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Showing content with the highest reputation on 21/04/19 in all areas

  1. SO chuffed! I was the only bidder and won a Maruszczyk Elwood L 4A and picked it up this afternoon. Couldn't be happier! Super lightweight but perfect balance, insanely good build quality, Delano pickups, Glockenklang preamp and in a gorgeous natural finish that feels fab. All for under £600? Very happy with that! Came with the case and all the candy including a set of strings too. Pics to follow in the morning. Can't wait to crank it through my gigging rig - first low volume noodlings are very promising indeed. Cheers, James
    6 points
  2. Price massively reduced, I really need to free up cash, before holiday/Park festival season properly kicks off and I've got to play every day & night! Ah man... This is one of those 'I don't want to sell, but maybe need to' situations. This is my favourite bass I've owned. But, it's looking like I've been dealt early onset OA and need to get the lightest bass available or find another job! I'll double check, but this isn't heavy, it's about 9.5lbs, a shade over IIRC. It's currently the top of the line Yamaha BB, made in Japan. I bought it new from Yamaha London less than a year ago. It was the first in the UK I believe. It's alder/maple, has their newest lightweight hardware in a great satin finish. The bass is actually midnight blue, but tends to look more of a black in photos. It's string with D'Addario EXL170-5, as from the factory. It comes with a really plush hardcase too. It's passive, with VVT controls, but like with early BB's, the range if tones available is fantastic. It has 18mm string spacing, and the nicest neck I've played. I thought I liked a wide chunky neck on a bass, coming from a Sadowsky, but the Yamaha is something special. It's very comfortable and has a beautiful construction and matte feel. As I say, I'm not keen to let it go, but I'm struggling with my back/hips/knees... And this isn't even a heavy bass. Not looking for trades as I'm going to be looking at Sandberg Superlight series. I'm on the Isle of Wight, but Portsmouth/Southampton meet up is possible. Any specific photos/questions, please ask. Condition wise, there are no injuries to report. Neck and headstock remain completely as new, and there are no chips/dings/dents to be seen. The back of the body of the bass has some light swirling from my shirt buttons, but I couldn't pick it up in a photo.
    5 points
  3. Will the excitement never end?! Bridge is on. Don’t ask about the black screws...so mundane is the story I cannot even be bothered...in a side note, chrome screws on the pickup now...as it should be.
    5 points
  4. Here’s some pics, though...
    3 points
  5. And you don't want to buy from a dealer with a bad Attitude.
    3 points
  6. My first self built bass. I bought a fretless neck and a loaded body from here and sourced the other bits from ebay. Finally got around to building it today but made a school boy error. I forgot to buy the strings. Our own Gary Mac is doing the honours so I should be up and running next weekend. I've not played fretless since the '70's so it will be interesting to so how it goes. Anyway, there's the picture.
    2 points
  7. I've cut a new fretboard for this bass and this time I measured twice and cut once!! The previous neck was 31.5" with 24 frets, for the new neck is 29.5" and obviously has to fit in the same neck pocket and the bridge has to be in roughly the same place. So this works out as the replacement neck being 22 fret for it to fit correctly. As the chance of me getting the intonation exactly right having not tried this scale length before I think is minimal, I'm removing the original brass inserts for the bridge and filling the holes so I can repositioning it later. I'm also going to redrill the holes for the string anchors as I have a better version I'm going to install. This is done by widening the top 4mm of a 10mm hole to 12mm diameter. to do this I have a small piece of mdf with a 12mm hole in it that is placed over the original hole. One of the string anchors is used to centralise it before clamping the template in place. This is the body with the brass inserts removed Then this the body with the holed infilled The body had also picked up a very small dent which I sanded out. I tried refinishing but couldn't get it to match so I sanded the finish off the walnut and started to finish it again. Fussy, but I want it to be right This is the body with the topped sanded and the string anchors holes redrilled.
    2 points
  8. john martyn some people from grace and danger easy to learn and super expressive
    2 points
  9. Hi everyone , I'm selling my Xotic 5 string P bass. I ordered it new directly from Xotic through Bass Direct in 2016 , as it matched the spec I wanted . I used it sparingly on a tour I was on as I needed an authentic P bass sound , but haven't really used it since ( I've always been a Musicman player ) I had the bass set up by ex Sounds Great luthier Matt Ryan in Milnrow , who commented on the high build quality . The Xotic benefits from a push/pull active / passive master volume , a very transparent 3 band eq with master tone and luminova dots on the side of the neck that glow to help you out on dark stages / pits etc . The condition of the bass is 9.75 / 10.00 - The only marks I can see , are fine scratch marks on the scratch plate that were already on when I collected the bass - Hard to see on the photos and barely noticeable up close . Although I have hardly used the bass - I've used the gig bag a little - it's still in very good condition though . I'm not looking for any trades for this , and as I think I've priced it very competitively I'm not open to any offers . I'm looking for a UK sale only , and I would prefer the buyer to collect , although I'm open to discussing different delivery options . Thanks for taking a look . N
    2 points
  10. Yes, I'll trade it for £500 cash, lol. Sorry couldn't resist, I'm only after some cash tbh.
    2 points
  11. Is possible that your band mate may be even less keen on that scenario than you are. 😐
    2 points
  12. Mine arrived Thursday too, best £16.50 I’ve ever spent. What a collection - I thought the John Entwistle book was good, but Geddys is amazing!
    2 points
  13. My SB2 is shod with thomastic. I tried my newly aquired SB1 with flats that were on the bass and in the end changed to rounds. Theres soomething nicely aggressive about the sound with rounds.
    2 points
  14. There's more to the story which is why I had no problem taking the money. Blue
    2 points
  15. yeah, ain't gonna work with my ELF mini rig with one or both 1 10"s hehe
    2 points
  16. If I can find a buyer fir my BBP34 I will be all over this.
    2 points
  17. Slick stuff from Cory and his band. B Slade with the amazing laid back Sharay on bass. He reminds me of KRS1
    2 points
  18. The question about the hardware was a valid one, since you had just stated a change in hardware colour to black by a previous owner, along with a link to the original ACG web page spec. Other brands of black hardware are available so how are BC members to know what has been fitted? You also posted the previous owner’s sale thread, in which it states that there is buckle rash and a dent, so again it was a valid question. I don’t understand how valid questions on a sale thread for a bass costing £900 constitutes a “crap” of your thread? i am not a time waster as my feedback on BC will show. I was actually genuinely interested in buying this bass, but I’m sure I’ll find something suitable from a less rude member.
    2 points
  19. Great guys and we've been using their stuff for about a year now: Map Bass, Airline 3P and Rivolta Mondata in the band. We do have a casual non-endorsement relationship with them so feel free to take this whole post with salt to taste, but I'm happy with the quality on all the stuff we got and none of it was special order or anything. Wouldn't be using or defending it otherwise. General thoughts on the Map Bass are that it's incredibly heavy but also possibly the deepest bass I've ever played. Get a lot of other players asking if I'm using a sub octave or something but it's just a very strong fundamental and a lot of output and low end. In fact there's so much low end that I struggled a bit to start with but after lowering the pickups it's now got a nice vintage growl to it. Still very high output and I have to severely rein the gain in on my pedals to keep it clean. We went up to the demo day they did last year with most of the range in and I was impressed with all the higher end stuff. Lot of nice decorative touches across the range that you wouldn't find on a Fender of similar price but the lower stuff definitely felt like it could do with a setup. They're very interesting guitars and get a lot of attention - lots of other players and audience members asking what they are.
    2 points
  20. Things have really picked up out of nowhere with all these acoustic gigs. Well, not really out of nowhere. I have a suspition about why I started getting these acoustic offers. I played Cafe Soeurette Saturday night from 7-10 ,great hours and a nice engaged crowd. I'm playing a Sprecher Micro Brewery gig this Saturday night. I also found out my primary band will be opening for a national headliner at a large country festival this summer. 3 weeks ago I had nothing. Blue
    2 points
  21. Nice to see Al get some recognition. Interesting configuration on a Ric...
    1 point
  22. Sorry, I can't see the repair...are you sure you posted the pics in the right order???
    1 point
  23. Would you consider getting the neck (professionally?) 'trimmed' to give it more of a Jazz neck feel?
    1 point
  24. Then you'll end up with a 115 that can't keep up with the 410, so whatever additional low end it might have, and that's not much best case, won't be of any benefit. If you had a clean slate what you should do is find the 8 ohm cab that sounds the best to you, and if one wasn't enough add a second. +1. Your stage rig drives the stage, the PA drives the room. No one needs more than a 4x10 or 2x15, unless it's to impress the kiddies in the audience.
    1 point
  25. Damn. Thought it was in the “Trav BB circle” then... The reality is, all the BB’s are mine, just on extended loan to others...
    1 point
  26. Don't tell me, let me guess... The one in the pink dress..?
    1 point
  27. In a fortunate turn of events , my most enjoyed band of yesterday’s Nantwich jazz, blues and music festival, was in fact refreshed by a few scoops of said Boltmaker !
    1 point
  28. Ordered it on 31/12/18! Paid £16.64 to be exact. Actually , I forgot about it until I had an email to say it had been despatched , and lo and behold it turned up yesterday in all its hardback glory, and can I say, it’s worth the wait, the quality of the pics, paper and interviews are superb.
    1 point
  29. Ach that's a shame mate! If you're looking for lightweight, check it the Sandberg Super light https://www.basschat.co.uk/topic/330412-sandberg-sl-superlight-now-available-for-order-66lb
    1 point
  30. Not sure. The main man has just finished an EP that he played bass on. Very nice that he has already commented on my lines being better 🙂 Hopefully we will do something later in the year.
    1 point
  31. Body blanks and new fretsaw are on my hands..
    1 point
  32. Twice I have tried to! The first, my Fender Precision PB70US (as discussed in the John Deacon thread) went to a lovely chap here on BassChat. He wobbled a bit having moment when he wanted to sell, but, understandably after playing it lots more, decided to keep. I can't blame him really, it was a lovely bass I sold in a stupid moment ha ha! The other, another precision bass I sold when I was 18. I had the offer to join a well known local band as lead guitarist. Yes, I sold a bass that was dear to me. SILLY! - In a weird twist of fate though it reappeared both on eBay and hear some 25 years later! I couldn't believe my eyes when I saw it and recognised it immediately. The guy selling it originally was the son of the chap I passed the bass too. He subsequently sold it to the BassChatter who advertised it here. Unfortunately there were some misinterpretations of what the bass actually was and thus the value started creeping up and up, too far away from my budget. Apparently, the instrument in question resides in a studio around Suffolk or Essex! Who knows which, I don't know!!
    1 point
  33. Great until some scumbag nicks the car while you are sleeping up on the roof, it would be like a scene off Mr Bean.
    1 point
  34. Westone Thunder II fretless (c. 1981)
    1 point
  35. I've found that if I do the popping thing on my P bass that wears Elixirs, then it's a waste of effort and is lost in the mix, if I do the same with the P with D'addarios or Highbeams, all is good.
    1 point
  36. Yes, just recently bought back a Godin A4 that I foolishly sold.
    1 point
  37. +1 to that, as also an Alembic and Wal owner Mine's an early one; a 1976 S1 long scale. Love it, but have to admit I tend to use more for recording than gigging. We're so familiar with the design now, but when you think what was around when the first Alembic basses came out, they must have seemed from another planet.....
    1 point
  38. Stripped the satin black celly off. Steve at Manchester GT told me there was a clear sealer under on the Hi1s - makes life a lot easier I think. I got down to almost clear with various abrasives, then used clean cellulose thinner to wash the last of it off, taking care not to disturb the base coat. It then got flattened (was flat anyway) and finish-keyed with Abranet 400 (actually an old well-used bit so way finer than 400 anyway). I've put a very thin grey prime coat on - I used it as practice to dry-spray, taking the advice of the more experienced regarding the application of the metallic later. Couldn't resist a dust along one side with the lake p-lacid blue, just to see the colour tone and metallic effect. Problem is there is very little contrast between the grey primer and the dusting of LPB. I may cut it all back smooth and put a white primer down. I fashioned a 'neck' to hold the body at various angles. Later I intend to do some soft-edge masking in the neck cavity to get the overspray as per - need to p[rotect the date stamp etc. The pup and control cavites were fully sprayed black so they will become LPB. Happy so far, the LPB metallic dust coat seemed to work and the metallic is nice and even (I think). It may be that you really see how good your metallic is when you put the laquer on top. AND, being patient - plenty of time to harden between stages. I may be in with a shot, but must not tempt fate. more later
    1 point
  39. I remember seeing this when you were waiting on it to clear customs. Considering MG created this for you based on your ideas for a dreambass would it not be worthwhile to give it some more time to get used to it? Surely getting to grips with the NT/smaller body is just a matter of time? Would be a shame to throw away money and it is a beautiful bass.
    1 point
  40. Loads of new original material for a new band. Really happy with my ability to learn new parts (been making up my own for last few years), and surprised myself at getting my fingers around some fairly compley bits where bass plays unison with guitar. Looking forward to first rehearsal on Tuesday.
    1 point
  41. Just sold my Yamaha BX-5 to Ed is a smooth transaction. Good comms throughout, most pleasant experience all round.
    1 point
  42. I know it's frustrating, but it's just the way things are manufactured now. It's a throw away society. You cant win. Either a new board is expensive in relation to the cost of the amp, or the part is cheap but the labour of diagnosing and fixing is expensive. Got to put a mention Ashdowns way. I'm sure they pride themselves on their amps having serviceable parts, so they can always be fixed. The old school ways are the best sometimes.
    1 point
  43. For Sale a great 5 string bass with light sign of use and a scar to neck pickup ( see photo) , Very good condition , very easy to play and the the B just kills.. I am asking 1250 euros without shipping cost with Marleaux Gigbag Year of made i think it's 1998 , it's the first edition of Consat Straight but made Custom due to jazz delano neck pickup , it has also one MM Bartolini which it's awesome.. Body : Dibetou Fingerboard : Maple 34'' scale 24 fretts + a 0 frett Controls are p.u. /volume / bass / middle / treble Shaller Tuners and strap-locks E.T.S.bridge Weight : About 3,8 kg one switch for Active / Passive Mode and another one for the EQ preamp . Some pics , thank you for your time.. **Price Drop to 1100 EURO** Trades with 5 strings bass are welcome !
    1 point
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