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Showing content with the highest reputation on 28/06/19 in all areas

  1. Sounds like it should be a laugh!
    8 points
  2. Side by side with the walnut natural finish. Both identical bar the finish give or take. Also next to my original ‘69 P
    5 points
  3. Here it is together with my hand-built P. I’m really impressed that the BB compares the way it does. Getting one of these used is just silly value for money.
    4 points
  4. I've no experience of Norway, but we were recently Chuckling in China, and have some Smirking in Sweden lined up. 😊
    4 points
  5. Always willing to help, but Steve was rather clear about the purpose of the thread, and as a classical musician, I'm not savvy in these things (I always bought an extra seat for my 65 stop pipe organ on one side and for the other organ on the other side, and that was that). That said, If there's anything I can do, @Steve Browning, just send me a PM. You could also have my mobile phone number just in case. Oh, and if you happen to be in the extreme South of Norway, then I'll buy you an extremely expensive beer! (not as expensive as the £15 pint I bought next to the Notre Dame - they should've burnt that café to get even, not the goddemn church!)
    3 points
  6. Hello, friends I will sell most of my basses, so let’s start with my Modulus. As you can see in pictures, is a 1990 bass, in excellent condition, even the frets are almost untouched. Great sound too. Alder body, quilted maple top, graphite neck, phenolic fingerboard, EMG PJ - 45J + 45P - configuration (reverse P, to be more accurate), EMG 2EQ preamp. 35” scale, 17 mm string spacing at the bridge, 4,3 Kg on my bathroom scale. Equipped with D’Addario EXL-170, as the manufacturer recommend. Plus a new set of strings. Plus a non-original hard case. The price is 2100€ (only Euro, please), shipping in EU included. No trades, please! Thank you!
    2 points
  7. BC marketplace comes up trumps again and sorts me out with just what I was after, thanks to Bobby D. Fancied something a bit gnarlier and more straightforward than my J and, having already tried this out at a rehearsal, I think it could be just the ticket. I’m now sold on replacing the flats on my J (which were on it when I bought it) with rounds – I really like the feel but the amount of snap I want for the sort of things I’m playing just isn’t there. I’ve always preferred a Jazz neck, but I think a combination of this one not being too hefty and me being more comfortable with playing bass than I’ve ever been before mean this isn’t too bad at all. Also, it seems like the slightly smaller body than the J puts the neck in a marginally more comfortable position to reach the lower frets – has anyone else found this, or am I being a weirdo? Next steps for the P are: flip the pickup round, and while I’m at it get a black scratchplate. Anyway, here’s a picture of it with the J and a bonus, additional beast.
    2 points
  8. Two whole decades after my last bass guitar purchase I've finally lashed out and increased my collection by 100%. But - you ask - what can it be? A classy Fodera? A Wal? An original stack-knob Jazz with OHSC?
    2 points
  9. Hi all, due to recent activities i find myself with 3 sei six strings, my first one willl be staying with me as will my new one i got last week. so here is the one i prob will play the least. flamboyant 6 , scale is 34 /35 see pics (i think) 18mmm at bridge.shallow neck acg filter pre amp, bartoloni pups, not sure what top and headstock facings are but stunning anyway ,the back is interesting its all flamed maple (not sure about the wings but they are flamed), and its awesome ,( i think martin may have thought whats the sense in covering a grat bit of flame) birds eye maple fingerboard. open to decent offers or very very interesting trades . if there any sei 5 jazzes out the or bernie goodfellow jazzes will got straight to top of pile or as i said anything interesting then fire away. i probably will withdraw id just thought id give it a go.
    2 points
  10. Well I am enjoying watching Sheryl Crow who is and always has been gorgeous and a great artist. Bassist using Reverends, guitars, piano, drums, lap steel - legend
    2 points
  11. For a quick fix - I found some rubber grommet thingys that fit over the mute adjusters. Works for me, because I often use the top adjuster as a palm rest (and for some styles I hook my little finger around the bottom one), and the knurled bare metal was making my hand sore.
    2 points
  12. I have a dodgy back and a lighter bass along with moving to a short scale both helped. I think having less extension on my left arm, and less stretching the wrist around the first few frets really helped in my case.
    2 points
  13. Yeah, great basses but what a brilliant cat!
    2 points
  14. "She got her looks from her father...he's a plastic surgeon. taking her to court for infringement of trademarks."
    2 points
  15. Maybe not even Chinese......
    2 points
  16. I'd happily see at least 16 of those, and there's far more to see than the ones on the poster.
    2 points
  17. Dear friends, after more than 4 years the first 4 String bass is ready to rock the world ! EVO-FX4
    2 points
  18. Ever the sartorial satirist. Nice
    1 point
  19. Second one done and I know relic is marmite but I like it. Took a bit of inspiration from a relic CS P bass but toned it down a bit. I like it and sounds epic! Nice matching/non matching pair 😁 Roll on two festivals this weekend 🤘
    1 point
  20. I have 6 of these. All my basses are Precision shaped and these cases hold them without them moving around inside. https://www.skbcases.com/music/products/proddetail.php?f=&id=23&o=&offset=&c=84&s=75 The lifetime guarantee is a huge sales plus to me.
    1 point
  21. Thank you. That sounds really interesting. Hadn't even thought of it. Will check it out now.
    1 point
  22. Madness tonight at Northampton's Rugby Stadium. Mark Bedford is a mighty fine bass player.
    1 point
  23. I've got a Mono Vertigo. Great case and you bass will be totally safe.
    1 point
  24. The crossover and driver combination will determine the final impedance of the cab. 2 8 ohm drivers in parallel will give you a nominal 4 ohm cab (technically it's not that simple as impedance is a function of frequency, but it'll do for this example), 2 8 ohm drivers connected to a crossover network could end you up anywhere as the crossover plays as big a part as the drivers do.
    1 point
  25. Good fix. I might do what Rick Parfitt did, and borrow a tyre from my boys Lego box. Thanks.
    1 point
  26. That's the exact stand that I use. A micro head might work on top of it but my rack just has to go on the floor.
    1 point
  27. Yes, it would be easy with a dual input preamp. Something designed that way would be good but you could take any old preamp, put 2 large input resistors in, increase the preamp gain to compensate, and bobs your auntie, you would have totally independent circuits. Most of the old fender (the man not the company) circuits pull be like that, grab one from a g&l or something
    1 point
  28. Modulus Graphite Quantum 6 SPi Custom. SPi relates to the bolt-on neck. Custom comes from the quilted maple top. All other parts (chrome parts, electronics) were standard at the time. A great example, and a fine instrument in perfect order. The new owner will love the MG brochure headline: "Once in a lifetime". https://planetbass.com/product-category/stock-bass-guitars/modulus-bass-guitars/
    1 point
  29. He may look good, but he sounds terrible.
    1 point
  30. No. (There are no quality jacks to transfer that much energy from amp to the cab. Speakon is far better an alternative. But this is my very subjective point of view.) If you split the bass signal to two, you could drive both amps and cabs. A stereo chorus maybe...
    1 point
  31. Whooo that's very precise playing!
    1 point
  32. Oh whoa @SpondonBassed, thank U very much! Will look into those soon!!! Thanks a lot!
    1 point
  33. I’m down to one again but I do miss the others.
    1 point
  34. Welcome TnToast. No good with cowbells then?
    1 point
  35. Oh there is, Young Teebs, there certainly is.
    1 point
  36. And perhaps the best reply ever too! https://www.joinmyband.co.uk/classifieds/im-handsome-like-phoenix-and-play-all-instruments-t1171843.html
    1 point
  37. Pickup height may be a factor, but it’s quite likely that the string height in the D & G is a bit low and they don’t have the room to vibrate before being choked off by the fingerboard. You’ll sacrifice a bit of ‘mwah’ by raising the string height, but they should sing more clearly.
    1 point
  38. Best get the main band sorted out first. Dave
    1 point
  39. 1 point
  40. Sweet Jesus, Walshy's done it again. Does this man have an inexhaustible supply of gorgeous old Fenders? GLWTS
    1 point
  41. So it wasn't a totally wasted evening, then.
    1 point
  42. 1 point
  43. I've just upgraded to a CS6. I also bought a T-Rex current doubler, which is installed and working just fine. I have seen it mentioned on a couple of FB groups that people have run a Stomp on a single 500mA CS6 output. I tried it and it seems to work ok, but I'll stick with my current doubler so there's no chance of any power issues mid gig.
    1 point
  44. I will be playing 3 sets there this year.
    1 point
  45. 1 point
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