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Showing content with the highest reputation on 07/10/19 in all areas
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Since the demise of my regular slot in the rock band, I've been dabbling in a bit of mainstream jazz and latin stuff - trying to get a handle on walking bass but not finding anyone to give it a go with me. Actually, I did, but after saying they wanted me to play with them, they then wrote back and said they had no drummer so it was a no go. Hmmm. Anyway I went along to play bass at the local jazz jam. Very low key, low stakes stuff. Turns out that night there was nobody else on bass, so I had to cover the whole evening straight from the chord charts. On the strength of that I got asked to be the 'house band' the following month, do a dep on a gig last Sunday, to be the bass at the next jam and to join a jazz band as bassist. Shows you can fool a lot of the people some of the time. To be fair, I know the repertoire inside out - but as a listener, or a saxophonist. I'm less secure with all the walking bass patterns - I'm sure the low riders in the audience are cringing. But the drummer at the dep gig said how much he enjoyed playing with me - so there's that. I think the point of this is that I got over the imposter syndrome for a moment and made myself just do it.5 points
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Here you go.5 points
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I've had three custom builds over the last 15 years or so, and I've moved them all on for various reasons. They rarely turn out quite as you might expect. That's not to say they've been disasters, far from it, but I'm not sure the dream bass is really attainable, perhaps only a good compromise at best. To compound the problem, a few bass makers I've had dealings with have had rather rigid ideas of what a bass should be like, right down to the type of strings you should use. Some appear to only be willing to entertain making an instrument the way they think it should be, as opposed to the way you might happen to want it! Don't get me wrong, I'm not a luthier, so I'm very much up for taking advice on what may or may not work, but I've found it can be a bit of a tussle to get what you want sometimes. The fact I no longer have any of the customs I had made may indicate that some of my ideas were flawed, or my expectations were unrealistic, of course. My fourth custom bass arrives later this week! If anyone's interested, I'll let you know how it turns out...4 points
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Sandberg TT4 Super light. Mine is 6.58 lb / 2.9 kg It's fantastic.4 points
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I have a PA sub for sale at £550. I got an offer of £200 because all 2nd hand speakers are past their best. I told him he best not buy it then. He said no one will. Be prepared for dickheads too. Always post good pictures and indicate any faults/ damage. The other thing is courier. If you can arrange a courier, you will probably get a better price. I'm not sure about insuance with couriers as they are all different4 points
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A glorious mini fridge in perfect working order that comes with Roqsolid cover. Shows some signs of wear and is USA made. 4 ohms cab that is thunderous and has an amazing tone but is just not getting used anymore. Has been in safe storage for a while. South Wales area but willing to courier if you arranged it. Priced to sell. Cheers, Dave.3 points -
Yep, NBD.3 points
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For anyone who was here ten years ago, you may remember me and my blog. Under the old forum format and with the original Photobucket, there was a fair amount of content that was put up on here and I kept in touch with many of the members via PMs but with the change over, mine and everyone else's didn't make the transition and I sort of lost touch with those who were around at the time, along with all the information that went with it. The blog carried on but due to my personal circumstances, less content was posted but as of yesterday, the beginnings of my ramblings are now ten years old, with 250 posts. So, Hi and thank you to all those who have visited the blog over the years - I am now hoping to get it back into gear and put up more content. Bass and Guitar Collection Blog Anyone from days of yore, would be great to hear from you. Cheers.3 points
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I like it that he won't send you the wiring diagram, as if people are beating down his door for it3 points
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Will be covered in biro by the end of the week.3 points
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Next time use this...3 points
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Ready to start painting 🙂 First coat applied to the bottom.3 points
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For me it's just how ballsy it sounds. It is lacking in treble but, in a gigging situation, that doesn't really matter. And you can actually get more highs when you work out how. It's just a workhorse, no nonsense gigging amp, and at a sensible price. All you need and nothing you don't. Frank.3 points
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3 points
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An Overwater PJ Custom with possibly the highest spec available and some extraordinary bespoke appointments. Completed in June 2018. Poplar Burl top on a two-piece centre-jointed alder body with black pinstripe (the second instrument I've owned with the Burl and from the same log as the facing on John Entwhistle's bass). The burl is also used for the facing of the headstock. Exquisite Birdseye maple board on a flame and Birdseye neck - the timbers used throughout this bass are some of the most beautifully figured that I've seen. Black hardware including the Overwater bridge and string retainer unit. The bass is passive (sort of) but has the Overwater/East buffer circuit. This works extremely well to deliver with extreme clarity (and boost) the core tone of the bass/pickups. The bass is supplied with two sets of pickups - the PJ set that it's currently wearing (in rectangular covers) and a humbucking set in similar covers. The bass is also supplied with its certificate and spotless/as new Overwater branded Hiscox case. There's a story to this for those interested. The bass was originally spec'd by an extraordinary aesthete of this parish - this man has an eye for detail beyond even mine (and I'm really picky). It was supplied originally with a personalised logo at the 12th fret and the whole build was extended as the purchaser pondered multiple detailed additions and enhancements throughout the build process. The result of the attention lavished on the bass by both the purchaser and Chris and his team was quite something to behold - the bass was also a seriously expensive investment (really expensive - somewhere around £3400 I believe). This is where I entered the scene in late 2018. The original purchaser had a change of heart and I picked up the bass at a good price. I'd decided that I was in need of a 34" scale that could be a racing machine... (yes, I know). I'm really a short-scale player but wanted a 34" that could play as easily and as fast as a shorty. The bass was everything that I'd hoped for, but in the search for absolute perfection (we're talking real margins here), I sent the bass back to Chris to have the logo replaced, have the frets dressed to facilitate a stupidly low-action, have the nut replaced with something really bespoke in connection with the latter, and have a set-up with super light strings (35-95) and an action down to the limits. Chris did all of this to a superb standard and charged me accordingly. I hate to think what the bass has had spent on it but probably somewhere around £3750 in total. Now, after a change of heart myself and the need to pay for a fretless, the bass is up for sale. I'm not particularly sentimental about basses but this is one that I really don't want to sell. It's been a major investment of time and cash and does exactly what I want, and the body has the most beautiful contouring that I've seen on a P (something that is really important to me - take a look at the images - there's an organic quality to the carving, the body is like a pebble washed over tens of thousands of years). So, that was quite a long way to go about it, but here are the basics: Precision body with PJ or double humbucker configuration (both sets of pickups supplied) Burl poplar top and headstock facing (with Birdseye scratch plate with a black laminate) Alder body - two-piece, highly figured timber Birdseye and flame maple neck with Birdseye maple fretboard - 22 fret 34" neck Black hardware including Overwater bridge unit and hipshot ultralite tuners Nut width approx 41mm (1.62") 19mm string spacing (adjustable) Passive but with Overwater/East buffer circuit (1 x 9v battery) Through body stringing Weight is around 8.8lbs (I think, I have no easy way of weighing accurately) - superb balance Supplied with Overwater branded Hiscox case, and original Overwater CoA As above, the bass is set-up with an extremely low action and d'Addario nickel rounds 35-95 - I find these to have a fairly low tension (a particular favourite). It is around 16 months old and in absolutely mint/as new condition... apart from one tiny, extremely shallow impression on the neck behind the 11th fret. This is a short line and is impossible to photograph, though it can be felt by rubbing a finger over it - it has no impact on playability and is barely there, I just want to mention it for full disclosure. I didn't do it and it seems to have been something that occurred when the bass was back in the Overwater workshop. It doesn't bother me at all and is truly tiny/insignificant. In sum, a beautiful, bespoke and custom bass with many really high-end and very well thought-through appointments. The instrument has had a lot of money spent on it. We all know about Overwater quality and this bass would grace any stage or studio (Overwaters record beautifully and thus are the choice of many pit players and studio professionals!) I'm not a massive fan of hyperbole in adverts, though I think this bass probably merits it. It looks stunning - it's my partner's favourite in terms of looks (and she's picky). It's one that she doesn't mind seeing on a stand around the house (and I happily oblige). The neighbour's cat also loves it (mine evidently couldn't care less). I think that £1650 is probably a very reasonable price and I'm taking quite a hit at this, thus I'm pretty firm on it. I'd prefer collection from Manchester, though I can ship at the buyer's expense and risk (I can check out insurance if necessary). I can ship to the UK, most of Continental Europe and the US. Any questions please just ask. Apologies for the fairly poor quality of the images - Manchester is devoid of light this morning (indeed, most mornings). If you need any further images, please just let me know.2 points -
This is a Fender precision USA Highway One Made in 2008. Thanks for the info on that Karl. It's in great condition as you can see from the photos. Couple of light blemishes, but really nothing too bad at all. Sounds exactly like you'd expect a P bass to sound! Currently strung with flats. Comes with spare torte pick guard, that I quite like too. Apparently these are meant to come with a different bridge. I don't have the original, only this one. Neck is pretty slim. Definitely not like a baseball bat. Happy for you to come try it out. Can courier, but at the risk of the buyer! Any questions, give me a shout.2 points -
I’m hovering over the warning button ⚠️2 points
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Mainly into off topic... 😂2 points
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Just to add, I took the drivers out and although they were Eminence, someone had used a knife to cut away the model no's on every one and the area that usually bears the model name on the magnet sticker was blank. They are a type of 16 ohm driver that look a bit like the beta (250w) and delta (350w) but with a mix of traits from both. The magnet was delta sized but the shape and design of the cone beta sized. Maybe some weird OEM custom job? The actual cab itself was manufactured by Carvin but I know for a fact that the speakers are aftermarket.2 points
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Thanks for all the help and insight guys. I also moved house the same week so everything has been a bit chaotic, hence the late update. Panic over. The lovely people at Lean (https://www.lean-business.co.uk/) sorted me out just in time as at that point the thread seemed to be pretty much in favour of replace>repair. Cannot recommend them enough, a really lovely couple. Gig went really well and the cab sounded monstrous all night pushed to extremes by the weird and noisy bands on the bill. As an aside, the mad squat party was far better organised than the two mainstream clubs we played last week. I'm going to attempt a fix on the damaged speaker, so will give it a go and update a little later down the line along with photos. I'm reasonably handy but not so with intricate/technical stuff, luckily it doesn't really matter if my patient doesn't pull through!2 points
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No, no don't do that, that wouldn't be right.2 points
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Nobody notices the bass player in a Jazz band unless he catches fire.2 points
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It will do exactly that fattening up thing. It'll add weight to the notes as well as volume compared with a 'normal' class D amp2 points
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I'm using PVA glue - all I mean is I give it 2 coats of glue on each bit, no need to let it dry first. They joints go together fine, no sanding of panels needed for me, as long as you have enough clamps. I'm just trying to avoid dry joins as its very absorbent ply.2 points
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Baffle painted with matt black spray paint bought in Proper Job. It came out more of an eggshell satin finish but I'm happy with it - it will match the satin Tuff Cab paint nicely 🙂2 points
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Monday morning bump! The Super Compact works great with lots of different amps. I know, I have used an Orange Terror, Mark Bass TTE500, Ampeg PF500, Ampeg PF50 with it!2 points -
Hi I can make it. will bring Ken Smith, Wal and Markbass ninja head and ninja cab2 points
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I got a bedroom in the new house, just putting it together. I’m going to put a couple hangers in place of the rack, but I have a single stand for headlesses.... and necklesses....2 points
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Its the sound more than the size. I've had loads of class D heads and this is the only one I've found that has proper slam to the sound - its got real girth,warmth and shake to it. Slightly unusual controls but after you've spent 10 minutes tinkering with it everything becomes easy to understand and dial in quickly. Its a bit treble shy but it's stupidly loud whilst staying clear and just getting bigger as you crank it up. I love my BB800. Oh and it fits in the front of a gig bag too....😉2 points
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He certainly is a lateral plucker!2 points
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I’ve managed to commandeer a bedroom on the top floor for my gear ( my wife got the ground floor office). Not pictured is the king size bed where I can often be found when practicing gets a bit too emotional.2 points
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I actually have 3 rehersal spaces ( this sounds like it should be on the "Meeting new people" - bullsh!t Bob threa) I have an amp and a couple of basses in my office, which is just a tiny room. I use this mainly to learn songs or grab a bass for a quick noodle when I'm working. Then there's my band practice room, which is a decent sized space where the whole band can practice. Then there's my BAR-N where we can have parties and play gigs. Sadly all now irrelevant as I no longer have a band to play with.2 points
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For sale or trade is my Seymour Duncan Studio Bass Compressor. The pedal is in mint condition, could easily pass for a new pedal, aside for a few small scratches. This is a great and transparent compressor pedal with a control layout that's very easy to use, even if you are new to compression. My favourite feature is the blend know and the 3-way switch that allows you to pre-EQ your blended signal - you can add more bottom end, more mids or just leave it unaltered. It's very easy to dial in the right amount of compression, I usually kept it fairly low, as I don't fancy a lot of compression in my sound. This pedal works well at the beginning of your chain or at the end of it as well. You can use this as a booster pedal as well, keeping the compression low and using the level know to boost your signal. There are multiple reviews on YouTube, if you'd like to see what this is capable of. From what I know, it's used by Ben Kenney of the band Incubus. The pedal comes with the original box, manuals, stickers, etc. It has a new battery installed as well. I am open to trades as well (pedal + your cash, or pedal + my cash for more expensive options). Currently, I am looking for: a tuner pedal (something small, like TC Electronic Polytune mini, but can consider other options) a low-gain overdrive (MXR PorkLoin, COG Effects, etc.) an expression pedal that works with Line 6 HX Stomp an octave pedal The sale price is £90 shipped 24-hour tracked within the UK. Thank you for looking!1 point -
Thanks @itu, some good info there and I'll watch the clip later when I've got some peace and quiet. @Reggaebass, I know what you mean. There's something 'mad scientist' about them that this glowing glass tube is amplifying my sound.1 point
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Yes and India.1 point
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Bought a Limelight bass from Kevin yesterday. Great bloke to deal with, guitar exactly as stated in the ad & sounded brilliant through his Markbass rig - so good, in fact, that I traded my current amp in today & bought the Casa which sounds great with my BF cab. Top man, buy or sell with confidence.1 point
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If you're not interested in the Amp Modelling technology, then the HX FX would be the best option IMO. One of the benefits is that you can keep your current set up, and just use the HX FX for effects, as you've been using the Zoom. Another benefit is that the list of modeled effects is still growing, so if you keep the unit updated with the latest firmware, then you should have a relatively limitless supply of effects on tap to play with. If that's something of a "Sledgehammer to crack a nut" approach, then maybe look at something like the Zoom B3/B3n, the Line6 M5/9/13, or something like a Boss GT-10B. Older technology, but they still work.1 point
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Hard to say from a photo alone, but it's likely that one valve may have been running hotter than the other. With an amp like this that's been out of use for years I'd really want to do more than visual checks before powering it up, like checking that the bias supply is present and correct on both EL34 sockets. But it might be wise to find someone who's familiar with doing this safely.1 point
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Wish i'd known about this1 point
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I have rehearsed and gigged with the bass now, in fact I'm using it for a lunchtime gig tomorrow. So far I've replaced the pickup, it was originally an Entwistle but I tried a generic one that I got from AxesRus a few years ago that I liked due to it's big dynamic range. It's a bit clearer than the Entwistle too. It cut's through nicely without being too loud, great in the folk rock band I'm with tomorrow but not big enough for the country rock trio that I also play in. I've replaced the strap buttons with piano frame bolts (they hold the frame to the case) , this extends the position of the strap and improves balance. I can't stand those piddly little screws! There is no way these bad boys are working loose.1 point
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Slow dancing in a burning room - John Mayer1 point
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Yes, you can do a temporary repair, but the right thing to do is replace the driver. It's such a simple job. But made harder for anyone to help the OP as his cab is anonymous. Given that the cab is a secret, you take the front grille off, undo the screws/allen bolts holding the driver to the front of the cab, gently pull out the driver and disconnect the two cables running to it (making a note of which one went to which terminal on the driver, albeit that they'd hopefully be coloured red & black). Look at the brand and model of the driver, which should be printed on the back, then Google is your friend to find a replacement. Installing is simply the reverse of the operation.1 point
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I have a tce chorus/pitch/flanger. It should be the crème de la crème of all pedal choruses. It may be so, but it cuts the low end. I have tried it with double bass and electric, but no. Then something happened along the way. I decided to buy a X-over. Now I have a very, very functional chorus (and a flanger), that is cut from 400 Hz downwards.1 point
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'The Changingman' would be a good name for a clothes shop.1 point
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I've patched up guitar speakers with a flexible glue and pieces torn from coffee filter paper. If you colour the papers with a black Sharpie first, and tear the patch so the edges are feathered the repair can be fairly discrete looking. And if it does change the sound a little, you have a good chance of not noticing given that it's the bottom driver of an 8x10“.1 point
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(Looks up human anatomy.)1 point
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I'm afraid as my playing came from the generation before i.e. Guns N Roses / Quireboys etc, this was the death of my era so I took an unnatural aversion to all of this. With hindsight I probably closed my mind and ears to a lot of new music but I wasn't ready to see the back of the current crop.... even though I'd be first to admit that the record industry had seriously diluted the talent pool with the likes of Warrant / Winger and those awful newer bands (at the time).1 point
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It is I, wobbling about at the Birmingham 02 back in Feb,1 point
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A friend of mine is a bass player in a heavy metal band , and has said I can step in and play a few tunes if I want, I might try it just for the experience 🙂1 point
