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Showing content with the highest reputation on 26/05/19 in all areas

  1. 6 points
  2. Here for sale Is my Greco vintage P Bass, It was imported by me as a bit of a project. It palys superd with a really low action and strung with cobalt flats(V expensive). It has a few age related marks on it as would be expected but minimal fret wear. It has been fitted with Gotoh pre aged tuners, v mod pickups and a modern wiring loom. The nut is 40/41 mm and weight is 3.69 KG. Postage and packing is £20.00
    5 points
  3. And watching/listening to George Michael singing for Queen, well they should have just handed him a blank cheque and told him the job was his if he wanted it.
    4 points
  4. Over the years my Stingray5 has acquired a bit of mojo, some nicks and knocks plus some extra wear and 'buckle rash' on the rear. Certainly not intentional, of course, but it did get me wondering about other Basschatters instruments that have picked up their own mojo. Don't be shy, show us some genuine mojo! Please note: No 'reliced' instruments. GENUINE mojo only, please. Acquired naturally, whether by yourself or from previous owner(s). Current or previously-owned instruments. A couple of small nicks on the back end.
    3 points
  5. Excellent cab in very good condition, with huge power handling capability at 4 ohms. Configuration: 2 x10” Neodymium drivers +1" tweeter variable tweeter control from 0 - 10. Power: 1200 Watts RMS Impedance: 4 Ohms Size: 59 cm x 50 cm x 41 cm Weight: 20 Kg / 43 lbs Freq. response: 40 Hz – 16 kHz Sensitivity: 101 dB 1W @ 1m Comes with VK fitted cover - total cost would currently be £875 new from BD Collection or happy to drive a reasonable distance to meet up half way.
    3 points
  6. 3 points
  7. Guys, Genuinely in turmoil about the thought of selling this bass as it’s everything I’ve ever wanted to own since I was a teenager and I’m now 48 !! However, it was purchased not to sit in a ‘glass case’ but to play live and play in the context of a RHCP tribute band (which it has for the last year or so) regrettably as I have Hands like shovels the slim neck causes me to ‘scuff up’ rather too much as it’s just too cramped for my ‘Incredible Hulk Hands’ !! The proportions of a MM Stingray suit me much better and I just have to accept it ! I had the bass professionally appraised prior to purchase so the comments below are not just my suppositions or guesses they are based on my knowledge of the instrument from the seller and the insights of one of the UK’s foremost Fender experts. I know everyone will want to know the weight.... it’s a lovely light weight Jazz.... I’m sure you may want to know the exact weight which I’ll get for seriously interested parties. What this bass is.... It’s a 1962 Slab board Jazz, absolutely THE most resonant instrument I’ve ever held in my hand. It’s got more tones in this than any passive bass I’ve heard. From deep dubby thump to growl and grind.... Jaco / Miller / Geddy it’s all in there.... woody earthy organic but also bright punchy and very present in the band mix. The neck is straight and true and unlike many Pre CBS Jazz basses sets up like a dream, the truss rod works perfectly and the action goes as low as you like and it plays clean as a whistle... The Slap sound from this thing is incredible, the finger style barks with a lovely mid bite underpinned with such a big fundamental with both pickups on full ! There’s absolutely no dead spots... it’s a very ‘even’ sounding bass right across the strings and up and down the neck.... What it isn’t.... It’s not all original or it would be 3 x the price !! Try finding a Pre CBS Jazz these days... they barely exist even through the major dealers they are a rarity and the 62 vintage holds major cudos.... At £4750 it’s a bargain!! Bass Direct had a 61 In recently at £16k (albeit pretty much all original) The likes of Andy Baxter haven’t offered for sale a Pre CBS Jazz for ages (or if they’ve had one it’s gone straight to clients and not been offered to the public) The body was refinned many many years ago and as far as I know the wear is genuine play road wear.... the bass was retired from professional live duty a decade ago needing a refret. The bass was owned by a pro player with some celebrity credits (I’ll tell the buyer about it... it’s interesting but not the sort of history that adds any value) The Finish on the neck is to die for and feels like an ‘old pair of slippers’ The refret was done not by a ‘repair man’ but a ‘master luthier’ and it’s utterly superb visually and in terms of how it plays... I seriously had to beg and plead for him to do the work as he’s so busy building.... I gave him a brief of ‘cost no object’ make it the best it can possibly be (this is a slab board pre CBS Jazz after all) I wasn’t disappointed!!! Other things of note... The bass has been a working instrument all its life and had been played / gigged / recorded extensively. It has that playability / tone and vibe that really only comes with tens of thousands of hours of ‘singing’ as an instrument! As FLEA said about his own Jazz Bass ‘this bass stopped being a tree a long time ago’ The Machine heads are the original reverse tuners as you’d expect and work freely and hold tune perfectly ! The bridge is all original apart from the 2 G string height adjustment screws look to be a little different and slightly less aged ! Pickups are the original units and have been recently hand rebuilt to original specs by a master of this craft. They have been rewound exactly as original using period correct equipment, wire and wax. Pole pieces have been re magnetised and the difference this made to the instrument was incredible ! There is no question they would pass as totally original but again I’m just being 100% honest here.... The pots were RS replacements when I got the bass, I’ve had them replaced with correct CTS / Vintage wiring..the output Jack and Cap are original. The Bell Plate is original but has had the 3 holes countersunk to accept countersunk screws. There’s some debate as to whether the scratch plate is original or not (really how would you know for sure) it’s old for definite but maybe later 60’s... I’m just being as honest here as I possibly can. Assume it’s old (and valuable in itself) but not original and if it is well I’ve underpriced the bass and you’ve got a bonus !! Thumb rest / covers / pick guard screws again all very old.... can I guarantee originality ? ofcourse I can’t.... they might well be nobody really can say for sure....We think the thumb rest is certainly 60’s We think the covers are Fender but later versions or maybe repro ? The strap buttons on the body and the back of the headstock appear to be original. I’m sure there may be stuff I’ve missed or questions to answer before a deal is done however please may I respectfully request the following : 1. The price is firm because it’s very fair... I’m not interested in entertaining the ‘what’s your best price’ brigade.... I don’t need to sell it financially so I’ll probably not respond if that’s your opening gambit ! 2. I’m not looking for swaps or trades, I’m probably going to buy an Alembic at some point and the cash is going towards that. Maybe if you have a MK Sig or Series Bass we could talk but it would need to be ‘classic taper’ beyond that no trades thanks. 3. I’ve been really honest with the description please no pm’s pointing out it’s not all original.... 4. Given currency I’d expect some interest from abroad.... I’d much rather the buyer had this bass in their hands and played it before purchase but I’ll work with any serious buyer who wants to use this bass as it was intended..... But buyer pays shipping and it’s going nowhere without being fully insured ! 5. If the bass has to be shipped I have a Hiscox lite flite case that it can go in. Please read my my feedback for your assurance of excellent service and trustworthiness PM’s please kind Regards Mark
    3 points
  8. Just on this, if your turnover (not profit) from minor activities (selling at car boots, amazon commission, playing gigs) is no more than £1000 you don't have to pay any tax. for a typical 4-piece that's £4,000 a year.
    3 points
  9. Thing is, skiffle and music hall are dead too. So what? I'm currently watching Billie Eilish at radio1's big weekend and ver kids are screaming and crying down the front just as much as ever. Music evolves, I don't really understand why that upsets people so much...
    3 points
  10. This is the least basschat thread ever... ”you know the thousands you spent on your pedal board” ”yep, I replaced it with a big multi fx board - it’s amazing” ”I m thinking of getting the small stomp box version of your big multi fx board as I hear it’s amazing” ”oh it is amazing, it sounds great” ”that what you use?” ”nah, check out this £60 Zoom pedal, tbh I don’t need anything else”
    3 points
  11. I like the way you've gone into so much detail about the pros and cons of the bass. Too often we see ads with "62 Jazz" (or whatever), and the description is optimistic at best, with very little detail about the "non-62" parts. Wish more sellers were like you.👍 GLWTS.
    3 points
  12. The first side dried pretty quickly so I bent the second side. No splits! Minor miracle!!
    3 points
  13. Hi everyone, For sale my Music Man Stingray 5 Special from 2018. Much lighter than the normal Stingray 5 (it weights around 4kg only), it features a new Music Man 18v preamp and new Neodymium pickup and toasted maple neck. It's in mint condition except for minor scratches in the back (difficult to see). An amazing opportunity. Great bass for touring and recording. Comes with original case and a full set of chrome hardware. Price: SOLD!! THANKS You can hear and see me playing the bass here: Review: https://www.youtube.com/watch?v=0KW_RQOtsBE Live in concert: https://www.youtube.com/watch?v=5-Gx6W_-Z5U
    2 points
  14. Of course you must play it with a rig that is at least equal to the one you're used to. At Musicstore you can choose from 10watts Behringer to 8x10" Glockenklang and everythin in between. And my 410/210 /ABM600 Ashdown rig brings the best out of the bass. Although my spare amp, a Hartke LH500 is more transparent, more mosfet-ish 😛 Here are my 4 cool cats..
    2 points
  15. Little update: I recently had a jazz gig in trio with Pno and vocals and one in quartet with drums, guitar and saxophone. I find the cab does a great job. I can get through in the band also with drums with no problems. I think it covers all the important bits in terms of sound without too much of a particular range. In my experience, too much low end often results in an undefined "wobble" and too much high end becomes nasal and doesn't sound natural anymore. I think the cab works really well for double bass. I would like to try it with an acoustic image amp at some point as the aguilar is already colouring the sound.
    2 points
  16. Spares or repair SMX has just come up on fleabay with a full and lovely set of knobs, sliders and switches 😎: https://www.ebay.co.uk/itm/Trace-Elliot-gp12smx-Bass-Amp-Head-spares-or-repar/123781854480
    2 points
  17. There's no love like Bacchus love.
    2 points
  18. 2 points
  19. May I draw the distinction between the Forstner bit and the drill bit for some of the readers who might take them as being the same thing? Forstner Bit Used to quickly remove large quantities of material and leave a flat surface. Short pilot without threads - Doesn't penetrate the workpiece much beyond the depth of cut. Does not draw the bit into the workpiece Flat cutting face with three or more cutting edges - Multiple cutting edges reduce the tendency towards chatter. No side flutes - Side flutes are unnecessary for this sort of cut and can remove material that you want to keep. Wood Drill Bit Used to make holes for dowels and screws. Larger pilot with threads to pull the drill into the workpiece - Bites into the workpiece and can draw the bit past the depth you seek. Flat cutting face with only two (usually) cutting edges - Two cutting edges offer less friction and speed up the cut. These tend to chatter and the hole cut is seldom true. Side flutes to break up wood chips as the drill penetrates deep into the workpiece - Necessary when drilling deep. Not needed for shallow cuts and can be a handicap when you seek precision cuts.
    2 points
  20. Good man. I'll apply myself to the challenge presently.
    2 points
  21. When I first looked I didn’t realise it scrolled down, there’s over 3000 , and every one has samples , it’s so good , Argentine reggae is quite cool 😀
    2 points
  22. Me neither Dave!! I can say that having seen and played a bit through this cab (at Mr Krows home) I can honestly say, like all his other gear, it’s very well looked after and in great condition. Have no fear dealing with @Al Krow
    2 points
  23. Wow!!!! Never thought I’d see this happen......
    2 points
  24. Haha this has got to be ultimate Lilliputian debate! To scratch plate or not scratch plate = which side of the egg should you eat from, the pointy or the flat end? I'm going to totally sit on the fence and say they can both look good! I've seen some great PGs on this thread that really add to the look and others where the unadorned finish of the bass (like the one above) looks just great!
    2 points
  25. SOLD Pending Clearance of Payment Thanks to all who enquired.... really sorry to those who missed out Best mark
    2 points
  26. Actually yesterday afternoon. I was with a four piece, clarinet, keyboard, bass, drums. We played for a private party of 19 posh people on a Thames river boat, capacity 100, departing from the Compleat Angler at Marlow. Hotel people were very nice, waiving the £10 parking charge and charging only £3.20 for a lime and soda. When the host arrived there as a bit of a row because he was expecting a six piece trad band - usual agency pink torpedo up. But once we got under way everyone was happy, probably aided and abetted by copious amounts of champagne served all afternoon. The gig was fro1.00 to 6.00 - yes, that’s five hours. But we took it steady, not allowed to play in locks and a great afternoon was had by all. At the end the host bunged us a £150 tip and his gorgeous young partner insisted on energetically kissing all the band with great enthusiasm. And I got seconds.Whats not to like. I got up at 8 this morning fresh as.
    2 points
  27. Took it out tonight. The tuner is more visible now with its bright lights. Just about fits on a Pedaltrain Nano too.
    2 points
  28. This contains sound:
    2 points
  29. 2 points
  30. Oh oh oh oh oh oh, You don't have to go, oh oh oh oh oh You don't have to go, oh oh oh oh oh You don't have to go
    2 points
  31. Drill and grime are as close as we can get to a modern day version of punk. It’s made by angry kids, often from poor areas, with no musical training, and on a low budget. Old people hate it and ridicule it, and they don’t get it. Just like punk, it’s a generational thing. Rock music for the most part sounds tired and full of cheesy clichès, and it reminds most people of fat old guys in leather. Doesn’t mean it’s dead, but it’s definitely boring and lifeless compared to music that’s made by angry 19 year olds. Ultimately it really doesn’t matter, if you’re in a rock band and you have fans, don’t worry about it. I play jazz, which is the deadest genre ever, but it’s not dead to me, I like it. Whether it has social relevance is another argument, but if you’re a 58 year old guy in a classic rock pub band, social relevance is not going to be high on your list of priorities anyway. Enjoy playing the music you like and let the kids invent their own entertainment.
    2 points
  32. Hi Basschat, i'm reluctantly selling this fantastic bass, it has been my main touring bass for the last two years (comes with a few small battle scars) i am currently attempting to strip my bass collection down to only one P-bass and one J-bass. This is a passive 2016 American Standard Precision bass in Sunburst finish, it sounds and plays incredible, pics and videos attached below: Thanks, Bill.
    1 point
  33. For sale - my American Deluxe Precision in natural finish with maple fingerboard. P/J pickup configuration. 21 Fret. 3 band active EQ with Active/Passive switch. Weighing in at 9lbs. The bass dates to 2011 (based on the serial number), and is still in excellent condition with all original parts. There is one ding on the top edge of the body, which I only recently discovered by feel, and couldn't capture in a photograph. Looking for £950 £850! Price includes spare tort pickguard, original Fender hard case +candy, and two planet waves straps with strap locks (if you want them!). Inspired by a thread on this forum I recently considered converting this bass to passive, so will also throw in the custom pickguard I bought for this project. Both additional pickguards are from WD Music. Collection preferred, or buyer to arrange shipping (I am based in North Essex). My feedback thread is here: https://www.basschat.co.uk/topic/124316-feedback-for-heathy-steve/?tab=comments#comment-1137183 Pics below.
    1 point
  34. Squier Bullet Bass '84 Pretty scarce bullet bass from the highly regarded SQ series. This is the Japanese version with the mustang style pickup: This longscale bullet bass plays great. It has a very nice neck that plays great with a low action. The sound is in the ball park of a precision bass, but somewhat more mid orientated in comparison to my former fender P. For its age, the bass looks great. It has a few dings and a lot of fine surface scratching, but nothing serious. It actually looks pretty good. The pickup was not working when I got it, so I had one coil rewound. As you can see there are 2 holes where a thumbrest had been mounted in the past. This bullet plays and sounds great. Unplugged you feel that it resonates nicely. It is a pretty light bass, weighing in at 3,8kg on my kitchen scale. I'm sure I will regret the sale at one point, but I just don't take it out much due to other preferences when playing with the band. Price: €550 (which is about £485 nowadays) The bass is located in the Netherlands, but I am happy to ship within the Europe/UK at buyers expense and risk. Costs will be from around €35 and up, depending on insurance.
    1 point
  35. Haha - you should have gone to Specsavers, Dave, it looks nothing like the Stomp! You'll be saying that a Cali 76CB and a Spectracomp look the same next! 😁😂
    1 point
  36. Fair enough. But I've never really found playing through the London Yammy store's Hartke 50W Combo has been the most enlightening experience, certainly in terms of the nuances of tone. Particularly with all the background store noise and not being able to play at anything other than fairly quiet volumes In fact, even at a recent rehearsal using the studio's Ashdown rig, the lush tone that my 1025 bass puts out was much less clear than when I swapped to using my own more transparent DG M900 and BF SC rig, at which point my bass player's grin was duly restored!
    1 point
  37. Well, I have a B1on but I rarely use it - VB99 is my unit The Zoom is fun for travel though.
    1 point
  38. Wow. Interesting site. But how many genres?! What the hell is Post Teen Pop? Going to have a good look at that site later. Thanks @DoubleOhStephan
    1 point
  39. Ok thanks for that - i’ll Check it out again, by May have diverted funds I had at the time elsewhere!
    1 point
  40. I'm glad he's still on form - he seemed to lose his way rather after the Jam split. I saw The Jam back in 1980 at Deeside (Setting Sons tour) and BF was superb; playing a P bass incidentally. Re listening to festivals from afar - I grew up only a couple of hundred yards from Cherry Hinton Hall which is where they hold the annual Cambridge Folk Festival - opening my bedroom window at night I could clearly hear the likes of Joan Baez, Taj Mahal, Don McLean, The Cheiftans etc.......happy days
    1 point
  41. I picked up this old TRB6 yesterday, MIJ goodness and a fretboard wide enough to land an A380 on.
    1 point
  42. So...2 bb’s. An attitude and an rbx...full ‘trav’ of 4 Yamaha basses...
    1 point
  43. This is definitely true, but there are still many artists - especially grime artists - getting relatively rich through music. The difference is they're not doing it solely through the established route of gigs and record sales, they're getting paid through social media, licensing, guest appearances and cameos etc. They're having to work harder and have a more consistent output for less cash than the old bands, which also explains why the music - especially grime - is made and recorded using the most basic equipment, usually by 2 people rather than a whole band in an expensive studio full of engineers followed by pressing plants / managers etc - and released for no cost in next to no time, but still attracting an audience of millions in a matter of days. Basically to make money in the current environment, you have to have minimum personnel, simple equipment that gives you instant results, zero production cost, zero manufacturing costs and endless confidence, energy and enthusiasm. Genres like grime fit into that format perfectly.
    1 point
  44. Had the pleasure of being on the same TV show as them a few years back. As a big fan of Bruce’s work it was a real “I’m not worthy” moment, but he was a really nice even though he must have been able to see my unworthiness.
    1 point
  45. Not gig last night, but gig tomorrow...I'm absolutely buzzing for this one...the new rig get it's first proper try out too...
    1 point
  46. Thanks for the responses guys, a bit of a mystery then! As you indicate, the main thing is how it sounds and plays. I feel the action does need to come down a bit, I get what you are saying regards tonal quality if it goes too low but at the moment it is physically very hard to play, I probably need to strengthen up my fingers a bit as well. Regarding the sound, it has a pretty solid warm tone to it, sustain could be a bit better but that could also be down to my (lack of) technique. I have a friend that I see every couple of months who is a rockabilly player, so I'll run it past him and see what he thinks, he also knows a good DB luthier if it needs set up differently. I really like playing double bass, different from electric bass but totally unique sound, will need to spend some time getting to grips with it.
    1 point
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