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Showing content with the highest reputation on 07/05/19 in all areas
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He also used to turn his back to the audience and fart6 points
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This morning I finished this build, strung it up and christened it with a blast through "One Step Beyond"...…………...I am a happy lad! I could never justify buying a genuine 1964 bass or even a CS Fender, Limelight basses don't, as far as I can see, seem to offer the laminated fingerboard option, and I am reasonably handy, so why not give it a go? The idea was to build my ideal bass, a sonic blue Precision, and to see if I could make it as close as I could to 1964 spec, in fact to look as if it was made on the day I was born 17th March 1964. Before I go any further, I realise that recently there has been a bit of polarising reaction to relic'd/roadworn/aged (call them what you will) basses, and I completely understand this, in fact up until fairly recently I didn't like them either. But, because this was a hobby build, and not a commercial one, I thought I could pat attention to the 'hidden' details , such as the scratchplate shield and the sunlight fading, and see how far I could take it. Again, I wasn't trying to forge a copy or mislead anyone, so I put in deliberate references to my date of birth, such as the serial number, neck date and the decal on the back of the headstock. This bass is for me, it is my ideal bass, with my favourite parts fitted and it will not be sold. The link to the build diary is here, for those interested enough to want to read further https://www.basschat.co.uk/topic/326421-17031964-a-day-of-birth-precision-bass-build/ Sorry about the quality of the photo's by the way, photography is not one of my strong points4 points
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The Suit , the hair, the boots, the voice...(he plays bass too)3 points
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You need someone to buy your old tinybasses to make room for new ideas. Or people to commish you for new basses to make it worthwhile for your time to explore new ideas. This is a big, fat, unsubtle hint...3 points
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Helix Stomp in excellent condition. £365 includes guaranteed next day delivery P&P. Not going to get used by me for another 6 months or so at the earliest and it would make better sense for this to be in a more creative pair of hands!3 points -
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Marshall VBA400 valve head - 400 watts 8x6550. This is the daddy of all the tube heads out there. Smooth thick tone and all the clean headroom you could wish for. Crank the gain for sweet preamp overdrive - the nicest and warmest of any amp i've tried or crank the master and control the amp with the gain to get some power tube involvement in the overdrive. Single channel with deep and bright switch on the output, simple preamp with Fender style passive tone stack and switchable mid shape for scoop, flat and pushed mid range voice. The high headroom of the amp means that your fundamental tone doesn't fall apart when you add crunch. And the simple EQ means you can easily dial in a variety of vintage and modern sounds. I've had it about six months but have only used it a handful of times as I don't get the opportunity to use it much. The previous owner replaced all 8 power tubes with Marshall branded Svetlana 6550s 18 months prior to me buying it so it should give you years of trouble-free enjoyment. Another advantage of the big wattage is the amp can run a bit cooler than say an SVT which notoriously hammers power tubes. The previous owner had a Speakon output professionally fitted to the back panel which is a welcome addition. Have a read of the manual and reviews online - this amp has gained a great reputation as a sleeper on the market and a true SVT killer with better tube life and reliability. Pair this beast with an 8x10 for the ultimate planet destroyer rig (available for sale separately). This amp is heavy but not stupid heavy at 36 kg - but it's a 400 watt tube head, it needs to be heavy. Look at the size of the transformers in there. I can lift it up on to the 8x10 without a problem. Moving it is a two man job in the flight case though! No expense spared at any point of the amp's construction. Comes with fitted flightcase. Located in St Agnes, Cornwall but can get the amp to Bath with a bit of notice if that's more convenient. You can try it cranked up through my 8x10 (also for sale) at my rehearsal space in Redruth if you like. Shipping not an option at the moment as i don't have a box and it's super heavy in the flight case. Hit me with questions.3 points -
Fatta Macca?3 points
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At 66 years old there's never going to be any riches for me. I settle for consistent weekly cash. Blue3 points
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I am a bass tart. I will go with any pretty bass. There, I said it. I saw this and I had to try it. It was made in Finland by a guy who seems to build one off basses when he fancies it. It has a Carbon fibre neck, some lovely, lovely wood on the body, a Wal-alike pickup, an ACG/East filter preamp and a Piezo bridge. It is very light and is someone's bass for life. I wanted it to be mine but it was not to be. Buying it has just confirmed for me that I like 33" scale basses with two magnetic pickups. I could route this for another pickup. If I was monumentaly stupid. So I wont. There is nothing wrong with it. It is just not my flavour. I went to the bassbash last weekend and tried a gazillion basses and just came to the conclusion that for now 33" and 2 magnetic pickups is where it is at for me so no matter how much I want to posses this bass I will always pick other ones up first. I cannot keep things just cos they are nice. Price is firm and fully insured shipping will be added. I do not NEED to sell it so will enjoy it while it is here. I am not open to offers or trades. You will never see another of these. Mr MPU never seems to repeat himself. If this combination of spec floats your boat then this will REALLY float your boat. It is lovely, lovely, lovely.2 points -
It’s due to the adverts being served on site which have been tricked into forcing redirects. I’ve raised it to have them flagged and removed but in the meantime I’ve disabled the ads. Sorry about that - but it can happen to any site at any time and is getting increasingly common, even though companies like Google do intercept most of them. If you were effected before you can clear your cache memory if you still see it Cheers2 points
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In recent years I have always ended up on stage left. Although I think stage right would be better as I would be able to see the neck of my bass and the drummer at the same time.2 points
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Mick Karn was a class act and one of the few fretless players that truly had his own voice and instantly recognisable style. I’ve learned a few of his bass lines and he tended to approach them about as far away as you can be from a conventional bass line. They’re very challenging to get down, and then almost impossible to recall without playing over and over again until memorised. He played across the bar line a lot, and often went nowhere near the root note of the chord, but because the bass line worked as a melody in its own right, it fitted in with the song. Oil on Canvas (the post-Japan live album that ended up being bigger than any of their albums when they were a band) is a perfect showcase for intelligent, interesting and creative bass playing. It matters not one jot whether he had theory or technical knowledge.2 points
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I played this (Jabba’s) at the SW Bash - I love it! Would love to own one. Jez. No pressure!2 points
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That's it. Fully committed to the helix. All other pedals up for sale.2 points
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I am intrigued why so many here prefer to be next to the hats rather than the kick, especially as for most of the bigger / better rock bands I know bass stage right is pretty much de rigueur?? A quick look on google shows that most of the big rock acts from the last 40 years set up on stage in a similar fashion, from Sabbath to Deep Purple to Van Halen to Metallica to (latter day) Whitesnake (although the Neil Murray classic era was an exception)! I did note that when I started playing more blues gigs, I sometimes found myself on the wrong side of the stage. Perhaps it’s a hard rock thing??2 points
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Name dropper.... It has a real Sid Vicious/Dee Dee/Paul Simenon vibe2 points
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Funny you should say that...2 points
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Phil’s been playing with oil...2 points
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Just bought another one dammit! A tasty 1805 to go with my four stringer. Looks like me & @Woodinblack have similar bass tastes (Ibanez & Maruszczyk).2 points
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My wife says that Weather Report sounds like several musicians playing their own tune plus there's no melody. She can't understand why TBP would want to disguise the tune they're covering. I mean, where do you start ... Davo2 points
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Of course, he's still doing it and age hasn't reined him in too much either. Check out that P tone at 2:40 onwards during the guitar solo.2 points
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I had an interesting lesson in band finances a couple of weeks ago. I'm doing a charity gig next weekend with a covers band I've notionally been in for a couple of years, but we've never actually played (or until two weeks ago, rehearsed) because the rest of the band are in a signed, name band, and we've never had the opportunity to arrange any actual gigs (though I depped with them for a couple of gigs last year when they were between bass players). The name band are very well known in a specific genre, regularly do (smallish) UK tours at not bad sized club venues, play festivals across the world, sell a ton of merch, and never go out for less than £1k a show...but once they've paid for vans, flights, hotels, and given money to the crew and the non-core band members, there isn't much left over for the core band members (the lot that I'll be playing with). So despite generating a decent amount of cash, it's very far from being a living, and while expenses are covered, it's barely a paid hobby - the core members paid themselves for the first time in about three or four years a few weeks ago, and it wasn't a huge amount of money considering all the band activity in that time (though they did then take me out drinking with the balance of the band bank account as I'd done the dep shows for free). And as men of a certain age with assorted family and job responsibilities, they can't really step the band up to the next level because they can't commit to weeks or months on the road, and at the level they currently occupy they aren't going to be offered many more gigs than they currently play. So they are all very keen to finally get this covers band up and running as they see it being far more lucrative - we can play as frequently as we want, expenses will be low, and it doesn't need three rehearsals a week. The other band will always be their first love, but they fancy actually taking money home with them after playing a gig for a change2 points
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It's stuff like the vid that really makes me doubt my "Precisions are crap" view. To the point that I bought one a little while ago, and yesterday bought another one. I am so weak. But - need 1 for flats and 1 for rounds, surely?2 points
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Stage left for me too almost always, mainly because I once read that the bass should be on the same side as the drummer's hi-hat to aid hearing it for timing, and I was young and impressionable. Okay, maybe not young... I did swap to the right on the one gig we did without our keyboard player and didn't find it any problem, though. With regard to keyboard players straying into our sonic space, I did have this problem once. I addressed it by (1) asking him nicely keep his left hand under control, and (2) setting up a high pass filter on his PA channel to take a lot of the low frequencies out. I think (2) was more effective!2 points
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Around these parts a dUg is an animal that some folks keep as pets. "Arya seen air ole man?" "Yu' he's tekkin' the dUg fra walk then eez goowin um f' summu' twet"2 points
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Alternatively it could start a whole new area of mindless panic about the weight of the stands, not to mention relative heft of steel over alloy and whether the size and shape of the feet make any difference to the sound!2 points
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Warning...Bass wombling...........So this is me being extra a couple of years ago in a pub on a Sunday afternoon using said pedal. I still have it and its still the one thing that comes with me to every gig and is always switched on. This clip is the slap thing obviously but it demonstrates IMO that slap sound thing with a jazz, on an actual gig rather than from the safety of a living room /studio/rehearsal room. Its not a one trick pony either. Its also a nice touch for any fingers setting be it a Jaco-esc back pick up or turn up the bass for a really good motown vibe or whatever. Still loving it 4-5 years on. Still recommend it. Never gig without it. Still worth every penny.2 points
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May well do it, can’t have a fender bridge on Yamaha basses - ocd would flip out 😉2 points
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Yep, I'm knocking on the door of 60 too Blue. No illusions about earning a fortune but I am doing the thing I love.2 points
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Here's a few more photos of the two finished headless mini beasts:2 points
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Not sure yet as the hall hasn't told us how much it cost yet (its about 70 quid). But our money from admissions and raffle -which all profit from will go to Nordoff robins- is around 230 pounds.2 points
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My favourite era and line up. Sorry to the purists, but “whatevs” 🤪2 points
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I saw them around this time at the Kursaal in Southend when the album 'Burn' came out. One of the best gigs I've ever seen to this day. A naked woman appeared on stage seemingly from nowhere and jumped on Ritchie, who promptly unslung his guitar and played it on her backside2 points
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I have told this story before but some years ago I was idly browsing on Ebay when I saw a Mesa Road Ready 2x18 up for auction. It was on with an initial bid of £50 and the auction was set to finish quite early one Sunday morning. I wasn't desperately after such a cab but thought I'd get up to see what it was going for nearer the time. With a minute to go it was at £60 and I thought I'd just stick in a bid of £75. I got it for £62. Turns out it was one of only 3 (or so it seems) and this one was built for Cass Lewis. Only down side was the fact that it had a sticker on it when I collected it. The sticker proclaimed its weight to be 107 kg. That said, when hooked up with my (then) Diesel 2x15 the sound was, quite literally. awesome.2 points
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Not quite a musician - but inextricably linked, and for me more influential than many musicians I rate - was terribly sad when John Peel passed away so suddenly, a real loss.2 points
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Ibanez SR1400 NT ( NT is natural not neck through) Here's what Ibanez say Ibanez proudly introduces the first gloss-finish Premium SR bass, the SR1400-NT, featuring a stunning Figured Maple top lamination. The Figured Maple top allows for a clear attack, while the Mahogany body delivers a warm and fat low end. The Atlas-4 5pc Wenge/Bubinga neck provides tonal clarity and superior note attack. Its slim grip shape permits superior playability with the meticulous Premium fret edge treatment. The neck is constructed with KTS™TITANIUM reinforcement rods, increasing its stability and adding sustain. The neck end adjustment allows you to adjust the neck easily without loosening the strings. The Mono-Rail V is the ultimate bridge for bass string isolation with a wide intonation range. Each bridge is independently and securely locked down to the body for maximum vibration transfer without interference. The Ibanez Custom Electronics 3-band EQ, EQ bypass switch, and 3-way midfrequency switch allow for precise tonal control (250 Hz, 450 Hz, and 700 Hz). When the EQ bypass is activated, the treble-tone control knob acts as a passive tone control for the instrument’s output. The single-coil Nordstrand™Big Single fits in the soap-bar pickup, producing a full-bodied, powerful, aggressive tonal texture while still retaining the clarity that’s characteristic of single-coil pickups. Other features include the BLACK TUSQ XL® nut and the Gotoh® machine heads. A soft case is included. Specifications Body & Bridge Top: Figured Maple Body: Mahogany Bridge: Mono-Rail V (19mm String Spacing) Construction: Bolt-On Finish: Natural Neck & Fingerboard Neck: 5-Piece Wenge/Bubinga w/KTS Titanium Rods Profile: Atlas-4 Scale Length: 34’’ Fingerboard: Rosewood Frets: 24 Medium w/Premium Fret Edge Treatment Inlays: Abalone Oval Nut: Graph Tech Black Tusq XL Nut Width: 38mm Electronics & Hardware Bridge Pickup: Nordstrand ‘’Big Single’’ 5 (Passive) Neck Pickup: Nordstrand ‘’Big Single’’ 5 (Passive) Controls: Volume, Balancer, 3-Band EQ, EQ Bypass Switch, 3-Way Mid Frequency Switch Tuners: Gotoh Control Knobs: Black Plastic Hardware: Gold String Gauges: .045, .065, .085, .105 Case Included: Hardshell Case Collection from Liverpool preferred - can meet up within reason or you can arrange a courier at your own risk and expense.1 point -
Ha Ha thank you very kindly moley6knipe...……………………...what an amazing name1 point
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I’m also using xvives U2s. Pros. I love the size and design. They are easy to use and charge quickly. I’ve had no latency or interference and done 6-7 gigs with them. Our keys player also uses them. Range is pretty good and sound quality is no difference to a cable Cons. I’m on my second set. I sent the first set back after getting a high pitched noise from them on 2 active basses. They work fine on my fender jazz (passive) and my status. But neither set work on my modulus or shuker, annoying yes but not the end of the world. The advice from xvive was to extend the jack socket to alleviate the high pitched noise...??? That is the worst advice 😂1 point
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Seems to have stopped now (phew!). Though I notice I'm now only being presented with 2 ads on rotation (rotosound and elixir).1 point
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Definitely a marketing opportunity for cat-owning bassists there! Yup - I've an old Trace 1x15 and 2x10 taking up space, but can't face letting them go for peanuts.... That's so cool! I'll def try to catch you next time you're down. A range of potential basses you could play if being closely authentic, but I'd really hope it would be the old Ovation Magnum (below) - plus the '70's satin suit of course Last time I was in Swansea Cranes (to pick up a Davidson mandolin sent over from their Cardiff store) they had several 1960's Gretsches and a couple of old Gibson guitars in plus a Wal bass - I could have spent ages there. The only PMT store I know is in Cambridge (where I have family so go over regularly) - nothing of interest there whatsoever....1 point
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Mine was a 4001. You have to loosen off, set the neck and tighten up. Different set up to a Fender or Gibson and hence so many busted ones1 point
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My jazz supergroup: Mike Stern and John McLaughlin - guitar Alain Caron - electric bass Christian McBride - acoustic bass Herbie Hancock - keys Brecker bros - horns Dave Weckl - drums1 point
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I never want to hear any of you lot moaning about neck dive again, it's not worrying this little lad one bit, so the rest of you just get over it! Lovely pics @josie and @ped 👍1 point
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Well done @jebroad and thanks 👍1 point
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I’m considering putting this American Vintage ‘57 Reissue Precision up for sale. I think I’m the second owner. Comes with tweed case, ashtray, pickup cover and thumb rest. In very good condition. Its been gigged so has a few dinks here and there, a bit of buckle rash; nothing dramatic. Ive had it for about 5 years and I vowed I’d never sell it (in a thread in this very boutique) but I’m not playing it as much these days. It last saw real daylight and fresh air at rehearsals for an ill-fated venture a couple of years ago. Further details and more pictures to follow.1 point -
SOLD - This is a beautiful Korean (Cort factory) example of the mahogany bodied Soundgear SR500. I bought this bass as a backup to my Warwick Thumb because the fast slim neck is also made from wenge and bubinga and feels just as good. Ibanez now reserves wenge and bubinga necks for their more expensive SR basses. Weight is 7.75 lbs (digital bathroom scales). SOLD - £275 including gigbag collected or localish delivery/meet up from Hertford. Thanks for looking.1 point -
I bought a job lot of these. work well. https://www.ebay.co.uk/itm/Home-brew-beer-swing-top-Grolsh-style-rubber-washer-seal-for-swingtop-bottles/272881562560?hash=item3f890233c0:m:mOXc7a3ciNCUi4_yhO5QuWw&frcectupt=true1 point
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