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Showing content with the highest reputation on 26/05/19 in all areas
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6 points
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Here for sale Is my Greco vintage P Bass, It was imported by me as a bit of a project. It palys superd with a really low action and strung with cobalt flats(V expensive). It has a few age related marks on it as would be expected but minimal fret wear. It has been fitted with Gotoh pre aged tuners, v mod pickups and a modern wiring loom. The nut is 40/41 mm and weight is 3.69 KG. Postage and packing is £20.005 points
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And watching/listening to George Michael singing for Queen, well they should have just handed him a blank cheque and told him the job was his if he wanted it.4 points
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Over the years my Stingray5 has acquired a bit of mojo, some nicks and knocks plus some extra wear and 'buckle rash' on the rear. Certainly not intentional, of course, but it did get me wondering about other Basschatters instruments that have picked up their own mojo. Don't be shy, show us some genuine mojo! Please note: No 'reliced' instruments. GENUINE mojo only, please. Acquired naturally, whether by yourself or from previous owner(s). Current or previously-owned instruments. A couple of small nicks on the back end.3 points
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Excellent cab in very good condition, with huge power handling capability at 4 ohms. Configuration: 2 x10” Neodymium drivers +1" tweeter variable tweeter control from 0 - 10. Power: 1200 Watts RMS Impedance: 4 Ohms Size: 59 cm x 50 cm x 41 cm Weight: 20 Kg / 43 lbs Freq. response: 40 Hz – 16 kHz Sensitivity: 101 dB 1W @ 1m Comes with VK fitted cover - total cost would currently be £875 new from BD Collection or happy to drive a reasonable distance to meet up half way.3 points
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3 points
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Guys, Genuinely in turmoil about the thought of selling this bass as it’s everything I’ve ever wanted to own since I was a teenager and I’m now 48 !! However, it was purchased not to sit in a ‘glass case’ but to play live and play in the context of a RHCP tribute band (which it has for the last year or so) regrettably as I have Hands like shovels the slim neck causes me to ‘scuff up’ rather too much as it’s just too cramped for my ‘Incredible Hulk Hands’ !! The proportions of a MM Stingray suit me much better and I just have to accept it ! I had the bass professionally appraised prior to purchase so the comments below are not just my suppositions or guesses they are based on my knowledge of the instrument from the seller and the insights of one of the UK’s foremost Fender experts. I know everyone will want to know the weight.... it’s a lovely light weight Jazz.... I’m sure you may want to know the exact weight which I’ll get for seriously interested parties. What this bass is.... It’s a 1962 Slab board Jazz, absolutely THE most resonant instrument I’ve ever held in my hand. It’s got more tones in this than any passive bass I’ve heard. From deep dubby thump to growl and grind.... Jaco / Miller / Geddy it’s all in there.... woody earthy organic but also bright punchy and very present in the band mix. The neck is straight and true and unlike many Pre CBS Jazz basses sets up like a dream, the truss rod works perfectly and the action goes as low as you like and it plays clean as a whistle... The Slap sound from this thing is incredible, the finger style barks with a lovely mid bite underpinned with such a big fundamental with both pickups on full ! There’s absolutely no dead spots... it’s a very ‘even’ sounding bass right across the strings and up and down the neck.... What it isn’t.... It’s not all original or it would be 3 x the price !! Try finding a Pre CBS Jazz these days... they barely exist even through the major dealers they are a rarity and the 62 vintage holds major cudos.... At £4750 it’s a bargain!! Bass Direct had a 61 In recently at £16k (albeit pretty much all original) The likes of Andy Baxter haven’t offered for sale a Pre CBS Jazz for ages (or if they’ve had one it’s gone straight to clients and not been offered to the public) The body was refinned many many years ago and as far as I know the wear is genuine play road wear.... the bass was retired from professional live duty a decade ago needing a refret. The bass was owned by a pro player with some celebrity credits (I’ll tell the buyer about it... it’s interesting but not the sort of history that adds any value) The Finish on the neck is to die for and feels like an ‘old pair of slippers’ The refret was done not by a ‘repair man’ but a ‘master luthier’ and it’s utterly superb visually and in terms of how it plays... I seriously had to beg and plead for him to do the work as he’s so busy building.... I gave him a brief of ‘cost no object’ make it the best it can possibly be (this is a slab board pre CBS Jazz after all) I wasn’t disappointed!!! Other things of note... The bass has been a working instrument all its life and had been played / gigged / recorded extensively. It has that playability / tone and vibe that really only comes with tens of thousands of hours of ‘singing’ as an instrument! As FLEA said about his own Jazz Bass ‘this bass stopped being a tree a long time ago’ The Machine heads are the original reverse tuners as you’d expect and work freely and hold tune perfectly ! The bridge is all original apart from the 2 G string height adjustment screws look to be a little different and slightly less aged ! Pickups are the original units and have been recently hand rebuilt to original specs by a master of this craft. They have been rewound exactly as original using period correct equipment, wire and wax. Pole pieces have been re magnetised and the difference this made to the instrument was incredible ! There is no question they would pass as totally original but again I’m just being 100% honest here.... The pots were RS replacements when I got the bass, I’ve had them replaced with correct CTS / Vintage wiring..the output Jack and Cap are original. The Bell Plate is original but has had the 3 holes countersunk to accept countersunk screws. There’s some debate as to whether the scratch plate is original or not (really how would you know for sure) it’s old for definite but maybe later 60’s... I’m just being as honest here as I possibly can. Assume it’s old (and valuable in itself) but not original and if it is well I’ve underpriced the bass and you’ve got a bonus !! Thumb rest / covers / pick guard screws again all very old.... can I guarantee originality ? ofcourse I can’t.... they might well be nobody really can say for sure....We think the thumb rest is certainly 60’s We think the covers are Fender but later versions or maybe repro ? The strap buttons on the body and the back of the headstock appear to be original. I’m sure there may be stuff I’ve missed or questions to answer before a deal is done however please may I respectfully request the following : 1. The price is firm because it’s very fair... I’m not interested in entertaining the ‘what’s your best price’ brigade.... I don’t need to sell it financially so I’ll probably not respond if that’s your opening gambit ! 2. I’m not looking for swaps or trades, I’m probably going to buy an Alembic at some point and the cash is going towards that. Maybe if you have a MK Sig or Series Bass we could talk but it would need to be ‘classic taper’ beyond that no trades thanks. 3. I’ve been really honest with the description please no pm’s pointing out it’s not all original.... 4. Given currency I’d expect some interest from abroad.... I’d much rather the buyer had this bass in their hands and played it before purchase but I’ll work with any serious buyer who wants to use this bass as it was intended..... But buyer pays shipping and it’s going nowhere without being fully insured ! 5. If the bass has to be shipped I have a Hiscox lite flite case that it can go in. Please read my my feedback for your assurance of excellent service and trustworthiness PM’s please kind Regards Mark3 points
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Just on this, if your turnover (not profit) from minor activities (selling at car boots, amazon commission, playing gigs) is no more than £1000 you don't have to pay any tax. for a typical 4-piece that's £4,000 a year.3 points
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Thing is, skiffle and music hall are dead too. So what? I'm currently watching Billie Eilish at radio1's big weekend and ver kids are screaming and crying down the front just as much as ever. Music evolves, I don't really understand why that upsets people so much...3 points
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This is the least basschat thread ever... ”you know the thousands you spent on your pedal board” ”yep, I replaced it with a big multi fx board - it’s amazing” ”I m thinking of getting the small stomp box version of your big multi fx board as I hear it’s amazing” ”oh it is amazing, it sounds great” ”that what you use?” ”nah, check out this £60 Zoom pedal, tbh I don’t need anything else”3 points
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3 points
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The first side dried pretty quickly so I bent the second side. No splits! Minor miracle!!3 points
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Hi everyone, For sale my Music Man Stingray 5 Special from 2018. Much lighter than the normal Stingray 5 (it weights around 4kg only), it features a new Music Man 18v preamp and new Neodymium pickup and toasted maple neck. It's in mint condition except for minor scratches in the back (difficult to see). An amazing opportunity. Great bass for touring and recording. Comes with original case and a full set of chrome hardware. Price: SOLD!! THANKS You can hear and see me playing the bass here: Review: https://www.youtube.com/watch?v=0KW_RQOtsBE Live in concert: https://www.youtube.com/watch?v=5-Gx6W_-Z5U2 points
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Of course you must play it with a rig that is at least equal to the one you're used to. At Musicstore you can choose from 10watts Behringer to 8x10" Glockenklang and everythin in between. And my 410/210 /ABM600 Ashdown rig brings the best out of the bass. Although my spare amp, a Hartke LH500 is more transparent, more mosfet-ish 😛 Here are my 4 cool cats..2 points
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Little update: I recently had a jazz gig in trio with Pno and vocals and one in quartet with drums, guitar and saxophone. I find the cab does a great job. I can get through in the band also with drums with no problems. I think it covers all the important bits in terms of sound without too much of a particular range. In my experience, too much low end often results in an undefined "wobble" and too much high end becomes nasal and doesn't sound natural anymore. I think the cab works really well for double bass. I would like to try it with an acoustic image amp at some point as the aguilar is already colouring the sound.2 points
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Spares or repair SMX has just come up on fleabay with a full and lovely set of knobs, sliders and switches 😎: https://www.ebay.co.uk/itm/Trace-Elliot-gp12smx-Bass-Amp-Head-spares-or-repar/1237818544802 points
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May I draw the distinction between the Forstner bit and the drill bit for some of the readers who might take them as being the same thing? Forstner Bit Used to quickly remove large quantities of material and leave a flat surface. Short pilot without threads - Doesn't penetrate the workpiece much beyond the depth of cut. Does not draw the bit into the workpiece Flat cutting face with three or more cutting edges - Multiple cutting edges reduce the tendency towards chatter. No side flutes - Side flutes are unnecessary for this sort of cut and can remove material that you want to keep. Wood Drill Bit Used to make holes for dowels and screws. Larger pilot with threads to pull the drill into the workpiece - Bites into the workpiece and can draw the bit past the depth you seek. Flat cutting face with only two (usually) cutting edges - Two cutting edges offer less friction and speed up the cut. These tend to chatter and the hole cut is seldom true. Side flutes to break up wood chips as the drill penetrates deep into the workpiece - Necessary when drilling deep. Not needed for shallow cuts and can be a handicap when you seek precision cuts.2 points
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When I first looked I didn’t realise it scrolled down, there’s over 3000 , and every one has samples , it’s so good , Argentine reggae is quite cool 😀2 points
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Haha this has got to be ultimate Lilliputian debate! To scratch plate or not scratch plate = which side of the egg should you eat from, the pointy or the flat end? I'm going to totally sit on the fence and say they can both look good! I've seen some great PGs on this thread that really add to the look and others where the unadorned finish of the bass (like the one above) looks just great!2 points
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2 points
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Actually yesterday afternoon. I was with a four piece, clarinet, keyboard, bass, drums. We played for a private party of 19 posh people on a Thames river boat, capacity 100, departing from the Compleat Angler at Marlow. Hotel people were very nice, waiving the £10 parking charge and charging only £3.20 for a lime and soda. When the host arrived there as a bit of a row because he was expecting a six piece trad band - usual agency pink torpedo up. But once we got under way everyone was happy, probably aided and abetted by copious amounts of champagne served all afternoon. The gig was fro1.00 to 6.00 - yes, that’s five hours. But we took it steady, not allowed to play in locks and a great afternoon was had by all. At the end the host bunged us a £150 tip and his gorgeous young partner insisted on energetically kissing all the band with great enthusiasm. And I got seconds.Whats not to like. I got up at 8 this morning fresh as.2 points
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Oh oh oh oh oh oh, You don't have to go, oh oh oh oh oh You don't have to go, oh oh oh oh oh You don't have to go2 points
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Drill and grime are as close as we can get to a modern day version of punk. It’s made by angry kids, often from poor areas, with no musical training, and on a low budget. Old people hate it and ridicule it, and they don’t get it. Just like punk, it’s a generational thing. Rock music for the most part sounds tired and full of cheesy clichès, and it reminds most people of fat old guys in leather. Doesn’t mean it’s dead, but it’s definitely boring and lifeless compared to music that’s made by angry 19 year olds. Ultimately it really doesn’t matter, if you’re in a rock band and you have fans, don’t worry about it. I play jazz, which is the deadest genre ever, but it’s not dead to me, I like it. Whether it has social relevance is another argument, but if you’re a 58 year old guy in a classic rock pub band, social relevance is not going to be high on your list of priorities anyway. Enjoy playing the music you like and let the kids invent their own entertainment.2 points
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This example of a well-known combo (purchased in August 1994 from ABC Music in Oxford) is in working order with all white slider caps present; the only issues are that the covering is a bit tired and scuffed in places (it's been gigged a lot) and there's a bit of a hum and so it could probably do with a service. I've based the price on similar examples sold here. Collection only, as it weighs 27kg or thereabouts. The weight is the reason I am selling it.1 point
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Oh, amp wise, I've been on quiet a jouney! I always loved the old Trace stuff that I played for about 100 years 🙂 But the cabs are soo heavy..!! I tried a lot, went all digital with Tecamp and Orange Terror but it soundet only great when played without band... it could not cut through in my rock bands - maybe it works with other styles. Last try for "light and loud" were three Hartke 12", 500 watts digital combos stagged together. Went on tour, played one night with a low budget analog rig of another band and sold everything digital at once when back home. Remebered that I knew Mr. Gooday from Ashdown (ex Trace) and he very very very kindly offered me a nice deal - I am not Paul McCartney...!!! In between I had been to Musicstore (again) and took time to test every amp they have in store. I was willing to buy the amp with the best sound for me (and my Yamaha, that I brought for testing) no matter the price. I did- it was a cheapo Hartke LH500 that blew me away because of its clear pure tone. Now with the Asdown rig I can say that it is a totally cool rock rig, I love it. Still have my beloved 410s of Trace but this 300 watts cabs weight about 50 kilos.1 point
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https://www.money.co.uk/guides/do-you-have-to-pay-private-parking-tickets.htm Check this out S.1 point
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I've just got tc BAM200 from Thomman at 106EUR and 50EUR S&H to Japan. It is a very nice amp. I think inside the amp of ELF and BAM are the same. The differences are ELF comes with dedicated gigbag and special designed outlook. They cost more than BAM. So the prices differ. The 208 cabinets are same in size, but TE2x8 is heavier than TC BC208, and power allowances are 400W and 200W, Their speaker units may be different. And TE has speakon, and TC has 1/4 phone. The prices differ double or triple. Then, I prefer TC.1 point
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Hugues is a great guy, communication was top and he went out of his way to ensure the trade goes as requested! Deal with confidence.1 point
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In the first pic the yellow (horn) and black with white tape on (speaker + ?) look to be crossed, but if it is working....1 point
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Just an FYI on that site, if you click on a genre, it'll take you a Spotify play list with representative music 👍🏻1 point
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it is surprising how often this happens, especially if the it's a Marquee festival, outside everything is clear, especially the bass, inside just a trebley mess, lots of gigs sound better with ear plugs in for the same reason. Seen From the Jam a couple of times, with and without Rick Buckler, top gigs and one of my bass playing heroes, his bass lines add so much to the songs. He always uses a P when I see him1 point
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The witdth is 40mm exactly like the 1000ma. The body is smaller than the org. BB shape. It is modelled after MA's old BB2000 and in my opinion they developed a really great shape. And ...Michael is not a very tall guy so I think he might have wanted something "smaller" than a BB3000 was then...1 point
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I wouldn’t call £150 a “give it away” type of transaction. £150 is a lot of money to some people. Say a bass had been for sale for 6 months for £300, and someone offered £150, that’s a perfectly fair offer considering it’s half of the asking price and lack there of a sale. Personally, if you don’t ask, you don’t get. I’ve took losses on basses & guitars in the past and also made offers which have successfully been accepted. My Fodera YYS was for sale at £3000 for nearing a year, sold for £2300 in the end. But if you want something sold, you have to compromise, all the idiots on eBay with basses for sale high above their price tag think they’ll get what they’re asking, but they wont. Which is why they stay for sale for two or three years until being withdrawn.1 point
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I'd agree that the very worst communications I've had are from the lowest value items, the absolute nadir being when I offered two pretty good sofas for free, the only condition being they were picked up. The number of 'Will you deliver?' messages was in equal parts annoying and depressing. Other than one protracted conversation, the gist of which went: "I'll have those two sofas" "Fine, when do you want to pick them up?" "I haven't got any transport, you'll have to deliver them" "I'm sorry, they're pickup only. Like it says in the ad." "But I haven't got any transport" "Sorry" "But I really want them, i just haven't got any transport." "Well, you haven't got two free sofas then, either." That one was alllll annoying...1 point
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Absolutely. I've lost count of the times I've seen an FS ad for a gorgeous bass, only to click it to find out it's got a narrow nut. As you can imagine, the level of disappointment is crushing.1 point
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