That's not true. There are unusable presets, yes, but there are many EQ and amp SIM effects that are very useable. I played a five string jazz for some funky stuff at the opening of an ice rink using the "level 24 slap" preset, great. I played fretless on a gig the other night and used some "British pop fretless" preset and it was great. With each preset you can bring in two extra effects, e.g. add drive and or chorus by pressing the CTRL1 and CTRL2 pedals and also use the expression pedal as either a volume or wah. Very handy. You can have two parallel effects chains that you can switch between or blend. You can put the effects in any order in the chain. There's a lot going on and the display makes seeing what is happening where very easy. I've still not dedicated the full amount of time I need to yet but I feel comfortable with the unit. I've already programmed the tuner how I want it, so I have the tuner come on by tapping the pedal that denotes which patch I'm on for a second time and I get bypassed tuner, then I mute with the expression pedal. But you can programme the tuner in different ways if you don't think that's logical for you. Impressive that they have put in that kind of thought. What I need to learn next is creating my own effects. There's a few ways to do this: edit a preset, use "ez tone", create from scratch without ez tone, or download from an online resource. People say the synth effects are unusable. I agree. I've never had a pedal with a decent bass synth sound, to my liking anyway. The pedal is BIG. Very BIG. But it's a lot of tech in one place. It can do so much more than I will ever need but it's good to know that the options are there. It can do crazy stuff like make your single coil bass sound like a Stingray etc. Allegedly but I've never got in to it that deeply. Overall if you can't afford a Helix and you're not sold on the Zoom then these are an excellent option. I'm glad I got this over the ME250B. Like most of these things though the more time you put in to learning what it can do the more you will get from it. The tech may be ten years old but 10yrs old and Windows based is pretty much where I stopped learning about tech myself so it has a very familiar feel to it.

you would be surprised, the difference between 25 and 37 is more than it sounds. 25 is ok for short basslines, but the problem is you have basically 2 octaves if you are in c. with 37 you have 2 octaves in any key, so you don't get that bit where you run out of notes often. I would agree the launchkeys look good. I have a Axiom 61, and a mid-air 25, but I don't really use either of them, I tend to use what is already up, so the piano or the DS61 keyboard. Or my new Roli 49. I recommend that heartily as the best keyboard I have ever used. It almost fits the criteria of what you want, apart from the pads, the keys and the 'not breaking the bank' part

That is because we are all far too sensible at Basschat.

Two things... So I succumbed in the end. And delighted I did so!

Totally agree.

I certainly know a few guitarists who have gone through over 100 guitars without realising that the problem is simply that they can't play.

I can't see any family resemblance but I'd go along with it if she's certain.

Best Purchase: Aria Pro II SB1000 ... 1981 Japanese classic awesomeness. Possibly my new favourite bass. Tooooo much love for this thing 🏆 Worst Purchase: Westfield Thumb Bass Copy ... bought as a cheapy. It was absolute murder to play, sounded gutless, and is now well gone ☠️

Or you could get a used one for between £142 and £269......

It would be good to know what you really think about sunburst finishes? I think you need to get off the fence on this one.

Quite surprised there has not been an outcry of something along the lines of “it’s a Sadowsky, it may have similarities, but for sure, it’s not a P-bass unless it’s got Fender on the headstock”. Just sayin’!

Haha, I did feel bad! Thanks - will post here when I get it.

Unless you are very keen on a particular bass amp sound, especially one that features a deal of valve-y distortion, I personally wouldn't bother with an amp sim for the bass. Most bass amps are simply devices with a baked in EQ profile and a means of adjusting some frequencies within certain limits. The average channel strip in your DAW will be far more flexible than any amp sim. Start by cutting the extreme bass and treble and then use the remaining frequency bands to get the bass to sit where you want it in the mix. Add some compression and you are done. If you are after some valve type distortion, there no reason not to use one of your guitar amp sims - after all until the late 70s there was virtually no difference between a guitar and a bass amp. The only reason you wouldn't put a bass through an actual guitar amp is that it wouldn't go loud enough and the frequencies are more likely to cause speaker over-excursion. Since your amp sims are just digital representations of the real thing, the worst that can happen is that you won't like the sound you get, in which case your can just try something else.

Is it the world's heaviest book? Buy now and save yourself £30! That's a new set of strings in the bag right there.

I've just taken delivery of a Roland acoustic amp (AC60...), shipped promptly to France, impeccably packed and in pristine condition. All at a more than reasonable cost, so to say that I'm pleased would be an understatement. Excellent communication, including friendly banter; things couldn't have been better. Thanks again, then, Frank. It's been a real pleasure. I hereby declare this fellow to be, in my opinion and experience, a Thoroughly Good Egg.

the Ramones went off a bit after their 8th Album

I think the Sadowsky bit might be responsible for a lot of your happiness.

Well folks, the bass arrived safe and sound yesterday and it is amazing! Securely and very neatly packed up and as a result completely unscathed. My experience with UPS has been exemplary over the years with this kind of stuff, I'd recommend them to anyone shipping a bass, just make sure and insure it properly too, just in case Anyway, I digress. The bass! I could not be happier with what @Andyjr1515 has done for me. This bass had sat, in various cases, in various accommodation over the past 20 years, completely untouched and unloved. The dream bass of the 16 year old me, had never quite been realised, and although I managed to make something serviceable enough, it never quite hit the mark and got sidelined after a couple of years constant use. I always wished I had added a darker top wood. I always wished I hadn't made it a 36" scale. I always wished I'd not messed up the control cavity and covered it up with a massive piece of tortoise shell scratchplate material. I always wished I hadn't bought that weird Wilkinson bridge, although options were limited back in the mid 90's. I always wished it wasn't so bloody heavy! @Andyjr1515 has righted all those wrongs and I now have the bass I wanted way back when and still want now 😎 He took on what was really a bit of a pig of a job, and fixed everything in his signature creative way, with fantastic communication all the way and at record speed to meet my imposed deadline. The bass plays and sounds amazing, extra props for the neck carve, it's absolutely perfect and works wonderfully with my preferred choice of a flat fingerboard. Interestingly, the bass still sounds much like I remember, only a little fatter in the lows and with a sweeter upper register, much in part to the change in scale length from 36" to 31.5", but the same character is still there which is fantastic. Sadly, I didn't manage to record anything with the bass, as I couldn't really start noodling till my kids were in bed, making filming anything impossible The bass is now packed up and squirrelled away till the 27th, but I'll get some recordings done soon after that, people need to see and hear this bass. I keep going on and on about shorter scale ERBs being just as good as long scale ones when built properly and using a considered string choice, and this bass only helps to reinforce that argument, the low B is fantastic. So, in summary, I would not hesitate to recommend @Andyjr1515 for a mod project, or full build, he's a really great guy and certainly know what he's doing. Thank you Andy! Eude

Simple Minds from 1979 to 1983 were phenomenally creative. Less so when they got big. Their early years were mighty in so many ways.

I think the OP meant only in terms of band line-up changes? In which case if the The Skids were the mark 1 Big Country, I'd include them main ones that occur to me are; mark 1 Ultravox with John Foxx on vocals / songwriting, and mark 1 Magazine with John McGeogh on guitar (they didn't last too long after he left anyway)

The man is an absolute gent - even offered a money back guarantee on my purchase. Would not hesitate to deal with him again...