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Just spent an enjoyable two hours going through this book. If Geddy Lee wasn't so damn nice, I could honestly hate the guy for snagging so many beautiful instruments. Have to say that after 200 pages of drooling content, it's just information overload. The content steers you round the ultimate question of, 'Whatever happened to that <insert manufacturer here> bass?' before drawing you in for the last few pages of the really important guitars. There's no envy here in the slightest; it's just a lengthy journal about vintage bass collecting. He's been a successful musician for donkey's years and now he's simply kicking back and reaping the rewards of that. It's a beautiful publication.

not wired yet.

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Hes so very clever. And was never just another session drummer.

Living in a very small rented flat, I can't fit wall hangers. So they're out on floor stands. - I'll pick one up on impulse just for 5 minutes, which can easily turn into 15. - I do play all of them - some more than others - but I make a point of picking up a different one every day. - They make me smile. None of those would happen if they were in cases.

I`m like that after gigs, no energy, feeling knackered, am also 53. But then I think what life would be like without gigs and the tiredness pales against a life of boredom.

Any bass of mine in a case doesn't get played. If it doesn't get played it gets sold. Therefore if I put a bass in a case it means that it is going to end up sold! Sometimes I will pick up a bass and play it for a minute and put it back because I have an idea I thought about - if there was a case in the way that would stop that. I guess it works for people in tidy or big houses, I have neither!

Wow ... Just watched the Chic/ Sister Sledge performance at the Budokan, Tokyo. April 17th, 1996. STUNNING playing and superlative tone, from the fantastic Bernard Edwards. Great concert really. Something notable of that event ... During the performance, Bernard wasn’t feeling so well, even saying ‘I’ve got a touch of the Tokyo Flu, but I’m still here’ ... It was in the early hours of the morning, after that very show, that he died in his hotel room. The cause was pneumonia. If he’d gone to see a doctor, a simple treatment would have prevented the tragedy. If you’re a fan of The Nard, this is something I’d recommend watching. It’s emotive too, given the circumstances. What a great player, and such a terrible loss. RIP Bernard

Did her and Peter Gabriel ever hook up (as in romantically)? Artistically they've always struck me as counterparts of eachother. Kate is a very rare example of a mainstream female artist I take seriously and respect...for Hounds of Love if nothing else. Give me her worst effort any day over today's autotuned airbrushed hoes gyrating their way through ghost-written "club bangers". Urgh.

Brand new, been 'playing' for 10 minutes, still baffled/in awe. 3 off us were playing 'normal' guitars, something was missing, so . . someone told me to buy a short scale, so I bought an Epi EB0 i saw a nice looking Squire VM Jazz, bought it . fell in love with a Fender Kingman, bought it. now I've got to play them !

So in an effort to sit firmly on the fence of Killing Rock N Roll (see several other threads), alongside my DI/In-ears setup, I sometimes have need of backline for the Rawk band I play in. I'd been using my Walkabout into my Barefaced Super Twin to very satisfactory results, but a while back I picked up a Compact, just to get all modular for smaller gigs and a slightly (15lbs or so) lighter load. I'm sure you can guess what happened next, on an idle afternoon while everyone else was out... Soooo, it's got the best thing about a proper stack, in that it's much, much nearer my ears, but sweet guinea pig of Winnipeg, what a noiiiiiiiise...ok, I've not gigged it yet, but I nearly dismantled the back half of the house with it. I used to have an SVT/810, and I'd put this up against one for sheer thunder. The WA will be putting out a fair bit more than 300w into the 2.67 ohm load (and it was loud enough anyway), but those cabs get every db out of every watt... And the whole thing weighs 80lb or so. 😀

Looking good johnny, for that money it’s worth a go 👍

This was the only one that wasn't 'right'. I've had three maple Jazz necks from eBay and they're all spot on. Two of them were used here: I guess for less than £30 a chuck you are taking a punt, but that's half the fun 😉

So in the feedback it will be: "Someone very similar to [Geoff/ Graham / Dave / Josie...delete as applicable] may have acquired something with [4, 5 or 6] strings on and I suspect would have been a great person to deal with had I done business with them. Should you also nearly do business with them in 2019, do it with confidence."

Ditto I guess without realising it, my weight appears to be on my right leg when gigging. No shape throwing for me, or foot trouble ( just an aching leg ) Mrs bag couldn't give a McToss

That really is pornographic!! Properly jealous..

In West, you play bass guitar. In Soviet Russia, bass plays you !

I’m over the moon about everything I’ve bought this year. Nothing was bad: mexican ‘player’ precision - can’t belive how well built Mexican fenders are nowadays ampeg svt-cl and svt-810e. Both USA made ones. Yup, pretty happy with this 2009 music man stingray. 3 band. Love it ashdown abm evo iv 600 + klystron 410 & klystron 115. Can’t find fault with this

Only bass related purchases were amp stuff... I got a Crown 1502 power amp with 6u rack and rack power distribution to replace my 28 year old Marshall. It weighs about 1/2 of the Marshall, puts out 1500W against the Marshall's 300W. And the difference is that I get much more bass weight, even when using sub octaves - the whole thing is clean right down to 20Hz rather than the slightly indistinct bass-amp tone I used to get. Now I dial tones/effects in via pedalboard and rack BBE pre and know that I'm getting exactly the same sound from my Precision Devices/Markbass speakers as I'm sending to the desk. Anyone want to buy a Marshall Jubilee?

I suspect you are right Rich. There will be a mention of tractors and a 5 year plan.

Yeah my hard cases are in the garage but the triple case I have is really narrow, much less than three cases and considerably less so than one of those ‘racks’ you can get. Works quite well. But yeah if you’ve got no floor space then the walls are next. When the walls are full you’ve got the ceiling!

You’ll fit right in here then!!

Have a look for Eich or Tecamp Bassboard or Porter and Davies. They both do these. I took the DIY approach and bought the parts from Ebay/Amazon/Homebase for the platform and secondhand Markbass Nano to drive it. I also have a small mixer so I can mix my bass with a microphone in the kickdrum.

I've been thinking that for a couple of years and in that time I've checked out at least half a dozen Sadowsky Jazz basses, including a chambered NYC, a Modern, PJ, a Satin and some other Metros. They all sound good, but so far, I'm just preferring the sound of my Metro RV5 Jazz. Now I'm not sure that I need an NYC at all.

@probonopublico you are one sick puppy

A very Merry Christmas to you Marvin, lovely to see that neck put to good use Merry Christmas to everyone else too

My wonderful Sirius by Franz bass guitars ❤️

Yes I got a reply - New message from: hawkeye1922 (54) Hi John, I've just added the full serial to the description, and there are some more photos. Thanks for your interest! Paul So I reckon it's pukka, let's see what it goes for! Edit: The serial number checks out on guitardaterproject.org

Looks like it was moved to the wanted forum from somewhere else.

I'd probably burn to death trying to save the SVT rig

That is the coolest neck plate ever. I'm really hoping it says something about increasing farm production in the motherland.

Wow. Great pics. Thanks for the high res. The neckplate is in good condition, better than the one on cheesey guitars. You can read the Cyrillic, well if you know what it means. I play in a band with a fiddle player who does a bit of Russian, I'll see if he can translate. I love the way the colour burst is repeated on the back of the head. Thanks Happy Jack and Silvia.

Quite. He argued with Sting because they both cared so much about the music. Without his drumming the Police would have sounded nothing like they did. I saw them at the Mayfair in Newcastle just after the release of the first album. Copeland was a revelation, the following weekend I went out and bought myself a drum kit. He inspired me that much.

Likewise with the exotic woods. I am a big fan of understated excellence - I’d much rather have a Maserati than a Bugatti. I am dead set on an NYC though as it has been my dream for as long as I’ve been playing. I know the Metros are very highly regarded, but if I were to get one the GAS would still remain for an NYC. Irrational, sure, but I HAVE to do it no matter how long it takes to save up the pennies. It may be a Satin or a used NYC but I’ll get there.

Well the regular One Spot has a total current output of 1.7A (1700mA) and the Stomp will draw the lion’s share of that - at least 1.2A (1200mA). The problem is that Morningstar don’t seem to publish the current draw of the MC6, but since it’s just a controller with a fairly simple LED screen I’d be surprised if it drew more than 250mA. So based on fairly educated guesstimation a regular One Spot should power both no problem. Whether the MC6 will introduce noise into the signal chain I’m not sure, but I’d want to isolate the MC6 with something like a GigRig Timelord to be safe. And you’ll still need the correct barrel adaptors to go from “pedal standard” 2.1mm to the 2.5mm power input on the Stomp.

Give it a few months and you'll have several more...😁🤣😂😅

In regard to the early Matsumoku-made Aria Pro II SB basses, it must be said ... The neck above the 12th fret with its even profile, the 12” fretboard radius, the beautifully sculpted transition from neck to body (neck-through-body design), and that deep-cut bottom horn makes for a highly accessible, super-fast, and easily playable upper register. The nicest I’ve ever played, truth be told. The fact that there are 24 frets is an incredible bonus. Playing basses like these makes me want to hang above the 12th more, getting in-about the high zone like I’m guided there, so inviting are these basses in this regard. Subjective, I know, but for me this is the greatest upper register in all Bassdom 🏆

Back in the late 90s a big music shop i visited to but my first real Fender, happily swapped the necks on two precisions so I had the configuration I wanted. It could be the distributor or the shop swapped necks for the customer rather than order a whole new bass in the right combination of colours and woods.

Great thanks for sharing, bet that was brilliant to see from the man himself.

Fix them to a strip of wood and glue / screw that to the wall I use Hercules grabs

A whole generation of kids including mine wanted to visit Australia based on Home & Away and Neighbours. These people are now running the media/music biz... Have you noticed how young policemen are?😧