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I was just reading (on Facebook) the cheery story of one of our bass playing brothers, John VanZanten of Seattle, who about 14 years ago had his dream bass built by Mike Lull Guitar Works. Two weeks ago the bass was stolen, then the thief contacted Lulls in an attempt to sell it to them; Paul Schuster at Lull got photos, verification of the serial numbers etc and convinced the person who had it to bring it in as they had an interest in buying guitars for cash. The guy took it in and Mike Lull seized the instrument advising the thief that the bass was stolen and the guy fled empty handed. Bass has been reunited with the original owner. Brilliant, eh? I doubt you're going to get that sort or after service from Fender.

Thanks UPS, that's the way to do it, custom build ordered 20-05-2019, hand made, delivered today, less than 20 hours from Italy to my door. Status Date Location Activity Current Event Delivered 05/23/2019 3:52 P.M. BEXHILL-ON-SEA, GB DELIVERED 05/23/2019 7:20 A.M. Crawley, United Kingdom Arrival Scan 05/23/2019 6:35 A.M. Crawley, United Kingdom Destination Scan 05/23/2019 5:30 A.M. Stansted, United Kingdom Departure Scan 05/23/2019 3:39 A.M. Stansted, United Kingdom Arrival Scan 05/23/2019 4:30 A.M. Koeln, Germany Departure Scan 05/23/2019 1:53 A.M. Koeln, Germany Origin Scan 05/23/2019 12:39 A.M. Koeln, Germany Arrival Scan 05/22/2019 11:16 P.M. Tessera, Italy Departure Scan Past Event Shipped 05/22/2019 7:54 P.M. Tessera, Italy Export Scan Past Event Label Created 05/22/2019 11:09 A.M. Italy Order Processed: Ready for UPS

Posted about this in elsewhere but I think it warrants its own thread. Posted this over on TB too, figured I should start posting here more as well. Picked up a Sire Marcus Miller M7 2nd generation on a whim on Monday, and I'm extremely impressed. I compared it to my other bass at home, my 2016 Marleaux Consat Custom. Not exactly a fair fight, but life is unfair. The attention to detail on the M7 is extremely impressive - super smooth neck and rolled fretboard edges, ebony fingerboard with absolutely perfect fretwork (I daresay it's better than on the Marleaux), bone nut, wood electronic covers, and other features that you wouldn't see on a Cort/Samick or anything similar of this price. The out-the-box setup is all right, but not perfect. Standard tuning was perfectly adequate, action is not super-low but there is definitely an allowance for it. Besides I do like to really dig in when I play, so it works for me. If you're handy at that sort of thing you can adjust it easily enough, or if you want to be 100% sure take it to a tech. For a 35" scale it was a bit less tight than I would've wanted, but then again I should emphasise that I do play one step down, so a setup is in order. Still perfectly playable, though. Tone is really powerful, and very versatile. The preamp doesn't quite have the clear sparkling brilliance that the preamp in my Marleaux has, but that preamp alone probably costs more than half of this entire bass does, so I'm not complaining. This one is super versatile, can deliver pretty much whatever sound you need it to, just don't expect it to emulate a P-bass too closely. Close enough, I guess. J-tones can be had fairly easily by switching to passive mode and putting the pickups in single mode (separate tone control available - something my Marleaux DOESN'T have...). You can make some pretty radical adjustments with the preamp, each control has a very wide range. Most other sounds are doable too, the sweepable mids are really helpful. There's a very noticable drop off in volume between passive and active mode, but that's to be expected. The only chinks in the armour so far aside from the less-than-perfect setup are the kinda plasticky-feeling knobs, they just don't fit with the premium vibe of the rest of the instrument - I'll probably swap them out for some generic metallic domed ones soon. Also, with the stacked knobs, if you move one the other would move too - I managed a temporary fix for that by pulling off the top knob and then putting it back but not pushing it all the way down, it's merely the bottom of the knob dragging the lower one along with it. With a set of metallic knobs costing around 6-7 quid on eBay, it does make me wonder why they chose this particular corner to cut, I'd have gladly paid that much more for good ones already installed but I guess it's the whole economies of scale thing. The pots themselves however are smooth and solid. The coil tap/passive active switches too are a little cheap feeling as well (less so than the knobs though), but again that's a relatively easy thing to modify should the need arise. Overall though, the value, quality, sound and features are outstanding and come together to bring a very, very impressive bass. An extremely impressive and creditable instrument that a beginner or intermediate player would be overjoyed to own, and that a seasoned pro would be happy to play with a few very minor adjustments - it holds its own very well against some of the best out there. Full band practice with it next week, so I'll add some more thoughts then!

Sounds fun. Good luck! PS: I just checked 4 versions of P I P on YT and they're all about 2-3 cents sharp of D (They probably recorded in D and vari-speeded it up a bit to reduce 'plod'. Or recorded in Eb and slowed it down because they were all speeding off their faces. Who can say?)

OK. This is a mass produced Squier Vintage Modified Jaguar Bass in its original form. It has however been breathed upon by our own @Andyjr1515 and is quite unique in appearance. Some of you may recognise part of it from Andy's previous avatar. Although stock in essence, it got a refinish, a modified scratch plate and a full set-up. It's a great sounding bass anyway but now it looks fascinating too. Whilst nowhere near as unique as his complete builds, it is with pride that we (Jack and I) can say that we've got something nice by that nice man at AJR Guitar Mods from the time before he got famous and started to live as a recluse in his own private lumber yard where he started rolling out wilder and weirder basses such as the Spruce Goose bass with its massive wing span.

I'd agree that the very worst communications I've had are from the lowest value items, the absolute nadir being when I offered two pretty good sofas for free, the only condition being they were picked up. The number of 'Will you deliver?' messages was in equal parts annoying and depressing. Other than one protracted conversation, the gist of which went: "I'll have those two sofas" "Fine, when do you want to pick them up?" "I haven't got any transport, you'll have to deliver them" "I'm sorry, they're pickup only. Like it says in the ad." "But I haven't got any transport" "Sorry" "But I really want them, i just haven't got any transport." "Well, you haven't got two free sofas then, either." That one was alllll annoying...

Plays like: Butter, Margarine, Other spread. Djents: Y/N Mwah: Y/N

If i'm using all 'normal' pedals then the ZGP goes between the wall power supply and the daisy chain. If i'm using it for pedals and Zoom B3n then it goes on the daisy chain plug that goes to the Zoom. It usually takes a bit of jiggling plugs around to find which bit of the chain doesn't interfere with other bits..!

Mmmm... Something like this?

😂😂

Get yourself a 6x10 cab, Aguilar db751 and be prepared to have your neighbors calling the police. 😂 sorry. I’ll get my coat.

Reminds me of the Karl Pilkington sitcom where he gave a sofa away. Guy came round and didnt have transport so Karl had to help him carry it to another address, on the day he was going to a funeral. When they got to the other address it turned out the sofa guy was selling it to this other bloke. The second bloke changed his mind and didnt want it so Karl had to try and get it back too his house. The first bloke wanted £20 to help carry it back lol.

Conversely your job as a bass player isn’t to f up to he mix by fiddling with your feed to the FOH - that would be amateur

Binding take 2........... The little mark at the start of the lower horn has be rectified now............... 😀

Um Bongo 😋

Me too 🙂 There's quite a lot of eighties stuff on our list, with a few slightly earlier and later. Our first set is: Don't Get Me Wrong Hanging On The Telephone Union City Blue Pretty In Pink Teenage Kicks You've Got My Number (Why Don't You Use It) Bad Reputation Best Of Friends Psycho Killer I Feel You Sweet Dreams (Are Made Of This) Stupid Girl (the Garbage one, not the Stones) Panic Gimme Danger We had to whittle that down from a list of 60+. We're going to be busy! And we also have to find a drummist and someone who plays one of those screechy things with too many strings.

I think the issue is that the sound guy (in the venues I've been to where we have had one) will set everything at sound check time and may tweak once the audience is there during the first couple of tracks. If you are turning yourself up mid set so you can hear yourself better on stage, you could risk being very loud for a while before the sound guy realises what's going on and has time to react. Not going to go down well with him or your band mates.

Hop on a plane, get over there and tw@t him. Then retrieve your pedal and have a bit of a holiday.

Wait for the new Source Audio C4 if you can. It may well have all the octave/dirt/filter/synth capabilities you can dream of! https://www.talkbass.com/threads/source-audio-spectrum-inteligent-filter.1385756/

The Aguilar is really sensitive to how you play. I remember having similar tracking issues starting out with it and thought maybe it was defective. I contacted Aguilar support and they explained that technique is everything for that pedal to track properly. So on the plus side, it definitely can force you to start correcting bad habits in your technique. The advice to place it after a compressor is really good as well since it will keep the signal to the octamizer more consistent.

We used to do this in a band waaaay back, and IIRC we just picked a key the singist was happy with (again IIRC, it may have been D) and went from there. I play at home with headphones using an iPad app which can adjust pitch (helpful for things like ACDC, which seem to be in some odd Antipodean key, possibly something to do with the way water goes down their sinks...) so you don't have to tune your bass to the track...

Got any photos of the Tele neck with the hair still on it?

I'm loving how @scrumpymike's mate's walnut is finding its way into some stunning instruments. Talk about your mojo. That's truly spiritual.

@mcnach back to T-Bird - I popped a telebird together. Epi Nikki Sixx body needed repair, and had no neck, so I repaired it and added a tele neck which needed a shave and voila. its not bad!

I've long looked at Sandbergs and thought I should try one and see for myself if all the love for them is justified....and I concur. Just given a new home to a 20th Anniversary Edition Ken Taylor Basic 4 and it's fab. Lovely neck, great slabs of tone from the pick ups with very usable EQ. It will be my only bass for the foreseeable future, I couldn't be happier and I'm pleased to be in the 'berg Club.😎 Here's a pic.

Make sure you are all going off the same version - there's the '81 original and the re-recorded '86 version for the film. Worth listening to all of Talk Talk Talk (and their debut album) while you're at it, I love 'em

I will indeed confirm this, the more I gig the M6 the more I love it’s tone, power and flexibility. The separate DI volume control is a bonus, I can make any changes I wish to my set up without effecting FOH. 😃👍🏻 It’s not small though! 😂

Purchased Gibson bass from Stephen. I cannot imagine better packing, communication and egneral interest.. Real gentleman, a pleasure to deal with. Top! Not to mention that bass is great of course!

Amp: Heft Included: Y/N

I think that's just an alder-ego. Still, he seems to be very poplar

I like that list! I was about to say "if you ever play in Bristol, let me know", but then I spotted your location...

Nice one! 👍

Courier achieves successful delivery of incorrectly addressed package, that's pretty impressive

They Dont? 😥 http://www.transitvanclub.co.uk/