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Showing content with the highest reputation on 13/07/19 in all areas
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5 points
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Local Man Hears About Edinburgh Tattoo, Misunderstands4 points
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I've owned this rare beast from new, back when you had to wait 3 months for them to be made. Freakish light, huge bottom end and stupidly loud, being capable of delivering the same output as two 8x10's cabs. It needs a decent amp to drive it but nothing crazy. When I used a Darkglass 900w in rehersals I had to switch it into lower power mode if I want to be able to up the gain much. It hasn't been regularly gigged and is in great condition. The sound quality is fantastic, they are pretty special guys at barefaced. The tightness in the low end is remarkable. You will see from the link below you cannot buy these anymore and they don't do anything with 15-inch speakers these days just 10's and 12's. The only signs of ageing are cosmetic and I have tried to capture them in the pictures. The plastic brackets of the handles have faded or been marked, the corner guards have some wear and what the pictures cant pick up is that If you stand in front of it and peer directly down the face of the grill, and the light is just right, you might notice a slight variance in darkness on freshly painted parts that had some light scratching from bloody cymbal stands being lent against it. Drummers! I touched these up with the official barefaced bass touch up kit. There is plenty left and I will include this. The badge looks worn but it's actually that the plastic protector is on still. I'm open to realistic offers but not trades as I'm not in a band anymore. Pick up is preferred. I'm not against meeting halfway by car or posting but it is very expensive. UK postage (48 hr, Royal mail, tracked and signed for) is £87 fully insured, £57 without insurance. Cash or Bank transfer preferred. Paypal only if you pick up the fees. https://barefacedbass.com/product-range/dubster.htm3 points
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3 points
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It worked out OK in the end, not perfect but a lot lot better, there was four of the things when I checked closely, this id what they looked like before the first dose of thinners but after cutting back along with my mini sanding block (an offcut from a nut ) I left them for most of the day to harden off and continued with other bits, fitting the hardware, making a nut setting the neck. I also fitted the Lull pickup, I have to admit to not opening the bag it was in until today and had a shock when I saw it, it was covered in some sort of thick stuff for want of an idea what it was. I can't imagine it was shipped from Mike's place like that, I assume it got there at the dealers. Thankfully it came off with white spirit At the end of the day I removed everything again and sorted out the repairs and reassembled it all again, soldered in the electrics and gave it a whirl, nice is what it was everything a T bird should be and more. I've still got a few jobs to do, the pickup isn't adjusting in height smoothly and I need to set the intonation and fine tune the bridge but that can wait for a week now for everything to settle down. I was surprised how little I needed to use the truss rod to get the relief low, the carbon rods give quite a bit of stiffness, I'm interested to see how it all is on the other ebony one as that has that super slim neck3 points
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Final bit of tidying up before gluing the top on, but that's enough for one day. The top is basically ready to fit. The dark centre line, by the way, will disappear at the final sanding which won't be done until the back is on and the binding too.3 points
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Well, this is probably as far as I dare go: It will be a little while before I glue the top on so might have a further tweak but, as I said earlier, I don't really know how far to go - or where - so it's probably best leave it hereabouts. There is a great video here - the first 30 minutes is theory but skip to 31:29 and he demos tapping it at his starting point and then progressively as he mods the braces: https://www.youtube.com/watch?v=Ei5-DkVTrEE The slightly sobering thing is that I finish, soundwise, basically where he starts! But, I think this is probably pretty much where my previous build was when I halted further tweaking so, hopefully, it will sound the same when it's finished...which was, after all, the purpose of the exercise. The only bit that completely escapes me (and did on the last build) is the flex on the bass side he talks about. I've seen other folks wobble it like an Australian whatever-it's-called showing how flexible it is. I do the same thing and it's as stiff as the proverbial board! Anyway, I'll pick it up in an hour or so and give a tap and, if it's as good as I'm going to get it, then get on with the exiting bit - gluing the top to the sides3 points
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Please clarify - which went to the charity shop, the album (which hadn’t changed), or the "improved" hi-fi? 😟3 points
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Ordered this a few weeks ago from PMT and it finally came today, I've already got a honeyburst one but being in a UFO tribute band I wanted to get the right colour, I know the bridges are different but what the hell. These 760 humbuckers are fantastic, plenty of tone and bags of power, the neck feels to be a slightly different profile to my other one but its still slim, neck dive is negligible and the finish is flawless. Overall I'm very happy with it and tonight is it's first gig.2 points
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I respectfully disagree, many of the punk pioneers were very competent musicians and song writers, it almost like Sid Vicious was punk in many peoples eyes, yes there were many bands who lacked even the most basic skills but on the flip side punk also brought us some very talented musicians and song writers who still hold their own today, some 40 years later2 points
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Decided to put this up for sale as I've recently bought another lakland, and they're always my go to bass! Plays really well and sounds great. Very punchy. Recently fitted a set of Ernie Ball slinkies 45/100 so still nice and bright! Has some scratches and marks to be expected as it was made in 2008. Collection prefered but can post in a gear4music foam hard case for £50 extra. Trials welcome, not really after trades however a decent home amp like an ampeg/gk or a sansamp or similar may interest me as part trade. Would also be interested a lightweight head ampeg/gk etc as a part ex. Any questions just ask! Thanks, can send more pictures to interested parties2 points
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I’m not so keen o the farty sound. If you can smell the tone it’s gone too far!2 points
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but it will probably still have a novelty random detachable headstock2 points
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I've got two of the first Dubsters - with a filter to shove most of the mid/top somewhere else (sep amp & spkrs) - they handle anything I can throw at them - shame Alex de-listed them, but I guess aiming them at the dub market probably didn't help sales. ( Mine are staying, btw ) Everyone I play to reckons they're frightingly good.......... 😎2 points
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Thanks for the OP Hobbayne, I don't think I've heard that for 40 years! The Stranglers were always rooted in 60's psychedelia. I saw them live on the "Black & White" tour (Cambridge Corn Exchange) - like many other BC-ers I'm sure, it was JJB who totally inspired me to take up bass. Apart from the stand-out "Hanging around" this one was always my favourite from the "Rattus" album:2 points
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I find my BB1025 sounds nothing like my Fender P though. I'd reach for the P every time for this music. Not sure how much of that is down to the strings vs the pickup, probably 50/50! Spark Boost just arrived btw, and just gave it a quick 2 minutes. The clipping sounds extremely similar to the Mojomojo, just brighter and not as fat, more transparent. I like em both!2 points
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What I meant was would you have done it for nothing? Because that’s what the Tattoo are wanting... I’m guessing not 😀2 points
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I've recently been debating whether or not to buy a bass vi, so in the sport of "budget bass vi" I knocked one up using bits left over from old projects. That's an Encore short scale bass neck with two extra banjo tuners, and a left handed 80s Hondo body (wired direct to jack). The bridge is a cheapo hardtail strat replacement type. The nut is 42mm with "strat spacing". Stings are Ernie Ball 6 String Bass (90-20w). The G is just long enough. The nut spacing seems fine, the bridge spacing could do with being a smidge wider. Obviously access to the dusty end is limited. Sounds OK. The guitarist in my surf band is using it on one song, through a guitar amp, as a "lead bass" kind of thing and it's particularly good for that.2 points
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That's actually a very fair point. It is, no question, in the high end price bracket for cabs and getting things like a quality finish sorted should go hand in hand.2 points
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My brother sent Gibson a video of his LP Junior with robot tuners self-removing one of it's strings mid-song.2 points
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I'm so sorry to hear this. 6 weeks or 6 months - it's still not long enough to say goodbye. Thanks for sharing this at what must be a difficult and emotional time. That's a fine looking bass and it will be forever special - play it with pride 'cos the old man will be listening and tapping his feet.2 points
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And out comes the Go-bar rig again, but this time with the 25 foot radius dish. Lots of careful marking out of the bracing positions and then the all-important X-braces are glued in place first, with the radiused bottoms pressing the top into its spherical shape: It maybe one of those urban myths, but that little hardwood stiffener across the X brace joint is said to make a significant difference to the tone... There's a clip somewhere with a demo of without one and then with one subsequently fitted which is fascinating. I'll try and find it.2 points
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Doesn't mean people shouldn't use them - some brilliant players even manage to get by with P basses!2 points
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Thanks, I've always loved the Wizard pickups in my jazz basses, so I might have to check these thumper pickups out.. If I don't end up with a wizard, it will probably be a Creamery pickup. Thanks for all the tips and advice! Meanwhile I've had the frets leveled and gave the bass a decent set-up, I'll need to file down the bridge saddle for the G string a little bit as the bridge doesn't allow me to go any lower and I like a low action, but other than that this bass is starting to play and sound a lot better than f.e. all the Sire basses I've owned so far, so I'm looking forward to the end result with the new pickup and a nice set of flatwounds installed. (I've put a set of Elixir roundwounds on it for now as I got them for free when I bought the bass, but I'm more of a flatwound/tapewound kinda guy, all that high end zing just confuses me.. 😛 )1 point
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Before I even owned my first bass (I had a classical guitar for Christmas one year...), I used to borrow the exact same bass as this from a guy who lived round the corner from me. He also had a WEM Dominator III. I owe a debt of gratitude to that bloke. Simon Kellet, wherever you are, thanks!1 point
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when you are playing a cover, break it down so you understand what chord notes the bass is playing. After a while, all these riffs and runs will start to pop into your head when you're jamming. I mean, it only took me 30 years to get to this point hehe1 point
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Love the guy, he has a lot of amazing videos including one with Chet Atkins. Lovely bass in this one.1 point
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I've sadly owned both the basses you have there. When I started learning bass 20 years back, I picked up the Jedson, because I thought it looked cool (vintage), however having played many basses since then I can say that was the worst bass I've ever owned - the pickups from memory were super low output. The P bass, although being super lightweight ( a plus) is very low quality across the board. If you want a decent short scale bass (especially as a beginner) I can't recommend a Squier Bronco bass highly enough, they are well made, the necks on them (I've owned half a dozen over the years) have all been excellent and super easy to play. You can pick them up around £80-100 and are far superior than the Jedson. The Bronco comes with a guitar pickup instead of a bass pickup, but don't let that put you off, it still sounds pretty decent. I also know from experience that flatwound strings on the Squier Bronco sound great, yes, flatwound strings are expensive, but you will never have to replace them (they last 10 years plus) and are very smooth so are easier on your fingers, which makes learning and playing for longer much more fun. Some may shoot me down here, but I put full scale Fender flatwound strings (£25) on a Bronco once, and it made the bass come alive. So I would recommend them, and you will have a very decent playing and sounding beginner short scale bass.1 point
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Or somebody very talented could pass the audition for me, and then I'll turn up. That'll teach them. What're they gonna do, dock my wages? 😀1 point
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I have had 40 basses in 8 years. I've liked some more than others. A Peavey Grind 5 string, Hohner 6 B Bass, and Fender MM P bass stand out. But my current one is the best, yet I came by it largely by accident. Irked by my blues crowd taking the michael if I played anything wider than a 4 string, but wanting a B string, I thought I'd buy a cheap 4 string and convert it to BEAD stringing. So I went on Fleabay to find a dog I could experiment with - and came across a Revelation P bass. The pictures were very fuzzy and indistinct, but the price was good at £150. So I bought it. Only to find too late it was an unlined fretless. Eeek... Any road, it arrived and it seemed straight out the egg. And the quality was impressive - almost as good as a Sire (sans 18v electrics) for half the price even new. I did the nut slot file thing to cater for bigger strings and strung it with the lower end of a 6 string La Bella nickel rounds set. It played OK, but very deep and thuddy and I couldn't get used to it. So I reverted to EADG stringing with the flatwounds it came with (Picato? dunno). And - possibly critically - I added an old KiOgon loom I had kicking around from another project. Result? Bass heaven. Totally my sound, handles great. and the smaller strings don't seem to mind the slightly widened nut slots. Most of all, with a fair few hours hard practice, I find playing unlined isn't that hard. I think this puppy was meant to be. Who knows, it might actually stay.1 point
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Not bass gear...unless you use a wedge as a monitor, but a great idea anyway, how about stage monitor wedges, that when you clip two together they make a box to stop them falling all over the place in the van and to save space, you could even make them stackable and get 4 of them in a nice neat box, it cant be hard can it ? would surly sell like jaffa cakes.1 point
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