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Showing content with the highest reputation on 21/04/19 in all areas
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SO chuffed! I was the only bidder and won a Maruszczyk Elwood L 4A and picked it up this afternoon. Couldn't be happier! Super lightweight but perfect balance, insanely good build quality, Delano pickups, Glockenklang preamp and in a gorgeous natural finish that feels fab. All for under £600? Very happy with that! Came with the case and all the candy including a set of strings too. Pics to follow in the morning. Can't wait to crank it through my gigging rig - first low volume noodlings are very promising indeed. Cheers, James6 points
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Price massively reduced, I really need to free up cash, before holiday/Park festival season properly kicks off and I've got to play every day & night! Ah man... This is one of those 'I don't want to sell, but maybe need to' situations. This is my favourite bass I've owned. But, it's looking like I've been dealt early onset OA and need to get the lightest bass available or find another job! I'll double check, but this isn't heavy, it's about 9.5lbs, a shade over IIRC. It's currently the top of the line Yamaha BB, made in Japan. I bought it new from Yamaha London less than a year ago. It was the first in the UK I believe. It's alder/maple, has their newest lightweight hardware in a great satin finish. The bass is actually midnight blue, but tends to look more of a black in photos. It's string with D'Addario EXL170-5, as from the factory. It comes with a really plush hardcase too. It's passive, with VVT controls, but like with early BB's, the range if tones available is fantastic. It has 18mm string spacing, and the nicest neck I've played. I thought I liked a wide chunky neck on a bass, coming from a Sadowsky, but the Yamaha is something special. It's very comfortable and has a beautiful construction and matte feel. As I say, I'm not keen to let it go, but I'm struggling with my back/hips/knees... And this isn't even a heavy bass. Not looking for trades as I'm going to be looking at Sandberg Superlight series. I'm on the Isle of Wight, but Portsmouth/Southampton meet up is possible. Any specific photos/questions, please ask. Condition wise, there are no injuries to report. Neck and headstock remain completely as new, and there are no chips/dings/dents to be seen. The back of the body of the bass has some light swirling from my shirt buttons, but I couldn't pick it up in a photo.5 points
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Will the excitement never end?! Bridge is on. Don’t ask about the black screws...so mundane is the story I cannot even be bothered...in a side note, chrome screws on the pickup now...as it should be.5 points
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My first self built bass. I bought a fretless neck and a loaded body from here and sourced the other bits from ebay. Finally got around to building it today but made a school boy error. I forgot to buy the strings. Our own Gary Mac is doing the honours so I should be up and running next weekend. I've not played fretless since the '70's so it will be interesting to so how it goes. Anyway, there's the picture.2 points
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I've cut a new fretboard for this bass and this time I measured twice and cut once!! The previous neck was 31.5" with 24 frets, for the new neck is 29.5" and obviously has to fit in the same neck pocket and the bridge has to be in roughly the same place. So this works out as the replacement neck being 22 fret for it to fit correctly. As the chance of me getting the intonation exactly right having not tried this scale length before I think is minimal, I'm removing the original brass inserts for the bridge and filling the holes so I can repositioning it later. I'm also going to redrill the holes for the string anchors as I have a better version I'm going to install. This is done by widening the top 4mm of a 10mm hole to 12mm diameter. to do this I have a small piece of mdf with a 12mm hole in it that is placed over the original hole. One of the string anchors is used to centralise it before clamping the template in place. This is the body with the brass inserts removed Then this the body with the holed infilled The body had also picked up a very small dent which I sanded out. I tried refinishing but couldn't get it to match so I sanded the finish off the walnut and started to finish it again. Fussy, but I want it to be right This is the body with the topped sanded and the string anchors holes redrilled.2 points
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john martyn some people from grace and danger easy to learn and super expressive2 points
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Hi everyone , I'm selling my Xotic 5 string P bass. I ordered it new directly from Xotic through Bass Direct in 2016 , as it matched the spec I wanted . I used it sparingly on a tour I was on as I needed an authentic P bass sound , but haven't really used it since ( I've always been a Musicman player ) I had the bass set up by ex Sounds Great luthier Matt Ryan in Milnrow , who commented on the high build quality . The Xotic benefits from a push/pull active / passive master volume , a very transparent 3 band eq with master tone and luminova dots on the side of the neck that glow to help you out on dark stages / pits etc . The condition of the bass is 9.75 / 10.00 - The only marks I can see , are fine scratch marks on the scratch plate that were already on when I collected the bass - Hard to see on the photos and barely noticeable up close . Although I have hardly used the bass - I've used the gig bag a little - it's still in very good condition though . I'm not looking for any trades for this , and as I think I've priced it very competitively I'm not open to any offers . I'm looking for a UK sale only , and I would prefer the buyer to collect , although I'm open to discussing different delivery options . Thanks for taking a look . N2 points
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Mine arrived Thursday too, best £16.50 I’ve ever spent. What a collection - I thought the John Entwistle book was good, but Geddys is amazing!2 points
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My SB2 is shod with thomastic. I tried my newly aquired SB1 with flats that were on the bass and in the end changed to rounds. Theres soomething nicely aggressive about the sound with rounds.2 points
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There's more to the story which is why I had no problem taking the money. Blue2 points
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yeah, ain't gonna work with my ELF mini rig with one or both 1 10"s hehe2 points
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Slick stuff from Cory and his band. B Slade with the amazing laid back Sharay on bass. He reminds me of KRS12 points
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The question about the hardware was a valid one, since you had just stated a change in hardware colour to black by a previous owner, along with a link to the original ACG web page spec. Other brands of black hardware are available so how are BC members to know what has been fitted? You also posted the previous owner’s sale thread, in which it states that there is buckle rash and a dent, so again it was a valid question. I don’t understand how valid questions on a sale thread for a bass costing £900 constitutes a “crap” of your thread? i am not a time waster as my feedback on BC will show. I was actually genuinely interested in buying this bass, but I’m sure I’ll find something suitable from a less rude member.2 points
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Great guys and we've been using their stuff for about a year now: Map Bass, Airline 3P and Rivolta Mondata in the band. We do have a casual non-endorsement relationship with them so feel free to take this whole post with salt to taste, but I'm happy with the quality on all the stuff we got and none of it was special order or anything. Wouldn't be using or defending it otherwise. General thoughts on the Map Bass are that it's incredibly heavy but also possibly the deepest bass I've ever played. Get a lot of other players asking if I'm using a sub octave or something but it's just a very strong fundamental and a lot of output and low end. In fact there's so much low end that I struggled a bit to start with but after lowering the pickups it's now got a nice vintage growl to it. Still very high output and I have to severely rein the gain in on my pedals to keep it clean. We went up to the demo day they did last year with most of the range in and I was impressed with all the higher end stuff. Lot of nice decorative touches across the range that you wouldn't find on a Fender of similar price but the lower stuff definitely felt like it could do with a setup. They're very interesting guitars and get a lot of attention - lots of other players and audience members asking what they are.2 points
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Things have really picked up out of nowhere with all these acoustic gigs. Well, not really out of nowhere. I have a suspition about why I started getting these acoustic offers. I played Cafe Soeurette Saturday night from 7-10 ,great hours and a nice engaged crowd. I'm playing a Sprecher Micro Brewery gig this Saturday night. I also found out my primary band will be opening for a national headliner at a large country festival this summer. 3 weeks ago I had nothing. Blue2 points
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ok guys, so the old has passed, and i'm surpriseed no-one has popped this little gem of a thread up yet. So, with your permission, can we start again?1 point
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Up for sale is my very rare Fender Short Scale Modern Player Jazz Bass in Candy Apple red Fender High Mass Bridge has been refitted now --( Not Gotoh that is shown in photo's ) There is one extra screw hole hidden under each of the original tuners from when I had Hipshot's on! Now fitted with D'addario Flatwounds. Weight is 3.9 kg. I sold this a couple of years ago and promptly bought it back again, but on the very rare occasion that I gig these days I tend to use one of my Mustang's! Comes with a good quality well padded Thomann Gig bag. Any Trial more than welcome! --- Collect from me in Leeds very close to Motorways and A11 point
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Looking for a jazz neck for my P bass, found this: https://www.ebay.co.uk/itm/202542172424 I think he has assembled it wrong. Shouldn't the strings go in the front?1 point
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That’s just how you set up a bass with nice low action, gotta get those strings behind the fretboard to get that authentic snappy tone.1 point
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I’d echo the posts above about not mixing speaker sizes, it can work but can also be hit & miss. I’d look for a 2.5XL (210) cab, yes this will get the same amount of power as the 410 but as long as you don’t push the lows you should be fine. Additionally as it’s more than likely that this cab would be on top you’d be able to hear it if it struggles - not so easy with a 115 at the bottom. The added bonus is that this cab in theory should be similar sounding to the 4.5, so for rehearsals and smaller gigs just take the 4.5, for the bigger stuff take both. This is what I do, though with Ashdown cabs not Hartke.1 point
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I have made my book available again - but only until May 7th, as some people (elsewhere) were asking me for copies. https://www.amazon.co.uk/dp/1798712652/1 point
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We decided to play a number of songs we hadn't gigged for years last night. I was a little dubious at first and a bit worried that they wouldn't come back to me but it turns out they totally rejuvenated the playing live vibe. We've been getting a little stale recently so now have decided to get our older songs back on rotation so no two gigs are the same. It's genuinely enthused me and I'd forgotten how much I enjoy playing a big variety of styles. Looking forward to the rest of the year with renewed enthusiasm knowing that RATM could follow James Blunt who could follow Chic with some Simple Minds to conclude 😁1 point
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Buy the 3000, love it for a while. Then realise you need to sell it to me.1 point
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Looks like a 14 year old's woodwork project. I'm sure it sounds amazing, but it looks like hell to play.1 point
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3 seconds? It's closer to 3/4 of a second... A punk originals band I was in got 28 songs into a 40 minute set, including some between song banter...1 point
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Morning, The J has SB70 Alnico single coil pickups with the East Uni-Pre amp with Active/Passive switching. It has that classic 70s Jazz sound. It’s light for a 5-string too. Alan is a good chap to deal with; always very helpful and a mine of information. You won’t be disappointed 😀 Shaun1 point
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The Eden EC8 might be worth considering. It's got quite a punch for a 20 watt amp, and the low end sounds nice and full. There aren't many bells and whistles on it - aux in, cans out, plus controls for gain, tone and enhance is yer lot - but it does the job very well. It wipes the floor with the Fly 3, IMHO.1 point
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I tour a lot and it's a case of luck a lot of the time. Very occasionally we've had rooms upstairs at the venue, stayed with the promoter or had rooms locally as part of the deal. Obviously sites like Late Rooms are always worth a go and just occasionally Airbnb have come good. The rule of thumb seems to be that some nights you strike gold and some nights you make a loss, but hope to make it up on the merch table or the next night. I also operate at a level where there isn't loads of money so it's not unusual to break even and basically have a working holiday.1 point
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Sort of yes. But my solution is far more discrete.1 point
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My bass & other music related purchases this year are still zero, and I have sold three basses - so I'm still in!1 point
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I watched it. As far as being one bass player's personal opinion on he achieves his own personal tone i have no issue with it. In terms of his opinions being passed off as 'essentials' for bass tone I thought it was just another case of opinion being passed off as fact. There is nothing from his free videos that would encourage me to pay money to obtain any of his knowledge. I'm happy that he has managed to build up a successful business but I just really don't gain any insight or enjoyment from his videos. I have slowly managed to block SBL from my social media mentions, but I still see SBL posts here on BC. When I see them I can't help but watch (it is like a drug). For my own sanity I am going to pull myself away from all SBL discussions and would ask the mods on this site to give me a warning if I so much as comment on another SBL related topic.1 point
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Not my type of music, but I love the rising bass line when the musical interlude starts. We need more fretless bass in music1 point
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