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Showing content with the highest reputation on 06/10/19 in all areas

  1. I had nothing to do with it, honest! https://www.bbc.co.uk/news/uk-wales-49856320
    5 points
  2. After trying various strings and not being 100% happy I’ve just fitted La Bella low tension flats to my sandberg TT ,and they are great, i have to wind the tone back for what I play but the brightness is there if I need it ,and in passive mode it’s sweet, it took a while and a few quid but it was worth it 🙂
    5 points
  3. Beginners don’t have that confidence If they get it wrong it sounds dreadful and many or even most will give up. Make it easy for them to sound good. Using a tuner is a good crutch and it’s not an imprisonable offence Even if you sound rubbish to a practised ear just doing your exercises to a simple drum beat is a good confidence boost. Metronomes are valuable but sap the soul and confidence of a beginner. I think sometimes we forget here what it’s like to have zero confidence, knowledge, experience and guided input and adopt a very 1930s attitude to learning. Make it fun and confidence-boosting and more people will stick at it
    5 points
  4. Since the demise of my regular slot in the rock band, I've been dabbling in a bit of mainstream jazz and latin stuff - trying to get a handle on walking bass but not finding anyone to give it a go with me. Actually, I did, but after saying they wanted me to play with them, they then wrote back and said they had no drummer so it was a no go. Hmmm. Anyway I went along to play bass at the local jazz jam. Very low key, low stakes stuff. Turns out that night there was nobody else on bass, so I had to cover the whole evening straight from the chord charts. On the strength of that I got asked to be the 'house band' the following month, do a dep on a gig last Sunday, to be the bass at the next jam and to join a jazz band as bassist. Shows you can fool a lot of the people some of the time. To be fair, I know the repertoire inside out - but as a listener, or a saxophonist. I'm less secure with all the walking bass patterns - I'm sure the low riders in the audience are cringing. But the drummer at the dep gig said how much he enjoyed playing with me - so there's that. I think the point of this is that I got over the imposter syndrome for a moment and made myself just do it.
    4 points
  5. Not a gig as such, but I did do a three-hour slot on the independence march here in Edinburgh yesterday playing snare drum. I had a strong sense of irony though. I've spent rather more than I want to think about on bass gear and lessons and I'm still looking for a band. By contrast, I was playing an el-cheapo drum I picked up for 20 quid on fleabay. It was held on with a £2 belt from Primani as I was too tight to buy a sling and I had to jam every tune as I hadn't heard them before - and at the end, the band were very complimentary about my drumming and asked me to join them permanently. Funny old world!
    4 points
  6. As usual, unusual skills non understood by usual people. Don't try this at home or you'll quickly know you have no ears nor skills. Sarcastic or angry : no, simply realist and so tired. It's brilliant playing and approach of the most difficult instrument to play music with.
    4 points
  7. That's... different!
    3 points
  8. For sale only Almost as new condition (only two very small dings in the body) Xotic did an amazing job with this bass. It's a classic precision + active 3-band circuit + strings through body option + luminescent dots + cavity in the pu’s for easy thumb support + light weight + incredible playability. Based in Portugal. Freight at buyers expense My feedback: https://www.basschat.co.uk/topic/85928-feedback-for-pbat-pedro/ Price reflects the need of a quick sale More information on request Many Thanks
    3 points
  9. Seen those fingers, they are not like my spring rolls, or your giant geetarist - but they are not princess and the pea!
    3 points
  10. First line of my CV there, ahem...
    3 points
  11. An Overwater PJ Custom with possibly the highest spec available and some extraordinary bespoke appointments. Completed in June 2018. Poplar Burl top on a two-piece centre-jointed alder body with black pinstripe (the second instrument I've owned with the Burl and from the same log as the facing on John Entwhistle's bass). The burl is also used for the facing of the headstock. Exquisite Birdseye maple board on a flame and Birdseye neck - the timbers used throughout this bass are some of the most beautifully figured that I've seen. Black hardware including the Overwater bridge and string retainer unit. The bass is passive (sort of) but has the Overwater/East buffer circuit. This works extremely well to deliver with extreme clarity (and boost) the core tone of the bass/pickups. The bass is supplied with two sets of pickups - the PJ set that it's currently wearing (in rectangular covers) and a humbucking set in similar covers. The bass is also supplied with its certificate and spotless/as new Overwater branded Hiscox case. There's a story to this for those interested. The bass was originally spec'd by an extraordinary aesthete of this parish - this man has an eye for detail beyond even mine (and I'm really picky). It was supplied originally with a personalised logo at the 12th fret and the whole build was extended as the purchaser pondered multiple detailed additions and enhancements throughout the build process. The result of the attention lavished on the bass by both the purchaser and Chris and his team was quite something to behold - the bass was also a seriously expensive investment (really expensive - somewhere around £3400 I believe). This is where I entered the scene in late 2018. The original purchaser had a change of heart and I picked up the bass at a good price. I'd decided that I was in need of a 34" scale that could be a racing machine... (yes, I know). I'm really a short-scale player but wanted a 34" that could play as easily and as fast as a shorty. The bass was everything that I'd hoped for, but in the search for absolute perfection (we're talking real margins here), I sent the bass back to Chris to have the logo replaced, have the frets dressed to facilitate a stupidly low-action, have the nut replaced with something really bespoke in connection with the latter, and have a set-up with super light strings (35-95) and an action down to the limits. Chris did all of this to a superb standard and charged me accordingly. I hate to think what the bass has had spent on it but probably somewhere around £3750 in total. Now, after a change of heart myself and the need to pay for a fretless, the bass is up for sale. I'm not particularly sentimental about basses but this is one that I really don't want to sell. It's been a major investment of time and cash and does exactly what I want, and the body has the most beautiful contouring that I've seen on a P (something that is really important to me - take a look at the images - there's an organic quality to the carving, the body is like a pebble washed over tens of thousands of years). So, that was quite a long way to go about it, but here are the basics: Precision body with PJ or double humbucker configuration (both sets of pickups supplied) Burl poplar top and headstock facing (with Birdseye scratch plate with a black laminate) Alder body - two-piece, highly figured timber Birdseye and flame maple neck with Birdseye maple fretboard - 22 fret 34" neck Black hardware including Overwater bridge unit and hipshot ultralite tuners Nut width approx 41mm (1.62") 19mm string spacing (adjustable) Passive but with Overwater/East buffer circuit (1 x 9v battery) Through body stringing Weight is around 8.8lbs (I think, I have no easy way of weighing accurately) - superb balance Supplied with Overwater branded Hiscox case, and original Overwater CoA As above, the bass is set-up with an extremely low action and d'Addario nickel rounds 35-95 - I find these to have a fairly low tension (a particular favourite). It is around 16 months old and in absolutely mint/as new condition... apart from one tiny, extremely shallow impression on the neck behind the 11th fret. This is a short line and is impossible to photograph, though it can be felt by rubbing a finger over it - it has no impact on playability and is barely there, I just want to mention it for full disclosure. I didn't do it and it seems to have been something that occurred when the bass was back in the Overwater workshop. It doesn't bother me at all and is truly tiny/insignificant. In sum, a beautiful, bespoke and custom bass with many really high-end and very well thought-through appointments. The instrument has had a lot of money spent on it. We all know about Overwater quality and this bass would grace any stage or studio (Overwaters record beautifully and thus are the choice of many pit players and studio professionals!) I'm not a massive fan of hyperbole in adverts, though I think this bass probably merits it. It looks stunning - it's my partner's favourite in terms of looks (and she's picky). It's one that she doesn't mind seeing on a stand around the house (and I happily oblige). The neighbour's cat also loves it (mine evidently couldn't care less). I think that £1650 is probably a very reasonable price and I'm taking quite a hit at this, thus I'm pretty firm on it. I'd prefer collection from Manchester, though I can ship at the buyer's expense and risk (I can check out insurance if necessary). I can ship to the UK, most of Continental Europe and the US. Any questions please just ask. Apologies for the fairly poor quality of the images - Manchester is devoid of light this morning (indeed, most mornings). If you need any further images, please just let me know.
    2 points
  12. For sale (no trades) my 1972, 100% original (OHSC included), Fender Precision Bass Plays Incredible and sounds at it should Excellent condition. Some light cracks in the paint (back) and very minor dings and dongs Based in Portugal. Freight at buyers expense My feedback: https://www.basschat.co.uk/topic/85928-feedback-for-pbat-pedro/ More information on request Many Thanks
    2 points
  13. https://www.ebay.co.uk/itm/High-Quality-Prince-Eyed-Bass-Guitar-Free-Shipping/183967018152?_trkparms=aid%3D555018%26algo%3DPL.SIM%26ao%3D1%26asc%3D20140725135229%26meid%3Dcba7ff87e8a740d7baa40478353a1005%26pid%3D100278%26rk%3D2%26rkt%3D4%26sd%3D153671484645%26itm%3D183967018152%26pmt%3D1%26noa%3D0%26pg%3D2060778&_trksid=p2060778.c100278.m3478
    2 points
  14. I don't mind hosting a blindfold test if Gary wants to sit behind the curtain again. It's been 50 weeks since I've heard any Kansas bass lines.
    2 points
  15. This is worth reading - https://www.notreble.com/buzz/2015/04/15/solving-bass-hum-problems-grounding-vs-shielding/
    2 points
  16. Got the speaker baffle done today, it went quite well, if not a bit noisey for a Sunday afternoon, what with all the routing involved! I need to drill the holes for the front baffle to locate and hang, and I need to get some of those T-nut things for fitting the speaker, as that's what the bloke at Vintage Blue does, I thought I'd follow his example, he looks like he knows! http://vintage-blue.com/products.html
    2 points
  17. Gone! Sold via Facebook sales. Thanks to @AndyTravis and @Cuzzie for the kind words
    2 points
  18. Hi mcnach , it’s these ones 🙂
    2 points
  19. Yep - we wont do them. Our singer can set them off without a PA!!!!
    2 points
  20. They are 042, .056, .075, .100 , i found the tension slightly lower than the la bella deep talking , but certainly not floppy ,they have a similar feel to the stock rounds it came with ,only smoother 🙂
    2 points
  21. Cab now filled and sanded. Felt glued in and ready for painting.
    2 points
  22. You won't last long with an attitude like that!!! Repeat after me...."more is better, more is better.." 😉
    2 points
  23. 2 points
  24. Yeah, but they play, sound, and look great!
    2 points
  25. I have to say that a fretless is a different instrument, for me at least. With fretless I have a feel that I think about the notes and the chords in a different way. It is very good thing: most of the time my playing is more simple and closer to a foundation type of thing. Well, fast jazz is always fast no matter which instrument. Congrats to you @petedfretless is an interesting journey.
    2 points
  26. She is extremely skillful
    2 points
  27. Likewise. I keep a list of all the basses I've owned over the 40+ years I've been playing (and there's been a good few - well over 100 at the last count) which I'm still adding to. I tend to have a pool of 5-6 basses at any one time, a couple of which I've had for a while, and probably wouldn't sell. Occasionally I make a modest profit, but I usually lose a little bit when I move them on. I just view it as the cost of having the pleasure of owning and experiencing some wonderful (and sometimes not so wonderful) instruments for a while. Like CamdenRob, I know what I like, but that doesn't stop me trying new things. Some people drink, some gamble, some chase women, so where's the harm?? :-)
    2 points
  28. I’ve lost money on pretty much every bass I’ve bought and sold but I don’t regard any of them as a mistake. OK so I may have lost a bit of money, no one likes doing that, but I’d happily have paid what I’ve lost in total upfront, for the knowledge I now have as to what gear works for me and what doesn’t 😊 I just regard the money lost as the price of the journey.
    2 points
  29. I've ditched my rig and gone down the IEM route, my rig is now a Stomp and a wireless IEM set up. If you get yourself some capable in ears - the obligatory ZS10's have 4 drivers each side, 2 of which are dedicated for low frequencies - you'll still get the weight of a rig, just at a much more comfortable volume, at least that's been my experience. And even if I say so myself, my rig that it replaced was a very capable set up! The quality of the models in the Stomp are virtually indistinguishable from whatever they're modelled on, the few models where I've used the physical version are so close I suspect few could tell them apart in a blind test. I've been through my fair share of drive pedals over the years and IMO the Stomp beats many of the analogue pedals that I've tried. No longer do we have to put up with fizzy, thin sounding Sims. The drives have the weight, colour and touch dynamics of the real thing. Add in the ability to use crossovers and clean blends, not just walk th drivers but with everything, and you have an infinitely configurable unit. The amp and cab models are excellent too, I've not had hands on experience with some of the amps that have been modelled but they do sound like a real rig to me. The SVT model has that low end sludge and top clank of the real thing. Last night I gigged using the Cali 400 model, the gain was set so that when playing normally the tone was clean and fat but digging in increased the saturation and gave that chewy, rich, compressed edge that valve amps give when pushed. All this at a volume that doesn't make your ears ring or put your back out when lugging your gear around.
    2 points
  30. Single coil P-basses have replaced Peavey as a passion of mine. Apart from looking great,IMHO, they sound great with flats or tapes. Another passion of mine 🙂 After trying various single coils I came to the conclusion 1 sounds pretty much like another. Bit of a blow that,especially when you like tinkering. A thread on another forum, (No Love for Telecaster Basses ?), has been a source of fun and inspiration. It was there I heard folks mention the Dusty Hill custom from Seymour Duncan. $140 + shipping + VAT and import duty ! To a fella who thinks all single coils sound roughly the same !! Madness !!! Not that mad,I knew there'd be a solution 🙂 I'd swapped the £8 single from China (very nice) back to the Bloodstone 51 and was enjoying the bass . Still had the 28K Dusty Hill niggle so got in touch with David at Bloodstone to see if he fancied making one similar. David was up for it but warned me 28K on a single coil was a big ask.Knowing nothing about making pickups, I told him Id leave the details up to him.He did explain the problems, wire gauge vs available space/gaps between coils. Only input I could give was Id heard the Duncan was bigger than a standard single coil and since I was yet to cut the body there was no fixed size. David had some 28mm alnico 5 slugs from another project then set to work. Projected build time was 3 weeks but it was done and dusted in 3 days 😎 Work hampered the new build so it went in the pine slab yesterday,sunk the pickup cavity by 10mm. It's a monster !! Not fitted in that photo,next to the 51 so you can gauge the size. Wired in series to keep it simple,Dusty's has series/parallel & tapped options Does the fella who thinks all singles sound alike still think that ? Give me a week and I'll know for sure 😀 ps David was brilliant. It was over my head but he kept me in the loop so at least I felt I had some part in it. Length of time to build,communication and the price were all fantastic. We have some great people in this country and I reckon we should look to them first.
    2 points
  31. The BF SC provides an unbeatable combination of portability, at just 23 lbs, and power handling and the OP is a great person to deal with. My bandmates still can't believe how light mine is! GLWTS.
    2 points
  32. As promised: NBD! I love the bridge pick up! It's an absolute beast! Was initially overpowering the P which was completely unexpected, but after tweaking pick up height they seem nicely balanced. I'm new to 5 strings, it needed a fair bit of setting up (still does), there are some sharp fret ends above the 12th, and the strings are beautifully gunked up with some other guy's skin, but...with a bit of love, I think it could be a thing of beauty. And of course, the picture:
    2 points
  33. Quite surprising how many templates I've ended up for these mini basses whilst trying different things out!!
    2 points
  34. This is a board I’ve put together in the last few weeks. A board for all occasions was the cornerstone of this set up so;- Wired or Wireless > HXFX > backline or Wired or Wireless > HXFX > backline > DI to PA or Wired or Wireless > HXFX > Bass Fly Rig > PA The HXFX does a cracking job of covering all the effects I need & is a very easy to read tuner! 😆 The board is a Pedaltrain Novo 18 (with flight case) It is powered by a Strymon Ojai R30 & I have got to give a big shout out to two BC’ers for helping me out with this; @obbm for making an excellent current doubling cable to connect the Ojai to the HXFX (two 2.1mm outputs into a single 2.5mm input, centre negative polarity) & @Jack for responding to a thread I posted & pointing me in the direction of obbm in the first place.
    2 points
  35. 2 points
  36. This must be some sort of disease... This is already outdated 😳🤪
    2 points
  37. My new pride and joy : the only Noguera Yves Carbonne 8 Fretless right handed...
    2 points
  38. I got the above amp from Thomann’s in Jan this year. Ive used it for half a dozen rehearsals but no gigs. I still prefer my GK MB800, but got my eye on something else as well. As with all my gear condition is as expected, as in nothing to complain about, and Ive never had any issues with it. I still have the box etc, and I’ll throw in a TC Electronic amp bag that I got a few months ago (cost £55), and a 3rd party 3 way footswitch that works perfectly to turn each tone print on and off, and mute the head. Collection from EC1 or SE1 only at this stage, as I prefer not to post these things. Pic will be added over the next day or so. Cheers. Dave.
    1 point
  39. This is one of my favourite features. An FX Loop for inserting your other effects, that can be placed anywhere in the signal chain. Like you, I would want to put one of my filters and the Future Impact in it's loop. I just picked up the Morningstar MC6 to use with the Stomp. I'm now envisioning their ML5 in the loop of the stomp, with the filter in one loop, FI in another... The MC6 could switch presets/patches on the Stomp, as well as turning on/off multiple separate pedals at a pre-determined point in your signal chain, but more importantly, that can all change per patch! Lots of possibilities!
    1 point
  40. I’d contact Ashdown themselves for their advice on this, they’re on here: @Ashdown Engineering
    1 point
  41. Bought an amp from Paul, he's a great guy to deal with, very friendly. The amp was immaculate and just what I was after. Thanks Paul! Sean.
    1 point
  42. It’s like saying “don’t watch youtube! Ever” Tuning by ear comes with time or not at all. It really doesn’t matter if you can’t do it. I still can’t get it right and you know what ? The sky has not fallen in. I don’t see the harm in ten minutes of random notes or noodling to a simple drum beat (as part of a balanced practice routine). How else will you gain the confidence to play with a drummer without the crutch of a metronome?
    1 point
  43. These are cute - after a couple of goes with 32” I must say it’s not for me. but telecaster shaped basses (baron/asat) really work visually for me. G is a top bloke, love the guy. Buy with confidence.
    1 point
  44. I’ve always had a problem with Ric basses. I love the way they sound, but have always thought that a neck through construction is somewhat negated by routing out massive chasms for the oversized pickup surrounds, all to accommodate a pickup that’s smaller than a Jazz bass unit. exhibit A:
    1 point
  45. Movingly fairly off topic but it's in the drummer's 'about' blurb, and it's something that bugs me. Surely he's based in Atlanta, if he's based out of Atlanta he could be based anywhere, couldn't he? 🤔
    1 point
  46. Ok, so we look a bit bored and stiff... we were missing a guitar and the sax player, and personally I was struggling physically a lot. Not the best night to have a gig... but it was my first with my new bass so here it goes, Sea Bass Kid playing "Smokey Home", one of the tracks in our new CD (almost ready!)
    1 point
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